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NAME Marco Perella ACTORS CLEARINGHOUSE Film

NAME Marco Perella ACTORS CLEARINGHOUSE HEIGHT 5”11 HAIR Brn/Slvr 501 NORTH IH 35 - AUSTIN, TEXAS 78702 WEIGHT 180 EYES Blue (512) 476-3412 - TX. LIC. #126 Film & Television Production / Title / Client Role / Character Director / Network Boyhood Richard Linklater My All American A. Pizzo The Teller and the Truth A. Shapter The Devil’s Candy Sean Byrne Infamous Douglas McGrath Sin City R.Rodriguez/Miller A Scanner Darkly Richard Linklater Fast Food Nation Richard Linklater Friday Night Lights Peter Berg Life of David Gale Alan Parker Miss Congeniality Don Petrie Varsity Blues Brian Robbins Keys to Tulsa Harley Peyton Lone Star John Sayles A Perfect World Clint Eastwood Wendell Baker Story Wilsons Home Fries Dan Parisot JFK Oliver Stone Matt Penn USA/Queen of the South Nicole Kassel ABC/American Crime Nicole Kassel HBO/The Leftovers ABC/In an Instant TNT/Dallas Steve & Michael Robin FOX/Lone Star Peter Horton NBC/Friday Night Lights CBS/Walker: TX Ranger 5 guest stars/rec. role PBS/Wishbone Guest Star Ken Harrison CBS/ Dangerous Curves 2 Guest Stars M. Preece Strong Room Zurich German NBC/Friday Night Lights Series Beyond the Prairie Marcus Cole Picnic Ivan Passar Tuskegee Airmen Bob Markowitz Shadow of Desire S. Pillsbury Starkweather Bob Markowitz In Broad Daylight James Sadwith Plus +50 more… Commercials-200+ vo and voc TV and radio…national credits Theatre (over 30 professional prods. including…) Production / Title / Client Role / Character Director / Agency The Woolgatherer Streetcar… Xmas Carol A Ride with Bob Prem, tour, Kennedy Center West Side Story 3 Penny Opera Guys and Dolls Godspell Fantastiks Shear Madness Tarot for The New Age 1 man show/author and actor In the West Co auth/act/co-dir Jack and Jill Rounding Home Prem,dir,act SPECIAL ABILITIES MC: Conventions, narrator, entertainer, writer (Austin Symphony, Nat. Lutheran Convention, IBM, Time Warner, etc) Dance: Partner dancing, Music Videos for Stevie Ray Vaughn and others (choreog.) Music: Singer (tenor), Dulcimer, Vibes, Conga, Songwriter Comedy: Writer (published), comedy acts, Accents, Children Shows Sports: Baseball, Basketball, Golf, Squash, Tennis Audio and teleprompter proficiency.

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A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture
Cinema of the Self: A Theory of Cinematic Selfhood & Practices of Neoliberal Portraiture Milosz Paul Rosinski Trinity Hall, University of Cambridge June 2017 This dissertation is submitted for the degree of Doctor of Philosophy Declaration This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. The dissertation is formatted in accordance to the Modern Humanities Research Association (MHRA) style. This dissertation does not exceed the word limit of 80,000 words (as specified by the Modern and Medieval Languages Degree Committee). Summary This thesis examines the philosophical notion of selfhood in visual representation. I introduce the self as a modern and postmodern concept and argue that there is a loss of selfhood in contemporary culture. Via Jacques Derrida, Jean-Luc Nancy, Gerhard Richter and the method of deconstruction of language, I theorise selfhood through the figurative and literal analysis of duration, the frame, and the mirror.
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Fandango Portobello
PRESENTS BOYHOOD A FILM BY RICHARD LINKLATER FILM FESTIVALS 2014 SUNDANCE FILM FESTIVAL 2014 BERLIN INTERNATIONAL FILM FESTIVAL 2014 SXSW FILM FESTIVAL 164 MIN / U.S.A. / COLOUR / 2014 / ENGLISH / SPANISH Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html SYNOPSIS Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. It's impossible not to watch Mason and his family without thinking about our own journey. ABOUT THE FILM “Time is a river which sweeps me along, but I am the river.” -- Jorge Luis Borges Richard Linklater’s BOYHOOD -- a fictional drama made with the same group of actors over a 12-year period -- takes a one-of-a-kind trip, at once epic and intimate, through the exhilaration of childhood, the seismic shifts of a modern family and the very passage of time.
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in collaborazione con: Scheda n. Cinema Sociale Società Operaia di Mutuo Soccorso 9 (95 ) Gioved% PIEMONTE AL CINEMA - IL CINEMA DIFFUSO 3 dicembre 2015 www.cineforumomegna.it promosso da Regione Piemonte, AIACE, AGIS B di Richard Linklater Regia e sceneggiatura: Richard Linklater. Fotografia: Lee Daniel, Shane F. Kelly. Montaggio: San- dra Adair. Scenografia: Rodney Becker, Gay Studebaker. Interpreti: Patricia Arquette (Olivia), Ethan Hawke (Mason sr), Eller Coltrane (Mason), Lorelei Linklater (Samantha), Marco Perella (il professor Bill Wellbrock), Evie Louise Thompson (Jill), Brad Hawkins (Jim), Jenni Tooley (Annie), EliJah Smith (Tommy), Steven Prince (Ted). Produzione: IPC Productions/Detour Filmproduction. Distribuzione: Universal. Durata: 165’. Origine: Usa, 2014. R L Nato a Houston, Texas, nel 1960, Richard Linklater si è guadagnato un posto speciale tra i migliori registi, ancora giovani, del cinema statunitense. E que- sto posto se l’è guadagnato lavorando nel cinema indipendente, lontano dai grandi studi. Dopo aver abbando- nato il college per andare a lavorare su una piattaforma petrolifera nel golfo del Messico, Linklater torna a Austin e fonda la Austin Film Society, con la quale produce il suo primo corto It’s impossibile to learn to plow by reading books (È impossibile imparare ad arare leggendo libri, 1987). Linklater impara il cinema da auto- didatta e questo gli dà una originalità tutta sua, lontana dalla produzione hollywoodiana. Il primo lungome- traggio è Slacker , girato con 23 mila dollari, nel 1991. La vita è sogno (1993) segue i teenager degli anni ’70. Il film che imprime una svolta nella sua carriera è Prima dell’alba (1995) con Ethan Hawke e Julie Delpy, due studenti che si incontrano casualmente su un treno che va a Vienna.
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Le Temps Disparu / Boyhood De Richard Linklater]
Document generated on 09/30/2021 9:19 p.m. 24 images Le temps disparu Boyhood de Richard Linklater Bruno Dequen Spectres et fantômes Number 168, September 2014 URI: https://id.erudit.org/iderudit/72536ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Dequen, B. (2014). Review of [Le temps disparu / Boyhood de Richard Linklater]. 24 images, (168), 63–64. Tous droits réservés © 24/30 I/S, 2014 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Hannah ArendtBoyhood de Margarethe de Richard von Linklater Trotta Le temps disparu par Bruno Dequen « Les films sont plus harmonieux que la vie, Alphonse. Il n’y a pas d’embouteillages dans les films, il n’y a pas de temps morts. Les films avancent comme des trains, tu comprends ? » Ferrand/François Truffaut dans La nuit américaine oyhood s’ouvre et se clôt sur deux même préoccupation envers la représentation Linklater), Boyhood demeure le premier film plans presque identiques. Dans le du temps au cinéma. Pour eux, le cinéma à être conçu selon une double contrainte : B premier, Mason (Ellar Coltrane), un possède une capacité fascinante à capturer la fréquence régulière des tournages, à jeune garçon au visage doux et songeur de le mouvement perpétuel du temps.
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Le Temps Disparu / Boyhood De Richard Linklater]
Document generated on 10/01/2021 11:36 a.m. 24 images Le temps disparu Boyhood de Richard Linklater Bruno Dequen Spectres et fantômes Number 168, September 2014 URI: https://id.erudit.org/iderudit/72536ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Dequen, B. (2014). Review of [Le temps disparu / Boyhood de Richard Linklater]. 24 images, (168), 63–64. Tous droits réservés © 24/30 I/S, 2014 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Hannah ArendtBoyhood de Margarethe de Richard von Linklater Trotta Le temps disparu par Bruno Dequen « Les films sont plus harmonieux que la vie, Alphonse. Il n’y a pas d’embouteillages dans les films, il n’y a pas de temps morts. Les films avancent comme des trains, tu comprends ? » Ferrand/François Truffaut dans La nuit américaine oyhood s’ouvre et se clôt sur deux même préoccupation envers la représentation Linklater), Boyhood demeure le premier film plans presque identiques. Dans le du temps au cinéma. Pour eux, le cinéma à être conçu selon une double contrainte : B premier, Mason (Ellar Coltrane), un possède une capacité fascinante à capturer la fréquence régulière des tournages, à jeune garçon au visage doux et songeur de le mouvement perpétuel du temps.
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