Liturgical Notes for Lent, Holy Week, and Easter
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1 in His Book, “The Mystery of Faith: a Study of the Structural Elements Of
1 Understanding the Mass: The Alleluia, Gospel Acclamation, and the Sequence In his book, “The Mystery of Faith: A Study of the Structural Elements of the Mass,” Lawrence Johnson gives a historical survey of the Alleluia, Gospel Acclamation, and of the Sequence used in the Roman Liturgy. He writes, “The Hebrew ‘Halleluyah’ (rendered in Latin and Greek as ‘Alleluia’) means praise YHWH (the Hebrew letters for the divine name never pronounced in Judaism out of profound respect for holiness) or ‘Praise the Lord.’” 1 In addition, Johnson comments that, “the only occurrence of the Alleluia in the New Testament appears in the book of Revelation (19:1-9 where it forms part of the victory hymn sung by the redeemed in heaven.” 2 The author of the Book of Revelation writes, After this I heard what sounded like the loud voice of a great multitude in heaven, saying: “Alleluia! Salvation, glory, and might belong to our God, for true and just are his judgments. He has condemned the great harlot who corrupted the earth with her harlotry. He has avenged on her the blood of his servants.” They said a second time: “Alleluia! Smoke will rise from her forever and ever.” The twenty-four elders and the four living creatures fell down and worshiped God who sat on the throne, saying, “Amen. Alleluia.” A voice coming from the throne said: “Praise our God, all you his servants, [and] you who revere him, small and great.” Then I heard something like the sound of a great multitude or the sound of rushing water or mighty peals of thunder, as they said: “Alleluia! The Lord has established his reign, [our] God, the almighty. -
Liturgical Calendar 2007 for the Dioceses of the United States of America
LITURGICAL CALENDAR 2007 FOR THE DIOCESES OF THE UNITED STATES OF AMERICA Committee on the Liturgy United States Conference of Catholic Bishops 2 © 2006 United States Conference of Catholic Bishops 2 3 Introduction Each year the Secretariat for the Liturgy of the United States Conference of Catholic Bishops publishes the Liturgical Calendar for the Dioceses of the United States of America. This calendar is used by authors of ordines and other liturgical aids published to foster the celebration of the liturgy in our country. The calendar is based upon the General Roman Calendar, promulgated by Pope Paul VI on February 14, 1969, subsequently amended by Pope John Paul II, and the Particular Calendar for the Dioceses of the United States of America, approved by the National Conference of Catholic Bishops.1 The General Instruction of the Roman Missal, 2002, reminds us that in the cycles of readings and prayers proclaimed throughout the year in the sacred liturgy “the mysteries of redemption are recalled in the Mass in such a way that they are in some way made present.” Thus may each celebration of the Holy Eucharist which is served by this calendar be for the Church in all the dioceses of the United States of America “ the high point of the action by which God sanctifies the world in Christ and of the worship that the human race offers to the Father, adoring him through Christ, the Son of God, in the Holy Spirit.”2 Monsignor James P. Moroney Executive Director USCCB Secretariat for the Liturgy 1 For the significance of the several grades or kinds of celebrations, the norms of the Roman Calendar should be consulted (cf. -
Easter Vigil
THE GREAT VIGIL OF EASTER LITURGICAL NOTES Because this liturgy is celebrated only once a year, and because it is unlike any other, it requires careful preparation. This will include not only the necessary liturgical items (fire, Paschal candle, candles, water, oil, etc.) but also of services sheets, music and so on. It is recommended that the service sheets for the people be as simple as possible. It might include music, hymnody and the like, when they occur within the liturgy, rather than moving from one book(let) to another. Ministers and servers should rehearse, as should readers and musicians, especially as lighting for the first half of the liturgy will be very different from normal. The book for the presider needs to be prepared well in advance, and it is advisable for it to contain only the liturgical texts needed for this particular celebration. The liturgical colour is white or gold. Order of the Vigil The Great Vigil consists of four parts: the Service of Light; the Ministry of the Word; the Ministry of Baptism, Confirmation, Reception and Renewal, together with renewal of Baptismal promises; and the celebration of the Easter Eucharist. Over the centuries these elements have been arranged in various ways. The order as provided here is the most common, although it is often used with the Ministry of the Word and the Service of Light reversed. To begin with the Ministry of the Word suggests that the readings from the Hebrew (Old) Testament are preparatory to the presence of Christ. To begin with the Service of light suggests that all we do is seen in the light of the presence of the risen Christ. -
Rachmaninoff's Vespers (All-Night Vigil)”-- Robert Shaw Festival Singers (1990) Added to the National Registry: 2016 Essay by Joseph Swain (Guest Post)*
“Rachmaninoff's Vespers (All-Night Vigil)”-- Robert Shaw Festival Singers (1990) Added to the National Registry: 2016 Essay by Joseph Swain (guest post)* Robert Shaw Sergei Rachmaninoff “In Robert Shaw I have at last found the maestro I have been looking for,” said Arturo Toscanini, and so nominated the most influential American choral conductor of the latter half of the 20th century. Shaw, who lived from April 30, 1916 to January 25, 1999, first made his mark by founding an interracial chorus called the Collegiate Chorale in 1941, which joined with Toscanini to perform Beethoven’s Ninth Symphony in 1948. That same year, he founded the Robert Shaw Chorale, chosen by the US State Department in 1964 for a good will tour of 15 countries. Best known in recent times is his leadership of the Atlanta Symphony Orchestra from 1967 to 1988 and his founding of the Atlanta Symphony Orchestra Chorus in 1970. Together, the two ensembles made Shaw’s most signal recordings of great works in the choral repertory. Upon his retirement in 1988, Shaw wished to continue to advance choral singing in America, and so founded the Robert Shaw Choral Institute. Although home was in Columbus, Ohio, the Institute sponsored a three-week summer festival in Quercy, France, for experienced American choral singers, teachers, and directors. The competition for admission was severe, not only because the Institute provided all expenses for participants, but because participation meant an intense choral tutorial with Robert Shaw. Great churches in southwestern France provided concert venues, and this recording of the Rachmaninoff “Vespers (All-Night Vigil)” is the fruit of the 1989 festival. -
Pentecost Vigil Mass
Pentecost Vigil Mass Note: Where a Scripture text is underlined in the body of this discussion, it is recommended that the reader look up and read that passage. Introduction On Pentecost we celebrate the birth of the Church founded by Jesus the Christ on Peter, the Rock. Pentecost means “50th day” and the celebration was one of the mandatory feast days of the Old Testament for which all Jewish males over the age of 12 were expected to journey to Jerusalem and the Temple. It was on this day, 50 days from the Last Supper, that the Holy Spirit came to the disciples in the Upper Room; having returned there after the Ascension and busying themselves in prayer (the first novena) and choosing the successor of Judas: Matthias. There are four readings to choose from for the first reading of this Mass, all are discussed here. 1st Reading (1) - Genesis 11:1-9 This reading takes place after the great flood. Noah’s sons have gone their separate ways to settle the world: Japheth, the Indo-Europeans; Ham, the Egyptians and Africans; and Shem, the Orientals and Jews. Shem was blessed by Noah in Genesis 9:26 as the firstborn son. It is from Shem that the Jews are descended; the Shemites (Semites). 11:1 The whole world spoke the same language, using the same words. 2 While men were migrating in the east, they came upon a valley in the land of Shinar and settled there. The people are Hamites. Genesis 10:10 tells us that the sons of Ham settled in Shinar. -
The Book of Common Prayer
The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People -
A BRIEF GUIDE to the LITURGY of the HOURS (For Private/Individual Recitation) Taken in Part From
A BRIEF GUIDE TO THE LITURGY OF THE HOURS (For Private/Individual Recitation) taken in part from http://www.cis.upenn.edu/~dchiang/catholic/hours.html Names: LOH, Divine Office, “The Office,” “The Breviary” Brief History Jewish practice: • Ps. 119:164: "Seven times a day I praise you" • perhaps originating in the Babylonian Exile (6th cent. BC): “sacrifice of praise.” • Perhaps older: synagogues • Temple use after the Exile: o Morning and Evening Prayer and at the Third, Sixth and Ninth Hours Early Christians continued • Acts 3: 1 Now Peter and John were going up to the temple at the hour of prayer, the ninth hour. • Acts 10:9: The next day, as they were on their journey and coming near the city, Peter went up on the housetop to pray, about the sixth hour. Mass of the Catechumens Monastic Use Current Canonical Use: clerics, religious and laity Liturgical nature: • “why”: the prayer of the Church • “norm”: public recitation, with rubrics, etc. o chanted Instructions: • General Instruction of the Liturgy of the Hours • Rubrics • “Saint Joseph Guide for the Liturgy of the Hours” Sources used to pray the liturgy of the hours, either: • the 4 volume “Liturgy of the Hours” (“Breviary”) • the 1 volume “Christian Prayer”: there are various versions of this. • various “apps” for smartphones and websites as well (e.g.: http://divineoffice.org/. 1 When: The “Hours” (Note: each is also called an “office”, that is “duty”) There are seven “hours”—or each day: 1. Office of Readings [OR] or “Matins”: can be any time of day, but traditionally first 2. -
The Weekly: What Is a Sequence Hymn?, Stewardship, and More!
The Weekly: What is a Sequence Hymn?, Stewardship, and more! https://mail.aol.com/webmail-std/en-us/PrintMessage From: Immanuel on the Green <[email protected]> To: jmea55 <[email protected]> Subject: The Weekly: What is a Sequence Hymn?, Stewardship, and more! Date: Fri, Sep 27, 2019 7:30 pm The Choir School of Delaware The Weekly: 27th September 2019 LITURGY AND MUSIC NOTES Monthly Choral Evensong at Immanuel the second Sunday of each month begins in two weeks, on October 13th at 4pm. As always, the brief 45-minute service will be followed by an informal but elegant reception in the Academy. This year our monthly Evensong series will be launched with special guests, our friends from The Choir School of Delaware under the direction of Arreon Harley-Emerson. (The Choir School of Delaware offers professional-level musical training, leadership and language skills, academic support, and mentoring to youth in the greater Wilmington area.) Choral Evensong is the service of evening prayer derived from the ancient ofices of Vespers and Compline, and sung at the close of day in cathedrals and churches throughout the world. Choral Evensong is one of Anglicanism’s greatest contributions to the world's cultural and religious heritage. As the choir sings the traditional evening prayers that the Church has offered for centuries, the congregation listens and adds their own prayers to those of the choir. In the candlelit quiet of a peaceful sanctuary, Evensong is a rare opportunity for 1 of 12 9/29/2019, 1:57 PM The Weekly: What is a Sequence Hymn?, Stewardship, and more! https://mail.aol.com/webmail-std/en-us/PrintMessage meditation and personal renewal before returning to our busy lives. -
Issue 21 - June 2019
ARCHDIOCESE OF PORTLAND IN OREGON Divine Worship Newsletter Corpus Christi Procession, Bolsena Italy ISSUE 21 - JUNE 2019 Welcome to the twenty first Monthly Newsletter of the Office of Divine Worship of the Archdiocese of Portland in Oregon. We hope to provide news with regard to liturgical topics and events of interest to those in the Archdiocese who have a pastoral role that involves the Sacred Liturgy. The hope is that the priests of the Archdiocese will take a glance at this newsletter and share it with those in their parishes that are involved or interested in the Sacred Liturgy. This Newsletter is now available through Apple Books and always available in pdf format on the Archdiocesan website. It will also be included in the weekly priests’ mailing. If you would like to be emailed a copy of this newsletter as soon as it is published please send your email address to Anne Marie Van Dyke at [email protected]. Just put DWNL in the subject field and we will add you to the mailing list. All past issues of the DWNL are available on the Divine Worship Webpage and from Apple Books. The answer to last month’s competition was St. Paul outside the Walls in Rome - the first correct answer was submitted by Sr. Esther Mary Nickel, RSM of Saginaw, MI. If you have a topic that you would like to see explained or addressed in this newsletter please feel free to email this office and we will try to answer your questions and treat topics that interest you and perhaps others who are concerned with Sacred Liturgy in the Archdiocese. -
A Guide to Verdi's Requiem
A Guide to Verdi’s Requiem Created by Dr. Mary Jane Ayers You may have heard that over the last 29 years, texts of the mass. The purpose of the requiem the Sarasota Opera produced ALL of the mass is to ask God to give rest to the souls of operatic works of composer Guiseppi Verdi, the dead. The title “requiem” comes from the including some extremely famous ones, Aida, first word of the Latin phrase, Requiem Otello, and Falstaff. But Verdi, an amazing aeternam dona eis, Domine, (pronounced: reh- opera composer, is also responsible for the qui-em ay-tare-nahm doh-nah ay-ees, daw- creation of one of the most often performed mee-nay) which translates, Rest eternal grant religious works ever written, the Verdi them, Lord. Requiem. Like many of his operas, Verdi’s Requiem is written for a massive group of performers, including a double chorus, large orchestra, and four soloists: a soprano, a mezzo-soprano (a medium high female voice), a tenor, and a bass. Gregorian chant version of the beginning of a The solos written for the Requiem require Requiem, composed 10th century singers with rich, full, ‘operatic’ voices. So what is a requiem, and why would Verdi So why did Verdi decide to write a requiem choose to compose one? mass? In 1869, Verdi lost his friend, the great composer Giacomo Rossini. Verdi worked with other composers to cobble together a requiem with each composer writing a different section of the mass, but that did not work out. Four years later another friend died, and Verdi decided to keep what he had already composed and complete the rest of the entire requiem. -
2021 LITURGICAL NOTES for the DIOCESE of HONOLULU - (Year B, Sundays; Year I, Weekdays)
Office of Worship Diocese of Honolulu Memorandum TO: All Clergy, Religious Communities, and Parishes FROM: Deacon Modesto Cordero, Director Office of Worship DATE: October 23, 2020 RE: 2021 LITURGICAL NOTES FOR THE DIOCESE OF HONOLULU - (Year B, Sundays; Year I, Weekdays) Miscellaneous Notes 1. As a reminder in our diocese the Holydays of Obligation are two: the Solemnity of the Immaculate Conception (December 8, the Patroness of the USA); and Christmas (December 25). The faithful are encouraged to attend Mass on the other holydays of obligation celebrated in the United States of America. Pastors are therefore asked to provide practical opportunities for more people to attend Mass on these days by celebrating a Vigil Mass (when permitted) or an extra Mass or two at hours convenient for the faithful. 2. The 2021 liturgical year begins on the First Sunday of Advent, November 29, 2020. 3. Anniversary of the Dedication of the Parish Church – This date should be celebrated as a Solemnity by the parish, unless impeded by a day of higher rank. (The Order of the Dedication of a Church and an Altar, Chapter II, para #27 and General Norms for the Liturgical Year and the Calendar, para # [R10]). 4. Memorial of the Patron(s) of the Parish – This date should be celebrated as a Solemnity by the parish, unless impeded by a day of higher rank. (Universal Norms on the Liturgical Year and the General Roman Calendar (by Pope Paul VI in 1969) para # 59 (Table of Liturgical Days) I, #4a.) 5. The celebration of the Solemnity of the Ascension of the Lord in our diocese is transferred to Sunday, May 16, 2021. -
Christ Is Risen! Most Rev
Members Most Rev. Wilton D. Gregory, Chair Volume LIV April 2018 Archbishop of Atlanta Most Rev. David A. Zubik Bishop of Pittsburgh Most Rev. Daniel E. Thomas Bishop of Toledo Christ is Risen! Most Rev. Mark J. Seitz Bishop of El Paso He is Truly Risen! Most Rev. Christopher J. Coyne Bishop of Burlington Most Rev. Joseph M. Siegel Alleluia! Bishop of Evansville Most Rev. Andrzej J. Zglejszewski Auxiliary Bishop of Rockville Centre Happy Easter from the Most Rev. Daniel E. Garcia Auxiliary Bishop of Austin Committee Consultants on Divine Worship Right Rev. Gregory J. Polan, OSB and the Secretariat of Abbot Primate of the Benedictine Confederation Divine Worship Right Rev. Jeremy Driscoll, OSB Abbot of Mount Angel Abbey Rev. Msgr. Kevin W. Irwin Rev. Jan Michael Joncas Rev. Thomas C. Ranzino Rev. Juan J. Sosa April 2018 Meeting of National Liturgy Secretaries Sr. Janet Baxendale, SC Mrs. Rita A. Thiron The International Commission on English in the Liturgy (ICEL) hosted a meeting of Secretariat liturgy representatives from its member Conferences of Bishops from April 9-11, 2018 Rev. Andrew Menke Executive Director at its headquarters in Washington, DC, the first such gathering since February 2013. Rev. Randy L. Stice Delegates from seven of ICEL’s eleven full-member Conferences attended, and the Associate Director meeting was a welcome opportunity to share information and to join together in prayer. Ms. Carmen F. Aguinaco Multicultural Specialist Mr. Matthew M. Godbey Rev. Paul Turner of the Diocese of Kansas City-St. Joseph, who serves as a facilitator Administrative Assistant for ICEL’s translation work, began the meeting with a presentation on the rituals of Mr.