DOCSLIB.ORG

Vertical Horizon, Stroke 9 Play House of Blues

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

.• _b>_ ARTS & ENTERTAINMENT 18 February 23, 2000 • the Seahawk ---- Vertical Horizon, Stroke 9 play House of Blues Do you have an by KRISTI SINGER Stroke 9 was toned-down compared to Cup­ dressed in rock star attire with purple shiny StaffWnter cakes, with rhythm that was easier to dance shirts and black leather pants. VH was burst­ event or perfor­ to. ing with positive energy. Vertical Horizon headlined at the House Stroke 9 played titles from their Cherry/ "It's great to be here. What a beautiful mance that you of Blues, Myrtle Beach, SC on Feb. 12 with Universal debut album, Nasty Little audience," vocalist Matthew Scannell said guest performers Stroke 9 and Cupcakes. Thoughts, including "City Life," which vo­ to the fans. would like to see in Cupcakes began roughly at 7:30 p.m. calist Luke Esterkyn said was about living VH performed songs from their TASK grabbing the audience with their eccentric in the city in an overpriced apartment. Records/RCA Records album, Everything the Seahawk? attire of bright orange space suits (like the "This song is about working really hard You Want, including their hits "We Are" and Beastie Boys wear in the "Intergalactic" for things in your life and not waiting for "Everything You Want." They also per­ video) and sunglasses that had red laser them to happen,'' Esterkyn said right before formed a new song, titled "The Glass Waltz." pointers over one eye. They brought an un­ they played "Tale of the Sun," which the Vertical concluded their set with "We Call Megan O'Brien earthly presence to the stage. The band en­ band wrote last year during El Nino. Are." leaving the crowd screaming for an Joyed "experimenting with stage antics," Stroke 9 consists of vocalist Esterkyn, encore. Vertical responded to the over­ at 962-7148 or email drummer Matt Walker said in an article bassist Greg Gueldner, drummer Eric Stock whelming applause by returning to play "The posted on their website. and lead guitarist/background vocalist John Man Who Would Be Santa.'' her at Walker, former drummer for Filter and McDermott. Brian Burns, Clear Channel the Smashing Pumpkins, formed the band. "A couple of years ago, never in my wild­ Communication's Director of programming [email protected] Cupcakes is composed of vocalist Preston est dreams thought they would play this song in Raleigh recommends getting the Vertical Graves. guitarist Greg Suran, bassist on the radio. But they did, so thank you very Horizon CD. Solomon Snyder and Walker. The band was much for liking it," Esterkyn said about their "Vertical Horizon is like Matchbox 20. signed to Dreamworks Records in 1999. If you would like set-closing song and radio hit "Little Black one of those records where every song is a According to the article, Walker described Backpack." hit." Cupcakes sound as "futuristic Beatles, or information on The UNCW students attended the show and Bums works for Raleigh radio stations even fu turistic George Harrison ... melodic, were particularly excited about Stroke 9. Gl05, 106.lRDU, Sunny 93.9 and Oldies futuristic in a semi-old way." Scene, contact Kristi "They're amazing. I have their CD and I 100.7 FM and has predictions for the future San Francisco-based rock band Stroke 9 really love it. I didn't think they would be of Vertical. took the stage at 9:30 p.m. The crowd Singer at 962-71 48 this good in concert, but they were and I want "Vertical Horizon's next single wiJI be seemed to be anticipating their performance. to see them again," sophomore Cyndi "You're a God." "We Are" will probably or The band teased the crowd with brief sound Hannley said. come back to the top 40/pop stations," checks behind the curtain. The sound of Bums Vertical Horizon took the stage at 11 p.m., said. 1;£,~i•lik.jhjdfufh9 sic the Big Band emits. The trombone section is composed of four rhythm section, which really got the players who help carry the low end of the crowd going. bands sound; Sarah Huntsman, Brian The trnmpet, saxophone, and trombone Holtsford, Eric Taylor and Aaron Teague. For tickets and Concert line players of the UNCW Big Band are all very Upcoming events for the Big Band in­ talented, and last Friday evening's perfor­ clude a swing danc e and dinner at Alleigh ·s information call 843- 13-3740 mance really showcased that talent. There March 24 and a concert March 31. There are 843-272-3000 Internet are 14 horn players in the group, with a rep­ 100 tickets available fo r the Alleigh ·s show. resentative from each class at UNCW. Trnm­ and the March 31 performance will feature 1AA1111111 ,hob.com pet players include Ryan Mansbery, Seth renowned saxophonist Vincent Herring. Wood. Jason Robinson, David Tyson and The Big Band will also travel to Italy this Lee Thach, and they bring a screaming high summer and tour the country sharing their MYRTLE BEACH end to the band. music. The sweet saxophones are played by The Big Band has released three CDs, Doug Mayes, Mark Lorek, Rob Hamilton, Portraits of Swing, Travelin 'Light and Sum­ February 3 .. ..... .. REO SPEEDWAGON ... $22. 50 Brian Medeiros and Brandon Albers, and mation, all available through the music de­ February 5 ..................... STAIND .............. $12.00 they are the front-end of the barrage of mu- partment. plus SIMON SAVS and TREE February 11 .......... POWERMAN 5000 ..... $17.50 plus STATIC X, DOPE nd CHEVELLE February 12 ......... VERTICAL HORIZO ... $ 1200 · plus STROKE and CUPCAKE F bruary 18. ... Myrtle Beach Rock I wnh. $5.00 PERFECT TOMMY and special guest F bruary 19 ............... QUIET RIOT.......... 13.50 February 20.............. BLUE FLOYD......... 19.50 F bruary 26 ...... THE SNO-CORE TOUR. 20.00 MR.BUNGLE, INCUBUS, SYSTE O.F A DOWN ndPUVA March 3 .................... PAULA COLE......... 15.00 March 4 .................. QUEE SAYCHE . ..... $25.00 James Flint/The Seahawk Seth Wood, left, and Ryan Mansbery are among the five trumpeters of the UNCW Big Band, which started its spring concert season at 843-679,,.9333 / www.tlcketmuter.com Kenan Auditorium last Friday night. fi?ci!i/t~ MUSIC 4 LESS .
Recommended publications
  • Julia, Imagen Givenchy Su Esposo La Asesinó Caída De

    Julia, Imagen Givenchy Su Esposo La Asesinó Caída De

    EXCELSIOR MIÉRCOLES 10 DE DICIEMBRE DE 2014 [email protected] Resumen. Pharrell Williams encabeza la lista de @Funcion_Exc popularidad de Billboard. Y los escándalos del año>6 y 13 MAÑANA SE ESTRENA EN DOS MIL 400 SALAS UNA ÚLTIMA Los actores queAVENTURA participaron en El Hobbit: La batalla de los cinco ejércitos mostraron su satisfacción de poder participar en la tercera entrega de la saga dirigida por Peter Jackson >8 y 9 Fotos: Cortesía Warner Bros. Foto: Tomada de Instagram Givenchy Foto: Tomada de YouTube Foto: AP JULIA, IMAGEN GIVENCHY CAÍDA DE ELTON, VIRAL SU ESPOSO LA ASESINÓ PARÍS.- La actriz estadunidense Julia Roberts será la Más de un millón de visitas en sólo 24 horas alcanzó La actriz y modelo Stephanie Moseley, protagonista del nueva imagen de la casa francesa de moda Givenchy el video en el que se ve al cantante Elton John en una reality televisivo Hit The Floor, fue asesinada a tiros por para su campaña de primavera/verano 2015. aparatosa caída al presenciar un partido de tenis. Earl Hayes, quien era su esposo. El hombre se quitó la En las imágenes en blanco y negro, la actriz mues- El músico de 67 años asistió a un evento en el vida después de haberla matado. tra un aspecto andrógino, ataviada con una blusa ne- Royal Albert Hall de Londres, donde alentaba a su Trascendió que se habían separado hace dos años, gra con mangas transparentes. equipo contra el de la exjugadora profesional Billie Jean luego de un supuesto amorío con el músico Trey Songz, La sesión fue realizada por la importante empresa King, pero al intentar sentarse se suscitó el incidente.
  • In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series

    In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series

    BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire
  • National Scenic Visitors Center • Board of Directors | Advisory Council

    National Scenic Visitors Center • Board of Directors | Advisory Council

    National Scenic Visitors Center • Board of Directors | Advisory Council Board of Directors Advisory Council Matt Kambic President Ken Gormley President, Duquesne University Matt’s creative work includes projects for Disney, Carnegie Ken is the President of Duquesne University in Pittsburgh, PA. Mellon University, The Magic Woods TV program, Robomatter, Ken earned his B.A. from the University of Pittsburgh in 1977, and Kennywood Park. He has served as producer, writer, summa cum laude and his J.D. from Harvard Law School in 1980. A designer, artist, teacher, and filmmaker. Matt has a B.S. in renowned author, Gormley has written several books, including The Studio Arts from the University of Pittsburgh. A native of Death of American Virtue: Clinton vs. Starr, a New York Times Pennsylvania, Matt currently resides in New Zealand. bestseller. Gormley has appeared on the Today Show, The Charlie Rose Show, Hardball, NPR’s Fresh Air, and radio shows worldwide. Mary Ellen Snyder Executive Director Bill Royer President, Transition Group Mary Ellen’s career includes posts as AT&T National Account Bill has worked in the private, public, and non-profit sectors. Bill Manager, Public Director on the Board of the Lehigh County earned a Bachelor of Science degree in Business Administration Conservation District, as a staffer at national magazines, and from University of Maryland, with additional executive education at work for several Congressmen in Washington DC. She attended the University of Virginia and Duke University. Bill serves as chair Brown and Indiana Universities, earned PMP certification, and of his Township’s Zoning Hearing Board, Director for the County holds a Master’s Certificate in Project Management.
  • 2011 – Cincinnati, OH

    2011 – Cincinnati, OH

    Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers.
  • “When I Listen to Gish,” Billy Corgan Says Today

    “When I Listen to Gish,” Billy Corgan Says Today

    “When I listen to Gish,” Billy Corgan says today, “what I hear is a beautiful naïveté.” They say you never forget the first time, and even twenty years later, the 1991 debut album by Smashing Pumpkins –– guitarist and vocalist Corgan, drummer Jimmy Chamberlin, bassist D’arcy Wretzky and guitarist James Iha –– remains the unforgettable start of a musical conversation that continues to resonate with millions of fans all around the world. In retrospect, Gish can clearly be heard as a groundbreaking album in the history of what would soon become more much widely known as alternative rock. Gish was, after all, the promising debut of a band that would help alternative rock quickly become part of a new, grungier mainstream. But back in the beginning, Gish was simply the memorable opening salvo by a band from Chicago that really didn’t fit in anywhere in the rock world –– that is, until bands like Smashing Pumpkins helped change the rock world once and for all. To hear Corgan tell it now, Smashing Pumpkins came by their beautiful naïveté naturally. “We’d had very little exposure to the national stage,” he explains. “There’s no way that if we had been exposed to all of what was going on in New York and L.A. earlier, we would have made Gish. This is one of those weird albums that sounds like it came from some guy who crawls up out of the basement holding a record in his hands proudly –– a little like the first time we heard Dinosaur Jr. You think, ‘who the hell is this? And where did that come from?’ ” According to Corgan, the album originally came from Smashing Pumpkins’ early vow of poverty.
  • A General Education Course Designed to Cultivate College Student Well-Being

    A General Education Course Designed to Cultivate College Student Well-Being

    James Madison University JMU Scholarly Commons Dissertations, 2020-current The Graduate School 8-7-2020 A general education course designed to cultivate college student well-being Jessica Davis James Madison University Follow this and additional works at: https://commons.lib.jmu.edu/diss202029 Part of the Clinical Psychology Commons, and the Counseling Psychology Commons Recommended Citation Davis, Jessica, "A general education course designed to cultivate college student well-being" (2020). Dissertations, 2020-current. 9. https://commons.lib.jmu.edu/diss202029/9 This Dissertation is brought to you for free and open access by the The Graduate School at JMU Scholarly Commons. It has been accepted for inclusion in Dissertations, 2020-current by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. A General Education Course Designed to Cultivate College Student Well-being Jessica “Jay” C. Davis A dissertation submitted to the Graduate Faculty of JAMES MADISON UNIVERSITY In Partial Fulfillment of the Requirements for the degree of Doctor of Psychology Department of Graduate Psychology August 2020 FACULTY COMMITTEE: Committee Chair: Gregg Henriques, Ph.D. Committee Members/Readers: Jaime Kurtz, Ph.D. Kenneth Critchfield, Ph.D. Acknowledgements This project was realized thanks in part to many generous helpers. To my advisor and dissertation committee chair, Dr. Gregg Henriques. You were there from the very beginning. Your tireless efforts guided “my baby” from a fledgling idea to a real and hopeful product. More importantly, your mentorship and genuine care has shaped me into the psychological doctor I am today. I will miss our Sunday dissertation video chats.
  • Smashing Pumpkins Debut in Chicago Adore

    Smashing Pumpkins Debut in Chicago Adore

    0 items Help | About Us Choose a station & listen now! Search by Artist Your favorite music - Browse by genre - Cheap Trick on sonicnet.com Subscribe to Cheap Trick: Click here for free customized e-mails with news, concert dates and more. ARTIST INFO MUSIC NEWS Today's Music News » MAIN BIOGRAPHY ALBUMS Smashing Pumpkins Debut BUY DOWNLOADS Adore In Chicago AUDIO CLIPS CYBERCASTS After performing Adore material live for the MUSIC NEWS first time, Pumpkins leader Corgan joined WEB SITES Cheap Trick for two songs. Cheap Trick, in this case sans Pumpkins leader Billy ALBUM REVIEWS Corgan, go about Corgan theirbusiness Sunday night SIMILAR ARTISTS CHICAGO -- Smashing Pumpkins leader Billy Corgan fulfilled a boyhood dream Saturday nightnight when he took in Chicago. BULLETIN BOARDS the stage with the band he has long raved about: SUBSCRIBE Cheap Trick. SEARCH BY ARTIST GO Dressed like Trick guitarist Rick Nielsen, in a baseball cap with brim up-turned, Corgan took up one of Nielsen's checkerboard guitars and proceeded to jam on "Mandocello" and "Just Got Back." All the while, he mimicked Nielsen's moves to everyone's amusement: SUBSCRIBE to The leaping, flicking guitar picks and all. "He's kind-of like Smashing Pumpkins my young bastard son," Nielsen said. Free News and Info Updates via email! CLICK HERE "[Billy EMAIL THIS ARTICLE TO A Corgan]'s FRIEND kind-of Meanwhile, Pumpkins touring drummer Kenny Aronoff joined in on maracas for like my "You're All Talk," and bassist D'Arcy Wretzky sang backing vocals, young in all her cat-like splendor, on "If You Want My Love." "This was bastard the best birthday present ever," said Wretzky, who turned 30 the day before.
  • Las Calabazas Machacantes

    Las Calabazas Machacantes

    musica universalis LAS CALABAZAS MACHACANTES The Smashing Pumpkins es una famosa banda chicaguense de rock alternativo con infl uencias de heavy metal, rock gótico y progresivo, dream pop y electrónica. Muchos de sus temas tienen títulos astronómicos, aunque sus letras casi no tienen nada que ver. l primer álbum de «los es la red paneuropea nanciada Pumpkins» fue Gish por los programas marco FP6 y (1991). Sin embargo, an- FP7 de la UE para coordinar es- tes de comenzar su me- fuerzos de todos los observatorios teórica carrera comer- y centros europeos implicados en E cial, en la canción-rareza ‘Sun’ la construcción de instrumenta- de 1989, William Patrick Billy ción astronómica en el visible y el Corgan caminaba en el Sol y nun- infrarrojo cercano. ca sentía la luz. El segundo ál- bum de The Smashing Pumpkins, 3. ‘The Celestials’. En astrono- Siamese Dream (1993), ha sido mía, tenemos bóveda celeste, me- considerado por la revista Ro- «Océanie». Distintas imágenes del cánica celeste y Celestia, el soft- lling Stone como uno de los me- libreto del CD del álbum Oceania, ware educacional. En cosmología de The Smashing Pumpkins, y un jores de la historia. En él había par de obras de arte relacionadas; clásica, también había «orbes ce- temas titulados ‘Rocket’, ‘Space- entre ellos destacan la cara visible lestiales» (no confundir con los boy’ o ‘Luna’, pero sin absolu- de la Luna, una imagen antigua de «celestiales», las razas imaginarias tamente nada de astronomía en la corona solar durante un eclipse, de Marvel, Star Wars y Dungeons el módulo de comando/servicio sus letras.
  • Smashing Pumpkins Pull Off Set with Flawless, Dynamic Precision

    Smashing Pumpkins Pull Off Set with Flawless, Dynamic Precision

    REVIEW: Smashing Pumpkins pull off set with flawless, dynamic precision luchameleon.com /2012/10/review-smashing-pumpkins-pull-off-set-with-flawless-dynamic-precision/ luchameleon By Sean Keenehan Section Editor The Smashing Pumpkins took the stage for a homecoming performance on Friday, October 19th at the Allstate Arena in Rosemont, IL. The band performed their entire new album, Oceania, and a wide variety of earlier Pumpkins material in a commanding two-and-a-half-hour set. Photo By Sean Keenehan/The Chameleon. The Smashing Pumpkins held a homecoming concert Oct 19 at the Allstate Arena in Rosemont, IL. With a stage production that included a large, inflatable, cylindrical LED screen suspended above the band, the Pumpkins pulled off Oceania with flawless, dynamic precision, both sonically and visually. The round, three-dimensional ball acted as part projector/part new media art installation, surrounded by a flashing light production that gave the screen the impression of a planet floating in outer space. Singer and guitarist Billy Corgan fronted the current Smashing Pumpkins lineup confidently and comfortably. He playfully traded licks with guitarist Jeff Schroeder (including a back-to-back harmony during the guitar solo of “Ava Adore”), executed perfect pitch, harmonized vocal exchanges with bassist Nicole Florentino (as well as humorous, between-song dialogues) and locked into the groves of 22-year old drummer, Mike Byrne (who also came from behind the drum set to play keyboards). Song highlights from Oceania included “Panopticon,” “Pinwheels,” “The Chimera” and the minimalistic, last song from Oceania, “Wildflower,” on which Schroeder, Florentino and Byrne all played keyboards while Corgan’s lone guitar tones wailed and soared throughout the arena.
  • Il Ritorno Del Gruppo Sardo La Reunion Degli Smashing Pumpkins

    Il Ritorno Del Gruppo Sardo La Reunion Degli Smashing Pumpkins

    Il ritorno del gruppo sardo La reunion degli Smashing Pumpkins Aspettando Shrek 3 Con voi sotto l’ombrellone Ebbene si, è passato già un anno da quando abbia- mo iniziato la nostra avventura e il bilancio è molto Per una tintarella perfetta! positivo, se solo si pensa che il tutto è partito dalla voglia di alcuni amici di far sentire la propria voce Anno 1 - numero 11 Finalmente è arrivata l’estate! parlando di ciò che interessa loro e molti altri ragazzi Ma soprattutto è arrivato il mo- e non solo! mento di staccare un po’ la spi- Dopo un anno abbiamo anche un nostro dominio e Direttore generale na e di concedersi del meritato contiamo di non fermarci qui… tante sono le idee Roberto Virgilio (per alcuni) riposo! C’è chi an- che ci balenano in testa e pian pianino, passo dopo drà al mare a farsi una tintarella passo cercheremo di metterle in pratica sperando Responsabile musica stile Seedorf o chi si dirigerà al che voi pubblico, che siete la parte più importante Mr Bugs! fresco della montagna, non di questa rivista, ci diate la possibilità di continuare a [email protected] mancheranno poi coloro che migliorarci. ne approfitteranno per visitare In questo numero troverete un’intervista esclusiva Responsabile spettacoli qualche città storica. Noi di An- con un artista eclettico, che partito dalla provincia Dj HnF dergraund abbiamo deciso di ha saputo con la propria abilità far sentire la sua vo- [email protected] farvi compagnia ovunque voi ce sino ad arrivare ad avere risonanza nazionale pur Responsabile rubriche andiate e abbiamo in serbo per non rinnegando mai le sue origini.
  • What Hip Reindeer Will Be Playing This Christmas!

    What Hip Reindeer Will Be Playing This Christmas!

    What Hip Reindeer Will Be Playing This Christmas! Bittles‘ Magazine | Record Review You have to be very brave to release an album of new material in December! Any money that people have is being spent on presents, protection money to Santa, or on getting as drunk as humanely possible. So let us raise a glass and give a warm round of applause to those who have brought out new records in this most festive, yet culturally void of months. By JOHN BITTLES The Smashing Pumpkins are back with the traditional American rock sound of Monuments to An Elegy, Baaz has shown how to make a great house album with the gorgeously deep Red Souvenirs and Lawrence gives us sunshine-infused ambience with A Day In The Life. Oh, and pop puppets Take That may or may not have a new LP out. But really, for depressive weirdos, and grunge survivors everywhere we can begin with only one band. After the reissue of Adore earlier this year allowed us all to recall just how great a band The Smashing Pumpkins are, this month sees Billy Corgan and co return with some brand new sounds. Monuments to An Elegy may sound like the title of an old Muse cast-off, yet it is actually the second part of the terrifying pretentiously named Teargarden by Kaleidyscope series. Stung by criticism of the first part, 2012’s sprawling Oceania, Monuments sees the Pumpkins return to the short, sharp three minute rock song format so beloved by skinny jean wearing bores everywhere. The album is short at 32 minutes, and during some of the songs you really get the impression that Billy Corgan’s heart just isn’t in it.
  • 01.03 SS Pages A01,02,03.Indd

    01.03 SS Pages A01,02,03.Indd

    SSentinel.com Serving Middlesex County and adjacent areas of the Middle Peninsula and Northern Neck since 1896 Vol. 118, No. 39 Urbanna, Virginia 23175 • January 3, 2013 Two Sections • 75¢ Bushey brings more structure to sheriff’s offi ce by Tom Chillemi First of series There is no “I” in “team.” And, Middlesex Sheriff David Bushey knows this. His contagious energy has elevated the Middlesex Sheriff’s Offi ce to a more professional level during his fi rst year as sheriff, he explained during a recent tour of the renovated sheriff’s offi ce. Sheriff Bushey said he has led by showing respect—and getting it in return—which has improved morale. With his backing, the staff has gained confi dence and has taken on leader- ship roles. “Instead of telling me they have a problem, I want them to tell me what their solution is to that problem,” explained Sheriff Bushey who, like a good coach, directs with encourage- ment. His team approach has welcomed and encouraged the sheriff’s staff of 42 persons to share input and develop Members of the Middlesex County Sheriff’s Offi ce staff include, seated from left, deputy Norman Sibley, deputy Kimberley Taylor, communica- ideas together, said Captain M.E. tions supervisor Tammy Ellis, deputy Keith Carmell and Middlesex High School resource offi cer deputy Ranger Freeman; standing from left, Lt. Sampson, who, like Sheriff Bushey, Jim Ellis, deputy Trey Blake, Captain M.E. Sampson, Captain and chief bailiff Paige Bishop, St. Clare Walker Middle School resource offi cer deputy became a Middlesex deputy in 1994.