Thirty Years of Chinese Reforms: a Historical Perspective
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Theatre Review
V2-TheatreRev_OPUS_7_1.qxp copy.qxp 03/04/2019 16:02 Page 136 THEATRE REVIEW Chimerica by Lucy Kirkwood, first performed at the Almeda Theatre, London, 20 May, 2013; transferred to Harold Pinter Theatre, London, 6 August, 2013. Revived at Studio Theater, Washington DC, September/October, 2015 Reviewed by David Scharff* “In ancient Greek myth, a ‘chimera’ was a fire-breathing monster with a lion’s head and a serpent’s tail. In Lucy Kirkwood’s drama, (2013) Chimerica is something bigger and scarier than that. The word was origi- nally coined by historian Niall Ferguson to describe the globally dominant, co-dependent relationship between trigger-happy spendthrift America and control-freak, money-grabbing China” (McGinn, 2013). Chimerica opens with the iconic photograph of Tiananmen Square, 4 June, 1989. We see the “Tank Man” who blocked the advance of a tank towards the protesters, his back to us. A shopping bag in each hand, he faces the tank, which then refuses to run him down. The playwright’s script instructions read, “It is a photograph of one country by another country.” Cultural and political encounter is the theme of the play, played out in the fictional and intensely personal portrait of two denizens of cultures that are in conflict and contrast in so many ways. Joe Schofield, who took the photo as a neophyte news photographer at the age of nineteen, now seeks to find the legendary, if now all but forgotten, “Tank Man” twenty-three years later, just as, in America, Obama seeks re-election against Mitt Romney. In the play, Joe tries to sell his editor a story about investigating whether the tank man is still alive, presumably living now in the US. -
January 14, 1950 Telegram, Mao Zedong to Hu Qiaomu
Digital Archive digitalarchive.wilsoncenter.org International History Declassified January 14, 1950 Telegram, Mao Zedong to Hu Qiaomu Citation: “Telegram, Mao Zedong to Hu Qiaomu,” January 14, 1950, History and Public Policy Program Digital Archive, Zhonggong zhongyang wenxian yanjiushi, ed., Jianguo yilai Mao Zedong wengao (Mao Zedong’s Manuscripts since the Founding of the People’s Republic of China), vol. 1 (Beijing: Zhongyang wenxian chubanshe, 1987), 237; translation from Shuguang Zhang and Jian Chen, eds.,Chinese Communist Foreign Policy and the Cold War in Asia: New Documentary Evidence, 1944-1950 (Chicago: Imprint Publications, 1996), 137. http://digitalarchive.wilsoncenter.org/document/112672 Summary: Mao Zedong gives instructions to Hu Qiaomu on how to write about recent developments within the Japanese Communist Party. Original Language: Chinese Contents: English Translation Scan of Original Document [...] Comrade [Hu] Qiaomu: I shall leave for Leningrad today at 9:00 p.m. and will not be back for three days. I have not yet received the draft of the Renmin ribao ["People's Daily"] editorial and the resolution of the Japanese Communist Party's Politburo. If you prefer to let me read them, I will not be able to give you my response until the 17th. You may prefer to publish the editorial after Comrade [Liu] Shaoqi has read them. Out party should express its opinion by supporting the Cominform bulletin's criticism of Nosaka and addressing our disappointment over the Japanese Communist Party Politburo's failure to accept the criticism. It is hoped that the Japanese Communist Party will take appropriate steps to correct Nosaka's mistakes. -
China's Domestic Politicsand
China’s Domestic Politics and Foreign Policies and Major Countries’ Strategies toward China edited by Jung-Ho Bae and Jae H. Ku China’s Domestic Politics and Foreign Policies and Major Countries’ Strategies toward China 1SJOUFE %FDFNCFS 1VCMJTIFE %FDFNCFS 1VCMJTIFECZ ,PSFB*OTUJUVUFGPS/BUJPOBM6OJGJDBUJPO ,*/6 1VCMJTIFS 1SFTJEFOUPG,*/6 &EJUFECZ $FOUFSGPS6OJGJDBUJPO1PMJDZ4UVEJFT ,*/6 3FHJTUSBUJPO/VNCFS /P "EESFTT SP 4VZVEPOH (BOHCVLHV 4FPVM 5FMFQIPOF 'BY )PNFQBHF IUUQXXXLJOVPSLS %FTJHOBOE1SJOU )ZVOEBJ"SUDPN$P -UE $PQZSJHIU ,*/6 *4#/ 1SJDF G "MM,*/6QVCMJDBUJPOTBSFBWBJMBCMFGPSQVSDIBTFBUBMMNBKPS CPPLTUPSFTJO,PSFB "MTPBWBJMBCMFBU(PWFSONFOU1SJOUJOH0GGJDF4BMFT$FOUFS4UPSF 0GGJDF China’s Domestic Politics and Foreign Policies and Major Countries’ Strategies toward China �G 1SFGBDF Jung-Ho Bae (Director of the Center for Unification Policy Studies at Korea Institute for National Unification) �G *OUSPEVDUJPO 1 Turning Points for China and the Korean Peninsula Jung-Ho Bae and Dongsoo Kim (Korea Institute for National Unification) �G 1BSUEvaluation of China’s Domestic Politics and Leadership $IBQUFS 19 A Chinese Model for National Development Yong Shik Choo (Chung-Ang University) $IBQUFS 55 Leadership Transition in China - from Strongman Politics to Incremental Institutionalization Yi Edward Yang (James Madison University) $IBQUFS 81 Actors and Factors - China’s Challenges in the Crucial Next Five Years Christopher M. Clarke (U.S. State Department’s Bureau of Intelligence and Research-INR) China’s Domestic Politics and Foreign Policies -
China Ranks Number One Or Does It? Should We Care?
China Ranks Number One or Does It? Should We Care? Povolny Lecture Series in International Studies, Lawrence University February 19, 2015 Merton D. Finkler, Ph.D. In my talk, I address the five questions: 1. What does China Ranked #1 mean? 2. Is being #1 part of the “China Dream?” 3. Will China’s economy dominate the 21st century? 4. Does economic dominance matter? 5. How should the US and the rest of the world respond to China’s rising economic power? In October 2014, the International Monetary published a report indicating that in purchasing power parity terms, China had passed the United States as the world’s largest economy. The British weekly the Economist put this observation in historical perspective by showing that China ranked as the world’s largest economy for all but the last two hundred years. http://www.economist.com/news/finance-and-economics/21623758-chinas-back Purchasing Power Parity (PPP) calculations recognize that income when translated into a common currency buys different amounts of goods in different countries based on the prices local residents pay for these goods. Thus, PPP can be useful for portraying income per capita across countries to measure how people’s living standards vary across countries. Such calculations, of course, require a variety of assumptions regarding which goods and services to include and at what prices. Such details won’t be my focus today because, in GDP per capita terms, China is a middle income country at roughly $7,000 per capita versus $52,000 in the US. When adjusted for purchasing power, China’s income per capita rises to about $12,000 roughly the same level as Columbia, the Dominican Republic, and Jordan. -
Mao Zedong in Contemporarychinese Official Discourse Andhistory
China Perspectives 2012/2 | 2012 Mao Today: A Political Icon for an Age of Prosperity Mao Zedong in ContemporaryChinese Official Discourse andHistory Arif Dirlik Electronic version URL: http://journals.openedition.org/chinaperspectives/5852 DOI: 10.4000/chinaperspectives.5852 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 4 June 2012 Number of pages: 17-27 ISSN: 2070-3449 Electronic reference Arif Dirlik, « Mao Zedong in ContemporaryChinese Official Discourse andHistory », China Perspectives [Online], 2012/2 | 2012, Online since 30 June 2015, connection on 28 October 2019. URL : http:// journals.openedition.org/chinaperspectives/5852 ; DOI : 10.4000/chinaperspectives.5852 © All rights reserved Special feature China perspectives Mao Zedong in Contemporary Chinese Official Discourse and History ARIF DIRLIK (1) ABSTRACT: Rather than repudiate Mao’s legacy, the post-revolutionary regime in China has sought to recruit him in support of “reform and opening.” Beginning with Deng Xiaoping after 1978, official (2) historiography has drawn a distinction between Mao the Cultural Revolutionary and Mao the architect of “Chinese Marxism” – a Marxism that integrates theory with the circumstances of Chinese society. The essence of the latter is encapsulated in “Mao Zedong Thought,” which is viewed as an expression not just of Mao the individual but of the collective leadership of the Party. In most recent representations, “Chinese Marxism” is viewed as having developed in two phases: New Democracy, which brought the Communist Party to power in 1949, and “socialism with Chinese characteristics,” inaugurated under Deng Xiaoping and developed under his successors, and which represents a further development of Mao Zedong Thought. -
Post-Cold War Experimental Theatre of China: Staging Globalisation and Its Resistance
Post-Cold War Experimental Theatre of China: Staging Globalisation and Its Resistance Zheyu Wei A thesis submitted for the degree of Doctor of Philosophy The School of Creative Arts The University of Dublin, Trinity College 2017 Declaration I declare that this thesis has not been submitted as an exercise for a degree at this or any other university and it is my own work. I agree to deposit this thesis in the University’s open access institutional repository or allow the library to do so on my behalf, subject to Irish Copyright Legislation and Trinity College Library Conditions of use and acknowledgement. ___________________ Zheyu Wei ii Summary This thesis is a study of Chinese experimental theatre from the year 1990 to the year 2014, to examine the involvement of Chinese theatre in the process of globalisation – the increasingly intensified relationship between places that are far away from one another but that are connected by the movement of flows on a global scale and the consciousness of the world as a whole. The central argument of this thesis is that Chinese post-Cold War experimental theatre has been greatly influenced by the trend of globalisation. This dissertation discusses the work of a number of representative figures in the “Little Theatre Movement” in mainland China since the 1980s, e.g. Lin Zhaohua, Meng Jinghui, Zhang Xian, etc., whose theatrical experiments have had a strong impact on the development of contemporary Chinese theatre, and inspired a younger generation of theatre practitioners. Through both close reading of literary and visual texts, and the inspection of secondary texts such as interviews and commentaries, an overview of performances mirroring the age-old Chinese culture’s struggle under the unprecedented modernising and globalising pressure in the post-Cold War period will be provided. -
Geo-Economics with Chinese Characteristics: How China’S Economic Might Is Reshaping World Politics
Regional Agenda Geo-economics with Chinese Characteristics: How China’s economic might is reshaping world politics January 2016 Geo-economics with Chinese Characteristics: How China’s economic might is reshaping world politics 1. Introduction Mark Leonard 2. China’s geo-economic power Wu Xinbo 3. China’s medium-term outlook: 2016-2020 Bert Hofman 4. The Geo-economic implications of China’s changing growth strategy Douglas Rediker, Elizabeth Economy, and Michael Levi 5. China’s infrastructure alliances Parag Khanna 6. China in Eurasia Sergei Guriev 7. China’s geo-economic power and the USA Ian Bremmer 8. China’s geo-economic role in South Asia Hina Rabbani Khar 9. China’s geo-economic role in Latin America Evan Ellis 10. China’s geo-economic policy in the Middle East Mahmood Sariolghalam 11. China’s geo-economic Power: Africa’s case Linah Mohohlo 12. China’s geo-economics in Europe Mark Leonard, Angela Stanzel & Agatha Kratz 13. China’s role in Asia-Pacific Kishore Mahbubani The World Economic Forum’s Network of Global Agenda Councils is the foremost interdisciplinary knowledge network dedicated to promoting innovative thinking on critical global issues, regions and industries, and incubating projects, campaigns and events for the public good. The Network convenes the most relevant and knowledgeable thought leaders from academia, government, business and civil society to challenge conventional thinking, develop new insights and create innovative solutions for key global challenges. In a global environment marked by short-term orientation and siloed thinking, the Network fosters interdisciplinary and long-range thinking on the prevailing challenges on the global agenda. -
Political Literature and Public Policy in Post-Mao China
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1989 Political literature and public policy in post-Mao China Steve Gideon The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Gideon, Steve, "Political literature and public policy in post-Mao China" (1989). Graduate Student Theses, Dissertations, & Professional Papers. 3248. https://scholarworks.umt.edu/etd/3248 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUBSISTS, ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR. MANSFIELD LIBRARY UNIVERSITY OF_ MONTANAA DATE : rm POLITICAL LITERATURE AND PUBLIC POLICY IN POST-MAO CHINA By Steve Gideon B.A., University of Montana, 1986 Presented in partial fulfillment of the requirements for the degree of Master of Arts University of Montana 1989 Approved by Chairman, Board of Examiners Jean, Graduate School AJ !5') I j E f Date UMI Number: EP34343 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent on the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. -
A Level Drama and Theatre Studies
A LEVEL DRAMA AND THEATRE STUDIES A LEVEL DRAMA AND THEATRE STUDIES SUMMARY OF ASSESSMENT Component 1: Theatre Workshop Non-exam assessment: Internally assessed, externally moderated - 20% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of a piece of theatre based on a reinterpretation of an extract from a text chosen from a list supplied by WJEC. The piece must be developed using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company. Learners must produce: • a realisation of the performance or design • a creative log Component 2: Text in Action Non-exam assessment: externally assessed by a visiting examiner - 40% of qualification Learners will be assessed on either acting or design. Learners participate in the creation, development and performance of two pieces of theatre based on a stimulus supplied by WJEC: 1. a devised piece using the techniques and working methods of either an influential theatre practitioner or a recognised theatre company (a different practitioner or company to that chosen for Component 1) 2. an extract from a text in a different style chosen by the learner. Learners must realise their performance live for the visiting examiner. Learners choosing design must also give a 5-10 minute presentation of their design to the examiner. Learners produce a process and evaluation report within one week of completion of the practical work. Component 3: Text in Performance Written examination: 2 hours 30 minutes 40% of qualification Sections A and B Open book: Clean copies (no annotation) of the two complete texts chosen must be taken into the examination. -
New Trends in Mao Literature from China
Kölner China-Studien Online Arbeitspapiere zu Politik, Wirtschaft und Gesellschaft Chinas Cologne China Studies Online Working Papers on Chinese Politics, Economy and Society No. 1 / 1995 Thomas Scharping The Man, the Myth, the Message: New Trends in Mao Literature From China Zusammenfassung: Dies ist die erweiterte Fassung eines früher publizierten englischen Aufsatzes. Er untersucht 43 Werke der neueren chinesischen Mao-Literatur aus den frühen 1990er Jahren, die in ihnen enthaltenen Aussagen zur Parteigeschichte und zum Selbstverständnis der heutigen Führung. Neben zahlreichen neuen Informationen über die chinesische Innen- und Außenpolitik, darunter besonders die Kampagnen der Mao-Zeit wie Großer Sprung und Kulturrevolution, vermitteln die Werke wichtige Einblicke in die politische Kultur Chinas. Trotz eindeutigen Versuchen zur Durchsetzung einer einheitlichen nationalen Identität und Geschichtsschreibung bezeugen sie auch die Existenz eines unabhängigen, kritischen Denkens in China. Schlagworte: Mao Zedong, Parteigeschichte, Ideologie, Propaganda, Historiographie, politische Kultur, Großer Sprung, Kulturrevolution Autor: Thomas Scharping ([email protected]) ist Professor für Moderne China-Studien, Lehrstuhl für Neuere Geschichte / Politik, Wirtschaft und Gesellschaft Chinas, an der Universität Köln. Abstract: This is the enlarged version of an English article published before. It analyzes 43 works of the new Chinese Mao literature from the early 1990s, their revelations of Party history and their clues for the self-image of the present leadership. Besides revealing a wealth of new information on Chinese domestic and foreign policy, in particular on the campaigns of the Mao era like the Great Leap and the Cultural Revolution, the works convey important insights into China’s political culture. In spite of the overt attempts at forging a unified national identity and historiography, they also document the existence of independent, critical thought in China. -
Kampen MAO ZEDONG, ZHOU ENLAI and the CHINESE COMMUNIST
Kampen MAO ZEDONG, ZHOU ENLAI AND THE EVOLUTION OF THE CHINESE COMMUNIST LEADERSHIP MAO ZEDONG, ZHOU ENLAI Thomas Kampen MAO ZEDONG, ZHOU ENLAI AND THE CHINESE COMMUNIST LEADERSHIP NIAS AND THE EVOLUTION OF This book analyses the power struggles within the leadership of the Chinese Communist Party between 1931, when several Party leaders left Shanghai and entered the Jiangxi Soviet, and 1945, by which time Mao Zedong, Liu THE CHINESE COMMUNIST Shaoqi and Zhou Enlai had emerged as senior CCP leaders. In 1949 they established the People's Republic of China and ruled it for several decades. LEADERSHIP Based on new Chinese sources, the study challenges long-established views that Mao Zedong became CCP leader during the Long March (1934–35) and that by 1935 the CCP was independent of the Comintern in Moscow. The result is a critique not only of official Chinese historiography but also of Western (especially US) scholarship that all future histories of the CCP and power struggles in the PRC will need to take into account. “Meticulously researched history and a powerful critique of a myth that has remained central to Western and Chinese scholarship for decades. Kampen’s study of the so-called 28 Bolsheviks makes compulsory reading for anyone Thomas Kampen trying to understand Mao’s (and Zhou Enlai’s!) rise to power. A superb example of the kind of revisionist writing that today's new sources make possible, and reminder never to take anything for granted as far as our ‘common knowledge’ about the history of the Chinese Communist Party is concerned.” – Michael Schoenhals, Director, Centre for East and Southeast Asian Studies, Lund University, Sweden “Thomas Kampen has produced a work of exceptional research which, through the skillful use of recently available Chinese sources, questions the accepted wisdom about the history of the leadership of the CCP. -
The China's Rise According to Realist Theories
POWER AND INFLUENCE: IDEATIONAL AND MATERIAL FACTORS IN THE INTERNATIONAL POSTURE OF CHINA RISING AS A GREAT POWER A Thesis submitted to the Faculty of The School of Continuing Studies and of The Graduate School of Arts and Sciences In partial fulfillment of the requirements for the degree of Doctor of Liberal Studies By Massimo Ambrosetti, LLM Georgetown University Washington, D.C. May 1st 2012 ii Copyright 2012 by Massimo Ambrosetti All Rights Reserved iii POWER AND INFLUENCE: IDEATIONAL AND MATERIAL FACTORS IN THE INTERNATIONAL POSTURE OF CHINA RISING AS A GREAT POWER Massimo Ambrosetti LLM DLS Co-Chairs: Francis J. Ambrosio, Ph.D; Michael C. Wall, Ph.D. ABSTRACT The thesis tries to assess the possible “transformative impact” of the rise of China on the international system by analyzing material and ideational elements which shape this process and are reflected in the revisionist and status quo components of the PRC’s international behavior. On the basis of a post-positivist epistemological approach which underscores the necessity of connecting theory to its practical implications - in a logic of hermeneutical rediscovery of the dimension of “phronesis” - the thesis deconstructs neo- realist and neo-liberal paradigms which have examined the rise of China through analytical approaches mainly centered on hegemonic transition and interdependence theories. By arguing that the rise of China is a multifaceted process influenced by domestic and international factors, the thesis analyzes the possible structural transformation of the international system linked to the relative but significant shift of hard and soft power driven not only by the ascendancy of China on the world’s scene but also by other emerging powers.