VINCENTE MINNELLI (Lester Anthony Minnelli) Filmografia Essenziale Dal 1943 Al 1976

Total Page：16

File Type：pdf, Size：1020Kb

VINCENTE MINNELLI (Lester Anthony Minnelli) Filmografia essenziale dal 1943 al 1976 ANNO TITOLO TITOLO ORIGINALE VOTO 1943 DUE CUORI IN CIELO CABIN IN THE SKY 7,5 1943 IL SIGNORE IN MARSINA I DOOD IT 7,5 1944 CREPI L' ASTROLOGO THE HEAVENLY BODY 6,5 1944 INCONTRIAMOCI A SAINT LOUIS MEET ME IN ST. LOUIS 8 1945 JOLANDA E IL RE DELLA SAMBA YOLANDA AND THE THIEF 7,5 1945 ORA DI NEW YORK THE CLOCK 8 1945 ZIEGFELD FOLLIES IDEM 7,5 1946 TRAGICO SEGRETO UNDERCURRENT 7,5 1948 IL PIRATA THE PIRATE 8,5 1949 CORRUZIONE THE BRIBE 7 1949 MADAME BOVARY IDEM 7,5 1950 IL PADRE DELLA SPOSA FATHER OF THE BRIDE 8,5 1951 UN AMERICANO A PARIGI AN AMERICAN IN PARIS 9 1951 PAPA` DIVENTA NONNO FATHER'S LITTLE DIVIDEND 7,5 1952 IL BRUTO E LA BELLA THE BAD AND THE BEAUTIFUL 8,5 1953 SPETTACOLO DI VARIETA` THE BAND WAGON 9,5 1953 STORIA DI TRE AMORI THE STORY OF THREE LOVES 7 1954 12 METRI D' AMORE THE LONG, LONG TRAILER 7,5 1954 BRIGADOON IDEM 8 1955 UNO STRANIERO TRA GLI ANGELI KISMET 6,5 1955 LA TELA DEL RAGNO THE COBWEB 8 1956 BRAMA DI VIVERE LUST FOR LIFE 8 1956 TE` E SIMPATIA TEA AND SYMPATHY 8 1957 LA DONNA DEL DESTINO DESIGNING WOMAN 8 1957 IL SETTIMO PECCATO THE SEVENTH SIN 6,5 1958 COME SPOSARE UNA FIGLIA THE RELUCTANT DEBUTANTE 7,5 1958 GIGI IDEM 8 1958 QUALCUNO VERRA` SOME CAME RUNNING 8,5 1960 A CASA, DOPO L' URAGANO HOME FROM THE HILL 7,5 1960 I GIOVANI CANNIBALI ALL THE FINE YOUNG CANNIBALS 7 1960 SUSANNA, AGENZIA SQUILLO BELLS ARE RINGING 7,5 1962 DUE SETTIMANE IN UN' ALTRA CITTA` TWO WEEKS IN ANOTHER TOWN 7,5 1962 I QUATTRO CAVALIERI DELL' APOCALISSE THE FOUR HORSEMEN OF THE APOCALYPSE 7,5 1963 UNA FIDANZATA PER PAPA` THE COURTSHIP OF EDDIE'S FATHER 7,5 1964 CIAO CHARLIE ! GOODBYE CHARLIE 7,5 1965 CASTELLI DI SABBIA THE SANDPIPER 7,5 1970 L' AMICA DELLE 5 ½ ON A CLEAR DAY YOU CAN SEE FOREVER 7,5 1976 NINA A MATTER OF TIME 7,5 www.eurodeon.it.

Copy Link

Recommended publications

Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co.
[Show full text]
VINCENTE MINNELLI Biography
American MovieMakers VINCENTE MINNELLI Biography "Basically, I work to please myself," Vincente Minnelli wrote in his autobiography, I Remember It Well. "But I'm the hardest person to please that I know. I'm not an artist in the classical sense. I'm still not sure if movies are an art form. And if they're not, let them inscribe on my tombstone what they could about any craftsman who loves his job: 'Here Lies Vincente Minnelli. He died of hard work.1" Vincente Minnelli (1903-86) was a unique filmmaker who combined special affinities for composition, color, and visual detail with an innate sensitivity and sophistication to create some of Hollywood's most memorable and dazzling films. From his film directorial debut in 1943 with Cabin in the Sky (1943) -- an all-black musical featuring Ethel Waters, Lena Home, Eddie (Rochester) Anderson, and Louis Armstrong -- to such musical classics as Meet Me in St. Louis (1944), An American in Paris (1951), The Band Wagon (1953), and Gigi (1958), the dramas Lust for Life (1956) and The Bad and the Beautiful (1953), and the comedies The Long, Long Trailer (1954) and Father of the Bride (1950), Minnelli put his special stamp on a treasured and unequaled movie legacy. "I approach each film as an entirely new experience growing out of the particular material involved," he once said. "Musical, romantic comedy or tragic drama, each contains different aspects of the same basic problem. That is, to tell a story through characters, dialogue, sometimes through dance or pantomime, in a manner as nearly unique for that particular film as ability, resourcefulness, and inspiration will permit.
[Show full text]
American Moviemakers: Directed by Vincente Minnelli
American MovieMakers "AMERICAN MOVIEMAKERS: DIRECTED BY VINCENTE MINNELLI December 15, 1989 - January 28, 1990 All films directed by Vincente Minnelli, produced by MGM Studios, and Courtesy of Turner Entertainment, Co., except where otherwise noted. Cabin in the Sky, 1943. With Ethel Waters, Eddie "Rochester" Anderson, Lena Home, Louis Armstrong. 96 minutes. I Pood It, 1943. With Red Skelton, Eleanor Powell, Lena Home. 101 minutes. Meet Me in St. Louis, 1944. With Judy Garland, Margaret O'Brien, Mary Astor, Lucille Bremer. 113 minutes. The Clock, 1945. With Judy Garland, Robert Walker, James Gleason. 90 minutes. Yolanda and the Thief, 1945. With Fred Astaire, Lucille Bremer, Frank Morgan, Mildred Natwick. 110 minutes Ziegfeld Follies, 1944, released 1946. With Fred Astaire, Judy Garland, Gene Kelly, Lucille Bremer. 110 minutes Undercurrent, 1946. With Katharine Hepburn, Robert Taylor, Robert Mitchum. 116 minutes The Pirate, 1948. With Judy Garland, Gene Kelly, Walter Slezak, Gladys Cooper. 102 minutes Madame Bovary, 1949. With Jennifer Jones, James Mason, Van Heflin, Louis Jourdan. 115 minutes Father of the Bride, 1950. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 93 minutes Father's Little Dividend, 1951. With Spencer Tracy, Joan Bennett, Elizabeth Taylor. 82 minutes An American in Paris, 1951. With Gene Kelly, Leslie Caron, Oscar Levant, Nina Foch, Georges Guetary. 113 minutes -more- The Museum of Modern Art - 2 - The Bad and the Beautiful, 1953. With Lana Turner, Kirk Douglas, Walter Pidgeon, Dick Powell, Gloria Grahame, Gilbert Roland. 118 minutes The Story of Three Loves, 1953. "Mademoiselle" sequence. With Ethel Barrymore, Leslie Caron, Farley Granger, Ricky Nelson, Zsa Zsa Gabor. 122 minutes The Band Wagon, 1953.
[Show full text]
Bamcinématek Presents the Complete Vincente Minnelli, the First
BAMcinématek presents The Complete Vincente Minnelli, the first full New York retrospective of the Hollywood master in more than 20 years, Sep 23—Nov 2 (32 days, 35 films) 35mm prints. The Wall Street Journal is the BAMcinématek and BAM Rose Cinemas sponsor. Brooklyn, NY/Aug 30, 2011— Beginning September 23 and continuing through November 2, BAMcinématek presents The Complete Vincente Minnelli, the first full New York retrospective of the Hollywood master in more than two decades. This 35-film series pays homage to one of the all-time great Hollywood directors, with a career that included successful forays into the musical (which earned him his reputation at MGM), subversive and deeply personal melodramas and sensitive biopics, and airy comedies. The retrospective, presented in conjunction with the Locarno International Film Festival, offers a chance to reevaluate the Hollywood giant’s status as an auteur, truly one of cinema’s greatest artists. All films in The Complete Vincente Minnelli will be projected in 35mm, except for one which will be shown in 16mm. Popularly associated with meticulously decorated, nostalgic musicals like Meet Me in St. Louis (1944), An American in Paris (1951), The Band Wagon (1953), and the beloved Gigi (which swept the 1959 Oscars, winning in all nine categories that it was nominated including Best Picture and Best Director), Minnelli also proved to be a master of multiple genres over his 34-year directing career, including several darker dramas that were under- appreciated by his contemporaries. Minnelli was as poetically cynical as Billy Wilder in the Kirk Douglas and Lana Turner vehicle The Bad and the Beautiful (1952) and its follow-up, Two Weeks in Another Town (1960).
[Show full text]
Rick L. Pope Phonograph Record Collection 10 Soundtrack/WB/Record
1 Rick L. Pope Phonograph Record Collection 10 soundtrack/WB/record/archives 12 Songs of Christmas, Crosby, Sinatra, Waring/ Reprise/record/archives 15 Hits of Jimmie Rodgers/Dot / record/archives 15 Hits of Pat Boone/ Dot/ record/archives 24 Karat Gold From the Sound Stage , A Double Dozen of All Time Hits from the Movies/ MGM/ record/archives 42nd Street soundtrack/ RCA/ record/archives 50 Years of Film (1923-1973)/WB/ record set (3 records and 1 book)/archives 50 Years of Music (1923-1973)/WB/ record set (3 records and 1 book)/archives 60 years of Music America Likes Best vols 1-3/RCA Victor / record set (5 pieces collectively)/archives 60 Years of Music America Likes Best Vol.3 red seal/ RCA Victor/ record/archives 1776 soundtrack / Columbia/ record/archives 2001 A Space Oddyssey sound track/ MGM/ record/archives 2001 A Space Oddyssey sound track vol. 2 / MCA/ record/archives A Bing Crosby Christmas for Today’s Army/NA/ record set (2 pieces)/archives A Bing Crosby Collection vol. 1/ Columbia/record/archives A Bing Crosby Collection vol. 2/ Columbia/record/archives A Bing Crosby Collection vol. 3/ Columbia/record/archives A Bridge Too Far soundtrack/ United Artists/record/archives A Collector’s Porgy and Bess/ RCA/ record/archives A Collector’s Showboat/ RCA/ record/archives A Christmas Sing with Bing, Around the World/Decca/record/archives A Christmas Sing with Bing, Around the World/MCA/record/archives A Chorus Line soundtrack/ Columbia/ record/ archives 2 A Golden Encore/ Columbia/ record/archives A Legendary Performer Series (
[Show full text]
Cinema De Música E Drama Dados Internacionais De Catalogação Na Publicação (CIP)
Ministério da Cultura e Banco do Brasil apresentam cinema de música e drama Dados Internacionais de Catalogação na Publicação (CIP) O48vm Oliveira Jr., Luiz Carlos. Vincente Minnelli: cinema de música e drama/Luiz Carlos Oliveira Jr.; Sérgio Alpendre. – Rio de Janeiro : Centro Cultural Banco do Brasil, 2011. 72p. : il. ISBN 978-85-85688-45-5 1.Cinema 2. Cinema internacional CDD: 791.43 CDU: 791.22 cinema de música e drama CCBB-SP: 31 de agosto a 11 de setembro CCBB-RJ: 13 a 25 de setembro 2011 2 1a Edição Rio de Janeiro CENTRO CULTURAL BANCO DO BRASIL A programação audiovisual do Centro Cultural Banco do Brasil busca estimular a reflexão e permitir ao cidadão brasileiro o contato com obras cinematográficas universais e atemporais. Por meio da realização de mostras abrangentes, sempre acompanhadas de debates, encontros, cursos e publicações de livros e catálogos, o CCBB contribui para que o público possa ter acesso a propostas estéticas significativas e singulares na história nacional e de outros países. A mostra Vincente Minnelli – Cinema de Música e Drama, apresentada pelo Ministério da Cultura e Banco do Brasil, traz ao público uma parte significativa da obra desse grande cineasta que desfrutou da fama e também dos altos orçamentos do auge do studio system hollywoodiano, durante as décadas de 1940, 1950 e 1960, sendo um dos raros casos de diretores cujos filmes agradam tanto ao grande público como à crítica especializada. Minnelli dirigiu clássicos absolutos da história do cinema, como os musicais Sinfonia de Paris (1951) e Gigi (1958) e os dramas Sede de Viver (1956) e A Cidade dos Desiludidos (1962).
[Show full text]
Minnelli, Vincente (1913-1986) by Tina Gianoulis
Minnelli, Vincente (1913-1986) by Tina Gianoulis Encyclopedia Copyright © 2015, glbtq, Inc. Entry Copyright © 2002, glbtq, Inc. Reprinted from http://www.glbtq.com Dapper Vincente Minnelli was one of Hollywood's greatest directors, renowned for his skilled use of color and light and his precise attention to detail. He achieved recognition not only for the new life he injected into movie musicals such as Meet Me in St. Louis (1944) and Gigi (1958), but also for emotionally complex comedies such as Father of the Bride (1950) and lushly conceived melodramas such as Lust for Life (1956). Minnelli's campy vision and lavish productions were well suited to the 1940s and 1950s, but his style did not long survive the end of Hollywood's structured studio system. Although he continued to make films into the 1970s (such as A Matter of Time, with his daughter Liza Minnelli in 1976), his later films did not gain the popularity or acclaim of his earlier work. Minnelli was born on February 28, 1903 in Delaware, Ohio into a family of traveling entertainers. Although his early years were spent on the road learning show business, he settled in Chicago at age sixteen. He took a job as a window decorator for Marshall Field's department store, where he began to develop his sense of design. He soon took his new knowledge back to the theater where he worked as an assistant photographer, costume designer, and set decorator. His originality and sharp eye for the details of design soon took him to the Broadway stage, where he was a successful costume and set designer.
[Show full text]
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera
Guide to the Donald J. Stubblebine Collection of Theater and Motion Picture Music and Ephemera NMAH.AC.1211 Franklin A. Robinson, Jr. 2019 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 2 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Stage Musicals and Vaudeville, 1866-2007, undated............................... 4 Series 2: Motion Pictures, 1912-2007, undated................................................... 327 Series 3: Television, 1933-2003, undated............................................................ 783 Series 4: Big Bands and Radio, 1925-1998,
[Show full text]
A Johnny Mandel Trio
FSMCD Vol. 12, No. 4 A Johnny Mandel Trio Supplemental Liner Notes Contents The Americanization of Emily 1 The Sandpiper 5 Drums of Africa 9 Liner notes ©2009 Film Score Monthly, 6311 Romaine Street, Suite 7109, Hollywood CA 90038. These notes may be printed or archived electronically for personal use only. For a complete catalog of all FSM releases, please visit: http://www.filmscoremonthly.com The Americanization of Emily, The Sandpiper and Drums of Africa ©1964, 1965 and 1963, respectively, Turner Entertain- ment Co., A Warner Bros. Entertainment Company. All rights reserved. FSMCD Vol. 12, No. 4 • A Johnny Mandel Trio • Supplemental Liner Notes The Americanization of Emily The Americanization of Emily (1964) is a war (or, tel kitchen, Mandel synchronizes jarring chime accents arguably, anti-war) film starring James Garner as an to the pats on the rear end Charlie gives his female un- American Navy attache´ (and self-described coward) derlings. during World War II. He falls in love with a war widow, Contrary motion in the French horn counterpoint Emily, played by Julie Andrews, even through their lends a classical, proper feel to the work, and chatter- philosophies conflict. The film blends drama, romance ing trumpet triplets add to the comically straight-laced and satire in a way seldom achieved with such success. intent. Constant rhythmic movement keeps the work Johnny Mandel’s score is an absolute gem, featuring a propulsive even in its quieter moments, and a frantic lovely waltz theme for Emily (given lyrics by Johnny flutter-tongued flute and harsh trumpet figure accom- Mercer and recorded as “Emily,” although the vocal pany Emily (Julie Andrews) slapping Charlie across his version does not appear in the film), charmingly ironic face (in response to of one of his pats).
[Show full text]
The Actor Within
i The Actor Within J The Actor Within >CI>B6I:8DCK:GH6I>DCHL>I=<G:6I68IDGH Rose Eichenbaum Wesleyan University Press Middletown, Connecticut Wesleyan University Press Middletown CT 06459 www.wesleyan.edu/wespress ∫ 2011 Rose Eichenbaum All rights reserved. Manufactured in the United States of America Designed by Richard Hendel Typeset in Minion by Keystone Typesetting, Inc. Wesleyan University Press is a member of the Green Press Initiative. The paper used in this book meets their minimum requirement for recycled paper. Library of Congress Cataloging-in-Publication Data Eichenbaum, Rose. The actor within : intimate conversations with great actors / Rose Eichenbaum ; [foreword, Aron Hirt-Manheimer]. p. cm. Includes bibliographical references and index. isbn 978-0-8195-6952-3 (cloth : alk. paper) isbn 978-0-8195-7165-6 (e-book) 1. Actors—United States—Interviews. 2. Acting. I. Title. pn2285.e35 2011 792.02%8092—dc22 2011012328 54321 Title page: Karl Malden To Mimi May your actor within soar and propel you to great heights. i Contents Foreword ix Julia Stiles 130 Preface xiii Shelley Berman 136 Teri Garr 142 Norman Lloyd 2 Bill Irwin 148 Frances Fisher 10 Marcia Gay Harden 154 Joe Mantegna 16 Elijah Wood 160 Amber Tamblyn 26 Lainie Kazan 166 Karl Malden 32 Elliott Gould 172 Amy Madigan 40 Piper Laurie 178 Hector Elizondo 46 Stephen Tobolowsky 184 CCH Pounder 52 Marlee Matlin 190 James Cromwell 58 William H. Macy 196 Gloria Stuart 64 Wes Studi 202 Bill Pullman 70 Ruby Dee 208 Debra Winger 76 Larry Miller 214 Charles Durning 82 Ellen Burstyn 220 Stockard Channing 90 George Segal 96 Acknowledgments 227 Marsha Mason 104 References and Recommended Viewing 229 Ed Asner 110 Index 239 Amanda Plummer 118 Ed Harris 124 i Foreword Rose Eichenbaum met her ﬁrst movie star at the age of ten.
[Show full text]
Vidéo Patrick Schupp
Document generated on 09/27/2021 12:15 p.m. Séquences La revue de cinéma Vidéo Patrick Schupp Number 139, March 1989 URI: https://id.erudit.org/iderudit/50523ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Schupp, P. (1989). Review of [Vidéo]. Séquences, (139), 6–7. Tous droits réservés © La revue Séquences Inc., 1989 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ VIDEO VINCENTE MINNELLI Some Came Running, ou A Matter les danse éternellement. Ils sont Ziegfeld Follies (1946). Judy Buchanan. C'est différent de of Time, son dernier film, mais également ce que recherche le Garland, Lucille Ball, Fred Astaire, American, mais aussi bon dans son J'ai pensé que quelques tellement trituré au montage par des personnage mis en scène dans le Gene Kelly, Lucille Bremer, Lena genre. À chaque visionnement, on y commentaires sur l'un des plus producteurs ignares, que Minnelli a film. Vincente Minnelli s'est exprimé Horne, Fanny Brice, Cyd Charisse, découvre de nouvelles merveilles. grands artisans de la comédie désavoué le film. pleinement dans ce genre unique ou etc..
[Show full text]
Film Study Lecture on Singin' in the Rain (1952)
Film Study lecture on Singin’ In The Rain (1952) Compiled by Dr. Jay Seller Singin’ In the Rain, (1952) Directed by Stanley Donen Screenwriters Betty Comden and Adolf Green Chapter 1: Singin’ In the Rain Was voted the 10th Greatest Film of all time by Entertainment Weekly, being the highest ranked musical. This film is the favorite of critics, fans and most everyone in general, a film that encourages repeat viewings. PowerPoint presentation includes: 1895, considered to be the birth of cinematography in America. 1895-1927, the Silent Era of film. 1927, sound was introduced. First film was produced by Warner Brothers Studio, The Jazz Singer, the Story of Al Jolson. 1930’s, is considered the Golden Era of Radio, with such shows as The Green Hornet, George Burns and Gracie Allen, Abbott and Costello. 1940’s, is considered the Golden Era of Film. This era started in 1939 with such films as The Wizard of Oz, Wuthering Heights, and Gone with the Wind. 1939, Television was invented and introduced at the New York World’s Fair, but didn’t begin mass production until after World War II. 1950’s, is considered the Golden Era of Television, with such hits as I Love Lucy (1951- 1957), Ed Sullivan Show and The Milton Berle Comedy Cavalcade. One of the reasons this film is interesting to watch is that it depicts this time period of the transition from silent movies to talking pictures 1927-1929. The stories in this movie are based on true stories that happened during this transition. The inspiration of producer Arthur Freed, who wrote the title song in 1928 for MGM’s A Broadway Melody.
[Show full text]