THE DIAPASON AN INTEIINATIONAL MONTHLY DEVOTED TO THE ORGAN AND THE INTERESTS OF ORGANISTS
SixtY-JourOI r ear, No. 6 - Wllole No. 762------MAY,-- 1973------Subscriptions----- $4.00 fl year - 40 cents a copy Can the organ be regarded as a viable 20th-century instrument. or must it more properly be relegated to the position of an 18th-ceutury museum piece? Skep ticism in this regard has been expressed by no less a composer than Stravinsky. Insight into " more a£firmative solu An Introduction tion to this existential dilemma can be gained by examining the personal reo sponse of at least onc contemporary compo.5oC t , William Albright; for, as Rob To the Organ Music ert Noehrcn. and perhaps others as well. has said, "The Taison d'/ Irt: for any instrument is the music written lor it:' It i!l a frequently cited historical "fact" that few composers since Bach 01 tVillia,.. Albright of any signiricant recognition beyond the mWly walls of the "Ofl?" world" (with the exception of Messiaen) have By Edwin Hantz shown any genuine and lasting mlerest in the organ; that is, until recently. AI bdght exemplifies the ren~wed interest on the part of contemporary composers in writing for the organ. As is common among contemporary composers. AI bdght is keenly aware of the historical position of his aesthetic stance. He rec ognizes that for the organ to become a viable medium for communication to day. it mllst be demonstrated that the organ can speak to contemporary can and in the language of the times. Much published writing. in fact, has been given to the expounding of the many innovations (at least in the organ lit erature) that are exhibited in Albright's music. Unlike many contemporary com· posers. however. Albright does not tum his back on the specter of tradition. On the contrary, Albright delights in conjuring up the ghosts of the past and granting the rich organ tradition a vital and living share of the present. IL is the balance of the old and the new. and the conflicts inherent in their coexistence. that I find most fascinat ing in Albright's organ music; and ac cordingly, equal emphasis will be placed on both tlle traditional and novel as PCCl'i of the music.
Before discussing general questions and problems, descriptions of the works to be considered are o(£ered. Whenever possible, I have let the composer speak for himself. as I generally agree with Albright's own assessments of his works, William Albright and see no point in rewording what Al bright has already said. From the ways in which Albri~ht describes his music, one can also gam some insight into his broader attitudes, especially concern son (who commissioned it) ; and all of three, (We will dub such a passage a shifts of the "Tremolando Tempestuo ing the organ and its literature. the works are perfonned on the four " freakom.") The central section is an so: which follows shortly afterwards, is First a word about notation: the no manual Frieze Memorial Organ in Hill exposition of the third side of the trill a veritable orgy of sOllnd and sighL It tation of Albright's music is for the Auditorium. the University of Michigan. melody·chord triangle. the relationship is a current trend of contemporary mu most part self-explanatory. and weU Ann Arbor. All of the compositions also of melody to chord (or harmony) • As a sic to consciously program the visual wi thin the framework of contemporary received their premiere performance on whole. the piece is. with regard to the aspects of performance into a composi notation systems. Where necessary. care this organ. appropriate parameters. an expanding tion. and Albright, himself. has also ful explanations are gil'en by the com Juba (an African-'Vest Indian danCe textural (and dynamic) wedge with an composed so·called "multi· media" works. poser, either in the body of the music tiLle) is a work. "frankly virtuoso, highly interruption (the middle section). The Pneuma explores "points of tangency or in a foreword; so. I will refrain chromatic. but with clements of lyr understated ending is an unexpected between a totally chromatic (atonal) from commenting further on the nota icism." "The most difficult passages are touch, typical of Albright's wit and mu approach and a strongly tonal one. For tions as such. 'Vhat concerns us is a those that reOect the restrained 'rage' sical intuition. The varied timbral reo example. in the fast passages that seem reference problem. Since many of the of the organ - a caged beast bellow sources of the organ play an important superficially atonal. the individual ele pieces are notated "spatially," i.e., with ing in frustration and anger" - an part. also, in the textural buildup and ments arc most often familiar tonal de out bar lines, I will refer to page and emotional condition, I might add. in sectional contrasts. Timbre, per se. is vices: major-minor triads. scales and ar staff (brace) follows: in a given as which an organist might also find him probably less important in Juba than peggios." Albright, here, has illustrated. piece "(10. 2)" is to be read, "page self in the early stages of mastering in some of Albright'S otber composi the first of what I believe to be the two 10. second staff." Unfortunately, It is the composition. Juba is in three major tions; however, Albright's registration principle paradoxes with which Pneuma difficult to pinpoint spots any more ac settions. each motivated at lC35t in for the piece is given in the front of curately than this. but the specific ref deals: what happens to tonality when part by the development of textural the score and examination of this would it occurs either too fast or too slowly erences should be clear from the context Ideas. As will be shown in more detail be an interesting enterprise, in itself. to be easily heard as silch. More will of the discussion. later the manipUlation of texture as a Pneuma (meaning "soul" or "vital be said on this aspect of the piece laler. Albright bas written four major or generator of form is one of the central spirit'') has to be seen as well as heard The second paradox concerns the mat gan works. In chronological order of ideas of Albright's music (and. in to be fully appreciated. especially as ter of apparent motion, both local and date of composition they are: Juba fact, of a great deal of contemporary perlonned by Miss Mason, or another over longer time· spans. Pneuma, like (1965), Pfleuma (1966), Organbook 1 music). The primary catalyst in Juba organist of her technical and musical ]uba, is a sectional work in which the (1967). and argo.book II (1971). Some is the idea of trilling. The relationship caliber and showmanship. The "down sections are distinguished by strong tex further specifics are as follows: Juba of trill to chord is shown on pages 2-3 beat" to page 10 is a case in point. tural contrasts. Pneuma is. in fact, a and Pneuma are published by Elkan where the mUltiple trills expand into (See Ex. 1.) This follows a general dramatic "rondo" in which the odd Vogel. and both Organbooks are pub the rapidly broken chord (what we will cancel! The effect of this reminds me numbered sections - pages 1; 3; 5; and lished by Jobert (U.5. representatives, call a "noodle''). and then contract of a particular style of organ playing 10. 1-3 - are contrasted with the "freak. Theodore Presser). Organ book 11 has again into a static chord (3, 3) • The re in which arrival points are inevitably outs" of pages 2 ("poco 'Scherzetto' been released on Nonesuch H-71260, and lationship of trill to melody is synthe delayed, for expressive effect, by the (frantic) .~; 4 ("Furioso'~; 6-9 ("Furl. the other pieces appear on Composers sized in the frantic angular melody performer. What is being arrived at, by 050''); and 10, 4 to the big G minor Recordings. Inc., CRI sn 277; the com marked "with furious energy" which the way, is the dominant. (See the dis chord of 12. 4 ("Tremolando Tempes- poser perlonns all the pieces except fonns the crescendo at the end of sec· cussion of pitch resources. below.) Also, Prleuma which is played by Marilyn Ma· tion one and comprises all of section a lively perfonnance of the manual (Conlinued, page 4) To the U.S. Postal Service - With Zip THE DIAPASON _ ... 1011Hl11 ScrviCCI arc ncccuary to our present-day qualil)' o( lifc, particularly in our 1cchnologital met)'. Ho,,- our stlTCts arc maintuint'd and lighted, gelling our prbage rnnovcd, police and fi~ protc:ruon, and Rlud. morc, ddcmlin~ bo,, livabh: and lolC'r.llblc our em'ironment is. Such a xnicc 0lJ mail dcli\'uy is an Important poart or our life. And we have: a few WOl'Ils ..bom our mail ddh'cl')', S. E. CRIJENSTEIN. PoJoIloh •• 111109·1957) lite U.s. Postal Senicc. During the past yrar, we han been reech'ing inar;uing numben of complaints MAY, 1973 .O".T SCHUNEMAN about the late dclin·ry of THE DIAPASON. Indclu, the complainls are not EoIII .. limited to the dcUvcl)' of the magazine, but tbey arc also ina-casingl)' un oldng the time which it takes to get a lint·class letta dclinred (important to w be DOIOlMY' 10SfI FEATURES cause or deadlines). For o::ample: a fmt class tetter from Montreal in January e.,si" ... Ma .....' took 16 days 10 rrodt WI here in ChiClgo. For example: a lint class letter mailed An IntroduetloD to tbe 01"9C11l Music 01 WllilellD Albrlqbt from our oUicc in Chic:ago last Can requirro 12 days to arrin at its d(5tinalion bJ' Edwin Hcmb WULEY vas 20 blodta north or our omce in the same dty. For example: our F~bruar)' issue A ...... '" fal,., ~ mailed £rom Cllimgo on January 31, 1973, but "":llI not rt."Cch-ed by rraden Max Regoer: AD AppredadoD in the New York area untU the last week o( February. For example: it takes a bJ' Paul A. Plsk 14 leu" (ewer day. to reach our orficc from London or Pam than it d0C5 for one o( our leuen to be deJinn'll in Pittsburgh, Los Angcies, or Nt.·w Vork. (This REVIEWS mold ~t to be a ridiculow paragraph if we wcre (0 oontinue these "for ex An 'n'_medlonol Hon''''_ Dnol_d lie Ralph Kirkp:rtrlek. laarpt;k:bordlat ampl~" •• .) .". Or,an aad 10 Or,orUda a.d bJ' Lcmy Palmer 7 Ch_hM..... Well, what "'·c 3I"C: trying to say hc=tt is that thc U.s. Pmlal Sen-icc is deteriorat nlem rcadcn know (hilL But Pm131 Hew 8ook11 ing. We imagine that of our the Stnice has bJ' Lee Garrett aad a way 01 a\-oiding IImt fact, and we inevitably scnn to get bbmed for publisl. Robert SchunemaD 10-12 l''''~ ing: laiC "cry time the .'OIlal Sen'ioe takes ill 5Wttt lime in delinring the EdUorlol ..... B..... Oltk. Douqlaa lutler. oJq1lDwt magazine. We (and we bet most of our rcaden, alone lime or another) h.n-e bJ' Barbara OweD 14 434 Soul" WobcuJ. Aon... , C"k... ) tried every method of complaining about ii, both orficially and unorficiall)'. Hut ID., 80805. 1'./qIoon. 312.HA7-31•• nothing seems to dent the impcnious bureaucracy oC the P05lal Sen-icc. C)"nicatl)' EDITORIAL 2. Subacri,,'lon ,mn, '4.00 " .,,,.r In .. oane•• S'ns'. eo"i., 40 emb. Bac. (which is what this rditorial is all about) we have tried 10 Jin with the facL LETTERS TO THE EDITOR 2. number. mar. ,"an 'IDO .,•• r, old. 78 Wc COIn assurc all o[ our rraden that during thc past year, THE DL\PASON NEW APPOINTMENTS 2. ceon". Fo,.isn ...b.eri"".,.. mUIC .. has been mailed no later than the 2nd day of the month or the issuc, and the JHlld in UnUed S',,'e, fundi or 1M mailing has most often been completc on the last day of the month preceding. HARPSICHORD NEWS 6·7 .qul"'.,.' ,Ii.,",. J( your issue of THE DIAPASON takes a tong time to ft3ch you, blame it on the Postal Sen'icc. (How'. that for throwing the ball into Ihe olher guy's back COMPETmONS: Report. 6 NotJCH • yanl?) mmCD~m 9 Ado_r''''''. ra'., on o,J,.lIe,,'fott. Seriowly, we wiah that there were something that we could do to impro,-e this CALENDAR 20·21 slow delivery. But nothing .hort of stifC competition (rom attcrnati,'c mailing Rouline item. lor publication mw' b. systems, .. massive popular uprising, or a mir:lcle, will prooobly do any good. In ORGAN RECITAL PROGRAMS 22·25 r.cdfld no' ',,'er '''on ,It. 10'" 01 ,,, the 1QQntimc, wc ftlggt5t that you complain to C\'cl')'one that l'oU know, orficially mon'" '0 GNUr'e In ..... 'on In ,h. u.. CLASSlnED ADVERTISEMENTS 21·27 lor ,It. nat mOR.h. For r.elf,1I pro. and unomdally. At the aame time, be patient, know that ,,'C .:ne awatt of the ,rema cmd Gdoerflmt, COPII. ,h. do.. lituacion and doing e\'ef)·thing possible to gt:t your magarlne to ) 'OU the quickt5t AU aubscriben are urg£d to KDd In, do'. " ,h. 5'''. MoIft"Iah lor r .. ,,":ty po5Iiblc, and remcmber that mailing w material for delh'er), before a dead· oNto "flOel. ofll~. btl t"- mania of address promptly Co the Mould ,h. line may take a few more da)"!1 than }"ou think it should. ofDtt o( The DiapatOn. ChanlU Il•. Meanwhile, our rcscan:h and d"~lopnu:nt dh-ision here is working on plans ntUil rram UI bcfo~ lbe 15th of the foc .. new deUnry system th .. t invoh'cs a apace satellile which win pilch each month prcudiDJ abe date o( abe fint issue to be mailed to the new Seeond-c.... po""". paid .t Chf. copy of THE DIAPASON on .. homing signal (like a tIIwilc) directly to your co,o. ,n., and ", ruldilionn' ",amn, howe. It might be expensin, but it surely would sa'-c us lOIRe DC the grief addreu. TIle DiapalOn ClDnol pro vide duplicaee cor.ia mialed bttawe office. ,...,.d mon,h'.,. Tit. DID"..... which we endure at the momcnL of a lubsalber'1 ailure to notify. Oltk•• 1 ",,_allon, 434 S•• rIo W ...... - Robert Schuneman Aumu., Chlc.,o. IU. 80805
Letters to the Editor New Appointments HILLGREEN-LANE CEASES to his first aS6oclatlou with hr, p. OPERATIONS, JOINS MOLLER Moller in 1924. He spent two years at 'Vest I'oint on loan by MOiler to the East Stroud.bul'l, I'A Feb. 20, 1973 - Clmrlcs C Bonee, a member of the U.S. Government in 1930 and 1931 To the Editor: San Francisco Chapter of the A.G_O., Robert L. HilIgrccn. Jr., rresident of Concerning fires, let me add another terri· where he collaborated on the then new has been appointed minister of music the organ building firm 0 Hillgreen· ble lOIS to the list of tI,OSC totally destroyed. and very much publicized hannonic The Miiller and Abel (successor of Roosevelt), at the Shattuck A\'e. Methodist Church, Lane. Inc. of Alliance, Ohio, announces division oC the West Point instrument. St. Boniface Roman Catholic Churdi, Wil· Oakland, California. He began his du the finn ceased its operation on Mardi He was an early pioneer in the huild liamsport, PA, early in December, 1972 (exact ties on Feb. 25, 1975. I. 1973. Mr. Hillgrecn is joining M. P. ing of the pipe organ player and also date or organ not sure, but around 1895). Moller. Inc. o( Ha~rstown. Maryland in the development of \'ariou$ electronic I w.n orpnilt of the d&urch frum 19&1-66. Susan Br.lilovc h3s b~n 3ppointed manager of the music deparunent, suc :u. rcpresentative in Western Penns)l tone producing methods. Mr. Zuck was The in.trument wnt not ex:lctly in llreat shape vania, Eastern Ohio, and Northwestern instrumental in the development of ehe at tile time the church and olllan were des ceeding John Owen Ward, at Oxford Wcst Virginia upon the partial retire troyed, and efforts we", OOnll made to reo t:nivCfsil)" 1'fC'S3. Inc.. New York City. "OfgOltron," ehe fint electronic tone buik! the orpn_ The lire Ibrtcd in the church MilOS Rrallo,-c was graduated ctlm laude hlent of Victor I. Zuek. producing musical dcvice which was baw:ment under the albr and Ibrted the in music from Wellesley College. She The HiIIgrccn-Lane Org:lII Company produced by tJ,e Evcrett 1';ano Com· u.urch roof on fire. The churm aho contained was (ounded in 1898 by Alfred Hillgrecn pany and e\'entuillly by the WurlitlCT a act of eight bells In the to\wer - thele did postgroaduate work in piano and music composition at The Juilliard amI Charles Lane. Opus #1 of the Hill. CoOlp3ny of North Tonawanda, New were not d~trO)'ed, apparently. The organ grecn-Lanc rim) was buili (or the First York. For some years he was supe.-in w .. basically untouched, in that no one hllld School under a WeUesh.')' TTIIstee Fel made essential tonal clllllngl:S to the instru lowship_ Her choral and stage rompo United Methodist Church. Alliance. tendent of Wurlitzer's organ division, ment. sit ions have been published and peT 011io, an instrument which is stitt play and was the recipient of 13 U.s. patenl5 Sinee'TCly youn, formed. Miss BraUo\'!! has been with ing today, (tt originally was a two in the field of electronic tonc produc K. Bernard Sclillide the Oxford Unh'Cfsity Press music de manual organ oC 12 ranks and now is tion. When his patents expired III 1952 partment (or 18 }'CafS. a three manual organ of some 40 ranks.) he resigned his post 3t Wudiller, join New York, NY Feb. 23, 1973 - The final instrulllent built by the finn ing Moller as their sales rcprcsentati\'e To the Editor: Thomas Vcrrgge htu been appointed was Opus #1302 (or SL Matthew's Luth· for the Pittsburgh arca. In those 20 In addiuon to die recording of the com organist of the First Community eran Church of Medinil, Ohio, r~cently years Mr. Zuck was responsible (or some plete Widor .ymphonYI on the Cavaille·Coll Church, Columbus. Ohio. Hc will serve completed. The HlUgreen-l,.:1ne finn 350 organ projects: 250 new org:t.ns and ol"£lIn of St. Ouen at Rouen (described by ao; organist (or all services of the 4600- had built organs in all 48 of ehe ron 100 rebuilding project.s. David Fuller in "Playing tJle Orpn in tincntal United States, 4U well as Ha France," Feb., 1973), ruden may abo be in member church. and he wilt accom pany the 75-\'oice adult choir. Mr. Vcr waii and Africa. Some o( iLS proudest WILLIAM FERRIS, composer of L:l Gr.1nse. terated 10 know that Marcel Dupre recorded lIIinni., hAS received a lrant from the iJuud tile compkle "SymphoQie-PauioQ" and lC'Veral cggc Connerly sen-cd as organist of the instruments induded the organs at Christ Chapel, Gusta\,us AdolphUS Col WAy family or La Grange Park, 111.. to com of his .hort" .... orks on this orsan in October, Broad Strttt Methodist Churdl. organ plete a Iull-lensth opera, "Little Moon 01 AI- 1965, and chat this is available on Philips ist-choinnaster of St. Edward Episcopal lege in St. Peter, Minnesota, First Con ban," during the cominll year. In order to 835.763 LV. I p1U'Chutd the ftCOrd la Pan. Church, and more recently as assistant gregational Church in Minncapolis, and ACCept the pnt, Mr. Ferris hi rai,ning his and, to nly knowkdle, Philips b:u ~-" ex organist-choirmas1er of thc First Con instruments in Fort Eustis, Virginia and position M organist-cboinna.ter of Emm.llnual ported it Co tile Uniced Sl:I.ces; ftllden tr.1vell Fort Monroe, Virginia. In January. 1971 Episcopal Church, La Granlle, but he will re-. ins Co FraA~ may wi.h to look (or it theft, gregational Church. all in Columbus. Ohio_ RolJcrt HiIlgTccn, Sr. died. He had bttn main at cunductor 01 the Willillim Ferrh hown-cr. The \-alue of havill, the composer'. Chorale. own iI'terp~talion or this importallt work on active as president (rom tl,e 1930's un diac: is appaJ"Cnl. but I should add that M. Dale Wood has been namm lhe ne" tit the time o( his death. Robert Hilt dirt_'t:lor of music (or the Cathedral green, .Jr. was then namoo president. ELKAN-VOGE.L, INC.. a .ubaidiary "lIwe Dupre'. playinl is cluner And more excitin, publishillil finn or T"codo~ P,unr Co., than on many of his late recorW, and the School for Boys, San Francisco, Califor. Soon after the L1eath of Mr. Hillgreen, recently underwent a fCOrianiution. The orgaa MHlnd is mapifieent. nia. His wifc, Linda, will assist in the Sr_, the management DC the linn re following officen were appointed: Arnold P. Youn truly, Iowcr school, and th(.')' will implement soh'ed to complete the OULStanding con Broitlo. chairman of the board; Nichol.. J. Harold Sto\'er their own curricululII Cor grades I ttacts and discontinue operations. Rob Eisier, Jr., president; Gcol"Je D, MOIIIlII, viee through 8 in September. Mr. Wood is bert Hillgreen, Jr. is now becominJi as president; John F. Macomber. Jr., Irt&) widely known as a composer of church sociated with M. P. MOiler. Inc. Victor urer; and Norman AUernach, ,eerebry, IIIlIsic. He serves as :t contributing edi I. Zuck, representative Cor MoUer in lor (or the Jaumal 01 Church Mwic, PitLSburgh since 1955 will continue a DEPAUW UNIVERSITY, Grn:ncoutle, In THE SYRACUSE CHAPTER AGO .pon and he has written a monthly column part-time association with Maller and diana has announced tbat it will brak ,round sor-cd an adult ehoir festival with 158 sinlen soon lor the conllruction for a $1-million from 18 church choin partiapatins on (or Music Ministr), lince 1971. The Hillgreen ilnd will be a\'ailabJe for con· multi-structure perlonuinl aru comple.. h Marda 25 At Fint Baptist Church. SyraCUle, Woods will continue their work in the sultation with his many friends and is expected that the compla;, which will N.Y. Donald Miller, music faculty member music program at The £pisropal business associatcs_ house the Univenity'. School of Music and of Ononda... Community Collelle, was direc Church of St. Mary the Virgin in San Mr. Zuck hall had a colorful career department of .pcecia. will be completed in tor of the fCltint. Francisco. in the organ bwines.s, nretching back 21 montfu.
2 THE DIAPASON PETER J. BASCH RESIGNS CONTEMPORARY MUSIC AS A.G.O. MAGAZINE EDITOR AT HARTT WORKSHOP
Peter J. Rasch has resigned his posi l.e(:IlIH.'S hy C;tlh:lfillc CrUlier. Wil lion :1 " ('i1 ilOl" or .\lru;c/ tlu: A.C.O. and liam ,\lhri~ht , :md Daniel Pinkham will 1i ,C; .C; D . "'a~ a::i"(" His resignation was highlight the 3rd annual Contemporary dated ,\plil I. and to becomc effecth'c Organ Music Workshop ror organists as or JUlie 30, 19i3, Mr. Basch's resig alltl compo<;el"s, June 11 . 15, at the Hart nation was subsequently accepted by College or Music. University o[ Hart· Ihe A.G,O._ and he was immediately ford, Conn. Miss Crozier will lecturc on relieved or all duties and responsibili. "Our Avant·Carde Heritage." She will (ies rOl- the magazinc on April 10. discuss and play the PenlccG11 Mass by f\ residenl or Califon, Ncw Jersey, Mr. OIh'ier MeSSiaen. Mr. Albright's lecture Hasch had been editor or the Guild's is entitled "A Present and a Future ror mag-,Iline since 1968, He also was organ· the Organ:' Later in the week he will ist and choirmaster of the Roman Cath· talk about and demonstrate classic rag· olic Church or the Incarnation in New time clements in music. Daniel Pink· Yorl.. City during all of his tenure as ham's topic is "Tuning, Temperament Jomes Moeser has recently loined the the Guild's editor. He resigned his po· and Sonority Possibilities in Contem· list of artists represented by Ullan Murtagh sition at Incarnation Church in Febru· porary Music." He will usc the Hartt Concert Management. Dr. Moeser, univer· all' of this }cal" to becomc organist and College studio organ, tuned in equal slty orgonist alld cflairman of the organ choirmaster of Immaculate Conception temperament, and a Regal which can department at the University of Kansas. is Parish, Somen·me, Ncw Jersey, as of be easily tuned to diffcrent tempera. a native of Texas. He holds bachelor's and March 1. ments. maller's degrees from the University of Texas and the DMA degree in organ fram Additional demonstrations will in· the University of Michigan. His major teach· clude "group ImproVisation," led by 246th THREE CHOIRS Henry Larsen, and "The Sounds of the ers in this country have been John Boe. E. Emmel G. Smith, professor of organ at WIlliam Doty. and Marilyn Mason. In ad· FEST/VALIN HEREFORD Synthesizcr" by David Friend of ARP Instruments, Inc. Each e\'cning reatures Texas Christian University, fort Worth, dition, Dr. Moeser studied in Berlin and Texas. was one of two faculty members to Paris under a Fulbright grant. Hh major a concert by the Hartt College organ The 246th Three Choirs Festh'al will raenlty, students, and guest artists. The receive honors faculty recognition awards study there was with Marcel Dupre and Mi. hr held in Hereford. England from Au· for 1973·74 at the University. The presenta. chael Schneider. and he also studied harpsi· concluding program will be a recital gust 19 through August 24. This year's or contemporary works by Miss Crozier, tian was made at an honors day convoca· chord with Silvia Kind, and composition with program will includc performances by tion at the University on March 29. The Ernst Pepping and Joseph Ahrens. At the presenting a major new work by Mr. the Royal Philharmonic Orchestra, City Albright. New works by Edward Die· award is made through selection by students University of Michigan, where he WClS CI or Binningham Syhphony Orcllestra, the mente. Daniel Pinkham. Stuart SmitJl, participating in TCU's honors and pre- University Fellow. Or. Moeser holds the dis· English Sinronia, the Orchestra da honors program. Criteria for nomination in· tinctlon of being the first person to achieve and Joseph Mulready will be heard in C.IlI1t: r;I , the Festh al Chorus and the the course of the workshop. Richard Fe•• clude excellence in teaching, research and a doctoral degree in both performCince and three cathedral choirs of Worcester, publication or performance, and faculty. musicology. In Clddition to the University ciano will be on hand for the week's Gloucester ami Hereford. e\ ents. The whole schedule is designed student relationships in and beyond the Fellowship, he was awarded the University classroom. Mr. Smith joined the TCU faculty Scholarship, a School of Music teaching The program will include T"~ Apos· to provide a unique opportunity ror dia· lies by Elgar, nenjamin Britten's War in 1951. fellowship, and a Kent fellowship from the loguc between organists and several out· U eq" i~m, (K 243) by Mozart, Danforth Foundation. At the University of Lilaniae standing contemporary composers. For (he U equi ~1II by Faure, Hymnus Para· Kansas, Dr. Moeser has received lI!tveral rurther inrormation, write to: John UERNARD LAGACI!, MIR£lLLE LAGAC£, dis; hy Howens, Bizet's T~ D~llm, and awards for outstanding teaching. He has Holtz, Chairman of the Contemporary and ROBERTA GARY an: the featured rae- Ilew works by Lellnox Berkeley, Bryan Organ Workshop, Hartt College of Mu· uhy members for the Choale Organ/Harpsi. been named a Danforth Associate 10 the Kclly and Ceorrrey Burgon. Guest con· University of Kansas by the Danforth faun· sic, 200 Bloomfield Avenue, 'Vest Hart· chord Semina" '73 at the Paul Mellon Arts duc(ors ror the rcsth'al will include ford , Connecticut 06117. Center, Wallingford, Conn. from june 2-1 to dation. Andre\\' Davis and Nevillc Dilkes. The july 7. Studies in organ and harpsichord rep restival conductor this year will be ertory will be combinnl with leclun:! on the Richard Lloyd, and the associate con· music of Bach, Balun, Couperin, Schumann, TilE WESoTCHESTER B(\ROQUE CHO· duc(ors will be Christopher Robinson WILLIAM B. HOSKINS, composer.in-rai. TItelouze, and Scheidt, and concerts by both RUS, D. DeWitt Wanon , director, performed and John Sanders. dence at jacksonville University, jacksonville, students and raculty on Ihe ,chool', FleDlrap Uach's "Alina Brevis in F," B\VV 233, and Fla., gave a demonstration·lecture entitled and Casavant organs. Wrile: Choale Organ/ Mozart 's " Requiem Man in D minor," K Inrormation may be obtained rrom: " The Elements of the Sacred in Electronic Harpsichord Seminan, 11le Paul Mellon Artl 626 at St. Andrew's Churcll, Stamrord, Conn. Festival Secretary, 25 Castle Street, Music" at the opening Fall meeting of the Center, Wallingford, Conn. 06492 or call on M arch ·!5. Hercronl, England. jacksonville AGO Chapter. (203) 269·7722 Ext• .fm:.
a new stereo recording
THE GRESS-MILES ORGAN AT MIDDLEBURY COLLEGE
Emory Fanning, Organist
I ,
Lubeck Prelude & Fugue In E Maior 6 1 Pachelbel Chaconne Bach Nun Freut Euch BWV 734 1 Liebs!er Jesu BWV 706 Ein' Feste Burg BWV 720 Couperin Plein Chant Fugue Duo Dialogue Vlerne Adagio (III Symphony) Dupre' Prelude & Fugue In G Minor
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EARTH AUDIO North Ferrisburg, Vermont 05473
MAY 1973 3 ((;III,'h",,.,, Imlll JlIIg~ 1) idiomatic and wcll·known organ ges· with ,'ertices: trill, melody, and har this problem have alrudy been nOled. LUOSO']; (12. 4) [0 fi"e I consider a tures. A lIS'ellcr familiar with the Of muny. Textural variation, p .. rticularly parlicularly with regard to Pneuma and coda. What is par:uJoxical about these gan rCllCrtoire should. IIpon hearing uf slationary (or slowly moving) dlords Organbook I. Beyond the trills Uuba). st'ctional contrasts is that the chordal this composition. get a heart)' shot of St'C' IIlS to he an important feature of tremolos (Pneuma: 10, 4), "noodles" scctions ha\'c as great or greater :1 sense IIcj,; 11/1. Of course, al1 music, to some Alhriglu's music: and, a detailed 51Ud)' (luIJa, p. 2-3: or, "Toccata Satanique." of linear direction and lIlotiolt O\'cr large cxtcnl, :llhulcs to othcr music: but Or· of 1\lhright's lextural schemes and tcx opening): rapidly articulated chords lillie span,., as do the col1trasting sections gnlllmr.k /I doc!> so dcliberately and tuml transformations would, I believe. ("Fan rare" and "Toccata Satanique''), '\ ith all their excited nailing about. wilh delight, Here again. the play be· yield illteresting results. A possible start· and chords with Various kinds oE inter ,Sec Ex, 2. The nol:uiun used in this tm.."C 11 familiarit), and nm·c1ty is an im· lUg point for such a discussion might nal motion (Pneuma; 6, I or 9, 4 - example ,lIld in subsequent examples is purl:Ult factor in Ihc psychology of the bl'gin with the qucslion of motion. chords with internal trUb; or, the open roughly that gh'ell in "" Glossary of game plan of the piece. The problem of motion \'ersus stasis, ing chord on page 10 whidt contains a the ElclUt!uls o( GI .. phic Anall'sis," Alhright $Irs that "Night Procession" or motion in a st.atic situation. is one repealed D). there :ate chords main· Mitchell, WHii:un J. and Felix Saller. cont .. ius as its main portion "a long which Albright heqUl!ntly addfCS$C$. tamed by d,.nOlmic changes (Pneuma, cu. T"~ Mllsie Font"" Vul. I. Columbia hannonic sequence characterized by con· This is an appropriate textural prob. the last chord on page 5 - a "throb· l'nh'ersily Press. 1967. pr. 260·268.) !l tant lIIutations of timbrc;" ami that lem ror organ music, as the organ has bing" V90/G) and timbral fluctuations Ak.in 10 this is the problem of creating "TocGlta Sat:mique" is "a matinee per· virtually an infinite sustaining capa· (llfba: 12, 2 - by the alternation of a sense of acth'ity and ,'Halil), in an (ormance by the devil at the console," bility. Some of Albright's statements of swells on two diUerent divisions - and, essentially static situation. Albright has " an auempt to exorcise those fiendish "irtuoso toccatas of Mulct, Widor, el al; lItauy solutions to this problem. parti Ex. I. Pucu",": 9. ·1-IO,!t. t ill OrgtHlbook I. P"t!umn, that sccm to haunt all organists." "Last arty in for as ;r""::------~ with JlIbn, registration suggestions are Rites" elaborates on the possibility of "'n gh'clI. Here, howc\'er, they arc less spe· extcnding organ timbre by adding a part ~ :~w cific and arc gh'en in the lxxly of the for tape (obtainable from the publish. music. Suutte tim bra' change5 are im· er) . The extension is appropriate since. portant here - since timbre is an im· il5 Albright points Ollt. " the organ. In porlanl. and in fact essential. contri. its building of complex sounds out of butcr to texture - bUl , as we ha\e secn, simplc oncs, might e' en be considered limbre. per se, is probably not the "sub· the first .o;ynthcsizer: ' "The structure jc.·ct" of the piece. Timbre is the "sub· [of ' Last Riles') is rairly simple: large, jcct" of a considerable amount of Or· uncomplicated blocks of sound juxta. gnrlbook 1. posed and o"crlaid." At leilSt superfi The title "Organ book.' is a transla· cial parallels can easily be drawn be· tion of the French l j..".e d'orgUf~J and twcen the movements of Or, anbotlk 11 lhe association \\'ith the French mood, and 1. "Night Procession" appc:ars to be c\cn to the liturgical £lUtetions of the a complex reworking of "I\cncdiction:" lIlo,'cmcRlS, is intcntional and appropri. "Tocc.:lIa Sataniqllc" is a \ asll)' en ate. Orgallbook 1 conlains (our Ihort larged Irc:Hment of the clements of pieces. each Ihe composing out of a "Fanfare;" and "Last RitC5" is lrul\' a single compositional (usually textural) last rile since the timbral idc3s of Or· idea: in this scnse Ihey fonn a set of ~n "booh I :Ire carried out to the ulti compositional etudes. nccausc these Ulate conclusion. complete immersion picces are short and straightforward, into a sollic white·out. "Last Rites" they aHord, perhaps, the best "introduc· closes with this direction: "tape should tion to Albright." Each deals with the o\'erwhelm organ." The persIstent de· exposition of a di££crent static textural scending glissandi in "Last Rites" are situation, akin 10 those o( "Melisma," yct they all "nencdiction," the rim picce in Or· descend. One womlcrs wh .. t the aller· gnnboolt I, is a progression of slowly math will be. Orgauuoolcs II and I also unfolding chords which allows the lis· share many pitch and "lIloth ic" ideas, tener to savor the soft org:m sonorities. Organllook JI is, perhaps, J\Il)right's The chords retain their Vitality through most extensi\'e and complex work for subtle changes of timbre. Specific pitdl organ to date. We now tum to some and lextural ideas of Ihis mo\'ement arc qucstions concerning Albright's organ discussed below, "Melisma: ' as the title music a5 a whole. sugGests, expands Ihe idea of a single There are foul' gencral arcas in which florid melody. "Sellar lilies are trans· the coO\'cntional and no\'el aspects of formed into handfuls of duster glissandi, Albright's organ music may usefully be r.. st notes suddenly become static discuKC d: I) the extent to which AI· chords," The inlerruption of frantic hright concerns himself with "''Tiling mOlion with sudden, brief fOCll points idiulUilticall), for the organ; j.e., lhe ex· is also a common feature of the "freak. tt' lit to ",hid, organ timbre and texture """'U--I ou'" sections of Juba and Pneuma. "Me· ~ l rc treated as compositional detenni· nants; 2) Albright'S use of extended lisma" further illustrates Albright's in Ex. 2. ['"e""",: 1.1 tc rest in cxploring the relationships be· pilch fCSOurces and his inl'Cstigation of tween two kinds of locally uon·direction ,'ariolls areas of " tangency" het\\'l"Cll Ion· !<3 al situations: I) st.,tionary points of ality aud atonality; 3) certain rhythmic gin ., rest; and, 2) rapid, aU,encomr.assing aspect'; of thc lIlusic; and, 4) Albright's j JUolion. In the large, "Melisma' does exprcssi,'c usc of some traditional rhe· r ~! ha,e shape. from center kcyboard e)( torical shapes, The last of these areas panlHng upward and thcn outward until im'01\'c5 the combined consideration of the entire range is spanned. Finally the previous three. All foul' topiCS are, "' I there is a retnrn to the center, and tJle in fa ct. closely interrelated. The separa piece ends with a gentle sweep from bot· tion is made here as a descriptive con ;Ii tom to top. The piece, in effect. evapor ,enience rathcr tlmn as any auempt to :lICS, Albright describes "Fanfare" as "a suggest a method of categorizing AI. demonically fast toccata· like nlovement hri ~ llI ' !I Ulusic. using full organ." As in the first move The interest in writing idiomatically I~"~" ' ----' ~~!.="'" ment, /\Unight is concerned with giving for instruments is perhaps as old as the \' itality to a slow-movinf;' sequence of existence of the instruments themselves: '-----.:..- -" .. -.. [._--- chords, here through rapid chord repe· huwc,'cr, particular attention is ortcn lition. The gr.ldual shifts of chord color V; h ell to this aspect of instrumental '\o\'Tit· and the subtle rhylhmic "ucluations ing in tJle R enaissance and Baroque, I crcated by the left and right hands mov· when instlumental lIlusic be ~f.lR to de· i ! I ing in and Ollt of phase arc important , clop a certain independence from vocal iG 53 " characteristics of 1111S mo\'ement. The m IlSIC. ln the 20th century. this in "echo" at the end of this mo,'ement is Icrcst has been carried to its logical ex Ex. 3, similar in effect to the ending of Juba. treme, :lnd there now edst pieces pri. marily geller.n ed from the sound of a Finally, Organ book I closes with "Re· _.La e. X • x cessional," an "Atmospheric {piece] with v; i\'cn instrument. or (or that maUer, .~ • • . a dislOrted perspeclh'e: a rich .111(1 (TOm any specific sound whether pro· lush wall of sound containing tonal ducible 011 a com'cntional instrument ,~1t ...... ·windows·." Against :1 rh)·thmically ir· or not, III :I more general sense, timbre ~~~ regular, ),et persistent, pedal ostinato has been ciled as an important struc· I I{ I ~-9- (chimes) a. series of five· and six·note tural (actor in sume of WeDem's music. chorus brraduaU)' rises ilntl falls creating In the organ literature, the emphasis a "iscolls wash o( sound. Here, the tex· 011 an expanded use o[ organ timbres ~) turnl vitality rests on the constantly is accredited to Messiaen. Albright, to shirting internal chord tones, The "tonal some extent, shares these interests: 1) in 'windows' " of which Albright speaks arc his expositions of organ timbral capa· fonned by the incidental ""ashes" of bilities ("' Benediction" and "Night Pro· ... occasional triads and diatonic lrngments, cession") ; and 2) in the care which he The emergence of tonal details from takes to speeif)· timbre in all of his Ex. 4, "Night Procession": 2.3 - 3, I, a point of local focus on E. a chromatic landscape, and the reverse works. In .I\llJright's case, at least, the process as well, is an Albright theme subject of timbre can not be isolated ~ I ," f . :. ~~~=-t \\,hich we ha,'e already recogniz.ed. from that or texture; and further·
Orgonboolt 11 represents the further more, it should be bome in mind Illat ~ .. r"' __I · development of many of the ideas of the specific timbres presenled in any 00 n..... nol ...lo>oI .... , Orgdnboolc I, including the cxtra·musi gil'en performana: wHl always depend .,.,.- i ell religious associ.uions of the organ on what is available on the Instrument and its literature. The three movements: at hand. The above discussion of Juba "Night Procession: "Tocc:ata Satanique," shows how at least one of Albright's and "Last Rites," do not seem to be pieces em be secn to be genera.ted from literal tone·poems, but lhey contain pas· Il·xtu!'a.1 structures. In this view, tbe s:Jge.s - especially ·'Toccata. Santanique" picce consists of tl,e composing out of _ which are particularly suggestive of the three sides of a. textural triangle
THE DIAPASON "Oenediction," tbe final chord of the another. The structure-preserving range PICce in which pitch perception matters, t) the registrall y fixed X sets which r.iece which U~ manual alternatJon). of timbres appropriate to the piece the riece is tonal only ill so far as a £onll the upper mice of a great dcal of rhe degree to which all of these tim must, at an)' rate, be flexible enough to tmlll lutellcr wishes to regard it as such. the piece: and, 2) the strong lonal back brol-textural con5iderations arc actually be accollunodated on a number of di( The d'lim has bccn made that aher a ground ror ule piecc - in E. Example fomll.lly dctcnninatc will vary from (erent illSlTUmenlS: otherwise, a gi\'en wtiet)' has disco\'ered tonality. there 7 shows the tonal scheme for Pneuma, pittc to piece. It seems dear that though pic£e in a very practical sense would be can be 110 such thing as an atonal piece without regard to mice leading. Tonally tllese constitute important features of ullpcrformable. since a listencr's first choice will always dlc piece can Uc seen 10 be in two parts: the ulUsk, timbral and textural varia Alblight has at his disposal, as a be to regard a group' of pitches as being I) the mOle froUl I to V with the de tion is at least in part usW to articulate 20th·century composer, any pitch am· tonal - if hc can, fhcre are, neverthe· cepth'e cadence at page G; and. 2) the and mtensify the pitch structures of the struclS which he caTC5 to use. Those less, ccrL'1ill groups which lI1ight be return to V and c\'entually I. I also be· music. an important qualification. The which he dues choose to use indicate said to yield IIlOTe interesting results Jie\'c that regarding }uba as being "in pilCh structure of lhe music will, at his interest in examining, as he says, than others whell regarded tonally. Be G" might yield intcresting results. The least. be retained in any performance; the "poinlS of tangency" between the that as it may, it is /JO.uiblc La regard lnanipul4ltion of the listener's sense of whereas the timbre and even the leX old (Ional or diatonic) anll new (atonal any piece or pilch' II1usic as being lonal, tonahty on \'arious levels is central to tUf\., depending on how many manuals or chromatic) pitCh syslems which m ;1I1l1 at same lrod, this may prove to I\lbright's organ IIIlIsic_ This may take ano divisions under expression arc avail exin today, Tonality is, after all, a psy be a useful and infonllali\'e endea\'or_ place either through the disguistng of able, may vary from one performance to chological phenomenon. Faced with a The abo\'e is a rather lengthy preface diatonic function or by dealing with to what I consider to be the important tonal structures in time spans eiuler too question with rcgard to the " tonalness" rapid or too slow to be easily heard as Ex. 5. of any comtwsitioll. The quesuon is not. such. The "frcakouts" of Pneuma have already been cited as examples o[ the (13, 2) (13. 3) "Is piece X a tonal pic£e?"; but, "At what leud is plett X a ton:..l piece?" fonner. and the struClllrcs of Ex!. 6 ~nd Beethm'en's Third Symphony can use 7 might be \'icwcd as examples of thc .\ rully be rCbrarded to be a tonal compo latter. Albright's music is probably Sition at all structural levels; whereas. tonally the most \'abTUe, not at the loal 01.0; Roy Tra\'is has pointed Ollt in the or rcmole le\'els of stmcture, but in the ) Music Forum, Vol. II, Bartok's Fourth middle le\ cis. And the tonal coherence IL.\ Quartet (1st movement) can usefully or the pieces must be secn in relation be regarded :]5 lonal at high (rcmote) to thc 1'Clath'e SIlCceSS with which each Ic\'cls, and les.o; so towOlrd thc surface. deals with the tonal/atonal prOblem_ It This appro;lch (0 tonatit)· points out would be misleading to claim that Al 'oj some intcrcsting thing5 ahout Albright's bright's diatonic structurcs arc the only OIlCli that matter in the mllsic, In "Toc ~_n lUusic. _____ ._; ___ n_uun ____ ,-nu_ --.---- c.lta Satanique," ror example, investi First, let us examine some of Ule sur gation of tritone relationsnips rather V race harmonic units which Albright I -';IIV" I (VI) .]IV IV Ihan diatonic fifth relationships might nses. Alhright's hannonics usually break pro\'e more rt!\·(''3ling. the X chord or .' down into triads, though somc struc Ex. 4 being a fixed rererence point tures seem complex_ Simple triads aTC throughout the mo\'ement. Also, in easy to spot and usually represent tonal Pile lima - a clearly tonal piece - third focal points (cither local or long-range) relations Olre as important, locally. as in the music. The last chord in Pneu fifth relations: see Ex. 8, and note the Ex. Ii. "Ucllccliction" ma, a huge C-minor triad and a revi C·E relationship or Ex_ 5. The hnpor sion of Ule original score, is an obvious (l~l) (2,2) (3,1) (3,! ) n ,l) (" ,1 ) (',1) tant structural points arc always dearly, example of a chord which is both lo and often ingcnioluJy, articulated. Pre r-- cally and relUotely a tonal roal point. , ,L, .., cision in specifying articulation, phras ---- r- From thc triOld therc is a gradual in ing, dynamics, and in fact all musical -- - crease in complexity of chord structure, paramcters, is a concern of many con usually achievcd through the adding of ~ ~, temporary composers. ::r [ ..:'.J"lfl ,,-1\ neighboring notes, until the triadic Albright is ob\'iously explicit WiUI quality is, by degrees. losl. Example 3 regard to the initiation and termination .. .. . shows some examples. Example 30l is a or surface gestures. some of which will, n-major triad wiul an added natural·5 ot COUfSC, ha\'e higher-Icvel significance. '" -_.-- ... --' I .. hom the opening of "Benediction;" 3b 1'\llack, on onc manual are frequently ______L. ..______1.
6 THE DIAPASON has been considered by architecture ex· Susan Ste\'ens, accompanied by Ronald peru as among thc most spectacular in Morebello): In 'he Ilegmlling 0/ Crea Ralph Kirkpatrick New England." The 35 to 50 students lion (sung by thc Collegiatc Choir, who will be enrolled in the conference james McCrar. conductor); and Gloria will he housed in the nearby Oakwood irl cxcel.sis Deo from Chru lmas Call1ala and Inti at Great Barrington. (played by thc . of Notre Dame Brass In addition 10 Mr. Elman and Mr. Choir) . The Collegiatc Choir and Su Fuller. uther members of the Aston san Ste\'CU5, soprano, conducted by thc Bach's "Goldberg Variations" Magna Foundation ho:ml of directors composer s.,ng the world premicre of arc: Dr. Beatrice nerlc. Frank Campbell, his Easter Set, a three mO\'ement work lle:Ua Curti, Dorothc.a Elman, Dr. 1-1. cmnmis.siolled by St. Mar) 's College in - A Review Will')" Hicchcod:. Nina Kor(I3, Uernard honor of the sen'ice of Edwyo H:ulIl.'S. Krainis, Urool;s She(l.ard, C. Ray Smith retiring conductur of the Smith Ht.'nd (who 5CO'es as man.aging director), (Ind,) Symphony Orchestra. Ralph Kirkpatrick.. Rothko Ch3. pc1, was dedicated in 1971 on the campus Carleton Sprague Smith, Gregory Smith, Houston, Texas, Feb, 10 and II. I'to of Houstou's Ullh'crsity of St. Thomas, Alice Tully. and Baird Whitlock. TilE SIIAWNIG:\!'l' LAKE hUMMER bFfam: Tilt Ga fdbtrg J'tf riat;o,1S by .1 , S. The large paintings, nearly monochro SCHOOL OF TilE ARTS, ShawnigOln I...3ke, Bach. matic, dominate each wall of the small B,C., C3n3d3 will include m3~IC'r c:laues 1111" building. The only lighting came ad\1mced students in organ alld har",ichortl PINKHAM FEATURED AT through a skylight and from candles: as (with Da"id Harmon Lewis) allli 1';3110 (with Ralph Kirkpatrick played the Gold· the intcn-als of the canons in the Gold· ST. MARY'S COLLEGE John Ogdon And EI}.'akim Tau,,;g) ill it, 111m· berg f'nr;t'ltiotu in Houston's Rothko llergs increased, the light diminished, Iller curriculum, July 15 10 AuS". 25, Olher FESTIVAL OF THE ARTS Chapel un I:eb, 10 allli II. Indel.'C..I. so until, ncar thc end, Kirkpatrick and his claSHeS in \'i ulin, \';01:1 , cello, double b3n gu,'at was the demand for tickets that slnnS" f1Uar1et, gu;t:lf', cotnposilion and poUC'1'l' instrument were nearly lost in the he plall.'tl Jlach's slllJCrb work three Daniel Pinkham was featured during a~ oflert'tl. For inlonnation: Shawn!Ban Lalae shadows. There was no applause. Summer Scll()(ll of the Arts. 307-1733 CGco-. times in less than 24 hours. One might It was in 1938 that Kirkpatrick pub. thc first two days of the F(.'Sth'al of the ha\'e feared, ha\'ing tickets for the third Arts sponsored by the combined de St" Vam:oun:r 5, D,C" Canada. 1i5hed his famous edition of the Gold prescntation. that such an drort wuuld partments of music, :nt and theatre at berg J' flrialiOlu (G. Schirmer, New lea\'c th(" artist in less than rull COlli· St. Mary's College, Notre Dame. Indi· ,\DOLI'II IIERSETII, t,rincit'OlI trulllileter York) ; naturally he does not now in 3.na, March 1-4, The first day £Catured uf the Chicago SymllllllllY Orr:heslr.l, alld lTIand of his tcchnical resources, hut terpret all the ornaments exactly as he such was not the case. Kirkpatrick infonnal discu5.'Iion about music wilh DOROTHY LINDEN KRIEG, soprnno llll~ did thell. It was, however. an extremely Mr. Pinkham and a demonslration of isl, IJerlormcd with an iustrumenta! tllSclllblc played magnificcntly with a prodigious COlI!'liSlent perfonnancc: cven whcn one Baroquc performance practices with 1\Ir. under the dirl:ction of organisl.choinu3, ter technical command of the wurk as well of his rare slips did occur, it was re l'inkh:1I11 and SMC \ocal students. The ARTHUR IIALUARDIER at Tile [\ FIRST PRESBYTERIAN CHURCH MONTGOMERY, ALABAMA 2 MANUALS 24 RANKS Replacing an earlier Austin, Opus 71 of 1902, in service for more than 70 years. Sancluary renovaled. original paneling re-Iocaled and re.used, making more room for choirloh. In Facade, Pipes 01 16' Pedal Principal 8' Pedal Oclave S' Great Principal AUSTIN ORGANS INCORPORATED HARTFORD, CONNECTICUT 06101 Member: Associated Pipe Organ Builders 01 America MAY 1973 7 Michael L. Corzine Wins Fort Wayne Competition Michael L. Corzine, 26, a native or an original field of 51 contestants. He Duluth, Minnesota. was named winner was awarded a cash prize of $500 and of the 14th National Organ Playing Jrd"C a recital as parl of First Presby Competition sponsored by First Pres terian's Music Series on April 10. byterian Church, Fort Wayne, Indiana Mr. Corzine is presently serving as in the finals March 10. Mr. Corzine \'isiting instructor of mllsic at the Ulli competed against sc\'cn others in the n'rsity of E,'uns\'iIIc. Indiana. He reo finals, which had been reduced from cein--d the MusIl degree from the Uni- Cantestants: ('rant raw, I. ta r.) John Hooker, Lorella Fox, Kathryn Johnson, and Michael Corzine; (back row) Ford Lallerstedt, Todd Wilsan, Bayd Jones, and Garnett Menger. vcrsity o£ Wisconsin, Superior. in 1968. Corpus Christi, Texas. a junior at an org-dn student o[ Hammill Webb. In Southern Methodist University under 1970 he earned tlle MJ\lus degree and Larry Palmer; and Todd \Vilson of To· I'erformer's Certiricate in Organ at the ledo, Ohio, currently a student of Eastman School o£ Music, Rochester, Wayne Fisher at tIle College·Conserva ~ New York. III 1973 he was awarded that tory of Music at the University o£ Cin· school's highest award for performance. cinnati. the Artist's Diploma. Mr. Corzine has Judging the contest finals were Byron completed coursework requirements for Belt, critic at large for Newhouse News the DMA at Eastmau where he is a papers (nationally syndicated) for art, student of Russell Saunders. In 1969 he music and dance; Will Headlee, asso \\'on the New York City AGO regional ciate professor of organ, chairman of conlest, and in 1970 he WaS awarded the organ area, and university organist second place honors in the AGO na at Syracuse University; and Karel tional competition in Buffalo. Jiaukert. associate professor of organ RUllner-up in the competition was and cJllIrch music at Northwestern Uni Kathlln johnson of l\.lichibran City. In· \'ersity. diana, Miss johnson is a native of DOli· The contestants were chosen from en· las, Texas. and a graduate of Southern tries co\'ering 25 states, Each conlestant Methodist University. She is currently was required to perfonn a composition doing gradualc work at Valparaiso Uni· of the Baroque or pre-Baroque era, a \'ersity as a studt:nt of Philip Gehring. composition from the Romantic era. She WaS awarded a cash prize of $300. and a work by a contemporary com Third place was a tie between john poser, The nationally known competi Hooker of Chattanooga, Tennessee, and tion hns been a part of the MUSic Ford Lalh:rstcdt of New York City, a Series of Firn I'rcsbyterian Church for student at the juilliard School under the past 14 years, and is partially un \'ernon de Tar. derwritten by a grant from UIC First Other finalists in the competition in 1'H.'Sbyterian Foundation, Members of cluded Loretta I'-ox o£ Granite Falls. the music staff include Lloyd Pinker· X.C., currently a DMA candidate at ton, minister of music. and Jack Ruhl. Eastman as a student of David Craig organist. The Rev. George R. Mather is From I. 10 r.; judges Karel Paukert, Will Head~ee, and Byron Belt. Lloyd Pinkerton and head: lloyd jones of Louisville. Ken senior pastor of the church, and Mr. C. Jock Ruhl, ministef of music: and organist of First Presbyterian Church; and Michael Carzine, tucky, a student at Stetson University Da\'id Silletto is the Music Series com. campetitian winner. with Paul jenkins: Garnet Menger of mittee cJlainnan. Eileen M. Guenther Wins 2nd NATIONAL ORGAN PLAYING organ complex which boa$l5 214 ranks, BRUGES FESTIVAL COMPETITION IN LOS ANGELES 1-17 speaking stops and 11;' 84 pipes. INCLUDES ORGAN WEEK Ft. Lauderdale, Florida For information and applicalion £OrInS wrile Organ Competition. First Congre The 10th International Fortnight of The First Congrebrational Church of gational Church of Los Angeles. 540 S, Los Angeles has announced that appli. Music, Bruges. Belgium, will include the Competition Commonwealth A\·enue. Los Angeles 4th International Organ Week in Bruges cations are now being accepted for its 90020 or phone (213) 385·1341. Second National Organ Playing Com from July 27 through August 10. An or· EilL'en Morris Guenther has WOIl first gan competition on the works of J. S. petition, which is sponsored by Mr. and $1,000 MADER SCHOLARSHIP place in the National Olbran Competi. Mrs. Harold W. Nash. Ba th , concerts, and master classes are tion sponsored by the First Presbyterian COMPETITION ANNOUNCED included in the program. The competition is open to young The competition. in three heats will Church, Fort Lauderdale. I'lorida. This organists who ha\'c not reached the age The Ruth and Clarence Mader Me be judged by Kamiel d'Hooghe and Ga is a national competition. open 10 any of 26 by August 1, 1973. Contestants organist under the age of 26. Three morial Scholarship Fund will conduct briel Verschraegen of Bel~ium, Ludwig must submit a tape recording of three Doerr of W~ Germany, Lionel Rogg of finalists, initially selected from sub organ works, along with a completed its first national organ·plaring compe mitted tapes. appeared in recital in the tiLion in Los Angeles on Saturday. Sep. Switzerland. Bernard Lagace of Canada. application form and a $12.50 entrance and David l'izarro of the U.s.A. The church's Sacred Music Concert Series fcc no later than August 1st. 1973. tember 8. 1973. I:unds specifically given for Ulis initial award have been sub prizes will include 150,000 Belgian 011 Sunday, March 18, The winner WaS £ranes. announced at a reception following the Contestants arc to choose three works. scribed through the generosity of consisting o£ (I) a major work by j. S. friends, associates, and the Mader fam Members of the contest jury will be recital. and received the cash award. presented in recitals, and each will give Eileen Guenther is a candidate for Bach (limited to a Prelude and Fugue. ity. It is the hope of the Fund's board a Toccata and Fugue. a major Chorale of directors that this action will indicate master classes in interpretation. Lionel the Dl\IA degree at the Catholic Uni Rogg's class will deal with the Trio Son · \'ersity of America. where she has been Prelude, or a Trio Sonata movement): their strong desire to establish a dyna (2) a composition by a composer o£ the mic schOlarship program which will be alas of Bach; Ludwig Doerr will deal studying under a three·year b'1'aduate witll the late Leipzig Preludes and £ellowship. She is a member of Sigma Romantic period; and (S) a composi a lasting tribute to the Maders. tion by a contemporary composer. Fugues by Bach; David Pizano will dis Alpha Iota (musie fraternity), the Fri· Clarence Mader, organist of Imman cuss Bach's work in general; and Ber day Morning Music Club, the American Finalists will compete on the ScJllicker uel Presbyterian Church in Los Angeles nard Lagace will work with Bach's Or Guild of Organists, and has been a fre organ on Wednesday, September 12. for 37 years, was a respected musician. gd biicll'efrl. quent recitalist in Ihe Washington The winner selected on that day will teacher, and composer. and a national A series of "Musica llritannica" con Baltimore area. Her organ stUdy has be awarded a $750 cash prize and will councillor of the AGO. He and his wife, cen s will be perfonnl.-d by tlle King's Rutll Goodrich Mader, who Was also an been with james Moeser, of the U nh ' cr ~ present a solo recital for the public College Choir and Orchestra of Cam organi!t, were killed in a lragie auto· sity of Kansas, and Mr. Robert F. Tw)'n on Sunda)'. September 16 in the First bridge. England. David Willcocks. di~ ham. of the Cathedral of Mary Our Congregational Church of Los Angeles. mobile accident in July. 1971. lector; St. John's College Choir o£ Cam Queen, Baltimore. She has been director Second and tJlird prizes will be $400 Applicants for this SCholarship are bridge. George Guest, director; the Col of music at Saint Francis Episcopal and $250 respecth'ely. Fourth and mth im'ited to make a wriUen proposal £01' legium Aurelllll. F. Maier. conductor; Church. I'otolllac, for three )"e.ns. prizes of travel expenses up to $125 their use of the award in an organ Lhe H . M. Linde·Consort of llasel. will also be awarded. study program of their own choice. Or Switzerland; the Pro Cantione Antiqua branists under the age of 30 on the Consort of London, I'aul Esswood . con I'irst Church is already well known date of the competition are eligible to ductor; tenor Nigel Rogers with harp for its extensh'e music programs. in compete and may obtain application sicllordist Colin Tilney: and the Frank cluding the highly praised Los Anb~les BARBARA NORLAND. who wi ll gr.lduatc fonus from the Rulli and Clarence furter Kantorei, the Giichillger Kantorei, Hach Festival. established in 1934, and Mader Memorial Scholarship Fund. P,O. the Figuralchor and llach Collegium o£ ill absentia from Cornell College. Mnunt Ver~ its annllal organ concert series, begun 11011, Iowa in Alay. has rt'Cei ..·~ a Clnc-)'ear Box 9J·C. Pasadena, California 91104. Stuttgart, all conducted by Helmuth extellsion of her Fulbright.llays gr.lnt to COIl in 1969 to celebrate completion of the The £uture success of the Fund depends Rilling. tinue 5tndyillg with Anton Heiller at the extensh'e Schlicker organ installation. entirely upon contributions. Tax-de liurther information lIIay be obtained Vienna Consen.-atory of Music durillg the com ,'11 impressi\'e list of international art ductible donations may be sent to the by wriLing; Tourisme Office. Markt 7, ing academic year. ists ha\'e performed on First Church's same address. n-8000 Bruges, Belgium. B THE DIAPASON HOWARD R. THATCHER Howard Rutlcdge Thatcher, one of Balthllorc's lUost acth'c musicialls. died The Cathedral of St. John the Divine NUNC DlMIITIS at age 9·' on Fcbruall' 21, 19a . Mr. Thatcher's participation and contribu tion to his home city, Baltimorc. Md., presents cmbracct.l C\'cry facet or thc dty's mu sical lirc. Awarded a SCholarship to Peabody The Schola Cantorum Ecumenica Conscnatof)' in 1895, he joinoo th;tl EDWIN D. ANDERSON school's faculty following his gradu3- tion, fCmaining as a teacher there for Workshop In The Edwin D. Anderson, 63, organist and 43 years. In 19&1, he recch'ed fr011l the choirmaster of St. Paul's Episcopal Peabody Alumni Association the Dis Church of East Cleveland. Ohio, died tinguished Alumni Award. and ill JUIIC. Mardi 18. 1973 in his home at Cha 19i2 he was awardcd an honoral)' doc IMPROVISATORY ARTS gTin Falls, Ohio. torate bl' Ihe Conscnatory. Mr. Anderson was born in Fostoria. Ohio. and was b.... aduatcd from the Ober Aside from other church posts, he July 9 through 13, 1973 lin COIl5Cn'3Iory of Music in 1933. Prior was organist and choirmaster of the to his association with 51. Paul's First Church of Christ. Sci,,'ntist in nal· Chun:h. he had been organist and choir timore ror -13 l·ears. He sen'cd a~ organ If spontanicty, crcativc joy amI individual cXl"cssion "ave dis· dircclOr of the Euclid A\'coue Christian ist of Tcmple Ohcb Shalolll for 45 )·cars. appeared frorn your services, come broaden your perspective Churdl in Clc\·cland. His work as an and this cOlIgrt'gation honored h im on t/lrough a series of warks"ops in tile improvisatory arts. org:mis{ and choir director was only one his 50th aunh'crsary and continucd his (If his occupations. From 1946 until his salarr until his death out of apprecia death he was associated with Tremeo tion and estecm. We shaU present, in the Cathedral, dance, drama and the plastic Mfg. Co.. manufacturers of paints, Mr. Thalcher was a nwmhcr of the arts as well as choral improvisations from the traditional melis· CII311lcls and protective co\'crings. Maryland and Chescpcake Chaptcrs of Mr. Anderson was a member ilnd .fast the A.C.O., and hc was an honm.lIY matic chant of the Greeks and Hebrews to the jazz improvisation regional chairman of the A.C .O .• an he mcmber of UIC Ua)(imore MUsic Cluh. of today, nil to be demonstrated in the context of a festival held both the l\AGO and F AGO dc H is contributions to thc IileraltHe in· service at the close of the week. gn.'t:s. He raised orchids 35 3 hobby OInd clm.leu instrumcntal, chamht.·r alHl S)III· was a member of thc AlllcriGln Orchid phonic worJ;s. operils, and liturgical Society. \\orks. He scf\'cd as guest conductur or WORKSHOP LEADERS will include Alan Ridout, noted British Surviving Mr. Anderson arc his wifc, the Baltimore Symphonr Orchestra composer in his first American appearance, Dr. Burt Konowitz, Bcatricc; SOliS, Richard L. and Norman whcn thcy perfonlled mau}' of his S.: and a daughtcr. Mrs. Richard Wyatt. The Rev. Claude Jeter, Dr. Thomas Talley, Dr. Phil Dietterich, works. The Rev. William Glenesk, John Watts, Margaret Beals and .1\ memorial service was held on March 31 at Emlllilllllci Episcopal "Mini Impulses; Cantor Paul K wartin and Dennis Michno, and LOUIS MURTAGH Church. naitimore, sponsorcd by the other renowned artists. church aud hy the Chesapcal..e Chaplcr Louis Murtagh. husband of Lilian of the A.C.O. Jllchuted in thc chOIr This is a week not to be missed by anyone wishing to explore Murtagh of Canaan, Connecticut, died wcre singers ronnerl)' as.\OCiat l'ti with OIL hOllle on WccJncsday. April II. 1973 Mr. Thatchcr, ;Hld ~c\ 'cral work! h) Mr. improvisation either as an art form or an aid to corporate worship. of heart d isease following a long ill· Thatchcr were included in the sen i«:. • It may be one of the answers to awakening the human spirit ncss. Mr. Murtagh, a nath'c of BrooL: · dulled by mechanized mania. Iyn, New York. was a World War II \·cteran. and prior to his long illness he had becn acth'c in the business PARVIN TITUS Wri'e: Patricia Kelby, Coordinator world. In later ycars he 3clh'cly worked TIlE SCHOLA CANTORUM ECUMENICA wilh his wife in the Lilian Murtagh Pan in Titus. orran profefsnr emeri 1047 Amsterdam Avenue COllcen Managemcnt, the largest and tus at the CoJle~e Conser\'aIOl")' of Mu lIIost aclive conccrt rcpresentative of sic. Unh'ersil\' of Ciucinnati, Ohio, died New York, N. Y. )0025 both Amcrican and EUfopt.'an organists March 25, 1973 in Cincinnati. H e Ita d in thc North .I\mcrican continent. h«11 a mcmhcr of the COlIscn aton' Mr. Murtagh is sun'ivcd by his wifc faCility since 192·1. M(". Tit~ls W;)S also Lilian, Scn'ices wcre held at thc New choirmastcr for 35 ycaTS at CJuisl kirk funcral Home, Can3all, Collnecti Church, Episcupal in Cincinnati, and he cut on Friday, April 13. SL'f\"ed as the official organist of (he Cincinnati Mal' Fcsth'al and Symphony Orchcstra. At Chri!!t Church. Mr. Titus ANNA LEONARD TAYLOR added full orchcstra 10 the nO.mice choir. 3ud dirccled mau)' now.(amoIl5 ORGAN Anna u"Onard Taylor, organ and artists. piano teadlcf of Granville Summit, Pa., died March 8, 1973 at the age of 102. HISTORICAL Mrs. Taylor was born May 5, 1870 on MABEL ZEHNER a fann two milcs from her Granvillc Center home. Whcn shc attended school SOCIETY it was held twice each year, spring 3nd Mabel Zehner. 71, a lifelong resident fall, for two or thrce monu" each tertn. or ,\shland. Ohio and faculty mcmlJ.er Therc W3S no formal graduation. 'Vhen of Ashland Coll~e. died Sund:l)' C\'C. a studcnt dccided UIC), had rcceived ning. April 1. 19i3, in Ashland 5.'lm:a.ri· 18th NATIONAL cnough schooling, thcy SLopped going tan Hospital following a long IlI ncs~ . to school. Mrs. Taylor continued Miss Zehncr eamed hcr Mud' degree CONVENTION through school and attended Manslield from the Chicago Musical CoIICJ;c, a nd College, stud),ing music. ,\l the begin· aUl'lured Mt. Union Conr.cnatOf)·. Her ning or her music lcaching career, Mrs. organ Icachers wcre Edwin t\ rthur Ta)'lor tra\elcd by horsc and buggy to Kurt, Arthur Jennings and JO.$ICph Uon June 26-28,1973 givc lcssons. In Dcccmber. 1900, she wa.~ net. She was well.known through out married to Charlcs Taylor, who sold thc country a.s an organ rccilali5t. music suppUes, at UIC hOlllc of hcr Miss Zehner was formerly organist of Headquarters: The Lawrenceville School parents. the First l're5bylcrian Church in Mans. _ Lawrenceville, New Jersey Mrs. Ta),lor was the pianist and or field, Ohio, and morc recently scrvcd g:Jnist of thc Gram'ilIc Center Unitcd a~ organist and choirmaster of Trini l)' Methodist Church for 80 years, .starting Luthcran Church in ,\shland. Shc was at age 15 and retiring at ilgc 93. She a memher of Ihat church. She Was a artlsts include: was a lireJong member of the Grall\'ille member of the A.G.O.. the Chicago John Rose Center Church or Chrisl. Hcr husffilnd Club or Women Organists, a life mem. preceded her in death in 1934. ber of the Hymn Society of America, Brian Jones and the National Federation of Music Clubs. Donald Paterson Shc is sun h'ed by two brothers. Rob James McGregor ert G. of Ashland and Ralph C. of Shelt(: r Island. Ncw Yorl... HERMAN BERLINSKI performed a pro- organs by: 8r::1m of his own works at the Shrine of the IlIlInaculate Conceplion, W.thinlJton, D.C. JOHNSON till MarcIl 18. The (acuity recital progr.lm IponlO n:d by the Catholic Uniye n ity ("If HOOK & HASTINGS Anleria included lib " SinroN:! No. I, Litanies ODELL for the I'enecutcd,' .nd the WalhinlJton pre- miere of "Sinfonia No. 8 ror Ors:m STEERE (EliyahIlJ." DAVIS WJLLlAM NESS. organist and choirm;as ter 01 Fin t Presbyterian Church. Detroit, M ·clli. lor information write: RIIIII , wat the Ruest of Ihe Dorth College Stu dent AGO Chapter, Siou,.; Center, Iowa. dur_ E. A. Kelley iliA: the collegc's Spiritual Emphuit Wed:. Mr. NtIS led a woruhop on contemporary 40 Trenton Street clll)l'ale preludes loc organ, and plal·nJ a re- eital. Lawrence, Massachusetts 01841 MAY 1973 9 Book Reviews Pc~dom'ana! Practice A Bibtiogr.tphy. I't.'tcr Le l-Iur3)"'5 subst'quent articks Etlitt'tl by MaT)' "inquiSl :Inti Ncal Z:ts in the June, July amJ August issues low. New Yorl.: : W. W. Norion. 1971. were omiut.'1J. J\ perwn read ing the 114 p. $2.-1 5. Uabitz articlcs will also want to I'(';ul Interest in thc sltidy of pcrrorm.wcc I.e 1"llIra)"s for dHferent intcrprctatiollS practices has boreall), incrC:lSl... in n."(ent ,lIIti approaches to the same p roblem. ycars, aud now occupics the allcnlion For organists playing a cOlllinuo, an· o( many amateur as wdl as pro fcs:' i ~n a l other noticeable ollliS5ion is I'cler W il· musicians. An outgrowth o( Wilham liams' article. "Uasso Conlinuo 011 the Xt.'Wman's Seminars on pcd onnance Organ," in Music afUl/~ t:tt ersI 50 (1%9) . prJcliccs al the Unh'ersity of North pp. 136-52 and pp, 23()-45. Carolina and subsequent rescarch ami One could cite other omissions. cs· editing by a group o( graduate stlu.Jents peciall)' articles dealing with ornamenla · at Columbia Unh'cn ity, Ihis bibliol,'Ta . tion and inequality. These subjects tlo , phy reprcseIUs a useful and welcome howc\'er, receil"c adequate attention , and contribution to the field. arc explored (rom a "" riet)' o ( \"ie\\'. Appropriately. it is not confined to points. At the other end of the prOblem, the Renaissance and nOiroque periods, ceria in :lTticlt"i which were indudc:d 97-5120 SEASONAL RESPONSES FOR UNISON VOICES hut includes entries for Medic\'31 IIlU· ilia), he open to (Iuestiou or :11 lea,;t (with Guitar or Keyboard Acc.)-Richard Hiller! sic 015 well a5 thc 91h cenluf}', Most o( should he approachl..'1l with resen'ation" liturgical music that doesn't sound liturgical! New texts and the entries. howe\'er, CO\'er lhe somc. For example, the l~comnH."lIdations of poetry paraphrased in modern language and set to new melodies times still problematic area of ptT(orm. WHim and Schwciut.T (t'Ul l) no, 1101 , ;Ulce style encompassing the late Re I'" 1(0) OIllCt.Tllilig rl..'g istroltiHIl of that congregation and choir will enjoy. May be sung by congrega naissance through eOlrl)' CI3ssic periods. U:lch 's organ works 011 " lIIotlent urgalls" tion, soloists, or unison choir. A project o( this nature ob\'iousl)' were wriuclt in I!H 0; hopt..'f ull)' Iheir 1It.'Ctls to l.."Staulish criteria fo r what will imlrucliolls arc lotia), as impractical be inc1udl..'(l 3nd the editors chose to as the), ;nc outdated. Likewise, Hcnr)' limit their cO\'erage to, in tJlcir words, Coates' conclusions un nach's peda l 97-5131 FIVE HYMNS-Heinz Werner Zimmermann "problem5 of the 'how·w ·du-it' kind." technique (" _ .. as shown in h is oTJ.,~n A collection of "prose" hymns representing the composer's Gil'en this limitation, the entries Tepre works" [entry no. 199.ot, p . 3D }) arc also development of a new concept of hymnody based on jazz Idioms sent a generally thorough compilation open to quc5tion. and elements. A close relationship between text and tune, a nf material. Howc\'er, recognizing that The ahO\'e ohsen'ations arc IIUt in· .1 thorough approach tu historical per tl..'Oded to rind fault, hut rather to il· rich flexible melody, and a strong rhythmic feeling characterize (ormance st),le ill\'ol\'es more than the lustrate the problems of a hihliugr:lphr these hymns. proper execution of ornaments or a and thc ohligations of one \\'ho USCll il. consideration or when to apply in " 'here much research continlles In ad. equality. one might take exception to dre~ itselr to prohlems o( pCrrOl'lliallCe t\\'o areas which seem to he somewhat praclices, the :Ippeotrance of :1 hnnk 97-5143 THREE HYMN TUNES-Calvin Hampton slighted. .'inch as this - or mO!'!1 au)' hihliof.,rr" l,h)' Three commonly used meters (L.M .. 87.87.0, 76.76.0) are set The relationship between dance and - can at hest he rl-garded a.'i a stOlle , to tunes which Identify with musical trends outside the church music - in tenus of tempo, rh)'thmic ment of work in prngre.'i.'i, and melodic gC5ture - im'ilcs fu rthcr doors. As it is, this hook is imporlant .allc! cxploration, aud lIIerhs more allention uscfui. generally succeeding in both iu thc way of primal)' sources than it MOpe aud depth, and it ha!l I~c n care recci\'es in thi.s hool... The eleven rdt'r full)" prepart'd. The singlc impOI'lanl CIlCes to danet! mtlsic or the IItlJJe darlu error (In)(.,;raphical~) I found wa!l in 11t.-a1 primarily with instrumentation Ihe alllloialion for entry no. ·102 Oil p. (albeit an important considcT3lion), HM_ .. ffl_ ...._ ·16: 0110 Gumhnsi':o; artide, "Aboul ....Tl-. __.. hut at hest include onl)' a pa55ing reCl'r· Organ I'la),ing in Ihc nil'ine Service, cltce to such works as Arbcau's Orchr's() circ:I Ir.oo," rcCers to thc practicc of graJl/1it:. The omission o( Arbeall, ali ahel11atiou (o( music between the orJ,r,\II well as Pierre Rameau's MaUre Ii Dan and parlicipalH!'I in the litllTJ.,1"), nut ur of 1725 can perhaps he justified on :lIteration. Emries al~ arranged alpha. the gruullds that these arc \'1..'1)' special betically. with a subject intiex in the HAVE A SUMMER HOLIDAY ized documents o( less interest to the hack. A list or abhrc\ iatioll:o; is included musician than to the dancer, Howc\'er, (or standard sourccs, alon,;- wilh a the exploration o( stich seemingly peri. biblioJ.,'Taphy of other pcr(onnance pmc pheral areas is oue o( the obligations ticc biblingraphies. Other attracli\'c Ira IN LOS ANGELES at the of an artistic perfonner. and as those lUrc!I arc a com(ortable size, dear. re:ul who ha\"e experienced the dances call aide type, and a price which eJl5ur~ aUC5t. can open new horizons in the wide it\'ailabilit)', It is a cOlllmendahle understanding and pcr(onnance of a large body o( music. d(ort, and important to the serious FAR-WESTERN student o( music n( the past, A second area i:o; the important rela - lec R, Carrett tionship octwccn music o( a gh"en per REGIONAL iod and the instrulllent5 in use at that lime, The cclilou elected, with certain ex.cep~ions. to exclude ilcms dealing Riem3nn. Hugo, Dictiorutry or Mu AGO CONVENTION ~' Ith Instrument construction. alld typo sic. Fourth Edition, revised and cn lcally absent arc articles dealing wilh larged; trans" by 1. S. Shedlock, B.A. reconstruction o( specific instnunents or London: Augener 14td,. 1008. Repub· June 24-28, 1973 onl'S .suggesting how tn build, say. a lished br Scholarl)' l're5.... , Inc., 22929 harpsichord or clavichord. This is un· Industrial Drh'e East, 'it. Clair ShorC!'!, For details, write: derstandable, but one is hard prcssed Michigan "8080; 908 pp" $51.00. to explain the abscnce or Fromk Hub JAMES eRA VEN, General Chairman Perhaps no other lUan pen"3ded thc bard's Thru Centuries 01 Harpsichord world of musicology and lIIusical sci. "760 S. Westmoreland Ave. Making. To list Raymond Russell's Tile ence., 50 thoroughly at the turn of thill Los Angeles, CA 90005 Har/lsicllord mJd Clavichord but not c('mUll' than Hugo Riemann (18-19 . Hubbard's book scents a questionable 1919). Trained as a philosopher and decision. especially since numerous en historian. he turned his c((nru to 11111- tries in the bibliogr.tph), rC£er to pitdl sic and the musical sciences, As a and temperament, are35 discussed by Icacher of composition and IIIl1sical Hubbard. In the wOly of primary sources, hislor),. composer. conductor and per Organ Workshop Practorius' S)',llagma JUluic"", and former, voluminous writer o( works in Mersenne's Harmonie ""i,,erSt:lI~ are musical theory and hislory. the shcer Exclusive North American Summer Appearance included. but Andrea.'i Werckmeislcr's output of his work could not. and can, important remarks in his Orgelprobe not be O\'erlooked by an)"one in Ollr and M,uikal;scl'e Temperntur would dOl)'. His works on harmony con.slittHe DR. MARIE-CLAIRE ALAIN also warrant their inclusion. (he foundtion of modem leaching in The abcwe remarks to the contrary. theory, His fannulation . based on a ANTON HEILLER prima,.,' sources do rccci\'C good allen· sciclltific .approach, of musical phl"'3s tion. hoth in the way of indh'idual ing so pcn":uk'd the musical world Ihal elltries and Ihe occasional annotations we arc onl)' now ixoginning 10 c\'aluatc LUIGI FERDINANDO TAGLIAVINI or cross rc(erencl"S to some other entry. its worth, its \ alue, and (jnall), its One notable omission, howe\'er, is the \'alidil) as a system. As a researcher Condllsim,i "d sllono deU'cwgmJo of and theoritidan. his s)5lcmatizing or C%rllt/o Stllte University 1609 by Adriano Bandlieri. Banchieri's thc sciencc of lIIusicology was a most Ft. Collins, Colorado OIher major treatises arc listed, but important (:lctor in the growth of that the Conclusio,,; discusses tuning. in. discipline. Aug, 12.22, 1973 Casavant Organ (North German) at C.5.U. stmmentalion, continuo playing. sig. There i:o; perhaps no other ,,'ork nificant instruments and performers of which displays the breadth and depOI Enrollment limited Phelps Organ (Classical French) at the day, and fingering instructions of his work bettcr than hili Dictionary St. Luke's Church which complement and in some cascs of Music. Originally published as tbe For Information write: elaboratc on those of Diruta. In· MIlJiklexikon in 1882. it has been rc· cidentally. the series of articles by Sol \'ised and updated to the present every Robert Cavarra, Department of Music Babitz draling with fingering in the (h'e or ten }'cars. thus proving its Colorado State University, Ft. Collins, CO 80521 Spring. 1969. issues o( THE DtAPASON worth a!'! a 5tandard work in lexicog arc mentioncci, but (or sollie reason raphy. The present reprint is the first 10 THE DIAPASON English language c:dilion of the work. ceding periods. enn though our his hilSt.'d on .he founh edition. torical knowleuge today has gone far Why should a reprint be necessary beyond wh3t was 31 Iheir command. IIf a wmk (hal h:n been rc,"jsed antI The book includl.'S 3 short h istory of Cfllllinllall~' rclc35t.:tI in new l',lilion! on the organ, and lhell s),stclII3tically dis such a rcgul:u basis? The answer is ClIsst,'S the structurc, design, and cart: that we arc IIOW (at enough rCIIlO\'cc.I uf the instrull1ent. StoplislS or man)' (Will Riemanu's personal work on the British 19th ccntnry orl,ram. 1I0l\' long Dictiaw,,)' 10 ha\'c onl)' a glimmer or gone, arc gil'en, 3nd the discussion of ",hilt his !;pt:cific contribution to the the entire lIIedlanism and pipcwork hi KIRKE MECHEM 'mrk was. fn short. the Riemann die· length)'. For anl student of nritish or (jullar), has cmlvcd in so mall)' edi. gan huilding 0 the 19th century. this tions :lnd rc\'isiol1s h)' various cdilors IKlOk is indispeuslble. E"en Audsle)"s !iillce his death ~, 311 to he :1 completell' later and lIIore ell'gant book docs not SINGING IS SO GOOD A THING other work than what it was in Ric. surpass it 3S 3 guide to the practiu~ IImnu'!; hands. 1£ we arc interested in or the mid·century instruments. w,illg Riemann's work as a measure of No book about ollr-ln buihling has musical (hought and discipline of his ~urpasscd T0r,fer's work in lerms of its dOl)'. the lIIodem editions arc helpful. IInpacl on tie org3n of our century. An Elizabethan Recreation, hut not as accurate as the t.'tlitions Topfer (1;91 .1870) Ihed his entire brought 0111 whell Rh:mann was alh'e. lire near and in Weilllar , Germany. He Riemann's own d iscussion of such" sub was well known as a "irauoso organist, including dances of the period, jects as ··phf"3sing." "rhythm," "har- 3n irnp ro"isor and composer. Trained lIlony," "articulal ion:' "expression," in a tradition of scholarship. he 31sa with text from "d~lIalllics," anti many more arc became hUefl.·sled in the $Cicncc of couched in thinking that has long left acoustics and thc thl'Orelical problems nlil' cnnlemporar), world. Allhough the uf Ihe organ. Innuenced by Ihe works "Reasons briefly set do\\,," discussions 3re hrier in Ihe DiclI01In'}', fir G. A. Sorge and nom Dcdos, and the Ihc)· 3rc concise enough to gh'e the o~ans of Schulze. he wa.'i prompted to re:ulcr a start. to help him in the right attempt a ronnulation or the science or by William Byrd (1543-1623) direction to thinking ur music as II1U· nrgan building into an empirical meth· sicianll of the I,He 19th c('otnr}, thought ud. This attempt was realized most pm or it. Such a IIlcthod is a valuable one fOlrndlr in his starulardi7.cd scalings ror (whose 350th anniversary will occur on July 4, 1973) ror the I1IlIliican. ntgau pipes, He arrh'ed at a mean of Sincc we arc at present still "not OUI Ihe square root of 8: 1 as the ratio of or Ihe wooels" in our grasp of the laic the r.cale of the cros.'1 ·5Cctions of Ihe 191h centuT)' and its arrcct upon us. pipes at Ihe OCt3\'CS, It implied OJ. hah' Mixed Ghoms with Chamber Orchestra such a work is ,·aluable. ,,'e arc at ing of the diameter of the pipes at an ollce hHl closc to the 19th cClllury, still inten'31 o( the tenth, This empirical Ino much invuh'ed in acting or react ,~)stem was used by "irtllally e\'ery or (l(Picc)IOI 1100 P(2), Cemb, Gtr, Vn, Va, Vc, Cb- ing to its hold on liS mU!licallr. And gall builder ror ]'rincipal & Diap3son lct we arc Ion far rcmo\'ed (especially choruses during thc last half of the in ;1 surt of " huure shock" of ollr ac 19th century in Ihe German·speaking single strings if small chorus is used) cderated tinu.'S) rrum it to take OUi countries (:tnd in olher conntrics 3S prcconceptions. and I he oral myths well) a<; a fl.·sult o( his ronnulations. which h3\'e been handed uown to us, The impact of the s)'stem can be seen seriotlsly. The rel)rinting of stich works in Ihe length of timc which it took for is therefore. gOO( , natural, and healthy tl,C prest'nl cenltlI')' to return to ,'ari, perfonnance material available on rental for us, ror tlle), gh'C us Ihe words. the 3hlc scaling \'13 the reaction of the thinking, and the organization of the OrgeU't!flleguug. Indeed, Toprer's theory men who Il'tl 19th century music with of pipe scaling has bern used in some Ollt any oo3ting. evolutionary editing. ca.sc..'S welt inlo the 1940's and 19:.0'5. C. F. PETERS CORPORATION 01' lIlythiClI explanation. Tiip(er's (irst hook on orbr.ln building The present reprint is published in W3S wrillen in 1833. :lnd grew until the 57! Park A "enue South New York, N. Y. 1001& IEtj!i edition of the I.ellrbuch dt!r Or· good qualilY pltolo·orrsct reproduction (lIZ) Cl86-4147 of I he English rOllrth edition on de gt!/lmukrmsl , This 1855 edition, known cent paper willi 'eI')' slim ollter mar· as the "[if!'it edition," was a rOur-\'ol· gins to the page. It is bound in linen lillie affair, and a chief part of the book and hard hoard co"ers. The price ilia), was uC"oled to tr:J.nslation and para· he a bit expensive for the indh'idual phrase uf Dum Jlt.-dus·s treatise, OJ. work Iihrary. but we think that those who which Tl)prcr re\'crcd and used. The arc interested in Riemann and his prc.."SCnt reprint is the much updated CHURCH MUSIC CONFERENCE work will find the price well·spent. and thoroughly rewritten 1888 edition by Max Allihn. It is the edilion that July 21-28, 1973 hecame the IItanciard account of late Hopkins, E. J. and Rhnbault, E. F. 19th ccutlll)' German organ building. "An Ecumenical Experience for Individuals or 'he Entire Family" The Organ: JU History and Construc lion. Third Edhlon. London: Robert Then: ;II'C sc\t'r31 difrercllces between Spon.oreJ lay ,It. GennG Poi", Comm;fI.e, National Coundl 01 Church •• Cocks k Co,. 1877. Unchanged reprint Ihe first editiun and the sccond (or by Frits A. M. Knnr. Amsterdalll, The Toprer's 1855 eliition and Allihn's WORKSHOPS Netherlands, 19;2. (With prC£ace and 1888) . Foremost 311l0ng Ihese is the corrections by W. L. Sumner.) 636 pp,. amonnt of Sp3CC tit3t was de,'oted to Each youth and adult participant in the conference will have 100,00 Dutch guilders. nom Bellm - £3r more with Topfer the opportunity to select three of the following worl MAY 1973 11 (Continued from page 11) WORKSHOP IN IMPROVISATORY in our day. 'Vhal we mcan when we ARTS SCHEDULED FOR JULY speak or "the Romantic org:1n" in mod· ern parlance is decidedly something The newly fonned 5cllola Cantontm qUite different than what is contained EcumeniC!. of New York City. in con· in both thL'SC books. Gil"cn the chance junction with the Cathedral or St. John to study them thoroughly. one rinds Ihe Divine, will sponsor a workshop in that "the Romantic organ" of our (on the improvisatory ar1s at the Cathedral temporary ,'ocablliary is really a crc:uion from July 9 through 13. In Ihe Calhe· of the period from 1800 ul£ongh the ural, dance, dmma, and the plastic aw. mid 1930's. The organ described by as well as choral impro\'isation, from I-Iopkins &: Rimbault ;md. Top£cr &: the traditional melismatic chant of the anthems Allih" is not that at 0111; neither is it Creck!> and Hebrews to the jazz impro the organ of Schnitgcr. Silbcnnann. visation of tooay, will he demonstrated Heaven and Earth and Sea and Air Cliquot or Dom nedos. If so, .hen ollr Variety, simplicity, and clarity of style mark this in lhe context of a concluding fL'Sth'al approach to lhe music of the composers service. arrangement of the hymn tune, uGott Sei Dank," from mcntioned sit 0 II 1 d be draslically "'ork!ihop leaders will include Alan Freylinghausen's 1704 work, Gesunybu.ch. Moderate. changed in Ule light of what the mid Ridout, uotcd Hritish composcr; Dr. Elizabeth Meloy. SATB. APM-762. 45¢ century organs were all about. This is Hmt KOllowitl, the Rev. Claude Jeter. why these books arc neces5a'1' and val· Dr. Thomas Talley, Dr. Phil Dietterich. uable, for the), will lead us (0 a con· My Faith, It Is an Oaken Staff The Rc\'. William Clent'sk, John WatlS. In the true style of folk music, this cept of sound for which the Romanlic Margaret Beals and the "Mini Im composers wrote. It is a task which pulSt.'S," Cantor Paul Kwartin, and Den Swiss melody can be accompanied by ntocd!'! doing. organ or piano. Moving harmonies nis Michno. make this traditional tune a strong Unth books arc published in \'c'1' This is the second workshop spon· expression of faith and trust. Moderate. high quality printing, binding. and en 5C)l't'Cl b)' the Schola C:lIllorum Ecumen George Lynn. SATB APM-896 36< graving, The high C05t will be more ic:!. . The stt'Crillg committee or the or· th,," compensatcd by Ute quality of the gallisatioll includes Larry King. organ Christmas Is a Beautiful Word productioll ami the contents of .hc ist and thoirm;Jslcr of Trinity Church. A simple, carol·1ike anthem suitable for hooks themsch'cs. Dr. Peter Williams ~ew Yurk City; ].:unt'S Lillon, org.lnist children or adults. The poetic text and the Kouf firm arc 10 be congmtu chuinnaster or ! rinity Church, Prince brings fresh meaning to our over- l4Jtt"l1 for bringing us these books in SUell ton, N.J. amI faculty member or Wcst commercialized Christmas season. a distinguished series oC publiCllions. minster Choir College; and 1\lec Wylon Moderate. Kathryn Rawls. Unison or the "nibliotheca Organologlf;a," consist urganist and master or the choristers SA. APM-732 25¢ ing at present of 20 available hislorical at the Cathedral or St. John Ihe Dh'inc, facsimiJe reprints, with several more in New York City. For furthcr inrormation o Lord, Our God preparation. write: Patricia Kelb),. Coordinator. - Robert Schuneman Schola Cantontm EClIlIlenica, HH7 Ams· Innovative harmonic and polyphonic terdam Ave., New York, NY 10025. devices make this an unusually exciting anthem of praise. The text is that THE ENTIRE ORGAN WORKS OF RE of the biblical p ..lm 8. Moderate. THE CHARLES IVES CEl'rI'TENNIAL FES GER, arc being per(onned in a C)'ele of re:. Albert D. Schmutz. SATB APM-920 TIVAL to be held in Miami, Florid3 'rom dtals at the Church o( St. Paul in Basel. 40t OclObtf-, 1974 through 1."")', 1975 h~s b«n 5wiuerland throuShout Ihi, )·e3r. The IS named an offici31 Third Century e1lent. Twen concert cycle is ,ponsored by the Protestant ty music organizntiolU o( G~ater Miami art Ofll'aniSl's Society of Genn ... n·Spcakinr Swiu· vocal solos cooperating in the 'ativ... l. John Kirkpatrick erland, and the Catholic School of Church of Yale Uni\'enity and Nicolas Sioninully ha\'e Mwic of Lucerne. Organists IJC rfonllinl in Meditative Songs been n3med artistic consultants (or the rcsti tlte cycle ... re Heiner Kuhner, organist of 5t. For church, studio, or recital, these ".... 1. and n ... vid Ewen of the Uni\'cnity or PoIul', Church, Basel: Ruman C ... nttcnl of contemporary, thought-provoking solos Mi3111i u tlae ;r.rtistk coonlinalor. Chur, Switzerland; Heimlich Reichel of ZU · speak to today'e world. Yet., the three rich: Heinz Balli of Bern; Rudoll Meyer 01 Rappenwil; Moni"a lIen1r.ins: of Thalwil; Ver biblical and one original compositions at your book ()( fllUSJC stOle A REGER CENTENNIAL CELEbRATION are timeless in text and ideals. was held '3t Riee Unil:enily, Uoulton. Teps, en:l Lutz. of ZUrich; Rodnll Sdleidt'Jger of Moderate. William K. Burns. Medium. on March lB. A Irc:lu~ by I'aul PiJk on Basel: Christoph Wartenweiler of Fnuenfetd: abingdon " Mu Rcser anti the Music 01 the 1920'. was Jean-Marc Putrer o( both l'ariJ and Berni APM-516 $1 .26 jqincd to a concert 01 Reset'. works by the Heinrich Gurtner of Berni Kamila Klugal'M'3. Rice Chamber Orchestr.a, the Rice Chorale, 01 Brno, CzedtosI0\'3.ki3: and Peler Neuntann and orgolnistJ KI;r.uI anti ~Ianlou h r:alzenSiein . uf Cologne, West Gennany. Four million Reisner mfJznet£ JollI ! • .I In the past thirty years, over four million Reisner CHest Magnets have ~ 89llh More than ninety percent of the organ builders in the U. S. and Ganada I\le wring theml and for a very good reason, too, It's simply a case of reliability. Components for all Reisner magnets are made in our plant, permitt!!Jg very strict qyn1ity control. Base screws, cores, and, other small parts are prepared on a battery of Automatic Screw Machines. "Bases are cast on our controlled die-castiiig equipment. • Electro-plating is also an in-plant operation. Coils are wound on precision eqy.iJ!!!.lent by skllled Reisner personnel, with each unit receiving .. final performance tests. "Reisner mag- nets are often imitated, but never duplicated... HAGERSTOWN, MARVL10ND REMEMBER-A BErrER MAGNET MEANS BETTER PERFORMANCE WITH LONGER TROUBLE-FREE t!tF.E. 12 THE DIAPASON t~~AIlen COOiPUter Oigan Voicing & Finishing Two organ terms that are sometimes confused. Voicing, by far the larger subject, involves all that is required to create the "right" tones in the first place. "Finishing" is the process of then adjusting them to the final acoustic situation. In the Digital Computer Organ, all matters of voicing --such as harmonic content, scaling and regulation, are directed by digital computation. Every stop is straight and sounds as it should. Ensembles display superb cohesiveness and clarity. And, as though this were not enough, loud, weak, off-color or out-of-tune note problems simply cannot exist. In short, there has never been a more .,Atlm ORGAN COMPANY effective system of organ voicing. MACUNGIE, PA . 18062 ~------1 To match this incredibly poised instrwnent to its acoustic ALLEN ORGAN COMPANY environment, various "finishing" adjustments are provided, Department D-573 Macungie, Pennsylvania 18062 which tailor the organ's response to the particular acoustic curve of the room where it is placed. Hundreds of fine o Please send information on the award winning Digital Computer Organ. installations -- in buildings of every size and description - o Please also send stereo recording. clearly demonstrate the flexibility of'this new concept. ($2.00 is enclosed) NAM~E ______To learn more about the Computer Organ, and where, nearest you, one may be heard, return the coupon. ADDRESS ______ L ______~ Max Rl"gCr is one of the wcll·l;.nown. ;\ low ebb ror him occurred during the ic poem which he considerctl roreign but solllewhat underestimated, Gennan lIitler nwmc when every new mood to his style. Schumann·like are the lyric romposcrs of the laic I!hh century. who Wi15 detested. Rl'gcr's widow Elsa (she piano picres which he wrote in prohl' Iin',l long cnongh 10 be includctl in the llied ani), in 1951) had to endure (inan sion. They are personal, hannonica.lly first 20th.century gt.'tlcralion. Some fac· cial hardships, and the Rl'ger Society intert'Sting and dcsen'e wider usc since ciS of his music point 10 Rom:mucsim. bard)' kept alhc. After the Second they are not technically dHficllh, sume 10 the Baroque sa}'le - especially \\ orkl War timid attempfS were made The works in \'ariation form are Re, Bach. Like Urolhms. Ihe romantic cIa,,,j· ilt Rt'ger re\ il als, ger's spedalty. He continned the de cisl, wilh whom Reger has much in Our composer consitlered nach as " the w lopml.'nt of the charactcriz.'lion, 101- common, he was bom too late. However. hCbrinning and cnd o[ all music, the tiatctl by BeethO\'en. Not the whole some of Reger's compositional devices foundation of true progress." No won, tlll'me, but char.lcteristic elemenl'i 3rc and his hannoll)' .ue ahead of his time der that the great l'hom:lS Can toe was subjected to elaboration. nms, e\'cry aud progtl.'S.'ih'e, the deciding influence on Reger, espe. \ ariation becomt.'5 an independent piece, A few ,btt.'S of his 1i£e and profession cially in the organ wor1..:5, The predom di(£erent in mood, tempo and structure. Oil cOireer Illar he of in ten'S!, He wa.'i inance of counterpoint and the pol)'. The chain of variations is o[ten crowned born 100 yean ago in nmnd, a small phonic writing is common to Doth. h )' a closing fugue. Reger selected as "illage in Upper lIa\'aria, Soon his fam, Rt.'ger used Bach's baroque (omt types materi al for these work.'i themes by ba THE 20th ily mo\'ed to Weiden, a slightl), larger such as canon, fugue, toccata. etc. He roque composers such as lJach and Telc. lown, where he was a music student of excelled in the chorole prelude for or, manu. and from the claw c era (Mozart the excellent teacher .Adalbert Lindner, gan, using often the same protestant and BcethO\'cn) : even Hiller 15 repre who remainc,,'d his lifelong friend. Wei hpnos as hi5 grt'at pred(,.'C(,."SSOr, Like sented. Tht'SC extended work!,; arc writ. den was Reger's real home, and he re Hach he wrote unaccompanied sonatas ten for one oe two pianos, also foe or lurncd therc for sollie yeal'S, '1uietly 0101- (or \'iolin and for cello. The conSistt.11t clu!5I.ra. The Mozart \'ariation! :Ire Re· luring afler he had finislu,'tI his musical ttlt'Chanical rhythms of the late 8aroque gt.'C·s best k.nown symphonic wor}.; , pc..T. cilucatioll under the llllebgc of the appear oftcn In Reger's music, also the fanned also in the United Slates. ramous historian iUld leacher Hugo Ric· prderence for 51lOrl, melodically \'eT)' In the repertoire of American otg'J.n· mann in Somle~hauscn , There he ob· dl3racteristic head 1D0Ii\'l."$. which art. ists we find St..'\'cral Reger pieces. They tainC(1 a nuxll'St music teaching position. spun out to longer lines. Most impor arc choralc preludes, sonata5, miscclla· Se\'ernl years of prh'ate leaching in tant, man)' o( Reger's works show, be nCOlIS fonns, or gigantic fugues, e,g, the Munidl were diHicult ami nol \'ery suc sides intellect, certain high spiritual fh'e mice double fugue on BACH op, cessful mainly duc to the 3n13gonlsm of IJlmlitiu ,md det.'}> religiow feeling, ·16. The setting is always full and hril· the Wagner clique who domin3ted the It would be ( ntirely wrong. ho\\'c\'er, liant, sometimes e\'en dt.llsc. Sharp con musical life of the lown. In the mean 10 classify Reger ilS a mere Bacl, imita. trasts in small ~hrar.c5 abound, The time Reger had accUlIlulalCd 3 consider tor. The achie\'emcnts of the classic per lonal and dynamiC range is \'ery wide. able body of major compositions. In iod and the 191h century arc incorpo Huge climaxt.'S alternate with vet)' Wn 1907 he moved to Leipzig which became rated in his music and many personal .Ier Irridsms. Reger used cxtensivc met· the important center o( his activities. fealures arc addcd. These are forel11o~t ronome markings for slight tempo He WitS music director of the Unh'ersit)" the characteri~tic harmonic idio,"~, the changes which prl'Scnt pcrfonllance t('acher and conductor. From 1911 to de\'elopment of fonnal aspects (t.'Spl'ci · problems. The le,hnical demands arc J914 he was also leader of the famous all)' in variation5) :md the romantic. :llwa)'s considerable. Karl St raube. the orchestra at the court of the grand spirit which is apparellt in mood iUl' Leipzig organist and Thomas canlor, duke of Mciningen. succeeding the great pro\'isalor), freedom and unorthodox was a close friend of the cOlllpmcr and Hans \'on Billow. In his last years he fantasy. his fa,'orite interpreter. t-I e cunlributed settled in tbe smaller town of Jena Rt.oger's harmony d~ nol abandon much to the dis.scminatinll uf Rt-ger's continuing concert lours as pianist and the traditional chords and tonality. but organ and I:homl music and edited SC\' conductor, He died uncxpcctt.'tllr froUl he uses rapid change;. unusual conncc· eral \'olul11t.'5 of the wllected worb. a heart attack in Leipzig 111 1916. prob· tions and juxtaposition or rar distant n.is )'t."ilr the Rl'gcr centennial is 3bly due to his olx.'Sil)' aud drin.dng }.;eys. ThcrcCorc, his h.mnonlc itliolll be· celebmted in Germany in 111;10)' cities, habits, COInt."S irridt.-sccnt. almo.U cxpcrinu~ntal There arc Rl'ger fcsth"al!li and commem Reger's creath'c output is enormous wilh \'ery little occ;tsion ror longer orative lecturt."S, In the U.S,A, thcre :ue in all nelds of music except opera. A strelches of relaxation, He rarely ex mainl)' organists who pcrrorm his mu large number of piann wor1..:s , l'Speciallr pcrimentcd with cli~'ionallt or altert.'(1 sic for the instrullleni that he dearl~ ' I'ric pica'S which arc unduly neglected, chords like ,\ragner who somelimes tem· 1m cd. More fre(Juellt inclusion or his clamber music o[ all Iypes, song, choml poraril)' suspendeti tnnaJit)'. Rcgtr'~ dlillllber and orchestroll music in con· compositions, amI - bt:st 1..:no\\'n - his wide variety of chord wnlll.'ctioll5, how cert programs would be a lilting trihute oq,ran music and ul'clu.'Stra worb. J-Iis ~ \-er. disturbs occasionally Ihe unit), of to IllS genius. creativity was inexhaustible. the crarts key and contribules to his "modc'l"n" manship never Jacking, His music often sound. I wish to regil'er rOt Ihe Ham was considered too learned, but we find The tfl'atmcnt of the musical forms Contemporary Organ Music WI''''•• I;;' . in it also imagination, carthy humor. is orten conventional, esped:dl)' in small Jun. 11-15, 1973. e\'cn irony. Reger's strle is personal and er pieces and cI,amber works, though distinctive but o{f the mainstream of the classical balance is often neglected Dr. Pa ul A , pi5k livcs prescntly iu musical de\·elopment. Therefore, his in by expanding de\'elopment .. t scctions A ,Uti", T cxas. IJom in l';cnM ;n 1893. Hucnce is mther limited. Him.lemith and comprcssing repeats. E\'en huo he ltlldiccl ill h;5 "alive city will. Ar· comes to mind as an example of a com, strict conlr.lpuntal forllls Regl.'r insert'i lIold Schoenberg, among otl,ers. De/ore posee whose carl)' works show dC£initc fl"(!C impro\'isatory sections, coming to tllb co""trr in 1957 . '.c tl.'tU Reger fcatures in harmony and compo Tbe romatnic element is fr~uently active 'll a mlll;C crit'c and also as co ~1,..Uon to Include sitional attitudes. c;tllt:d "Musikautisch" uoticeable, The " BocckHn Suite,' rour I'IIitor of a Ullui(lll jalmUlI. He luIS /rcM lYJ c~ctadlts a UacMng pC)5;timu at 'he U,, ;ver5ily of $97.50"' __ in Gennan. I\mold Sdlocnberg admired musical «presentations of pictures b)' Reger and pcrronncd more than 50 uf the at-that· time famoHs p:tinter. and the /l cdlands. a,e Universily of Texns, IIlId 125(Mdon __ and reolltratiOn, 0 his works in Vienna, Genn:m critics "Romantic Suite" are cases in point. Wasllillglm, UU;Tlcnit)', SI. Louis, Mis were onl)' lukcwann tow:ntls his music. Here Reger COlne!! dose 10 tile s)lIIphon- wuri. (bIlancelO be p.lid at regilt'llion) 0 Checks .- be ..... payable to ...rn C~ 01 Music. and Hi'll wtth application 10 Summer Session, Him College 01 MUllc. University of Hartford, Douglas Butler, Reger Centenary Program in Boston - A Review 200 Bloomfield Avtnu• . Wesl Hartford. Conn.clicul 08117. Dougla.., L Hutler. organist. Max with three chorale prchHles. till short. tion; strings put1'Cd, solo Jines sang out. Housing .nd M.,II .f, nol included Rege l" Centenary Progr.un sponsored br The rirst two arc rather inconsequen leeds blazcd fire and brimstone, nut In above 'HI. For inform.tlon pi.... the Hoston Chapter A,C,O. at the First tial piece~, hUI the third showcd a through it all the rhythmic thread was communiclle wilh Ihl Oirector of HouI· Church of Christ, ScieUlist (the Mother small glimmer of Rcger's genius for ne\'er lost, the onb'Oing dri\'c nC\'er hog Ing. Univertlly of Hartford. A Clmpus Church) , nOSIOn, Mass" April I, 19i3. tight construction ancl registrational ged down. This same sense of motion cenle, with clfe,.,I, I. locltad on All-Reger program: T hret! 5cllirigS "0 color. These sen'cd as liUlc nlOre than obtained through the exacting fugue, .'il/cred Head Now 1I'0","1cd," (rirst a prelude to the surx:rlath'c but lillie earning the performer long and hearty without opus l1umher. opus 6i, and known cantata, scort."tl for chortls, two applause at the conclusion. opus 155/\); Canlala utI "0 Sacred soloists, ohoe. \'ioHn and oll,r:rn, Ten The final piecc was almust anticli· Head Naw If'aunt/ed," (assistcd h)' Mu \-erst.'5 lotlg, it was rull uf lUlISical d~ mactic, but perhaps a slight decelera sica Sacra, Yu}.;o Hayashi, director); I,,· lights and sCll5itively rx.'rfonut'd. The tion wa!l ncetled aftcr the head)' fare traduction, PalsacngJin ntltl FIl~lIe ;" E Ilalancc between soloi!'its. il15trulUcnta that preceded it. This set o[ \'ariations. millar, opus 127; and ",,,;nlimu aflfl Hsts, chorus and organ could not ha\'(' an carly Reger work, lacks the structural Fuguc on "God Save tilt: QllecII," (with· heen impro\'ed upon. and the lotal d· cohesiveness o[ opu, 127, and seems in out opus number), fcct was ratheT cx'1uisite, Special men deed to be hardly more than a wriut.-rl· III the rail o[ 19;2 the Boslon Chapter tion must be made of the soloists: out impro\'isatioll, Still, it was fun, :md of the A.G.O. celebmted Franck's l50th Marian Ruhl, soprano, and Ll'C War· played with appropriate branlfa, birthday with an all·Francl.: program ren, contralto, 5010isl5 fan make or For an encore, there were offcrt'tl Iwo break a delicalely slructured wor}.; such pla)'ed by fh'c leading Boston organists curiously inappropriate and !lho",y as this. and boll. singers handled their on an organ built within Franck's life transcriptions of short Coupcrin harp· Jifficult parts with understanding ami time (I.IIC 18G5 Hook in Immaculate sichord pieces. At the conclusion of it rine musicianship. Conception Church). The e\'ent drew all, Butler receh'ed his well·earned an audience o[ over a thousand, and Not until after the inlennission was the mammoth 1952 Aeolian-Skinner or standing o\'ation with outnung arms prompted the org3nizatiol1 of a Reger and e[fush'e grin. A performer who gan really allowed to do its thing, how centcnnial program In 1975. The star of puts plenty of bod)' english into his this program, gh'Cll at the famous e\'er. But then, under Mr. Uuller's hands. it did it admirably. Few play playing, his hair was still in disarray Mother Church, was Doughts L. Butler from his recent exertions. But the au of Portland, Oregon, a gifted )'oung I.Ile massh'e opus 127; fewer r'ar. it well. dience _ which again numbered o\'er artist who has made an extell5h'e stud) Even those who manage al t Ie notes often fail to maintain the so·necessary a thousand - clearl)' felt it had all been of Reger's music. continuity in the long Passacaglia, This worth the e[fort. The program began unobtrusiv... • I nutler did. Variation piled upon varia. - Barbara Owen 14 THE DIAPASON GOO INTERNATIONAL ORGAN DAYS SCHEDULED FOR WURZBURG The 1973 " [nternational Organ Days" sponsored by the 'Yest Gennan-based Society of Friends of the Organ (Gesell BAROQUE MUSIC schaft der Orgelfreunde) will be ht'ld in the area of Wiirzburg, Wcst G ~nnan )' front July 22 through July 28_ Tht: meeting will include organ concerts and demonstrations, lectures. discussions, ex AT ASTON MAGNA hibits of organ photographs and draw ings. The meeting is designed as a study Albert Fuller, Artistic Director week for all those interested in the art of the organ. The schedule of the meet ing includes the follOWing (with infor· Inaugural season of a new Center for Baroque Music mation about the organs to be visitcd) : will take place from June 9-30, 1973. This Aston Sunday, july 22: Registralion, exhibits opening meeting: concert in Wi.irzburg Magna performance-and-study conference will be Dom (\1/ 86, Klais, 1969). devoted exclusively to Baroque music-played in the Monday, July 23: Entire day field trip style and on the instruments of the period 10 Maria Limbach (1 / 16, Seuffcrt, 1756): Konigsberg (1/9, Voit, 1750-51); Lahm im Public concerts, master classes, private instruction, lllgrund (11/29, Herbst, 1728-32): Steiner to Build for Schweinfurt, Church of the Holy Spirit coached ensemble sessions, seminars, and lecture (111/45 Steinmeyer, 1967). demonstrations by resident artist faculty will be Philadelphia Church Tuesday, July 24: Entire da)' field trip to Gclchsheim (1/ 12. Ehrlich, 1805); conducted at Aston Magna, a private estate in Steiner Organs. Inc. of Louisville, Vorbachzimmcrn (11 / 14, Laukhuff, 1971); Great Barrington, Massachusetts. Kentucky, will build a new 2·manual Mulfingen (11/17, I-Icissler, 1970); Dar organ [or the Tabernacle Lutheran tenstein, Caslle Church (1/11, Hille brand, 1712 and Ehrlich. c. 1800); Resident artist faculty inc1udes: Fortunato Arico (viola da Church, Philadelphia, Pennsylvania. The gamba and Baroque violoncello); Carole Bogard (soprano)· mechanical action instrument will be Weiker.;heim, Castle Church (1/5 Schweitler. 1602), and tour of the castle. Albeo:t F~lIer (h.rpsic~ord); Bernard Krainis (recorder); Stan: located in the front of the multi-pur ley:Rltchle (Baroque Violin); Ronald Roseman ('Baroque oboe)· pose, contemporary church auditorium I Wl.'tlncsda)', Jul}' 25: In Wiirzburg. Stilt Haug (111 /"15. Klais. 1971); after Jaap SchrOder (Baroque violin); August Wenzinger (viola d~ where it will be used primarily for gamba); William Dowd (harpsichord builder); Charles Fisber services and organ instruction. The noon discussions; e"cning concert in St. John's Church (111 /39. Beckerath, 19(0) (engineer); William Hyman (harpsicbord builder); Ricbard casework, designed by Gottfried Red:. Rephann (Director of tbe Yale University Collection of Musical of the Steiner firm, will be of beech. Thunday, Jld/' 25: Entire day field wood with a natural [jnish. The draw trip to Schwein urt. Ascension Church Instruments); James Weaver (Director of Performance Pro knob stop action will also be complete (11[/26, Schmid, 19(7) and st. Michael's grams, The Smithsonian Institution); Sbirley Wynne (Baroque ly mechanical. Larry Wheelock it or Church (11/30, Klals, 1971); Bad Neu dance. Ohio State University); Edgar Munball (Joint Actmg ganist and direclor of music of the stadt-Henchfeld (11/22. Otto Hoffmann Director, The Frick Collection)_ church. Installation of the new organ 1972); Bad Neustadt. Cannelite Church Tuition, room, and board in the adjacent Oakwood Inn: $510 if> anticipated for the ran of 1973. (1/13. Joh. Ignaz Samuel 'VilI, 1722). Late applicalions ($20 fee) considered through May 15, 1973 Friday, July 27: Official meetings of JIAUI'TWI~RK the GOO; afternoon at Gennan House For complete details, contact: Ruhrlloetc 8 ft. 56 "ilies Church (11/24, Jehmlich. 1970), visits at Prneslanl -I It. 56 "ilIes will to other organs in 'Vfirzburg such as Christopher Chapin, Admissions Director Wahlfloctc :! h . 56 "ilIes Milf.ture III-V 1% ft. 220 "ipes St_ Mary's Chapel (11/20, 'Yeise, 1969); The Aston Magna Foundation for Music, Inc. IIRUSTWERIoo: New Minster (Ill/ 51 , Klais. 1950): 162 West 54th Street, New York, New York 10019 lIulzgt'dackt 8 h. 56 Ililles Cathedral Choir Organ (11/20, Klais (212) 586-7649 ' Kopl'dflm'lt~ .. ft. 56 Ililles 1969); Kilianeum (II/ H . Krieger, 1969): Ilrincipal 2 h. 56 Ilil'es or (oun of Ihe city, musetllns; e\'cning Krmumhornregal 8 h . (llrellared, IIEDAL concert in the Cathed ...l. Suhhan 16 ft. 32 Ililles Saturday, Jllly 28: Field lrip to Vcrs Cllllmihas, '" fl. :t~ 1"lln hach (III/36, '\\'alcker, 1967), with ectl mcnical morning sen'iet:; Munster schwarzach (IV/ 60. Klais, 1937). with Southern New England choice of "isit 10 the crypt organ and from Arts Image ... SUMMER MASTERCLASSES BY the Seminary Chapel or \'isit 10 the Mis Regional by-the-Sea ROGG, BOVEr IN SWITZERLAND sion Museum; Erbach. fonner Monastcll Church. final conccrt on hoth choir or J unB 2-3 Pre-Convention Jr-lns (11/22 and 1/13, Joh. Chrislian RICHARD HESCHKE Romainlllotiel', Swilzerland will be the June 4·5·6, 1973 Convention scene for lIIastcrclasscs in organ and im Kohler. 1759·60); dose of meetings. Louisiana State University prO\'isation prescnted by Guy Dovct and All rCJ!"islralions mnsl he receh'cd hy June I, 1973. Further information, prices Featuring: Marilyn Mason, Malcolm Lionel Rogg front july 15 through Jul)' Williamson, Ernest White, Lowell 29. The courses will also include classes and registration cards rna)' he oblaim'd KENNETH & ELLEN in flute gh'cn b)' I:rancois Pcrrct. All of from: KMD Geo'R' Buchhoh. 7.eppelin Riley, John Weaver, John Kirk the classes will be held in the famous SlraSle 62. D-87 ,\\'ilrzhurg. "'cst Ger Patrick, & others. LANDIS Abbe)' o( Romainm6tier and in thc many_ Historic sites of old New England, Market Square Presbyterian Church, Prior's Housc in thc historical village. organ tours, Yale U., Electronic During thc courses, se\'eral conccrts will Harrisburg. Penna. C. IIAROLD EINECKE. of'J{anist and music, sacred dance, Shakes. he organized in the Abbey and in the choirmaster of the Cathe,lral of St_ John peare Festival Theatre. Prior's HOllse. An cxcursion to the Can· the E,'an"dist, 5f1okanr-'. Washington, wa. ton Valais will abo be organized. Prac honorrd ilt Iht-' sr-'rvke of Holy Eucharist on Sponsor: Bridgeport & Stamford, JOHN ROSE tice organs will be a\'ailable in the vil March .. ill the Cathl'!llral. "an occasion of Conn. Chapter AGO lages around Romainmotier, an artistic, aflpret:iation for the continuing ministry of C. Cathedral of the Sacred Heart, cultural and spiritual center which also Harold Elnet:kt-' , ttfu1.D.. organht-chninnas Inquire: Richard Hamilton, 15 Fox and Rutgers University, Newark o.ffers swimming pool. interesting excur· ter-cartUnneur of the Cathedral." Dr. Ein Hill Lane, Darien, CT 06820 slons. and good restaurants. The village ecke plaved Reuhke's "Sonata on the Mth Psalm" as the sennon, lmd an eloquent afl Student rates available. ROBERT ROUBOS is 15 miles from Lausanne. preciation of Dr. Ein«ke's work WilS written A course in organ impro\'isation. led by the Very Rev. Richard Coomb,. dean 01 State University of New York, by Mr. Hovet, will include three classcs the cathedral, for hoth the morning bulletin of two hours each weekly_ He will also ilnd the cathedral newsletter. Dr. Einecke ~ Cortland, music dept. chm. lead a class in the realization o( figured ceived a large Iterllnl( sliver bowl. "properly bass for harpsichord in three classes of engraved, U at a luncheon in his IlOnor follow two hours weekly. Mr. Bovet's organ ing the service. STEINER FRANK SPELLER interpretation coune will include one old English. Gennan. Northern Euro ROSS LEE FINNEY, cOlIIl'oser in residr-nce ORGANS University of Texas at Austin pean. Italian or Iberian picce of the and I'rofeuor of cOIIIPosition at the Uni,'r-r sity or Michigan, will n:tire from his faculty InQarporaled student's choice; one Prdlldt: and FlIgllt: posllion at the end of May aflt"r 25 yean of Plus eight outstandlna: from Peters Volume n. three cllOrale teaching in the School of Music. lie will con , European artists preludes of different styles. and one tinue to compose. Hi, works, whicl. include Tr;o Sonala, all by J. S. Bach; and fur work. in all standard media, won him a ther music eventually chosen by thc Pulitter Prize in 1937, a Guggenheim Fellow I 1138 Garvin Place ship in 1937 and IM7, and honon by the Nil Louisville, Kentucky 4D203 student. Mr. Rogg's course in interpre tional Institille of Arb and Letten, Ihe tation will include the following: onc '\mt"rican Academy of Arts and Sciences, the old English, Gennan, Northern Euro Boslon Symphony. and a Brandeis Medal. His pean, Italian or Iberian piece: of the organ works are l'ubHshed by C. F. PeteR, student's choice; the Prt:m;er Lir,re Inc_ d'Orgllt: by Marchand; the Choral in E or Catllabilc by Franck; the Two Fan THE NEW MUSIC GROUP of the Phila * laides or Choral dorit:n and phrygicn by ddphia Musical Academy, Tht"odore An Arts Image Alain, and further r,iCCes of tlle student's Illniou. music director, will perform in a choice. It is pOS'iih e for the studcnt to S,lring Festival in PhiladelphIa from May 12 Box 1041 attend both courses which will meet Ihrough May 20 under the sponsonhip 01 the Newark, N.J. 07101 e\'ery day, Monday through Friday for Greater Philadell'hla Cultural Alliance. Works two hours. by Stra\ind,y, Varese, Messiaen, Cage, Luto THE NOACK ORGAN CO" INC. Phone (201) 484-6021 shwskl, Kirchner, Xenakis, Foss, Ligeti. MAIN AND SCHOOL STREETS Furt~~r in(onnation may be obtained Roulez, Deno, Schuller, Christou, Brown, GEORGETO WN, MASS, 01833 PHILLIP TRUCKENBROD by w~um~:. Intcrprcta~iol1 Courses of Crumb, Castaldo. Stockhausen. White, Riedl, Romamlllotler. l.a 1\.Ialson tlu Prieur Hesl'D' Antoniou, and Rudin will be f1erformed Director CH-I349 1l0mainm6tier, Switzerland. ' during the festival. MAY 1973 15 Duo orgonis.. Kenneth and EI!en Landi. have been added 1ft the list of artists '.p resented by Arb Imoge. The husband and Phjfip Reder, profeuar of music theory at wife nom heod ,h. music program at the Palmiter'. School, landon, England, has Ma,\Ic., St,.. , Pr.ibyterion Church, Harris· been appointed gue.t clinician for the Cro· burg. P."nsylvania. Mrs. landis 0110 works tin Choir School Performing At-ts Camp for 8.oys, Champion, Po. for the 1973 summer 01 artist·in-residence for the Harrisburg pub· lie schools and teaches organ at M.uioh senion. Mr. Reder will teach kodaly methods College, Grantham, Penna, Her husband is of music instruction during the special course a former music faculty membe, at Meuiah for choir directors on " Training the Un changed Voice" August 1--4, and at the sub College, Wil50n College and lebanon Vol · sequent workshop in "Th. Changing Voice " ley College. all in Central Pennsylvania. As on August S at the camp. Following a study an organ recital leam they have performed of Koda~y methods In Hungary and Orn in various areas of the U.S. and have twice methods in England, Mr. Reder canducted performed ~int European tOUrI. Mr. Londi. exlensive research with students at Palmiter', hOI 01.0 made a lOla European recital 'au' Scbool and wrote a clouroom te.tbook, and doubles 01 a conductor, with permo· "Music and Rhythm: ' published by Novello. nent duties as mulle director of the Han;I' burg Civic Opera. the couple met while scholarlhip organ majorl at Weltminller Providence Rebuilds Old Chair College In Princefon, NJ. Mr. landis Montreal Organ studied under Donald McDonald and Ale.· The Pfl)\'idcnce Organ Co, lI1C., of onder McCurdy while his wife was a stu' St. H)acinthe. Quebec, has rebuilt the dent of Dr, McCurdy and George Markey. organ in St. Patrick's Church, Montreal, Queocc. The orgall, a Samuel Russell Warrcn imlrlll1lcnt of 1852, had been NfY YORK CITY ORGAN t.·Il'clrified by the Cas:",ant brothers in GOES TO FLOOD DAMAGED JRiYi. Most of the pipework is from the CHURCH IN PENNA. 19th centurr . William Doyle is the pres t'nt O11,r.lnist or the church. Trinity Luthcmll Church, Milton, GREAT Pcnusyh'aniil, will make good use of Opel! Diap:uon 8 ft. the pipe organ that has been removed Clal"3bella 8 h . from 51. Pelcr';,; Lutheran Church, New Bourdon 8 ft . York City. St. Peter's Church is [)Clng Octave" f •• dcmolished as a result of thc congrega· Doppel Flule .. h . Twdhl. ~ Ie . tion's choice 10 Lmild new, larger qual ' Firc«nlh 2 h . Irrs in Manhattan h}' 1976 at Ihe prc!i' Mixlure IV ent LeIC.inglufl the. anti 54th St. site. Tnlmpel 8 ft . The Milton, l'a. church had a lIe ... ,1 for the organ in oM 51. Peter's. Less SWF.LL than a year aRo, in June, 19i2. Trinil)' SIOI'ped DialJaSOIl 8 It. Gamba 8 ft . Church retl b'Teat losses when Ihe 5urr ... Voilt Cd ~ le 8 ft . swollen Susquchalllla Rh'cr flooded its Priacipal .. h. hanks and submcrged the first two lIannonic Flute" ft . £l oon; of the church in Ii fcct of wal(.'I', Btocknule 2 ft . dt-';lro~ ing the org-.In . As a rt'Sult of the Cornel III disastrous flood . 50 ';{. or lhe members I'lein leu IV Ohoe 8ft. or Trinit)'s Clum::h Council suUcred to VOlt lIumana 8 ft. tal or partial destruction of their prh" Tretnul:mt ate homes. BUI the congregation is ded icated 10 rebuilding their church, their ClrOIR homes. and the community. The acqui. Gededt 8 ft. si tion of St. Peter's organ is a step in Dulciana 8 ft . that direction. Flute" ft. I'iccolo 2 ft. Originally installed in SI. Peter's Quintllule 1!h ft. Church in 1905, the organ was com· Sesquialter.. II pletely rebuilt in the 1940'5. James Mc· Cymbel III y, h. Farland of Selinsgrovc, Fa., has been Clarinet 8 fl. contracted 10 move the organ 10 l\lihon TremliJant and inSI:l1l it in Trinity Church. During tJle lime that new building PEDI\L Open Diapason J6 ft. INCORPO RATED is undertaken :It SI. Peter's Church, the Bourdon 16 ft. Hage r, to\\'n. I\laryla nci 2 17-10 Ph one 30 1- , _Ll -YlXlO congregation will hold all of its reli· Principal 8 It . gious services and musiClI programs :It Gedeckt 8 ft. Central Presbyterian Church in Man· Choral Bass .. ft. hattan. Trombone 16 ft . Berkshire Organ Co. is pleased to sponsor the first North American Organbuilders Convention UNIVERSITY OF European Style Washington. D_C_ Sept_ 2.5. 1973 WISCONSIN· EXTENSION Convention Planning Coordinator: ORGAN PIPES Mr_ Arnold Scold. 3901 Military Rd. N,W,. Wash. D,C, 20015 FOCUS ON CHURCH MUSIC SLIDER CHESTS J 9th Church Music Conference Gerhard Krapf, Karel Paukert, & ANDOVER ORGAN COMPANY, INC. PELCA RECORDS Dale Woad. Robert Founlain, Th. fine.' In European organ reconIlngs. William Bauman MECH. ACTION ... 36 Many It ..... In stock. Write for MW cat. Madison - July 3o..August " 1973 ~ ttI 01144 COMPONENTS Mettt_.,., .. logu., S. H, D.mbln,lcy, 1035 lroqatoi. ""era mMhanlcol .tIon Dr. S.£., Grand Rapid., Mkhfgan ",506. European.lrained craft.men Music in the Small Church highe.1 qualilY material. Arlhur Cohrs Cilid Edwanl Hugdahl firm quotations RANDALL S. DYER Seven Worlc.hops throughout Wiscon.in AND COlol'ANV Pipe Organs and Organ Service JUn. 1a.July 17, 1973 P/PECRAFT ORGANBUILDERS Box 489 Write: UW Extension Arts 68 So. aoulevard 610 langdon Street We.t Springfield, MA 01089 Jefferson City. Tennessee 3n60 Madl.on. Wisconsin 53706 tel. (413) 73403311 Mwt.9IHG1ON STNlT UJM:l1 . ~ 'SOI'!o 1 , 16 THE DIAPASON WINCHESTER SUMMER CONCERTS Da\'id Cheetham and Julian SmiLh; INAUGURATED ENGLAND Winchestcr Collcgc Glee Club; 'Vin· IN chestcr Enscmble; Angus " 'atson, con· ductor. A series of eight concerts entitled "'Vinchcstcr Summer Concerts" ha,"c been devised by Martin Ncary. organist LOS ANGELES AGO and master of lhe music at \Vinchcstcr REGIONAL CONVENTION Cathedral. and Angus "Talson, master OFFERS VARIED PROGRAM of music at Winchester College, Eng land. The performances arc to be held The Far-Western Regional Com'en in sC\'cl"al of the beautiful and interest tion or thc American Guild or Organ ing buildings in the Cathedral Close ists will bc held in Los Angeles rrom and College. As if to epitomize the es Junc 24-28, 19i3, wiLh hcadquarters at sentially English quality of these sur the Ambassador Hotcl. The C\'cnt is roundings. each concert includes a work sponsored by the Los Angeles AGO hy an English composer. The series in Chapler, Frank C, Brownstead, dean. cludes the following programs: The Far·,,'cstern Region is headed by Frida}', May 25: NelJon iUass, Haydn; Ladd Thomas_ The com'cntion will be Suite 3 ;n D. Bach: Celtic Reqlliem, uniQuc in that all thc performers, many John Ta\'ener. Soloists June Barton, or whom ha\'c national reputations, are Margaret Cable, Neil Jenkins and John members of chapters in the Far-" 'estern Barrow; \Vinchcstcr Catbcdral Choir, Region_ Waynnclc Singers, Choirs from l'iI· The com'ention program, worked out grims' and St. Swithun's Schools, Bour. hy a committec hcaded by Ircne Robert. nemouth Sinfonietta: hIartin Neary and son, includes the perfonnance o r new ,\ngus " 'alsOn , conductors. works by Rayner Brown , Cecil E£fi nKcr, noris Pillin. and William Schmid t. Sunday, June 3: ,Iic/in So nata in D, Othcr spccial e\'cnts are the student Handel; English &: Italian Mad rigolls; organ compctition, guided tours or out· Alleluia Ha t!C Dies, Donati: Violin So n . .11 standing organs in the area including ata ill G, Bach. Angns Watson. violin; COlley College Soulhern Illinois Martin Neary, organ; Martin Neary a demonstration of the organs at First Conb'Tcgational Church. Los Angelc$, by Net'ada, Missouri University, Carbondale Singers. Wine will be sen -cd d uring the 2 mall/lal, 21 rallks 3 ma""al, 58 ranks interval. Lloyd Holzgraf. The organs at UCLA will he demonstrated by T homas Har· Mecha"ical actio" Pilmall action Saturday, June 16: Psalm 150, Schlitz; mon and Robert T usler. T heater o ~ )e.51l meine Frelule, Bach; T he World enthusiasts will be treated to "The Pipe ENCASEMENT mayor may not contribute significantly to the is .charged with the Grandeur 0'/ God, O rgan and the Silent Scrcen," a prc overall success of a given Instrument. Such frequently Is more 8 hss: works fo r brass and organ solo. sentation by Gaylord Carter. dependent upon the physical and acoustical properties of the The Bach Choir; Brass Ensemble from T hc program will also include work· room itself. the .RCM.: Richard Popplewell, organ ; shops and lectures by David N. J ohn Davu) Wd tcocks. conductor. son (New T rends in Organ and Choral Reuter welcomes the opportunity to advise on the needs of Wednesday, June 20: O rgan recital by Literature) , T homas Harmon (The Or your particular situation. Daniel Chorzempa. Fantasia in F minor, gans and Rcgistrations of Uach) , Mozart; J'ariaticms on a Recitative, Thomas Murray (Organs of New Eng Schoenberg; So nata iu G, Elgar_ land) . and David Billeter (European Thursday, June 28 and Friday, June 29: O rgans) , and Burton Garlinghouse T he Golde'J Vanity by Benjamin Brit. (Vocal Fundamcntals). Choral concerts len; a short opera performed in cos with instrumcnts and o rgan will fea ture h lme_ Songs for trehle voices and contri the choirs of Immanual Presbyterian butions in dose hannony from Eu Church (John Alexander, director) amJ THE REUTER ORGAN COMPANY phony. ' Vinchester College Quiristers &: Precious Blood R. C. Church (Fnlnk BOX 486 • LAWRENCE, KANSAS 66044 Cathedral Choristers; Clement hlcWiI C_ Brownstead, director) , both of Los Ham, piano; Raymond Humphrey and Angelcs, First Uniled Mcthodist Church. PHONE (913) 843-2622 Martin Neary. conductors. Glendale (Dr. William Hall, director) Sunday July 1: Recital by 'Vinchestcr and St. Alban's Episcopal Church, 'Vest. Piano Trio_ T rio 3 in C, Haydn: T rio wood (Dr. J ames H . Vail, director). ;u E-/lat, Stanford; T ric;o I in D millar, O rgan recitals (45 minutes in length, Mendelssohn. Angus ' Va tson. violin; rea turing lesser·known repcrtoire) wiII Elizabeth ' Vi lson, cello; Robcrt Bot· bc played by ' Vill iam C. Beck, David tonc, piano. UriUon, j ohn Paul Clark. Steven Den A.G.O. NORTH SHORE CHAPTER Saturday, July 7: Organ recital by Mar mark, Marsha Foxgro\'cr, Charles Shaf· Welcomes tin Neary_ Prelude mill Fugue in D, rer, Emilie Sinz, Sandra Soderlund, J. nolch; Sonata I , Hindcmith; Choral in T homas Strout, Richard Unrrcid, and MIDWEST REGIONAL A mitIO r, Franck; Lalls Deo, Han -e}: Ihe Sludcnt Competion Winncr. June lB, 19,20,1973 - Evanston, III. Jl'eillell, K lagctl, Sorgetl, Zagen, Liszt. For rUither infonnation, please writc: John Kirkpatrick, piano recital 'Vcdnesday, July 11: King Arlhur by J ames G_ Cra\'en, GCllcml Chaimlan. Joan Lippincott and Robert Anderson, Organists Henry Purcell. Soloists Patricia Clark, i 60 S. WcstmOl"eland A\·c ., Los Angelcs Margaret Hillis, Choral seminar Wendy Eathorne, Kcnneth ' Voollam, CA 90005. Samuel Adl.r - Jewish Liturgy Dorothy Lane. Harpsichord Kim Kasling Wesl.y Vas - Martha Hopkins Chicago Early Music Ensemble Addr ... inquiri.. '0: KEATES L•• Nelson 3930 North .ine Grave Chicago, Illinois 60613 ORGAN COMPANY Registration fe. $25.00 LIMITED • CHESTER A. RAYMOND, INC • PIPE ORGAN BUILDERS RebuIlding, Mainlena,lce and Additians • P.O. Box 55 Princeton, N.J. 08540 ACTON, ONTARIO Phone: 609·924-0935 TRINITY COLLEGE CHAPEL A. David Moore & Co. ROCHE ORGAN Music from the TRACKER ORGAN DESIGNERS & BUILDERS Inaugural Recital A New Recording North Pomfret Vermont 05053 COMPANY by CLARENCE WAITERS builders of $5 - P.P. in U.s_A_ and Possessions Mechanical Action Organs AUSTIN ORGANS, INC. [Altlf!l] AIKIN ASSOCIATES ALL ElECTRIC CHESlS P. o. Box 365 Electric Action Organs ELECIIO PNEUMAnC PEDAL CHESlS HARTFORD, CONN, AA P.O. Box 971 TauntoD, Mass. 02780 06101 Ie. 143 IrooIdyn, ... 1"13 717-2_111 MAY 1973 17 A Selection of Organs Recently Installed by- c.n (201) 351.2000 ST. JOHNS LUTHF.RAN for further information regarding Ihe CHURCH Rodgers Organ Rutherford. N. }. (Speci/icaJiotJ 660) ST. LUKES EPISCOI'AL CHURCH Mcruchen, N. J. (Speci/iclllirJtl 220) SACRED HEART ROMAN CATHOLIC CHURCH Byrum, Conn. (Specil;ctllion 220) FIRST CHURCH OF CHRIST SCIENTIST Teanl.ock, N. J. (Specific,IIiotl 100) CATHEDRAL HIGH SCHOOL Casavant Builds for Historic Lake Forest, TIL Church New York. N. Y. (Spec;/iclIl;otl 110) ;\ lIeW 2· m3111131 and pedal organ C REAT Atdhnud Rodgen Repruenlative lor New JeT.tV and New York Citll huilt hy C:aS3\'3Ill Frhcs of St. Hya Quintadcn Hi fl. I'nazi).al B It. cinthe. Qucl)CC. Canada. has been in· Rohrniile 8 ft . .. tailed in the Fint Presh) letia" Church. SliUliote 8 fe . Lake! Forcst. Illinois. It replaces the Ollta..... ft . church's fint organ that "as installed Nasal 2% h . in 1887 >lnd rebuilt in 191 1), It was this Oltla ... ~ h . first instrument which W:1.\ played by nklckflOle ~ II. TilE DJArAWS'S founder :lIul first cditOl' Ten. 1* ft. S. E. Crucnstein during his 4S'year Mixtnr V 1~ h. SCHLICKER Tromllcle 8 ft. teuure from 1891 to 19!59 35 organist and choion'lSler of the church. The llC\\' SWELL organ is (ree standing in a case of sulid Salizion.. ,1 B h. oak at the rear of the church galk'Tl', Gwcllt 8 h. for excellence 01 design, lhe line.1 of quality male rials, and Ihe and the console is detached. The kef Vox Coclclen TC 8 It. I'rinzipal ... ft . action is mechanical; the SLOp action is hlghesl order 01 craft.man.hip in mechanical and eletlric action KOPJlelnule 4 Jt. electric wilh a solid stale combination Pnnzipal 2 £1. action. The lUanual key compass is 56 QuinlnalC 1~ II. pipe organs. notes, the pedal 32 notes. The org:m Sesquiahcr.l. II TC 2Yi h . was designed by Lawrence Phelps, rorm Scharl III I ft . er tonal director of Casa\'ant Freres. and Duhian 16 ft . finishing of the instrument was mulcr Schalmci 8 fl. the snpcn'ision of Crrhard Hrunlelll:t , I'EDAL Buffalo, New York 14217 p resent tonnl director of the Casa\'ant Prinzipa.1 16 h . £inn. Dr. Richard Enrighl. chainllan of SlIbbass 16 ft. the organ nod church music department Oltla ... 8 h . U30 Military Road at Northwestern Ulli\enit)', is organist Bonilln 8 h . and choirru3.'Iler of the church. The new Choralba5s 01 It. by Milltur IV 2 h . brochur. available member APOBA instrument was dedicated in a rct:ital Pouune 16 h . Robert l\mteI"SUII, chairlllan (If the or· Fa!J01t 16 fl. g:tn department al SoUlhern Methodist Trompele 8 " . Uni\·crsit)'. naHas. Texas. nn April Hi. Rllhnchalmei 4 It. JASO;\' H. TICKTO;o.; has cOIoJlJrlnl 010 RICHARD I'ROULX, DANWL G. REUN· MARILYN MASON ) ean of "rvice as mulic director and OtJf.'II· lNG, RonERT j. BAl'ASTINI, a mi the Re\·. CllAJRMAN, DEPARTMENT Of ORGAN i.t at Temple Beth EI, Dctroit, Mich. Mr. ROUI~RT II. OLDERSltAW will be the fac:· UNIVERSITY Of MICHIGAN ltekton miurd only OTIC Kmu during Chat "hy at Ihrce I U l1Imtr workshof" II",nland by time. Mn. 1ICkioo ~ the junior choir director G.I.A. Publicalions. T1~ woruhops lor Ilamh ANN ARIOR and conductor of the volunteer chorale, Shc mUlieiant will be held at Our Lady 01 Iklhe· has completed 30 yean of scr.;ce at the hem l\cadcrny, La Grange I'ark (Chicago HMf.. MalOn ",.,.rI austerity OM demon"roting anew wI,,. '."tve, Temple. :!.rca). , 11(., AUI. 13-17; St. Chari" SClllinary, "., dlNardl.ary hldllty •• ." D•• Mol,," Re.lst.r, Odobltf' 5, 1964 Philadelphia, I'a .. Aug. 20.201; alld tit Seattle BILLY NALI.E will "ro\'ide the linl .0111 Uni\'enity, Seattle, Wa.shingtou, AUI. 27·31. concert nn the rebuilt and cnlalll!cd organ, For more infonnalion: G.I./\. Puhlications, l om~ dy at the ='ew York Cil)' l'al':ulIo"nl 2113 W. 63rd St., Chicago, lIIi,,,,,, 60636. Theatre, in the Ccnturr II Ci\'K Ccnl('r, Wichila, Kansas, al )Iout 01 Ihe AGO Midwest MERRlLL GERMAN, choim.aller of Em· LARRY PALMER Com'ention nn junc 18. It i. the Wurlilz('. n,allucl Episcopal Church, Dahilllflrc, Md., Organ - Harp.ichard instrument nn which Mr. 1":a11e made his fint was honorcd at :l dinner to cr:irliralc his solo recontillg for R.C.A. tenth year of Acmce in the position at Em· Soulhern Melhodi.1 University manuel Church. lie was given gifu fwm Ihe GUY DOVET and MARGARET JRWI:\,· choir, der-g)' and "cstry, and tllc ~lIlire com Dalla., Texa. 75275 BRA:\, DON will be featured in an ol"8'an work· pany was entertained wilh 'on5S written for .hop at Lcwis aad Clark Uni\'cnity from jun(' the occalion by Paul Snydu, wiltl put his \1· 16. DJl. IlOWARD SWAN and DR. own wurds 1o familiar Gilhert alld SIIIIi\'an STANLEY GLARUM will conduct a choral mnes. workshop at the Scllool Irom july 9 to H . osw .... o. For inlorm:ltion: School or MUlic, Lcwis and DONALD WILKINS, fucult)· mcmber of D. M. A. Cbara Collegc, Portland, OrcHOn 97219. Carnegie·Melloli Unh'ersity, I'iluhurgh, Pa., a nd organisl.choirmaster or Cah'ary Episcopal ROBERT ELMORE will be organ soloilt Church in J'ituburgh. made a concert tour with the Philadelphia Orcheltnl, Eugcne Or 01 EurOflC this . pring. lIis itinera ry included RAGATZ nundy conducting. at a performance of jon. concerts in Pari., FontainclJlcau, Mulhowc ,...... , of Or ••" len', "Symphonic Concertanle for Orgall alld Ami",n, in Fnlncc; LuganD, S",iuerlanll; INDIANA UNIVDSlTY lKtv... and OrcJ.cslra" at tJ~ Philadelphia ACOldemy Heidelberg, Munich and West Berlin, Wcst of Mwict Philadelphia, Pa. Oft May 11. Cermany; and Bnwell, Belgium. THE DIAPASON CnmtOrlle 8 lc. 61 pipes TremuL,nl PF..DAt. I'r1llc'(Ial 16 h. Suhbass 16 It I'rlllcllmi 8 h 32 Pilles Rllhr8cdcdi:1 8 It QUllllllutr; 5V, h. Ocllln~ .. fl. 12 IlIlla 5<-hwll'gd 2 fl . 12 pipes Kauschquint II (" pillt'S Mi,;lure V~VI 180 IUlta 1"""'11_ l(j ft. 12 l.il.M T""lll~t B h. CfllllluMle" h. Wicks Builds for Missouri Church A new 1i rank, 2 manual and pedal organ was reccntly buill by the Wicks OrWIIl Company, Highland, Illinois. for St. Andrew Ltuhcf:111 Church, Cape Girarucau. Missouri. The new chuTch of striking modern dl.'Sign hy architf.'d Uci C. Rame), /\IA of Wichita. Kalls:I ~. is of brick ani I plaster and has a rough concrete " oor which pw\'idcs cxcclknt acoustics. The new organ, completely encased, is in the rear with the choir and console directl}' ill fronl of Ihc case. The ,Iclion is Wicks "DiI · ect·El c c ~ tricT~'." T he tonal design was hy the Baltimore Church Gets Re\'. I\h'in Lange of Dexter, Mo .. who Wesley United Methodist Church New Rieger Or!1;an 'len-cd a:5 consultant for the ChUTCh and Wausau, Wisconsin The ltiL"gcr Org::tn COmpany, Sdm'3r. :.}su IlIa led fOT the dcdirntoll sen'icc. MANUAL I Rev. Jerome Nagler, Pastor z::lch. i\nslri::l. has built a new 2·manu:.1 )'rilllipal B h . 61 IHIM'S :nul pellal mechanical action organ fur Gt-dl'ckl R ft . 61 PilK'$ the chapel DC the Church of the Re. Oklol" c .. 61 I'IPU deemer, Episcopal. UOlilimorc, Maryland. \\'lIl(lno1c 2 h . (jl I.ipes The 22-stup instrument is cnC:lscd ill Mi:o:lllre III un pilles two dh'isinns ill the rear gallery, All o[ This two manual organ MANUAL II the SlUpS except the 8 [t. Mctallgcdada Rohrfliitc R ft . 61 pillC$ was designed by (If the Riickpmith' division afC 1IIuh.. ' r Gl' lIIslmm of h . fil JlilM'S cxprc5.'iioll . The urgan was dc s i~lI cd hy I'rilllil,al 2 It, fit I.il," Dr. Paul G. Bunjes Josc( "on Glatlcr·Gutz o f the Riq~cr Quilltc IY, h . fil Ililld and custom built by Cotnpimy. J\uhur Rhea is urgimisl ;lInl Si.lHole I h . Cil IHI_ clminnaslcf o[ the church. Dulzian 8 h . 61 "ilM'1. TrTJllulant II,\ UI'TWERK (MOl'" II) Sal iciun31 8 ft . I'F.DAL HDlzM Cd3Cki 8 ft . Suhhass 16 It. 32 l,illl'5 I'rincill3l 4 ft. I'rinlipal 8 ft. 32 Ililll'5 S~(llI hlltcr II 2% ft. + I ~ It. Rohrfliitc 8 fc. WICKS ORGAN COMPANY IHighland, Illinois 62249 UlockO ulc 2 ft . Chor-.Ilhau .. h . 32 pilles KUfll,dn.1ICl ... fl. TnlllllK' tlr R h . 32 Ililles Pipe Organ Craftsmen Since 1906 M i ~lurc: IV 1 ~ fe. TnllllllC le 8 Ie , Tn:mulOlllt Dembinsky Builds for St. ROCK-POSITI\' (101;111 . I ) John's College, Winfield, KS Ah~ l a Jllftda c kt 8 ft . s. H . Dcmbinsky. organ builder of Sdm'cbulIg 8 h . Gr.md Rapids. Michigan, is currently Roh, Oiilc .. ft. huilding a one' lI1anu31 and pedal me· l'nucil131 2 fl. chanical action organ for St. John's Col Q ll illl!! I ~ h . lege, W inCield, Kallsas. The manual kcy POCOf2() Beq SlooeRS Zimhcl III y, ft. STATE COLLEGE, fAST STROUDSBURG. PENNSYLVANIA 18301 Krll"'lIIlmrn 8 It. compass wilt be 56 pipes, and the pedal· T..,nst·lll.:I. III I ~ h . hoard will conrain 30 noles. David Fie· nen is the lhe college organist. K, BERNARD SCHADE. FOUNDER AND MUSICAL DIRECTOR Sul,L;w l(j ft. MANUAL &: rED,\L "rincil'2.1 8 II . Gedakt 8 h. 56 pipa GMIadI 8 h . Rohrnole" ft . Sli pipes 114 J. H. & c. S. ODELL & CO. Clnor.dh."\u .. fl. I'rillzipal 2 ft. 56 pipes \ ' Zimbt-I III 168 IlilK:S 12-84 Morning,icl. Ave., Yonk.,•• N.w Yorle 10703 Ra ludlilld lr; III 2 h. E Fagnlt Hi fl. ONE HUNDRED 11< FOURTEEN YEARS G. W. MacKINNON, (onnerly lIall1."\ \\,3Y A & Buwen, .Iealen in automated musical ill 1859-1973 West Point Chapel Gets struments, has released their lata t catafuglle II Fh'e Generation. building Odell Organs IIf 100 \'arious inSlnUl1 ellU, including kalliufle. , S 914 Yonice" 5-2607 New Gress-Miles Organ music Lo:o:r;s, ddc nrgans, early reconl play· 1\ new transept organ for the Cadet en, nrehestr.nions ami nir; kelotlcons. It is Chapel, United States Milit:1 r)' Aca· a\'ailable (or $2 .00 (rom G. W. Moc,",illnulI, demy, " 'cst Point, N.\'. is now hcill~ Wat Coast ShowmcmlS, 11975 E. FI III'~ nce cunslrnctcd h)' Grcss·Miles of Princc· A\'e., Sa"ta Fe Sprin~., Cali(. 90670 ORGAN LEATHERS ton, 1"\cw Jcrsc)·. It will lIIilizc Ihe: e){isl. ing transept cases wilh mooHiCltions ROBERT I'RICIIARD, orsanis' "I the and actual speaking pipes. Some basses Pa~della IJrahyteri:m Church and I:u:ully WHITE, SON COMPANY melJll~r u( Occi.lenlal Collt'ge and J . lm~ will he (011)111011 with the existing chan. 286 Summer Street Boston, Mallachuleu. 02210 cd organ and thc inslrUl1Icnt will play Beach City CIlIlt'RC, California. perfnnncd CUII certs in Re,.kja\·ik, Iceland, Lfibeclt and lIer flU1I1 the present chancel console. The lorel in n'est Ot'nmlny, and in Paris durillR a three new dil'isions total 51 rallks. 111". brief Ellropc:~n Inur during April and May • .Iohn A. Don'is, Jr. is ot'Jr-lIIist :l1ul choir lie was nllr; ft' two All1eriOlns in"ited ttl par· CUAnVE ORGAN IUILDINO fOR AlTlme MUSICAL RESULTS master (If the challCl. licil'3tr; in the " lutt'malinnal 0'11':1011 ",<"dr., IIAUPTWF.R";' in Westphalia". QuinHl.ton l(j ft. "9 Ilil~.l I'riJM'ipal 8 h. "9 I,il~ NOIL GOEMANNE ",ill 113',!: a l,n'R:r;IIln Green1JlOOli Organ Company KulnllOlr; 8 fl . 49 I"~ u, his wurks perlormed nneler his direct;nn at Ocla\'r; .. It. (jt l,illeS a FMti";a1 Mass nn June 10, 1973 ;at 12 :30 ClfAlLOTTf, NOITH CAROUNA 21205 SlIilzllotr; " ft. 61 pipr;s p ,m. at Christ the King Church, »alla" '7HI/U GfNfVonONS OF OIlGAN IUIIDING·' SIIIII:mcta..,e 2 It. (jl Ilipes Te:t.u. The Abu will include the premiere WaldOi;l!! 2 fl. 12 pilles u( his "Fanfare (or Fe$li\'als," tI'e " Mina Rauschquint II-Ill 171 Ili(les Illternationalil," and other worb (or nliled Milltllfe V-VII 391 Ilipes dlllrw, soloillJ, narrntor, IItg3n and brass. Zimhcl III-V 272 pipes Gr.llld Cornet (CI) V 185 pilJC1 I\NDRt MtRINIAU, organist flr Mu"trral, TrulllflC!t 1(j ft. Caoada, will be making his 5"conel ('()Clef'rl G. F. ADAMS E. H. HOLLOWAY Tnlllllici 8 h. 61 IlilJC:ll tour ul Runia durin" May. T ile fint ,,'31 in ClarilKI oJ It. 12 Ilil_ 19(08, Mr. Meriatau has ahn rnently rl'cM'Clt'd Trrl1l11l."lnl works loy Tllurnemire and Alain 011 Ihe u rsan CORPORATION "' St. Eus'ache in Paris, Franc!". TIll': twu Organ Builders, Inc. I'OSITIV disa will be rrll'3led h)' Palhe-Marroni in Bui/de,. 01 Iflllolgcd"ckt 8 ft. 61 IlilK..'5 the uear In lure. Quilllado.:l1a 8 It. 49 pi(lC'$ I'rilleil'al 4 fl. 61 IlilK,", 204 Welt HOUlton Street Traelcer and Elecfro·pneumalic Ruhrllille .. h. 61 )Iill['$ ROBERT IIALL LI-:WIS, cnmll'l$er oml Ocfl;wc 2 fl. Col l,ipi's ("clllty member at GOllcher Cullt'ge and T he New York, New York 10014 slider chest organs. Rufu'l'feiHe 2 h. 12 pil't'3 Johns Hopkin, Univenily, is the rC'C ipient Qui"t 1YlIt. 6t l,illt'S lOr the Waher lIinrir;hscn Awanl rur COU1 (N'" SlIpenocl:!.\'C' t ft. 12 pilK5 en (or 1972. The annnal award "to honur a nti '_phene 01,,0" 54160 INDIANAPOUS. INDIANA Se!ICJlIlaltern TC II 98 I,ilta ellcourngc ('omp05en in mid-eare"r," carric, Sc:harl IV-VI 310 pille'S a p,OOO amount 10 connniniull a nr;w work , . 0 .... 20254 Klllnilimbcl I or n:cord or puhltsh :m elIinillg eotllpotltiun. MAY 1973 19 12 May 18 May Lief Th}'bo. org; Eva Borgstrom, so M IISIC for organ and bras.'i for collt.-gc's CALENDAR prano; First Church Congregational. 150th nnnh'crs;u)', Trinity College, Cambridge, MA 8 pm Hartrord, CT 8:15 pm . CI)'de Hol1oway, lUastcrclass, St Ste· William Whitehead, Uach Festival, phcn's Episcopal Cathedral. Hanisburg, UcthlehclII, PA (also May 19) MAY PA Erik Rontle)', h.-ctUTe, "Church Music Moody Bible Institute: Spring Festi. .mtl Tlu..'Ology ," Jndependent Presbyter 1 2 3 4 5 "011 of Praise. Arie Crown Tllcalrc, Chi· ian, nirmingham, AL 7:30 pin (.lIso cago, IL 7:45 pm Mn)' 19, 7 :~ pm and MOl), 20, 4 pm) 6 7 8 9 10 11 12 Worth·Crow Duo, Lij)crty Hall. EI The Early Music Calliope, Old Paso. TX Church, Ponland, OR 8:30 pili (also 19 Russell Saunders, worbhop, Rocky May HI) 13 14 15 16 17 18 Mountain College, Billings. MT . William Teague, Cathedral. Moreha. ::0 ~[ny 20 21 22 23 24 25 26 Mexico IJmm NoMs Pacem by Vaughan Wil Charles Benbow, New College Chapel, liams, Church of the Ascension. New 27 28 29 30 31 Oxford. England York City II am Missm: SllnctOl"ll1ll Merilas &: Papae 13 May Marcelli by I'alcstrina. Madison Ave Adel Heinrich, all-Uach, Colby Col '~n"·sb)'teriall. Ncw York City ,I plO JUNE lege. 'Vaterville. ME UOi lald Dumler, luunaculate Conccp Frederick 0 Grimcs, St Thomas tion Chmch. Uronx. New York City 1 2 Churdl, New York City 5: 15 pm Walne Fishcr, St Thomas Church, T homas J Williams, Cultural Center. :'\cw York City 5: 15 pm 3 4 5 6 7 8 9 Xew York City :) plU St CL'Orge's Choir, Choral Society and Larry King, CaLlledr.a1 of 5t John the Orchestra, St George's Church, Ncw 10 11 12 13 14 15 Ilivine. New York City lJ pm: followed YurL: City ·1:30 IJIII lly 2nd Anniversary Celebration of God UUllald Joree, Cultural Center, New ~/'f!ll, 4 pm York City 3 pili DEADLINE FOR THIS CALENDAR WAS APRIL 10 James Harrell, tenur; SalilUci Walter, d Cu"Um/,orar)' Psalm by Fetler. DIg; Chuuh of tJle Rc.'Surrectioll, ;r-.:ew F;vc lIymns in POJmlur Style by Gard York City 4 pm ner; first l·fL'Sbyterian, New York City Dwight Carr, St l'atrick's Cathedral, -1 :30 pili 5 May K,ncn Young, Trinity Lutheran, New York City 4;45 filii Jerl1' I:iclds. St ..atrick 's Cathedral, Virgil Fox, Revelation Lights, Carpen \'ankton, SD " pm Ilequif!m by Dum Ie; Paulist Choris· New York City ,1:,15 pm ler Sports Bldg. Newark. DE Ted Alan Worlh. Josephine Co Fair· ters; tribute to l'r,lIIck Campbell-Wat The Russian Liturgical Singers, River Oberlin Collegium Musicum, OUf grounds PaviUion, Grants Pass OR son on 75th birthday; ChUrch o[ St side Chu)"[h. New York Cit)' 5 pili Lady of Bethlehem Chapel, La Grangr Leonard Raver. First United Metho Paul the Apostle, New York City 8 pili Arthur A Phillips, St Alban's Congre· Park. IL 8 pm dist, Redlands. CA 8:15 plU Gloria by Vivaldi, SympllCtJy 01 gational, 5t Albans, NY 5 pili Dia.ne Blsh, RLDS Aud, Independ. Da"id Bruce-Pa)'l'c, Claremont Pres IJJaims by Stravinsky; All Saints' Psalm oJ Redemptior,; Concerto Jar ence, MO 8 pm byterian. Claremont, CA 8 pm Churd., I·rinceton. NJ 7:30 pili Orgm,. lJrtUs m,d Pucuu;on by Elmore; David BOice· Payne, boychoir work USC Concert Choir, lames Vail. dir; Clyde Hol1o\\'ay, St Stephen's Cathe· Tenth I·resbyterian. I'hiladelphia. PA 5 shop. Claremont Presbyterian, Clare St Mark's Episcopal. Glendalc. CA 4 ural. Harrisburg. I' A pm mont, CA pm Musical Vespers, Cathedral of Mary Dupre Memorial Concert; Kathryn n 5th Annual Festil'al of Choirs, La Our Queen, naltilllorc. Ml> 5:30 pm Johl15ton, pianist: Reginald LUllt, org; 6 May Jolla Presbyterian. La Jolla, CA 9:30 Baltimore I'ro Cantare. Cathedr.al of i'iut Presbyterian. Lancaster, I'A 8 pili James Johnson, First Church Congre & II am the Incarnation. lSaltimorc. MD 4 pili Trumpet and choral works by Lck plional, Cambridge. MA 8 pm Richard Birney Smiul. Notre Dame Ki"g David by Honegger, Wilson l.Jerg and Moe; Emmanuel Episcopal. BaucH Chapel Choir, Charles Krig Cathedral. Paris, Fr:mce 5:45 pm ~Iethodisl, Baltimure, AID l:I pili Uallilliore, MD II am baum. dir: Dwight Chapel, Yale U, New Albert Russell. National Presbyterian, Eik-en Morris Guenther. Cathedral Haven. CT 8:!O pm 7 May Washington. DC 8 pm or Mary Our Queen. Baltimore. MD Elijah br Mendelssohn. Church of Workshop. " Music for thc Church: OUlialu Dumler and Martin Berin 5:110 pill the He;l\'!:n y Rest. New York City 4 pm Redisoovered and New; Frands Jacluon. baulII, organ and trumpet; Independent Francis Jackson, Chrisl Church. Francis Jackson, 51 Thomas Chun::h, Robert Hobbs, Lee H Bristol Jr; music Presbyterian, llinningham, AL C.L'Orgelown, \\'ashinglon, UC ~ew York City 5: IS pm for organ ami choir of all ages: St The Metropolitan Chorus. James }o' Vii-gil Fox, Trinity Lutheran. Ncw Hugh Knight. Cultural Center, New Thomas Church, New York City 9:30 Wiles, dir; }'airmount l·resbYlcrian, pon News, VA York City 5 pm am to 4:30 pm Cleveland Heights, 01-1 i pili Marshall I:oster, Firsl Presbytcrian. Quentin Faulkner, Cathedral of 5t Vcrnon de Tar. workshop on organ David llritton, First Congregational, Wilmington, NC 5 pili John the Divine. New York City 3:30 works of Franck: Carleton Collegc, Columbus. OH 4 pm "Bad. Hour," Lutheran Chor.tl of pm r\'orth(ield. MN 2:30 pili Virgil Fox, City AmI, Great Bend, BuEralo, Trinity Youth O"rch, Frank A Requ.iem by Brahms. Brick Church, KS l\m'ak, dir; Trinity Lutheran, BuUalo. New York City of pm 8 1\[ay Colorado State U Singers, Brass En NY 5 plU Organ Concerto by PouleRc: Paul Susan Lan~, violinist, Trinity Church, semble; St John's CaUlcdral. Denver, Jephtha by Carissimi, works lJy Hall Martin Maki, o~ Riverside Chamber i'l\ew York City 12:45 pm CO 4 pm del; Chicago Chambcr Choir, Church of Ensemble; St Michael's Church, New David Finckel, cellist; Andrew 'Villie, Francis Jackson, I:irst Congregational, Our Sa,"iour, Chicago, IL .. pm York City 4 pm pianist: Cathedral of thc Sacred Heart. Los Angeles. CA 8 pm Cantata 11 by Bach: Victor Hildner, Michael Stauch. St Patrick's Cathe· Ncwark. NJ 8:50 pm Jerald Hamilton, St J'aul's Episcopal, organist; Grace Lutheran. River Forest. dral, New York City 4:45 pm Vernon de Tar. Carleton College. San Diego, CA 8 pm IL 3:-15 pm Medicvill .. R.enaissance music with Northfield, MN 8 pm John Kois, t'irst Cungregiltional, Oak old instruments, Gustavus Adolphus Diane Bish. First Methodist, Marion. l'art, IL 7:30 plU KS 8 pm 14 Alay Lutheran, New York City 7 pm Elena Vesela, Pioneer Melli Church, llequif!1IJ by Braluns, First United John Rose, recital: Evensong with David Bruce·Paync. First Congrega Methodist, Ashland, KY 7 plU tional, Long Deach. CA Andrews U. BerTien Springs. MI 8 pm choir of CtLthedral of Sacred Heart or Worth.Crow Duo. Grace Unilt.'tl Jerald Hamilton, Colorado Stale U. Newark; at Immaculate Conception ~Icthodist, Alamagoruo, NM Fort Collins, CO 4 and 8 pm Seminary, Darlington. NJ of pm 9 May James J·ressler, St Mark's Episcopal, Albert Russell, St John's Episcopill. Mark Scott. St I'aul's Lutheran. Aus Motet 6 and Cantala. 51 by nach, tin, TX 8 pm Glendale, CA 4 pm Lord Nelson Man by Haydn; Trinity Washington, DC 12: 10 pm Da\'itJ Britton, Our Saviour's Luther Worth· Crow Duo, Sahnas HS. Salinas. Chark'S Uenbow, Ur:llislava, Czecho Church, Princeton. NJ 7:-'0 pm slm'akia an, Long Deach, CA 8 pm Gregory Wiest, tenor, Cathedral or CA The Creatio" by Haydn, La Jolla Mary Our Queen, Baltimore, MD 5:30 Francis Jackson, St George's Cathe Presbyterian, La Jolla, CA 20 THE DIAPASON 26 May Midlac' Radulc.scu, Liverpool Cathe 7 JUDe IS June Delberl Dissclhor5l, Baldwin-Wallace dral. Lil'crpool. Engl:md Reginald Lunt. 5t Thomas Church, Kay G .... nger, contralto; Albert Rus· Conscnalory. nert'a, OH Gillian Weir. nalh Festival, The New York City 12: 15 pm sell. org; 5t John's Episcopal. Washing· Ann J.ahollnsky. "oorburg, Holl:lIuJ Abhe}" Halh. England David Mulberry. Trinity Church. Ncw ton. DC 12:20 pm York Cit)' 12:45 pm Alaska Festival of Music, Anchorage, 27 l\1a)' I Junc AK (thru June 28) Kenncth Starr. 51 Thomas Church, Ted Alan Worth, Cathedral o( 5t 8 June Region 12 AGO Convention, Colora Ncw York City 5:15 pm John the Oh-inc, New York City Cllicllt:Jter PJ(J/IIU by Bernstein, Hadie do Springs, CO (thm June 15) Prudence Curtis, Cultural Cenler, by Vaughan Williams; Apollo Musical ~e w York City 3 pm 3 June Club. Orchestra Rail, Chicago. IL 8:15 14 June Ait.''C W)'lon. C.. llhcdral of 5t John Vcrnon de Tar, St Thomas Church. pm judith Hancock, Trinity Church, the Ui\'ine, New York City 3: SO pm: New York City 5: 15 pm New York City. 12:45 pm followt:d by Evensong with choirs of Timothy Zimmerman, Cultural Cen 9 June Rosemary Hall and Choale Schools. 4:30 ter. New York City! pili Conference on Baroquc Music, Aslon 15 June pili Calhellral Choir School Alumni Ser Magna Center, Great Darringlon, 1\IA (thru june 30) Richard n Smith, Cathedl'31 of Christ jerry nrainanJ, St ~lichael's Church, \'icc, Calhl't.lrnl of 5t john the Divine, the King, Hamilton, Onlario, Canada N'eu' York City 4 pill New York City 4 pm Western Branch HS Varsity Singers Capitol Hill Choral Society of AI 10 June 8:15 pm of Chesepeakc, VA; at St Patrick's Cath hany. NY; at St Patrick's Cathedral, jean Joncs. Cultural Center. New cd .... I, New York City 4:45 pm i\'ew YOI"k City -1:-15 pm York City 3 pill Crier Taylor, soprano; Cathedral of Ronald Wyatt. Shnnc of the Imllla Da\'id MullJcrry, Cathedral of St john 18 June M ary Our Queen, nailimore, AID 5:30 cul;\le Conception, Washington, DC 7 the Dil'ine, New York. Cit)' 3:30 pm Region 5 AGO Convention, Northern pon pili Hennan Dcrlinski. St Thomas Church. Virginia Area (thru June 20) lJavid R Hunsberger, T rinity LUlher Malcolm Willi3111son, recital and op New York City 5: 15 pm Region 7 AGO Convention. Evanston, an, Cle\'l:I:md, OH 4 pill era performanccs; Zion Lutheran, C:m Jalllcs Metzler, Trinity Church, To· IL (thru June 20) Rosamond Hearn, organist; MillO Ion, 0 ... ledo, OH Regions 10 and 11 AGO Convention, /lrnJi1 by Kodaly. Jubilate Deo by Ga Catharine Crozier and Harold Glea Region 8 ACO Convcntion, Dayton. Wichita, KS (thru June 20) bricH: Concert Choir of American Con son, workshOp; Catharine Crolier. reci OH (thru June 13) Region 14 AGO Con\'Cntion, Portland, ~ r\':1lo r}' of ~Iusic, KennetJl Sanson, dir; tal at 8 Pill; East Hcights Mcthodist. OR (thru June 20) E\'angellcal Lutheran Church of St Wichita. KS II June l.uke, Chicago, IL Spring Choral Concert, St Dede's Epis Contemporary Organ Music 'Vork Dexter Hailey. RLDS Aud, Independ copal, Menlo Park, CA shop, Hartl College of Music, Hartford, 24 June Region 6 AGO Com'ention, Green l ' UCC . MO 2:30 pm 'rell I t Ukt! It 15, folk -mu,ical by CT (thm june 15) ville.Spartanburg, SC (thru june 27) Man i rl IJ ","',or by Bach, The Cath· Ralph Carmichael: First PrC3bYlerian, Winners of tJ1C perfomlance competi t::dral Singers. 5t John's Cathedral, Den Ol"l'ansfde. CA 7:30 pm tinns of Ih... New York City Chapter ,'cr, CO 4 pm AGO, St Georgc's Church. New York 25 June David Il n llon, U of Californi::l" Irvine, 4 June City 8 pm Region 3 AGO convention. SYl'3cuse, C,\ 8 pm Region 2 AG O Com'cntion, Bridge Region 9 ACO Com'enlion, Knox· NY (thru june 27) port/ Stamford, CT (thru June G) ,ille, TN (thru june 14) Rcgion AGO Com'cntion, Bethle. 29 May Organ and choral works by Mathias, hcm, P/\ (thru june 27) Elsuko T c r a d a, pianist. T rinity 5 June Leighton. Zimmermann, Near, R Nel Church, New York City 12:" 6 pm Dianc Addison, soprano; T rinity son; St Luke's Episcopal. Evanston. lL Church, New York City 12:45 pm .. put 26 June 30 May Allert lIy jean Guillou (premiere). Con(erence on Worship, Lutheran 18th National Convention, Organ His torical Society, Lawrenceville. NJ (thru IIradlcy Hull, Intcrchurdl Center, ww-ks by Hach; Trinity Church, New Churche, of U5 and LSWMA, ~tinnea . I\"ew York City 12:05 pili York City 8 pm polis-. MN (thru june 15) june 28) Walter Haker, Church of 51 Paul the 12 June Apostle, New York City 8:30 pill 6 June American Cllllrch Music, Trinity 9 July Tom Atkin, 51 John's Episcopal, Dick DeLouR. 5l j ohn's Episc:opal. Church Choir, LafT)' King. lIir. Trinity Rl"gion 1 AGO Com'ention, Waler W.JShill&ton. DC 12:10 pm Washington. DC 12: 20 put Church, New York City 12:45 pm .me. ME Builders of Fine Tracker and Electro-Pneumatic Pipe Organs Inquiries are Cordially Invited W. ZiIllIller & Sons tNCORPORATED Mailing Add/eu: P. O. Box 11024. Chartotte. N_ C. 28209 NATIONS FORD ROAD' CHARLOTTE, N. C. CHARlonE and WILLIAM First P.... sbyterian Church Oceanside, California WAYNE FISHER Army and Navy Academy College-Conlervatory of Music ATKINSON Carlsbad, California Uniyerslty of Cincinnati lecture-clemo ••trallons ARTHUR C. BECKER, Mus 0., A.A.G.O. o. Coni""",. inlprovhatioft DE PAUL UNIVERSITY NOEL GOEMANNE ST. VINCENTS CHURCH, CHICAGO CHRIST THE KING CHURCH 1017 'r•• ton Rd. DAllAS, Tex.., 75225 Edward D... rry .... $MD Warnn L "rry... , SMD BERRYMAN DAVID HEWLETT o.a-ht.c...u-to, Hood. O....,.a.__ Dept. MARSHALL BUSH WESTMINSTER PRESBYTERIAN CHURCH BALDWIN.WAllACE COUfO! Mlnnqpoll. "rea, Old. .. CIwIot Church. FIIdtIture, Ma... 01420 fr" .... lIlalIllUII... 'lIIImIllIlI1lIllIlIIllCIIIIIlMllllAllIAIIIICIIIIIUIIW ...... WIIIlIlIIIllIlIIIlUIIIll .. 11Ilnllll''"'''''UIII .... ''IIIIIII.mwll ... IIIIIIIIUllllulllalii Margaret Melyln DICKINSON I ~ ~OHN HOLTZ i IhoIvonItJ of Lo_ II i Faculty: HARn COllEGE, Unlyerslty of Hartford I LooIMIIo .... SodetJ • CeI."'Y EpIKopal 5.. f,oodHo-tloHlolde L.":" O::~:'~.~~:: CONGREGATIONAL CHURCH, Hartford i Organ Builde .. and Inc. • Rebuilding FRANK J. SAUTER SONS * • Repairing * -'- Phones: 3BB-33SS For Unexcelled Service 4232 West 1241h Place PO 7-1203 Alsip, illinois 606SB • Contractual Servicing MAY 1973 21 JACK ABRAHAMSE robert anderson SMD FAOO Organ Recitals Geo,•• Str ••t United Pet.rltarough, Onto Canoda Southern M.thedl.t Univenlty Harold L l\ bm)'tr. F~dcriclubull: . VA - Michael Conine, E\'llnn'ille, IN - Fin t Recital. IOrl.nlPiano) Frcllcriduburg United Mcthodi, t, March J I: Presbyterian Church, Fort Wayne, IN March Dallas, Texas 75275 Improvisation on a Th"lI1c or Da\'id Jcnninp, 10: a Lalllm Goltl!J un.lciluJdi " BWV 656, Ahld)"cr ; Communion, Viernc; Son! Without Prelude and Fugue in E minor UWV MR , Bach; Words lin Rmffi:lnCe &:Int paroles, Bonnet; Can Concertn 2 ill B.flat, Handel; Prelude on lilene, Toccata, I'~~ten ; Link Bells or Our ALAIN. Durune; Sonata I , llindemith j Atle HEINZ ARNOLD John Barry L:ady or L{lurdcs. Gaul; Variations on Jesu, IIro \i\'acc (rom Symphony V, \Viciul". priulru '""'tUR'. Walther: A""" Mllorillo, Schu· Wa llace M CocuH:n Jr, Glm kid !~. NJ - F.A.O.O. ~rl ; Da ..... n, JenkiN; 2 lettings Ah h~y jesus, ST. LUKE'S CHURCH Waleha and R\'gl'r; Fantasb in G minor, Lillie Chril t Episcopal, Glen Ridge March :!oS: )'rd· Fugue in G minor, Bach. ude :lnd FUl!lue in C minor, Erbanll dic h Hlein. STEPHENS COlLEGE o Lallllll GoUts unschuldig. Bach; Cortege LONG BEACH. CALIFORNIA Robert Andenan. Datlas, TX - Fin t Con· cI Litanie, Dupre; Durch Ad;a ms Fall. 1I01lli· COLUMBIA. MO. gr~ationa l, San Bcrnardino. CA Abrdl 11 : liU5 ; a Traungkeit, Schroeder; Choral in 8 Prdude and Fugue in E minor (leu.cf'), BruhllS; lIIillur, F ranclr. . La Romalu:sC3, Lo Ballo dell' Intorcia, Va lente; T rio SonaU in G BWV 530, Bach; FOIn· Robert Cundlck _ Westlllinstl'r I'resbyter· tasia K 608, Mozart; Psalm Prelude Set fli . ian, Akroll, OH Feb 25 1 Conu rto del Taglie1ti, 1I0wdls' Visions OpUI -H, Dupre; Theme and Walther; Nun lriomm der Heiden lIdbnd, Peter J. Basch ROBERTA BITGOOD VarUtio'ru rrom Hmnmage n Frescobaldi. Fantasy and Fusue in C minor BWV 537, Final h om Srmrhonie I , Lans1au. lhlch; Comet Voluntary In E, Walond: T rip "'ir., Congregtl/ional Church tyquc opus 58 , Viernc:; Sonllliina, CundM-k : Wildwood Road juycc B Auchinclou, Avon, CT - GlOIn Communion. Torres ; Toccata, Sl'IWerby. Church, Millbrook. NY March 11 : Prdude Califon, New Jersey 07830 BATTLE CREEK. MICHIGAN and FlIl!lu e in E minor . Bruhns; Klavieriibulll JiUDCI A Dale _ US Naval Academy, An I't III (hohn1l Cherie. H. Ph. D., F. A. O. o. GEORGE ESTEVEZ EARL EYRICH GEORGE FAXON clo. ... First Unitarian Church FINNEY TRINITY CHURCH CII.,""_, Dhow.. .. Mudc & Art Dlredar Rhode Island Calleg. BOSTON H"""._ c.n... , Keua ...... N.Y. CHICAGO CHAMBER CHOIR Providence H...... W""".' _ CI."do ALEXANDER BOGGS Recital. and Master Closs.s I Organ Consultation Robert Finster DMA RYAN Cathedral Church af Christ the King St...... ' . Ca ...... ,... CONCERT ARnST W.stern Michillan University at Kalamazaa 0.._ 22 THE DIAPASON Cleralllbault; Sonab VI, Mendelslohn; La Itecital programl for inclullon In Vierge et l'Enfant, Let Bergen, Dieu parmi IIOUS , Mcssiaen; Invoc:ations, Mathias. thele pagel mUlt reach THE DIAPASON THE DIAPASON A MUST FOR EVERY ORGANIST w1thin faur weelel of performance clate. ,\rthur Honeychurch, Malvern, AR _ Fint United Methodist, El Dorado, AR ,\pril .of : Send THE DIAPASON for Recitals engaglnll mete than th,.. ar6 Intr<»tul, Ite Miua est from Miua BRVis, year(s) to ganistl will not ite included. Th. pro.. Kodaho; D3 jesus 3n dem Kreuze .tund, Sclll:idt; TlltI::e Tunes from the Italia n Ba gram must Itate the clot. and plac. of roque, ll rr S Drummond Wolff; Prelude and Name Enclosed Is $ ____ the performance 01 well al the name Fugue in A minor, Wenn wir in hOcluten NotJlen sein, Liebster jesu wir sind hier, 0 of the perfarm.r. MeNch bewein, Bach. ($4 per year-cia not sencl cash) 1;lI'na Hopkins, San Marioo, CA - St Paul's Street THE DIAPASON Robert AI Finlter, Dennr, CO - North Ca.tlltd ral, Los Ansele& March 16: P~tudc Pre5byteri:tn, Denver March 18: Prelude, and FU,JUe in F, Fischcr; 2 scltings 0 Welt Fugue and Cbacnnne, Buxtehude: f3ntasy K icll muu didl lasscn, Brahms; Wondrous Love. CIty 434 South Wabash Ave. 594, Momrt; Pa rtib on Lobe den Herm, Barber; I'uludc and Fu,ue on 0 Trauriskcit , Ahrens: Choral in B minor, Franck: Three Brahms; Cortege et Lila nie, Dupre. Preludes, Brown: Toccata in F 8WV 540, State Zip Chicago, III. 60605 Hach. Ronald Hou~h, Wiebit.:a Falls, TX _ Fint C hristian, Wichita Falls March 13: Now thank W3yne Fisher, Cincinnati, OH - Christ we all our God, Buh.Fox; Variations on Chun:h, Cincinnati March 18: Choral.lmpJOo Undu the Linden Grcc.n, Swcclinck: Noel viution on Victimae Paschali, T oumemire: gr"ml jcu et duo, d'Aquin; Prelude and Fusue E. LYLE HAGERT DAVID S. HARRIS Prelude and FUKue ill C minor, I'arUta on in E· nat BWV 5.52, Bach; Dialogue lor the Now tet w Lord God, Fantasy on 1 call to Mi.x.turcs, Langlais; Fast and Sinisler from Church of Our Saviour Thee, Lubeck; Trio Sonata 3 in D minor Symphony in G, Sowerby; Rumba. Elmore; Gclhlcmane Episcopal Church BWV 527, Badl; Allegretto Sruioto from Andante S05lenuto lrom S)'mphonie Gothique, Akron. Ohio Sonab in G, Dennett: Lamento, Dew: Es Widor; Prelude and Fugue in G minor, Dup re. Minneapolis, Minnesota 55404: l'J,uisses opus 41, Dupre. Organ Ausust Humer, Richmund, VA - U or Rich. Fred W Gaw Jr., Point Pleasanl, WV - mond Feb 25: 6 pieces from Parish Mag, Johnson Mem Uniled Methodist, Huntington, Couperin; Canlon it 01 del Quarto TOIIO, Er WV Marcb 21 : Prelude and Fugue in C minor, bach; I'auacaille, Martin; Tall.ztClCca ta, Heillet; Bach; Redt de ebromborne, Couperin; Le Toccata ill E (Concerlal.t), Bach; J'hanUuy WILl. O. IIEADLEE banquet celene, Messiaen; Prliambtln und In and Fugue on Wachct auf, Reger. tuludien, Schroeder. Yuko Hayashi sell')()1. OF ~ll'S1e ,\ndrew Hunlinglon, Ibtdord, CT Asy- boston J lunes W Good, LouIsvilk, KY - Southern lum A,"e Baptis' Churcll, Harl(ord Fcb 25 : SYR.'\( :USE UNI\'EIZS!TY Daptilt Tboological Seminary, Louisville March CnltCCrtu 4 in F. Handel; Dialogue in trio du 20: Fanfare, Cook; Parlita on Was Gatt tUI, cMnei ct de Ia Cromorue, Couperin; Prcludc new england cons.rvatary SYRACLSE, :\EI\' YORK U2IO I'achelbel: Prelude II.nd Fusuc in B minor BWV and Fuaue in B minor, Bach; Litanies, ,\Iain; 544, Bach; Tocc:ata and Fugue in D opw 59/ 5 I'Jainle, Lanl 1ms : Choroal in A minnr, Franck. :and 6, Reger: Swte opus 5, DuruOe. Ccorse L JODes Jr. Potsdam, NY - All Herbert Gouch, River Forest, IL - Holy Saints Cathedral, AlbAny, NY April 29: Con SAMUEL HILL Cross Lutheran Detroit, 101 1 March .of: Orgel certo ~ in F, Handel; Cantabile, Franck; Bays WILBUR HELD hlkhlein (complete) , Clavic!riibung P.rt III St. Paul'. Church Town from American Suite. WSw:.; Sonata SM.D ... 'AG.O. (larse setting., 00 duets), Bach. 5 in D. Mendeluobn. Ohio State University Weago, mino. E1eanor Hammer, Los Angeles, CA - 5t Donald Joyce - student or Vernon de Tar, Trinity Church Carthage CoDes< Paul'. CatJledral, Los Angeles March 23: Prel The Jwlliard Sellool, New York City March COLUMBUS, OHIO KenoshaJWisconJin ude and Fugue in 8 minor BWV 544, 0 Lamb 20: Variations on Da jesw an dem KreUle of God BWV 6S6, Bach: Etude in the Form stund, Sdu:idt; Trio Sonata 3 in D IIIlnor, 01 a Canon No .of, Fugue 5 on BACH, Schu Donan Toccata and Fuaue, Badl; Sonata II. mann; Introduction and Passacaglia in D Uilldclllitho millar, Re~r. Harry H. Huber Mildred ~mmq." er, Cul'"er CitY'. CA JOHN HUSTON E~ene HllJIcock, New York, NV _ SI Mal SI" J'3ul'. Cathedral, Los Angeles, CA March M.Mus. &. Ihew St TImothy Church. New York City 9: Cb:lconne, L Coupcrin; Aria 'rom Concerto Kansas Wesleyan University FIRST PRESBYTERIAN CHURCH March 25: Allclto from Symphony It, Vierne; in D, Handel; Aria faslorell:a, Rathgeber; Adorn younetf my loul, Lord jelUS Christ Pn:ludes II and III, Bloch; Elegie, Peelcn; University Methodist Church TEMPLE EMANU·EL ltay with w (18 Great) , Bach: Kyrie Veneu J'rdude in G BWV 56 8, Badl . Irom Parisb 11.1.11. ... Couperin; Introduction and SALINA, KANSAS New York City Fusue on Psalm 94, Reublr.e; Via Dolorosa, Sowande; Paltorale, William Cooper; Coruwn Martin Kehe, Denyer, CO - B~thlehem malum est, Toumemire: Litany for a Holy Lutheran, Den,'cr Feb 27 : l'n:lude, F\tBue and D3Y, Langlais. Chaconne, Buxtehude; Finale to Sonata VI, EUEN KURTZ Mendcluohn; Little FUlue in C minor-, Bach; d. deane Charles H Hatnn, Pittsburgh, PA - Eureka Prelude au Kyrie, Langlais; Lord or Glory, College, Eureka, IL MArch 5: Toc:cata 8 in MaRl ; Offcrtnire sur let lrand jeus:, Couperin; JACOBSON G. Muffat: ~blnific:tt in D, Dandrieu: Dorian Cnmmunlon, Purvis ; Grand jeu, du Mase: 0 hutchison Toccata and Fugue, Bach; Song of May, 10n World, J Now MU It Leave Thee, Brahms; M.MuL A.A.G.O. gen: The Fourth of july, Hewitt: Nocturne, Agincnurt Hymn, Dunstable; I Am Black But portland, oregon McCaLe; Prelude and Fusue in B, Dupre. Cnmely, Dupre; Toccata, Gisaut. Concord, California Richard Hcsdake, Balon Rouse, LA - Texas Robert B Kim;, BurlinglOD, NC _ Mere Luthernn College, Seguin. TX Feb 2.5: Prelude dith Colleae, Raleish, NC Mardi 13: Chaeon II.nd Fugue In D, Bus:tehude: Concerto in F nes in G minor and F, L Couperin; Trio So KIM R. KASLING opw 4/5, Handel; j elUi Christus unser Heiland nata in E-rlat BWV 52 ~, Bach; Elf:l.·a tion (Con D.M.A. BWV 688, Prelude and Fusue in A minor ' "ent Mau), Couperin; Prelude and Fusue in HOWARD KELSEY BWV M3, Bach; Dewr:ieme Fantaisie , Alain; E minor. Bruhns; Cnncerto V in F, Handel; Organl., ancl Chairman, Keyitoard Diy. Canons in B minor a nd major, Scllumann; Epi10sue for Ped:ll Solo, A,oe Maria Ave Abris Mankato Stat. con ... Washington Uni"''''';ty Final from Symphony III, Vterne. Stella, i.anglail; ImprO\Ualion 00 the Te Mankato, MI"n. Dcuru, Durune. Saint Louis, Mo. 63105 David W Hi.o.shaw, E1 Paso, TX - Fint Recitals - Cia.... - Co .. ",hDlfan. Presbyterian, Tulia, TX March 20: Toccata Gale R Kramer. Ann Arbor, MI _ Welt and FU,JUe in D minor, 0 man bewail thy Side United Mrthodist; Ann Arbor Feb 18: srie\'ow lin, Bach: Sonata de Clatines en la Prelude and Fugue in E minor, Bruhn.s; Mass mayor, Soler; Cortege et Litanle, Dupre; GEORGE E. KLUMP Prierc a Notre Dame, Boillmann; En Un in the Dorian Modr, Raison; Partita on What Tcmplo Churtegueresco, Cortes: Schemno, God ordains is surely JUII. Pachelbcl; Oed. DIVISION OF THE ARTS Noble; Fantasia on Victimae PaKh.li. Hin· thpclf my aou1, Prelude and Fusue in A Arthur LaMirande shaw; Choral in A minor, Franck. mi no r, Bad l; Balleto and CarTenle, Balkto a nd Ciacone, Frescooaldi; Prayer, Jongen; I n· Our Lady Vllniw Chureh DALLAS BAP11ST CoLLlOS Dr Fred HolunaR, St (.nuts, MO - Christ te nneuo from Symphony VI. Widor; Te DrulII, Lan,la is. New York Cit,. Church Cathedral, St Louis March 5: Trio DALLAS. TEXAS 75211 !!.onata 5 In C BWV 529, Trio Sonat3 3 in D minor BWV 527, Prclude and Fugue in A Klaus Kmtz.enstc:in, Howlon, 1X - RJce minor BWV !H3, Bach; Prelude, Fugue and U, How ton Feb 4: Concerto in G, Walther; Variation, Franck; Scheno in E. Gisoul; Final 3 M:lsnificat Fu,ucs, Padtelbcl; Toa:ata in from Symp)HlflY I, V;,eme; Schena opus 2, G, W H Pachc:lbd; F3nlasia, Kudiar; , RICHARD W. LmERST Prelude in E· lIa t minor from Sui t.e opus 5, Chor.lle l'relooel OfIW 67, Reger; Partita on ARTHUR P. LAWRENCE Prelude and Fugue on ALAIN. Dutune. Alii liefcr Not, Baucr: Improvisation. Feb 18: Doc. Mu• • Art., A.A.G.O., Ch.M. Toceat.-\ in D minor, Buxtehude; Dialosue, M. S. M. Virwinia L Holland - student oJ Walter A Rrcit, Vivemellt, Domel; Toccata and Fu, ue Solnt Mary'. con ..e _ncl Eichinser. doclor.ll recital, U n{ W:uhington, in D, Eberlin ; 2 Cho~le Preludes, Br..hms; The Unlvenity of Noire Oame SECOND CONGREGATIONAL CHURCH Seattle March 11 : Variations on Welle Wind Die TaSl!SZeiten, Gen~ ln er : 2 Chorale Pre Notre Dame, Indlana 46556 Ben wehe, Scheidt; Suite du de\l.Kieme ton, Illdes, Sdlillin!; Imp ruvisation. Rockford. illinois Antone Godding Frederick ROSALIND MOHNSEN HENRY FUSNER MARRIOTT 5.M.D., A.A.O.O. School of Mllsie The Detroit Institute Westmar College flt.t P,.sityt.rIaR ChuRh Bishop W. Ana" Smith Chapel of Musical Art, Detroit. Calvary Method;"t Church NalhvAle, t.nn ..... 37220 Oklahoma City UnlveRity Organist, The Detroit Symphony LeMors, Iowa LESTER GROOM Seattle Senl11e Pacific alurclt or the william whitehead CoII_,. Epiphany 98119 98122 2344 center street, bethlehem, pennsylvania MAY 1973 23 Marilou Krauenstdn. Houston. TX - Rice froUl Waler Music, Handel: Andante rron U, lIotllion Feb 11 : Prelude :and FUlue in F . Grande Piece Symphollique. Franck: PaltoraJe HAROLD MUELLER I.iiJx.ck: l'remier SanclliS :and Redt de lwrce, Bllnne't; l'reJudc·l'01IIornk un 3 XII CC'nlury WILLIAM H, MURRAY de Gngny; Ciacona in E minor, Bu.lrhude; Melody. EdmundlOn; Fugue in E·nal, 54int F.o\.D.O. F.4.D.O. Fant3sy in F. Moultt; Putorole, Franck ; Suite SIlins. M~tn>;lle , Lanalau; Chaconne nOU"elle, Schil· Trinity EpiKopal Church lin!. Judson Mayn.anJ. Lubboc.k. TX - Fin Temple Sherith brael Church a' the M.4'-tt... Metl_li.t, Lubbock FC'b 13: Finale rrom Sym loa .raadocD Chic .._, ilL Joint Kuuna, SlIft Dtqo. CA - Grace phony I. Vierne; Fantasia K 608, Moz.art; lno Lutheran, San Dirgo MaTCh 18: Orpn Pie~ troduC'lion and Pauacaglia OfIW 56, Reser in A, Dandrieu: Sonata III, lIindmdth: Pre- Choral in A minor. Fronek; Serene Alleluial lude and Fusue in G , Bruhll.S; Second SGnab. Outburst of Joy. Messiaen; Cod of the Ell opus 60, RC'ger, J1~nding Univene, Felciano; Postlude ror Com CARLENE \ pUne, Alain; The Burning Dush. Derlhu kl. NORLING Ann Laboumky. Pittsburrh, PA - St Bu· nard's Chun::h. Pittsbursh Feb 25: Suite du Earl Miller, Rockport, MA - St Mary' NEIHART premier lon, Clflrambau1t: An W:werfHusen Episcopal, Rockport March 25: Variationl nn St. Aad ..w'. Ipl... pal Churclo SI. John's Episcopal Church Babylon BWV 635B, Fantasia in G BWV 572, Est-ce Man , Sweelinck ; Concerlo G in n·nal .,., ond W ....H Bach: Regina Anldorum. Lansillu; Fait and lIandel ~ Prcalllbule, Epitallhe, Prelude. Vierne Sinister, Sowerby j Grande Piece Symphonique, Atlegretto Schroeder; lmpr()\liullion on rhC'mc: CIty, 64113 l Ke .... MJ ....,rt New]....., Franck; Impro\·isation on Submiued Theme. from The Memecke Mag or 1550 lauilled by Mark C lapp. treblc) : Prelude and Fugue In E Samuel Lam - doetoral recital. U or Michi nat, Bach. gan, Ann Arbor Mard. 11. aU·Bach: Fantasia JOHN KEN OGASAPIAN in G BWV 572, Nun komm der Heiden Hei C Ralph Mills. HuntiftJlOn, WV - firs frank a. novak land nwv 659, 660, 661, PauaClllia and Unil~ Method;"t , Ashland, KY March 18, all Fugue in C minor BWV 582, Sonata 5 in C Bach: Prelude and Furue in C BWV 541 HOLY TRINITY LUTHERAN ,... An ..', a..rch BWV 52.9, 0 Mensch bewdn BWV 622, Toe Trio Sonata in E·nat BWV 525 , PaJS:Icallia CHURCH _ ...... , .... C..... cat" and FUIUC in D minor BWV 565. and fugue in C minor BWV .58 ~, Prelude and 1080 MAin Fuguc in F minor BWV 534 , Lord Jesus Chri.t Ie_ ,\rthur LaWl"CftU, Notre Dlomt:, IN - with lIS abide BWV 649 Come Redeemer of Burfalo, N. Y. 14209 lIowe Military School. Howe, IN Feb 2.5; IDli nkind BWV 659. Be stad all ye Chrhlian Tocc:au and Fu~ue in D minor BWV 565, mC'n BWV 734, P~Jude and FUlue in E-fbt Bach; Fanlasia on lIow Brishdy Appnn the BWV 55:? Momin!( Star. Bw:tehude; Prelude and FUlue FRANK. K. OWEN in E minor, Bruhnsj PastontC'. Zipolii 0( Scott Moutoa, Shre"eport, LA Fin Jack Ossewaarde (ertoirr. sur Ics grands jew:, Couperin; Prelude. Unitnl Methodist. EI Don.do, AR April II u-aa - Il 24 THE DIAPASON Kobert Pilrna•• St Cloud. MN - St John's nl FIOft! nee, Uin!lh.'\m ; Ca,iIIon de Wutmiru ALlJcy, SI Cloud, March 19: TOtt:lla and IC'r, Vierf'IC . Fv,ue in F BWV 5-10, Toccata and FUllue in D minor BWV 565, Bach; Ol"Jan Pieccs opus ,\mo Seh_tedt, Erfun, West Getm.any - 59, A\"e Maria opus BO/ .5, FanlalY and FU!!lue Fint Baptut, Los Anllelcs, CA March 4: GEORGE on IIACn Optu -16, Rtgtr. Ilrelude and Fugllt! in E minor, Bruhn.; Pas MARKEY uca!Jlia in D minor. Buxtebude: Prelude and Records Markey Enterprises 201-762-7674 Philip Printt, New Haven, CT - Yale U, FU!llue in A minor, Bach; Partita on Wachet Recitals New Haven Feb 25: Prelude and Fugue in E. auf, Di.der; kh ru{ zu dir, Gelobt se:i Gott, 42 Maplewood Avenue J'Mlit:l on NUll lust uns Gote. LObed; Fan· Ocr Tag lut . ich gt!neiset, Kluge; Introduc Instruction Maplewood, N.J. 07040 1:\1ia on In dicb hab ich J[eholfet. Partit:l OCI lion and l)assacaslia, Kropfreiter. VUlIl Himmel hoch, Sellll~idemalln : ~bsnirlC.3.t IJrillli lOlli. Buxtehude; CollCeria in A minor Carl E Schroeder - Sacred lIe.. rt or jesw ahcr T~m. Conclttlo pt'f la Chiesa after Churcll. Lancaster, PA March II: Symphony Tclemann, Walther; Prelude and Fusuc in B in n-flal, k Begue; Volunlary in C. Stanley; milKlr, Bach. Cha conne in D minor. L Couperi n. Jlrclude and Fusue in A minor, Bach; Sonata 11 , Men delssohn i Seelenbriiuti,am, Wer nu,. den lieben I\nne M Provost, B~wlcy, CA - Church of SIS )·elcr :md Paul. EI Centro, CA March 7: Gult, Werde munter atein Gemiite. Reger; Andante Cantabile. Widor: Webster jesu, I'ray~r of Christ Ascending. Messiaen; Praise I'urvi., 0 sacred head now wounded, Fugue in the Lord wilh Drums and Cymbah, AafJ· E.flat, Bach; Wachet auf froat Cantata 140. Elert. 83ch-I'royost: Andante from Concerto in F, Ilandel: Dawn, jenkins. john SC3rchricid. Calpry, Alberta. - Ca thcd~l of St john the Evangelist, Spokane, WA March 25: Pre.luck and FUlue in G minor. George Norman Tucker Peler bnuey, Walert'ord, NY - AU Saint. BWitehude; Putita on Se.i scsrUut!t, Bach; MDL Bacb. W. WILLIAM WAGNER Calhedral, Albany, NY April 15: My he:ut is I"arbta on Veni Creator, Peelen: Sonata I, Iilled with lonlins, Come awed death, Christ lIindemith: Toccata and FUllle in D minor ST. LUKE'S CHORISTERS lay in the bonds of death, Prelude and Fusue and major opus 59/5 and 6, Reller. in E millor BWV 533, Fupe in G minor Kalamazoo AfT. LEBANON METHODIST CHURCH UWV 578, Allegretto froro Concerto in A Allan Siovenkay. Bradford, PA - Fint PitbbW'lh, Pemuylr.uaia Plinor alter Vivaldi BWV .593. Bacb. Pn:sbYIt!rian, jlUDestown, NY March 25: Pre BOY CHOIRS lude in E·n:lt BWV 552, Bach: VariAtions on LeoD3ro R:n·er. New York, NY - Bowdoin Meill jungCl Leben hat ein End, Sweclinck; A College, Brunswick. ME Feb 28: Ra'Crber.l Ma!flsul. ,\rllt!; Choral ill 8 millor, frnnck; tions (1970) for oewan and tleclrorUCI, Ron Trois Paraphr:ases GrEsoriepncs, LanllaU. Petern; Volumina, Liseli; The EaSles Gather sally slade warner (1971) lor percussion, orJaa a nd tape, f.d. Richard Birney Smith - St jamCll' Church, WA-LI-RO a.&.c.o. ch.m. ward Oiemente; The Other VoiClCll of the. Dundas, Ontario March 21, aU-B3cb: Con BOY CHOIR Trumpet (1971) for orlan, U'Wlillet Ilild lape, ttrto in D minor for Harpstchord after A CHURCH OF Pinkham: Ekalrnta (1972) fur oraan, 2 per Marcello, 3 .ettings Nun komm der Heidt!n WARREN c . MIllER - DIRECTOR sr. JOHN THE EVANGEUST tu.nioniul and tape, Felciano. Auisted by Heiland, Two-Part In\'Cntion 6 in E, OrJan M:'lrtha Babcock and Jt!flrcy Wilson, percus+ FUllle in G minor (Little), Capriccio on the Christ ChUM, Shalter HeIght. 22, Ohl. Beacon HW Bolton l iuninl, and Christopher Wolf, truwpcter. Departure of His Beloved Brotht!r (harpsi chord), Passacaglia and Fugue in C minor. William A Riley. Philadelphia, PA - St Mary'. Church, Hamilton Village, Philadel james Slr.Ind - U o£ Kanlas, Lawrence, C. GORDON phla. March -I: Trio Sonata V in C BWV 529, J.:S March 2: Les Corps G10rieulfi (complete), CLARENCE lMATTERS I'rdude and Fugu.e ip D BWV 532, Bach; M "l ia~n . fant:llY, Ncar; Bt!n:t.use, Viemt!: VariatioRll on WondrtKu LOYt!, Barbf:r: L'Anlfl 1 1a R E Tamper, Hu.atlncUm, WV - j obnson RECITALS WEDERTZ Trompeue. Charpentier. Mem United Mt!thodut, H"ntinllOR March 51. John'. Church %5U Wat 1I81h SL 14: Our Father Thou in heaven, 0 hail tb~ brilJhtest day, Bach; All holy jesw, Brabmt; Hartford, Connecticut ClUCAGO 60655 J Marella Ritchie, New Orleana, LA - w. Ciba\'it Eos, Titcomb; Fanfare, Leighton; Im Cathedral of the Sacred Heart, Newark. NJ promplu, Cooke; Refonnation Suite, KroIpI. March 27 1 Choral in E, Franck; Deuxieme Fantaisie, Alain; Sonata III, Mendelssohn; Dca Willi:un Teague, Shreveport, LA - College DAVID A. Gntias (premiere), William }looper: Stations of the Desert. Palro Desert, CA March 11: HARRY ARTHUR WELLS of thc CrOll III, VIII, XII, XIV, Dupre: AI· Introduction a lld Trumpet Tune, Boyce; RCcit lelro from Symphony II, Vie.me. de n;ward. Caprice sur Ics granw jeWl, -z.!'P"t Clcr.uubaull. Concerto in D, Handel; Fan Ph.D. Wathington Sto •• University 'rene Rube.r1soa, Los AnCdcs, CA - St tasy in F K ~94, Motart; 5 pieca rrom Sta· WEHR Mark'. Episcopal, Glt!ndak, CA March 18: tion. of the Cross, Dupre; " ehonles froro Eaikm Kentucky UaiT... lty Pullman "163 Ialroduction and Pauac:allia Opul S6, Reier: Clil\icrwung Part llI, Bach. R1chmoad, Kentucky Triu Sonat.a in D minlK', P:w&e:Islia in C minor, Bach. Sonata VI, Mendeluolln: Canon Charlotte Thompson - .tudent uf Dorothy in B minor, Sc:bumann; Variations on Weinen Addy at Frienili U. Fint United Methodist, Kill len. Lint. Hutchinlon, K.S March 12: Prelude and FUllue in C, Lubeck: Aile Measchen mWsen .t~rben, RUSSELL G. WICHMANN jelil Romano, Los AngelClo CA - St Mark's TocCllta ill F, Bach: Suite (or a MUliCOloI Clock, Ellileopal, Glendale, CA March 2.5: Partita on Handel; Aria and Toccata, BilJg.; Variations Chatham Coliege (In Mit freuden urt, Withrow; Ecce lilllum Lulie dcn lIerren, Krapf; Trio Son:u.a IV BWV fOX CHAPn EPISCOPAL CHURCH 528. Fantasia and Fugue in C minor BWV crucis, lIeillet: Flollrish and FUlJue, Cook. Shadyside Presbyterian 537, Bach : Sonata for Flute and Orpn, Ray fox Chapl'l, Pittsburgh, Pa. 15238 ner Brawn; Cooccrtante (or O'lan, Celeste Mn Charles H Tuckcr, HuntinSlon. WV - Pittsburgh, Pa. 15232 and I'en::uujon, Piakkam; Laudation, Delio John,oll M~m United Methodut. lIuptioJton, joio. Auiued by St~a Matthew., Oute; Carl ,\peil 4: Da Jesus an deat Kn:we .tuOO, Naluai, conductor: Daniel BrimtOll. celesta: Scheidt; Prelude and Fusuc in D. Bach: Scot.I Shepherd and Richard Slater, pe~ Wondrous LO\'e, Barber; Ah holy Jcsw, .ion. Brahmf; Legende, Dupre; Toccata Jiocou, HARRY WILKINSON JOHN E. WILLIAMS Mathias. Ph.D., fAG.O. John Rose, Newark. NJ - Fint Pn:sby· 51. Andrews P'.... yterlan C.11ege terian, Durham. NO March 13: Prelude aDd Deborah L W.albce, Princeton, Nj - West ST. MARTIN·IN.THE-fIELDS laurinburg p,.,"yterlan Church f ugue in A minor BWV 543, Bach; Fantasy minster Choir ColJeg~, Princeton March 5: D. Che.tnut Hili, Ph1laderphla on £in Fcste Burg opw 27. R£ler; Little J t!sus an dem Krcuze stund, Scheidt; I'relud~, laurinburg, North Carella. Caroldl or the Sainu. WdU;uruon; Fantasy in FU!Jue and Chaconne in C, B~teh ude : Es ist WEST CHESTER STATE COllEGE, PA. A, Franck; Carillon-Sortie, MuleL ein Ro., IIcrzlich tut mich verlangen (2 IcI lingl), Brahmt; PreJudc, FUlue and Variation, Roser W Rugcll. Chicaco, IL - Calvary Franck. LUlheran, Chie..:tllo Mardi 11 ; Variations on Da. J uus an dem Krew:e stund, Scheidt; Dud D DeWitt Wauon _ South Prabyterian, DONALD WILLING Adami Fall, Wal mein Goll will, W F Bach: Dobbs Ferry, NY April 8: BalaJla de 5. Tono, barclay wood 4 lellinp 0 Sacred Head, Walther, B~ lehude , Anonymoul: Pasucallia and Fugue in C minor, laNIty Bach and Br.:abms; a MCNcll Mwein. Bach; Bach; Preludt! a nd Trumpetin,., Roberta; I.e: FIRST BAPTIST CHURCH Amaling Grace, Gt!brinll: PleadiDII Saviour. jardin Iwpendu, Alain; Te Dt!uro. Langlais: 0 North Texol Stal. Unlvenlty Wylon: Choral Dorien, Alain; Ecce lisnum dan ich tawend, Schmiicke dieb, Ore; Lass uns Denton Worc:at Robert Roubos, CorUaad, NY _ Trinity William S WCCM, MountaiNid~, NJ - Ca· Episcopal, Syracuse, NY March 4: Prelude thcdt;ll of the Sscred Hear1, New.ark, Nj h om Symphony n, Viune; The w\'et on March 13: Toa:,ata and Fu,ue in D minor, Gary Zwicky the TrttI Spoke, Finney; Chont in B minor, Lord J esUI Chrilt be proent now, Preluck DMA fAGO Franck ; T occat:l, Adagto and Fuaue in C and Fugue in G, Bach: Dies rr.le, PUn'u; Ye BWV 532, Bach: Suite for a Mwical Clock, Sweet RetITat , Boyce; Winter', Nishi. Deliw hst.,. IIUao11 University Handel; Toccata, Badingl; Tu es Petra, Mulet. Hebble; Suite lor Orsan. Cn:ston. Chatlnton Barbara. C Saunders - North Branch Re 'Iimolhy L Zimmerman. Princeton, NJ - rormt!d Church, North Branch. Nj Feb 25: All Saints Cathedral, Albany, NY April I: 0 Introcluction and Toccata in G, Walond; Mensd. ltewein, Bach; Trois darucs, Alain; 0 Nun komm der Heiden Heiland, Toccata in Trnuriskcit, Brahms; Prelude and FUllle on THE TEMPLE F. Bach; Sonata I. Mendelssohn: H:lnRonies BACH, Liszt. MARTHA FOLTS C'e• .&and, Ohf. 44106 LAWRENCE George Wm. Volkel Traditional DAVID SAC. MUS. DOC •• f.A.O.O. Recitals: GOODING ROBINSON First Pre.byterian Church Avant-garda THE CLEVELAND ORCHESTRA VIRGINIA COMMONWEALTH UNIVERSITY POMPANO lEACH Mu,ic Depl., Iowa Stale Unlvers1ty MUSICAL HERITAGE soclm RICHMOND. VIRGINIA 1l00IOA """e., Iowa 50010 RECOIDINOS MAY 1973 25 CLASSIFIED ADVERTISEMENTS POSITION WANTED POSITION AI"AlLilBLE WANTED - MISCELLANEOUS MISCELl.ANEOUS POSITION WANTED - MATURE WO- ORGANIST.CIIOIRMASTER VACANCY WA NTED - LARGE 4·MANUAL WUR· TUNERS THROW AWAY MESSY COT· man, exprrll'lIcl"d organi$l-direc:tor. degrer. :1 OOO-mcmher chuKh, three ministen and !itnr con !.Ole and/or rclays for same. Silecial tOil! Mi:tlllre tllning is easier and less frus grad stud)', desires pari-time position Episcopal y:'uth director. 4O·member chancel choir with eHc<:" , any brand. Wurlitler regulaton, any trating with all relt K. D. Raps. Starter let or Presbyterian church :1I~t i \'eI}' inlereltl"d in sOllie :!50 in cntire choir Ilrogram with 3 volun· file. \\ uditler tremolos, any size. Wurlitzer (Illnes II)' to 4 rallks} $3 .50. Deluxe set (5 good mllsic program \\ ith participation in trn· Ircr ~Is tants. 250,000 pollulation northeast Tuba Mirabilis. Wurlitzer stop tahlets. Wurlie ranks & morc ) $8 .00 , K. D. Kap!l, 24 BeMen ditional music in wonhip or liturgical service. Ohio industrial.metropolitan a~. Three col· 'ler single.rank chest. Top pricc for right mer· St .• East Hartford, Conll ~. ~06:::.:I :OO:.:.... _____ Pille organ only. Ollportunity Ilri\';l.le teaching, Irges ill immediate vicinity Illus full program chandi!oC. Address E.9, TIIF. DIAPASON. Have harpsichonl for spec:i lll musical Icrvices. at ch'ic culhl11l1 centcr. Masten degree in AlTENTION ORGANISTS - HAVE COL· ',"'iliingut'Ss to cn-ate interesting parish mllsic Sacred Mlllic desirable, salary range commen WANTED - MUSIC ROLLS ~OR AUS or plmtog-ra)lh or ill$tnmlent in your church pmgr,1Ill in hiSlnrical area. Prefer smaller ac surate with qualifications. Send resume and tin, Weltt'. Skinner, Aeolian. Duo·Art and Estey ineludC'd in ne \\" $cries IIf pille organ note tive ,,3mh Sa\-nnRah-Atlanta, Georgia area; letter of application to £.2, TilE DIAPASON. pil'e organ playcR. J. V. Macartney, 406 lIav. canis. WrilC' : WalTen G. Allred, Organ Art, 51. Augustine, Jacksonville, Florida. Would edonl Ave., Narberth, Pa. 19072. Box 3J9. Burlingamc, Calif. 94010. comidcr other southeastern 31tU of historic ORGANIST-DIRECTOR POSmON interest. Address E·5, TUB DlArASON, VICTOR PIANOS &: ORGANS WILL BUY availahle in August, full-time program, lis. fifty used organs monthly. Assorted Allen, KRUMMHORNS, KELIIORNS, PORTA· choin. Church membership 1835. Experience tive Organs, Lutes. Viols. Psalkries, Record ORGANIST, CHOIR D IRE C TOR, Conn, and Gulbraruen models. Hammond M3, and references requested. Send resume to: 1.1100, LIOO, B3, A-tOO, C3 and Leslies. Let eN, Nicholas Kelischek. Brasstown, N.C. Kliool teacher. B.M.E. plus graduate studics; I'enonnel Committee, Court Street United 28~. se\'cral yean cxperience in Luger churches is us know how many you have. Victor's, 30D Methodist Chuuh, 225 West Court Street, N .W. 54 St., Miami, Florida 33127. 305/751. seeking ~Iocatioll 10 new church pou tinn. Flint, Michigan 48502. Harold Schnttk, 60 S. Ohioville Rd., New 7502. HARPSICHORDS I'allz, N .Y. 12561. MIDDLE·SIZED SUBURBAN CHURCH W,\NTED _ 3·MANUAL HORSESHOE FOR SALE _ WITfMAYER CONCERT wilh pil'e organ sceks Music Director 10 Harpsichord Model Bach 16-8-8-4, exceptional GENTLEMAN, WIDE MUSICAL BACK console, second touch on two manuals and strengthen lIIusic.wonhip program. Contact: pcdal. SC'nd photo, builder's name. stoJllist. J. \'oluminous tone, mint condition, must sell. ground, vocal, choral, choinnaster-organist. Chairman, Music Committee, Westminster 427 E. 77 , Apt. I.C, New York, N .Y. 10021. leeks position, Catholic/ Protestant church, ex McCreary, 34 Dowsctt Avenue, 1I0nolulu, lIa· Presbyterian Chureh, 2080 Boule1o-ard, West waH 96817. (212 ) 472·().J07 . cellent references, etc., available now. J. V . L., Hartford. Connecticllt 06107. :? Connecticut Ave., Enfield, err 06082. (203 ) 7-15-3064. MISCELLilNEOUS FOR SALE - HARPSICHORDS AND WANTED - REED VOICERS, M. P. e1a"ichords made by J . C. Neupert and S. Sa· Moller, Inc. has immediale need for the abon TRACKER ORGANS PLAYED BY TOP bathil & Son Ltd. Finest quality, fully paran· YOUNG MAN, BM AND hlAl SEEKS individuab. Only conscientious individuals will tced. Largest selection available from our show full-time position as organist-choir dirutor. arl~ts, sce and hear them at the 18th National ing 10 relocate should apply. Pension pro· rooms. Financing Now AvailablC' . Fru Catalog, Excellent references and experience. Capable Convention of TIle Organ Historical Society, gram, insurance. , .. cations. Send resume or June 26.28. 1973 ; Headquarten: The Law· J . W. Allen. 500 Glenway, Bristol, Va. 24201. conductor. teacher and recitalist. CUlTCntly contact directly. M. P. Moller, Inc., 403 in,"olved in research project. Available imme_ r"nceville School, Lawrenceville, N.J. Write ~ 703/ 669-8396. North I'rospect St •• Hagcrstown, MD. 21740. diately. Address E-10, THE DIAPASON. E. A. Kelley, 40 Trenlon St., Lawrence, Mass. 301/73:J.9000. OUHI. HARl'SICllORD, CLAVICIIORDS, MO· ORGANIST_CIIOIR DIRECTOR, CATIIO zart Pianos. by Neupert. new and used late· lic male. rderencC'S. Traditional and conlem NO O l'-i E WORKs HARDER THAN WHEN FINE STOPKNODS IN IVORY OR ROSE model instruments - sale or rental. Financing porary programs. Experienced in new lilurgy they work for thelltllch·es. If )·ou have ability, wood, existing knobs accurately collied, en. available. Write or call Wally I'ollee, 1955 and congregational leadenhip. Will consider integrity, thc right attitude. are a hard worker, gra" ing of all styles, all console fittings. Send West John Becn Road, Slevens"iIIc, Midligan part.lime position. Address E·8, THE DIAPASON. if )'Ou can siand up under Victor's "Lombardi" for lirice list. Thos. Harrison &. Sons (£Stab. 49127. type Sales Trainiog. Viclor will put you in lislll·d 1830 ) 66 Ada Street, London, E.8, Eng business with a Victor Franchisc from Miami I ..m~t. SABATIIIL HARPSICHORDS - PEDAL POSITION AI'AlLilBLE to l'alm Beach. Victor supplies the "whole SERVICE MEN - DO YOU LACK SHOP Harpsichords and Cla"ichorW - most reliable thing," locations, Franchises, service. trucks, and heautifully sounding, from $895. Brochure DIRECTOR OF MUSIC - APPLICA. financing and the kllow how. Small inveslment Illace ? ,,'e specialize in leather work, rcc:over lions accepted for degreed, full·time Catholic ing pncumatics, I»ouches, actions, engraving, 25~. Stereo LP ~5 from Dept. D. 1084 1I0mer, required. Apply wilh resullle to : 303 N.W . 54 Vancouver, B.C., Canada. Church Organist.Director. to lead entire music St., Miami, Florida 33127. 305/751-7502. etc. Write R. M. Minium & Son, Box 293, program in Church or Church and School. Lewisburg, I'a. 17837. Wide experience needed to conduct two youth HARPSICHORDS, SINGLE AND DOUBLE choin, adult choir, congregational pnrticillation EXPERIENCED ORGAN SERVICE MEN ORGAN SERVICE MEN - WE WILL manllal iu c:lassic French style; also unall and ommge concert series. 1964 3·manual 42- a nd all,lrentices. Piano Technicians alld mov reco\'ct Casavant and Skinner pouchboards, harpsichonls from $845 .00. John Bright, 747 r.mk Casavant pipe organ. I'enon may choose en for Branch es 'rom Miami to Palm Beach. Ilrimary and offsct acliom. Write Burness Asso Algoma A\'c 'l London, Ontario, Canada N5X assistant to fit his needs within budget of de Victor Pianos and Organs, 30D N.W. 54 St., ciales, 19)7 Susquehanna Rd ., Abinlton, Pa. IW4. partment. Salary open 10 discussion. Traditional Miami, Fla. 33127. 305/751.7502. 19001. program has been established. Resume and FINE IIARPSICHORDS, CLAVICHORDS, references reqUeitoo with fint letter. Reply to: WANTED - MISCEILA.NEOUS EXPERT RECOVERING OF ANY MAKE made in divene conrigurations and dispositions. l:iturgiQI CommittC1:, Chureh of the Auump. IlIIcu lnatics, pouellboards, and primaries with tlOn, 36 N. Jackson Avenue, Bellevue Pitts. }'olyurethane. 11lastic nuts used on primary Write, pirone, visit shop. E. o. Witt. R3 , Thr«: WAlIr.'TED - ONE COllY OF "FAMILIAR Riven, Mich. 49093 . 616/244-5128. hurgh, Pennsyb-ania 15202. ' Organ Classics" published b)' BMI or Apple , ..Ive wires. Melvill Robinson, 11 Park Ave., ton alld one copy 01 Dibon "Album of Organ Mount VC'r non, N .Y. 10550. POSITION OPEN - MINISTER OF MU Solos." Must be in top condition, state price. IIARPSICHORDS, CLAVICHORDS . ic, St. Matthew Lutheran Church, Beaverton Address E-4, TII ~ DIAPASON. l'NEUMATICS AND POUCIlBOARDS OF Magnifice nt tone & handsome appearance at Oregon. Qualified penon with necessary edu: all)' make recovered wilh Polyurethene plastic. reaso nable cost. Maurice de Angeli, Box 190, cation. in ~hurch m Ml ic and successful CJ:peri. WANTED-TWO-MANUAL AND PEDAL Write for quotation. Church Organ Co., 18 R 0 HI , Pennsburg, Pa. 18073. ence In thIS field to act as coordinator of all reed organ in good condition or compact, one Walton St., Edison, N .J . 08817 . music activities in church ineluding diruting or two·lllanual lel£-contained unit pipe organ FOR SALE - HARPSICHORDS, CLAVI I~nior choir. Accomplished organist preferred. QUALITY ALL ELECTRIC CHESTS in any condition. Thomas Spiggle, II Wood· chords by Neupert, world's finest , oldest maker. Salary range: ~25().$350 per month. Mail re laud Place, While Plaiw, Ncw York 10606. made to order. lood delivery. Aiken Associat es, sume and references to: Music Chairman. St. Do)t 143, Brooklyn, Pa. 18813. Catalogs o n requcsl. :Magnamusic, Sharon, Matthew Lutbenm Cllurch, 10390 SW Canyoll Conn. Of 069. Roaa, Beaverton, Oregon 97005. WANTED - TWO, TIIREE AND FOUR· TilE NEW 7·0arAVE PETERSON CHRO. manual used I\ustin collsol es. }IJ e.ase contact E . ma tic tUller, model 30D i3 now a vailable from HARPSICHORD OWNERS - A FULL AUG. 1 OPENING FOR ORGANIST_ 7, TilE DIAPASON. stock. Continuously , ..riable Vernier control lim: of audio and v isual Chromatic Tuners is Choinnaster West suburban Chicago EpiscopaJ allows )'o u to compensate for t emperature or now a\-ailahle to help you with YOllr tuning re church. Successful exlleriencc in dlOir develop. WANTED - TIBIA 8', VIOL D'ORCHES tliliC celcste ranks with ease. For more details : quire ments. For more information write J'eter ment, pedonnance essential. Two-manual 18- tra 8', Oboe Horn 8', 5" to 10" w.p. Box 1228, l 1etenDn El cctro·M usi cal Products, Dept. 31 , son Electro·Musical Products. De"t. 20, Worth, rank Casavant. Address E·3, Tur; DIAPASON. Fargo, N.D. 58102. 70l/237..(}477. Wurth. 1II. 60-182. III. 60-182. We are now QUALITY and COMPLETENESS Our new voicers supplying pipes, are Pitman chest, Your "one·stop" supplier for all Cornel ius (Kees) electro pneumatic pipe organ supplies and companents. DeRooy unit chest and and electric valve Charles R. Oiesen chest in addition to our standard DURST ORGAN SUPPLY CO., INC. line of products. P. O. Box 1165 Erie, Pennsylvania ~~INC. 16512 . MANUFACTURERS OF QUALITY ORGAN COMPONENTS McMANIS ORGANS DELAWARE Incorporated ORGAN COMPANY, INC. 10th '" Garfield a progressive company with traditional ideals KANSAS CITY, KANSAS designing and building custom pipe organs 66104 252 FILLMORE AVE. TONAWANDA, N. Y. FAZAKAS ORGAN CO. JULIAN E. BULLEY PIANO TUNING Your peuonal wi,he. e.t. "17 Learn Plano tuning and repair with emy New Organs - Rebuilding to fallow home study course. Wide open are in flood hand. Electronic Adion • Modernization Service field with good earnings. Makes excel. lent "extra" lob. Writ. New Pipe Organ. SINCE 1906 ZEIST 1376 Harvard Blvd.-Dayton, Ohio .&5406 American School of Piano Tuning Holland P.O. Box 106, MartinlVille, N. J. 08836 513·276·2<181 17060 T.. 11r Dr. D.,L D ...... Hili. CA tS0S7 26 THE DIAPASON CLASSIFIED ADVERTISEMENTS Classified advertising ra.e.: per ward, $.20; minimum charge. $2.50; box number, additional $1.00. Repli •• 10 box number. should be ••n. cIa Th. Diapason. 434 S. Wabash Avenue, Chicago, III. 60605. HARPSICHORDS FOR SALE - PIPE ORGANS FOil SALE _ ELECTIlONIC ORGANS FOR SALE - MISC. HARPSICHORDS - B E A UT I F U L LV FOR SALE - 4-RANK HINNERS TRACK· FOR SALE - ARTISAN CnURCH OR· FOR SALE - WURLITZER PirEWORK: mad~ and daboratdy decorated in dl~ Flem· er chest; divided BaD and Treble with Organ gan, 2.man" walnut console, solid-state, large 8' Tibia Clausa. $275.00; 4' Open Diapasoll. ish and French traditions. Knight Vernon, Supply electric pull downs and slider Dctions, sound Iptem. 250 oscillators; Demo at half $65.00; 8' Concert Flute. $90.00; 16' Redwood Harpsichord Maker, 525 White Pigeon Stnet, Electric actions only 9 yean old and .till like price. $7500. Artisan 2·man. organ, solid Bourdon (12), $35.00. Rohert Morlon pipe Constantine, Michigan 49Ot2, new. $250.00, E, M. Skinner 2M drawknob state, in refinished Orsatron console; fine prac· won; VOll Humana, $75,00; 8' Muted Hom con$Ole with 34 stops plus couplen $250.00, ticc or church organ $2500 with speaken, ( Early Tibia) , $75,00; 8' Open Diapason, SPERRHAKE HARPSICHORDS AND Century l'ille Orsan Company, 318 Anderson Several residence &. church pipe organs, from $75,00; 8' Tuba, $125.00; 8' Quinladena, clavichords, Ellallent, dependable, beautiful. Blvd., Genna, III, GOI:H. (312) 232·7291. 4 to 30 ranks; all in good condition, you in· $75,00; 16' Wood Open Diapason ( 32), Robert S, Taylor, 8710 Garfidd St" BethC$da, stall and sa,,·e ~ ; write for list. Pipe rank $150.00; 8' Clarinet, $125.00; 8' Concert Flute, Md. 20034, FOR SALE - WOODBERRY, 7.RANK 2· attachments for your electronic organ i two, $65J)O; 8' St, Diapason, $55.0~; 4' Fl. manual, tracker action, AGO .pec. Pedal Key. thrce or fou .. ranks, assembled or in kit fonn; d ~ Amore, $40.00; 4' l1annonic Flute, $50.00, HARPSICHORDS, PEDAL H A R P S 1- board (dectrified), 8' Diapason, 4' Octave, only 7 f1 , hi, with or w/ o enc1osu~. "Organ MalT &: Colton Vox Human:., $75.00. Estey 8' chords Clavichords, Custom made, Jan H. 8' Oboe (-19), 8' St DialJaSon, 4' F1ute, and BuiMing>t book covers pipe and electronic Tibia Plena, $85.1)0, Low octave of Moller AlbanI~, H Riverdale Dr., ThistJetown (Rell 2' Principal. Pedal i.s 16' Gedackt. Now being projects for homes and churches, by Robert L. Tibia Clausa (12) $25.00, Misc. Spencer blow· dal~), Ont, Canada M9V-2T3. used in home, buyer to remove. $2 ,000. Write: Eby $3,40 postpaid, Includes catalog of organ ers, Austin 8' Solo Ollen Diapason 15", $90.00. E. Wielsma. RR #1 Box 58.L, U:llbridge, accessories for every make. N~wport Organs. 8' Gottfried Sal" $65,OJ. 8' Gottfried Dulci· HARPSICHORDS &. CLAVICHORDS Mass. 01569. (617 ) 278.5742, M6 Production Place, N~wport Beach, CA ana, $50,00. 8' Gottfried Aeoline, $50.00. Aus Custom·huilt from kits; nasonable prices. 92660. (714) 645-1530. tin 8' Orchestria1 Oboe, $125,00. Robert Mor· Thomas E, Mercer. 215 Harrison Avenu~ , FOR SALE PII'E ORGAN AS MANU- ton Early 61-note unit chest, $40.00, Hall two Chriltiana, PA 17509. factured by Louisvill~ Pipe Organ Co. ll-rank, FOR SALE - ALLEN TI2.A, 1959, 2· manual con$Ole with combination action, 2·manual, Presently installed in Church build. manual, 32-note pedalboard, walnut, Ellcellent $50,00. Crome Organ Company, 2049 Marianna IIARpSlCIIORDS AND CLAVICHORDS ing, Trinity Lutheran Church, 8540 East 16th condition, Used home practice only, Chicago Ave" Los Angeles, Cal. !JOO32. for home assl'mbly. Uncompromising classical Street, Indianapolis, Indiana 46219, area, (312 ) 724-5205. styling and construction. Complete kits from FOR SALE FELGEMACI-IER 4' lIAR. $365 basic kits from $125. Wnte for free bro· FOR SALE THREE·AlANUAL, 21· FOR SALE CONN CUSTOM SERIES Flute, spotted metal; 8' Stopped Diapason; r.mk Aeolian, rebuilt in 1961, in playable con· chur~. Zuckenuann Harpsichords, Inc., Dept, I Organ. remote electronics, II sets "il'es, Swell engine. 8-sect. whimel~ type; 7 Skin. D, IGO Sillth Avenue, NYC 10013. dition. Needs somc work. May play by ap· drawknob, capture, walnut, one year old, ner tOl' board and pouchboard assemblies, incl, pointment, Buyer to remove. Low price, St. private home; orig cost $27,500. Owner must 3·n. millture, for making your own chests, I1t\RPSICIIORD, V I R GIN A L, CLAVI Ann's Church, Shore Rd., Old Lyme, Conn. 11'11, $18,000, (213) 980·7511. Pick up only, 11, Crandall, Mosinee, WI »t55. chord kits. Full·size p:.tlerns after 17d. and 06371. (203 ) 434-1435, 18dl century instruments, from $235.00. Free VICTOR PIANOS AND ORGANS EIGHT FOR SALE - UNIT CHESTS, STRAIGHT brochure on request, Heugel kits, 2 bis, rue FOR SALE 3-MANUAL 23-STOP ES- Warehouses with over 1,000 Pianos .t Organs of chests, flCSl'n'oirs, tremutants, keyboards, misc. Vivienne, Paris 2, France. tcy organ. Now in use. Must be nll1o,,·ed in all makes for home, theam: and church. .500 parts & pipes. All used. Charlr:s Hendriclr.son, July '73, Comc and hear or writ~ fur stolliist. Organs, 200 G .... nds, 300 Spinet Pianos and 1403 N, 5th St., St, Peter. Minn, 56032. "THE HARPSICHORD," INTERNATION Best bid takes all or will aell parts. Fint Con· 15 Ampico Player Grands, We crate and ship 507/931-4271. al quarterly for lovers of early keyboard instru sresational Church. Stamford, Conn. 06!KU, Ihroughout th~ world. 300 N.W. 54 St" Miami, ments lind mllsic, Articles. interviews, photo Fla. 33127, 305/751-7502, FOR SALE - 8' SAXOPHONE; 8' BAR grnllhs and illustrations by today's foremost FOR SALE TWO·MANUAL, EIGHT· rank pipe organ; best offer. Fint Refonned ton Tibia, very small scale, Single luanual artists, $8 per annum. "The Harpsichord," Morton n!lay for 7 r.anb. 2/1 Barton relay. BOll 4323.D, Denver, Colo. 8020-1. Church, Aplington, Iowa 50604. (319) :H7· 24+1. FOR SALE - MISC. 1515 Indian Trail Drive, River Woods, III. 60015, (312) 9-15-3500. FOR SALE WICKS PIPE ORGAN, 3 FOR SALE - ORGAN BUFFS GARAGE FOR SALE - PIPE ORGANS ranks, all one unil, for home or church. Write FOR SALE - 2·MANUAL MOLLER, RE Sale: 2·manual all-clectric consol~, bench re built, modernized cOlUol~ , 19 ranks, Diapason James L. Brady, 4609 Cranbrook Dr" Indian· mot~ control combination action, Pedals reo FOR SALE - 33R MURRAY HARRIS allOhs, Ind. 46250. choTU5 with milltun, 2 reeds, strings, Dutes, capprd, $100.00. One haIr II.P, blower 650 Cornet mixture, blo~r complete with reser- Ili,le organ less console, disassemhled, good con· C.F.M. $50.00. Nice capped Oboe, 61 notes dition $5,500,00. Casavant 4.manual, 52-draw· FOR SALE WICKS THEATRE ORGAN 1ioirs and e1eetropneumatic chests. Buyer to 3% W,P. $50,00, 61·not~ Salicional 3Vi W,P. ....move. Gerrit Verkade, 554 East 161 St" knoh consol~ 1951, e1ect"'pneumatic, excellent 2M/4R with hall), now in storage, buyer to $25.00. 13·note large dia, chimes, $15,00. All South Holland, III. 6OH3. condition $7,!JOO.00, SPI'D on request. First move, Best offer or consider trade for large electric chests, and other organ gear. Pick up, Presbyterian Church, 320 Date St., San Diego, electronic, Jim Hahn, 3024 Vallejo, Den,,·er, no crati ng. J. Knepple, 21 Seventh St., An· Colo, 80211. FOR SALE EXCELLENT loMAN. C.-..lif. 92101. 714/461.5457. !>Onia, Conn, 0&101. horseshoe con$Ole, 64 stopkeys, Also E, p, coupler ltack, 24 switches, Splendid 8 fL FOR SALE - HISTORIC ORGAN 1878, 5 FOR SALE I'IPE ORGAN; FULL AN· FOR SALE KEYBOARDS, LARGE stops, 58.note keyboanl, 17.not,; pedalhoanl, UIII Gottfried 1929 2·manual theatre style con Mdodia, 8 ft. (73) VOll Humana. Bass chests. hlower, n lay, ~ervoir , odds·ends, Jones, 1518 Keyboard, etc. All very reasonable. Padgett, Providence Organ Inc" 730 Crevier Street, St, ~)Ie includillg roll player. Elcven ranks chimes Third. Albany, Georgia 31705. I Iyacinthe, Quebec, nnd harp. Gottfried full combination action. 9 Appleby Court, Toronto, Ontario. Disassembled 1972. Partially crated fo r trans· MANY LUCKY PEOPLE NOW OWN FOR SALE 32·NOTE ELECTRONIC WESTMINSTER PRE S B YT E R I A N port. Full Ibt 011 request. Pricc $3 ,500. Harry pipework from one of E, M. Skinner's great. Churdl, Decatur, Illinois seeks buyer for its M . Battenbr, 609 Old Gulllh Rd" Narberth, 32' unit with 30" speaker. Produces two voices, est organs. T bis is a rare chance 10 obtain $1 ,000. AU electric combination action ( new ) present IIill~ organ, 3.manllal, 28-rank, 1929 I'a, 1!KI72. Pitman chests, rr:servoin, lumber, and Skinner for 11 5 drawknobs 5: up to 30 couplen, 12 Austin. Romantic instrumentation. Divi(led and Aeolian pipework. Put GUTZ back in chambers, Organ and console in good condi· FOR SALE WURLITZER THEATER generals, 8 pistons, complete with rectifier, your chureh organ with our beautiful Hutch. Will run 7 divisions. For inronnation contact: tion. If interested, make oUer. pipe organ, 2M/6R, toy counter, model D, ings Open Wood 16', suitahle for a 32'. Pipe. Good condition, now playing in home, Marilyn Brennan, 88 Chestnut St" Brooklyn, work averases $100 per rank and offers will NY 11208. (212 ) 827·79H. FOR SALE - PIPE ORGAN, 1!JG6, 2·MAN· $3,800,00 or best offer. Immediat~ availability; be considered on expression shades, lumber, O8ls 9 limb, unit chests, t\GO console, Claui· 10 huyer remove, Livonia, Mich. (313 ) 422· etc. Complete listins a\'a ilabl~ fol' $1 from : FOR SALE - ANTIQ U::E-;MAS::7:c.O;;;N:-;-:":-;;II::M~[_ cal 'voicins by Stinkens. Condition likc new. 6151 . Marilyn Brennan, 88 Ches tnut St" Bklyn, NY lin reed organ, 2.manual, handsome walnut All components free standing for easy moving 11208, (212) 827 ~79H . and installation in small church, school, allart· FOR SALE 3/ 13 MARR & COLTON case, in good playing condition, complete menl; 3(j square feet, 8' 4" cciling needed. theatre pipe organ vintage 1927. Complete rceds. Made in early 1870'" $1SO. (512 ) 474· INVENTORY CLEARANCE SAL E _ 4109, Austin, TCllIl5. Play by al11lOintment, New York City, Prospec with Post Hom, French Hom, Kinura Dnd Large selection of quaJity organ parts & ac. tus. $12,5O:J. Address E-6, TilE DIAPASON. 6' Chickering grand piano. Richard Shinddl, cessories, Immediat~ deli\'ery, Competitively FOR SALE - ALMOST COMPLETE COL BOll 4622 OWE Toledo, Ohio 43620, (419 ) priced. Send )·oul' req, or send for complete 385-8901 . lection of THE DIAPASON from 1928 on, An· FOR SALE - MOLLER 2·MANUAL CON list & prices. Box 1383, Erie, Pa, 16512, sole walnut. 5.rank duplellt·d chest with pipes, derson, 7166 Cabot Lane, Chagrin Falls, Ohio +1022. (216) 247-8&l5. fra~r:s reservoir, tremolo and .hades, Reisncr FOR SALE TWO (2) FIVE (5) STOP walnut console, 3·rank Wicks unit FOR SALE - ELECTRONIC ORGANS 2 " nan~1 direct electric chests. Ellcellcnt condition. Call: FOR SALE - LARGE LIBRARY BEST organ complete. Console photos $1.00. Buch (617 ) 872·1900, FOR SALE _ ARTISAN "CLASSIC" 3· pipe organ music (accllmulated over the yean). Orsan Co" 1391 West Main, Ephrata, Pa, Two best Tindale music cabinets, one open, 17522, manual. 32'note AGO pedaJboard, Tilt tablets FOR SALE TO SEITLE ESTATE one doubl~ size closed, Mwical instruments on side hoards, 4- CllpressiGn pedals, 4 .~ts tone many ranks of pipes, consoles, blowers, etc: FOR SALE USED I'IPE ORGAN, 4· generaton, light walnut rolhop console with lIIcluding Steinway grand piano and b~nch, On~ Aeolian-Votcy 15-rank pipe organ com. 101 Model, Henry F. Miller parlor grand sizc rank Moller, Uled and serviced regularly, Idea] bench, Four amplifien, one speaker bank 48" plcte. Write or phone for list, MaYhew Koel. for small church, chapel or practice room. x GO" x 5" with 9-8" speaken and 24-4" with bench, etc. Ruth Olive Roberts, Saco, lcin, Route 4, Franklin, Tennessee 37064 (615) Maine OW72, Buycr to n!lIlove. Best offer. Contact Mr. , peaken wired. One .peaker hank 27" x 66" 799·29aCJ. ' Smiley Henderson, Fint Presbyterian Church. x 5" witb 23-4" speakeR, unwired, Four 12" Box 2232, I'ampa, Texas 7!J065, speakers unmounted. Finished in 1962. Com FOR SALE 16' DOUBLE OPEN DIA. PIANOS plete let of diagrams, manuals. May nced pason! wood, -!-I: pipes with chests. 5" pflCS&ure, FOR SALE - 25-30 RANK MOLLER, 1!J03, s.-.mc work. Stored In home of owner. Highest beautiful conditIOn, $-100.00, Will assist in ar. electro-pneumatic plus 61·notc metal bar harp. bidder over $700.00 to n!move at own Cllpense, STEIN FORTEI'IANO REPLICAS, CUS ranging IIIm·ing. Shil'Ped FOB, W. H. Jost, tom instruments and kits. Philip Belt, FOn!' Now in storage, l'urchascr to n!move, Bethany HailS HanDOn, 5 Newtown Lane, Huntington 751 Old Mill Road, Franlr.lin Lakes N J College, Liadsborg, Kansas 67456, Station, New York 11746. 07417. ' ,. piano Maker, BOll 96, BattJ~ Ground, Indiana , 479"0- SOMETHING NEW HIGH QUALITY LOUIS F. MOHR & COMPANY 0 1906 CONSOLES ORGAN R Sinn PEMBROKE G (handcrafted) Any .tyl. - any type MAINTENANCE special keyboards and coveringl A 2899 valentine Avc. ORGAN KITS all solid stat. - 10 yr. warranty N lor easy cIo-i'-you,teI, compul.r grad. components New York 58, N. Y. :Jl.e S'lmt%/ Qua/if'l assembly, complel. A.1e your organ hujld.r 10 wri,. 'a Insf,udkln., Reasonably Tdcphonc: SEdgwick lI-5li28 priced BERKSHIRE EmefKCIICY Service Yearl,. Coatracts P f,om JEROME B. MEYER &SONS ORGAN COMPANY, INC. Harps - Chima - Blowers I THE ORGAN LOFT 68 So. Boulevard &pert Overb.uliac P 2339 SO. AU5nN ST. Gassville, New Hampshir. 03239 We. Springfjeld, MA 01089 "An Or.... Prop.", MGi,drli,.etl MeGJU E MILWAUKEE, WIS. 53207 Full infDrmation Dn reque.t. T.I. (4131 734-3311 Bd',,· Mw" S DO IT YOURSELF PIPE ORGAN Kits iY.~. ~rChJ~' ~o. ORGAN SERVICE-J. E. Lee, Jr. Custom specifications for church or Felix Schoenstein tftldence, cc:r.lllfe or pIIrts, full I... KNOXVillE, TENNESSEE 37901 strudlons by eblbhed Of9_n bulld.rIo ORGANBUILDERS Pipe Organ Builders lox 2061 COlICIT MFG. Co. P.O. lax 112 & Sons Tuning .. Maintenanc... Rebuilding HII.r St_tloa, luff_la, N.Y. I~m SAN FRANCISCO, CALIF. lOX 505, MIDDLE VILLAGE, N.Y. 11379 Con .... han .. MAY 1973 27 •• I •• a n Murtagh oneert Man age ••• e n t Box 272 Canaan, Connecticut 06018 203-824-7877 AN NOUNCING Europt·un Artists Touring NITA AKIN GERRE HANCOCK fall 1973 •~ .1!>" I i',, . t! MARIE· CLAIRE ALAIN • I • Oct.·ond Nov. ROBEIIT ANDERSON CLYDE HOLLOWAY FREDERICK SWANN 1I0BElIT BAKER PETER HURfORD Oct. 1 . Nov. 2 DAVID CRAIGHEAD JOAN LIPPINCOTT MARTIN NEARY Oct. l ....J. ' . f RA Y FERGUSON DONALD McDONALD JOHN WEAVER ~• ,I • • ,,' ~ ' ", . ' (., . ~ ~ . ., MARILYN MASON WILLIAM WHITEHEAD