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The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 61 MAKING LOVE [AT THE DARK END OF THE STREET), Clarence Carter Produced by Rick Hall; written by Chips Moman, Dan Penn, and Clarence Carter Atlantic 2605 1969 Did not make pop chart In Southern soul the goal is to mingle the sexual into the spiritual so thoroughly that they can no longer be distinguished. No one has ever essayed the task more outrageously than Carter does in these four minutes of preaching and thirty seconds of singing. He begins at the beginning: With the birds and the bees, hilariously contrasting the sexual behavior of animals with the less straightforward procreative habits of human beings. "We like to get ourselves 'bout fifty cent worth of gas. And we like to drive waaay down a country road somewhere. Awww, and we like to make love in a car, children " says Carter, his voice rising to shout and then subsiding into one of his patented leering chuckles: "Heh, heh, heh." The music (orchestrated Muscle Shoals soul) swells; clown-time is over. Carter describes the deceptive habits of folks, male and female, who like to "slip around." Piano, horns, and drums practically sob with the resonance of his voice as he intones the final lines of his homily. I have heard Carter's spiel perhaps two hundred times and every time he reaches the climax, the hair on the back of my neck begins to tickle and goose bumps break out. It's not what he says so much as how. "Well, I tell ya, it makes no difference if you came from the city. -
"Butch" Wheeler Stephen Lowe Olivet Nazarene University, [email protected]
Olivet Nazarene University Digital Commons @ Olivet Faculty Scholarship – History History 2004 Howard "Butch" Wheeler Stephen Lowe Olivet Nazarene University, [email protected] Follow this and additional works at: https://digitalcommons.olivet.edu/hist_facp Part of the American Popular Culture Commons Recommended Citation Lowe, Stephen, "Howard "Butch" Wheeler" (2004). Faculty Scholarship – History. 12. https://digitalcommons.olivet.edu/hist_facp/12 This Article is brought to you for free and open access by the History at Digital Commons @ Olivet. It has been accepted for inclusion in Faculty Scholarship – History by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. Wheeler, Howard “Butch.” (8 April 1911, Atlanta, Georgia–25 April 1968, Philadelphia, Pennsylvania). Having completed just elementary school, Wheeler entered the world of golf as a caddie in Atlanta. He carried clubs for Robert Tyre “Bobby” Jones at Brookhaven Country Club and eventually rose to caddie master at the East Lake Golf Club before joining the black professional circuit as a touring professional. Wheeler possessed a tall, lean frame and skillfully used it to become one of the longest hitters of the golf ball ever. He claimed his first tournament victory in the 1931 Atlanta Open. Two years later, Wheeler won his first United Golf Association national championship. Throughout his long career, Wheeler added five more UGA national titles; he won for the second time in 1938, then captured three in a row from 1946-1948, and finally won again in 1958. In the midst of those national title victories, Wheeler also collected his share of minor events, such as the 1951 Joe Louis Invitational. -
June 2020 Newsletter
President's Message They say that this is the new normal and I can’t say that I like it but it seems like things have started to improve over the way that they were. People are able to get out and about a little easier and we are now starting to plan for upcoming golf tournaments! The course is in the best condition that it has ever been and kudos go out to our maintenance staff and Superintendent. The weekends are very busy and the new tee time format seems to be working out just fine, I have heard nothing but compliments from all of our members. I just want to remind everyone that we still have to follow the social distancing rules both on and off the course. Even though we are now in Phase 2 and will soon be in Phase 3, we can’t let our guard down or we could suffer setbacks in the spread of the virus. As always, if you want to reach me to discuss anything, please send me an email at roger.laime@aecom or call me on my cell phone at 518-772-7754. Please be considerate of others, be safe and think warm weather. Roger Laime Treasurer’s Report June 15th, 2020 I want all of our members to be aware, especially our newer members that you will see a bunker renovation fee on your July invoice. This is our final year of our 5 year bunker renovation project as Steve and his staff have recently completed #13. The fee will be 3% of dues for your membership category. -
A.J. Croce Croce Plays Croce Thursday, February 6, 2020; 7:30 Pm
A.J. Croce Croce Plays Croce Thursday, February 6, 2020; 7:30 pm BIO Listen to A.J. Croce’s albums and it’s clear that he holds an abiding love for all kinds of music – Blues, Soul, Pop, Jazz, and Rock n’ Roll. It is readily apparent too that people love Croce’s diverse approach to music. His nine albums have all charted, and done so on an impressive array of charts: Top 40, Blues, Americana, Jazz, Independent, College, and Radio 1, to name a few. The Nashville-based singer/ songwriter also has landed 18 singles on variety of Top 20 charts. A virtuoso piano player, Croce toured with B.B. King and Ray Charles before reaching the age of 21, and, over his career, he has performed with a wide range of musicians, Photo: Joshua Black Wilkins from Willie Nelson to the Neville Brothers; Bela Fleck to Ry Cooder. A.J. has also co-written songs with such formidable A.J. Croce performs Croce Plays Croce, a special night of tunesmiths as Leon Russell, Dan Penn, Robert Earl Keen music featuring a complete set of classics by his late and multi-Grammy winner Gary Nicholson. father Jim Croce, some of his own tunes, and songs that influenced both him and his father. This special event The late, great New Orleans piano man, and Croce hero, features such timeless songs as “Operator,” “You Don’t Allen Toussaint might have described A.J. most succinctly Mess Around with Jim,” “Time in a Bottle,” (a song written for when he proclaimed: “In such a crowded music universe A.J.), “Rapid Roy," (The Stock Car Boy), and “Lovers Cross," it is a pleasure to witness triple uniqueness: pianist, to name a few. -
Pallbearers (Dan Penn)
Mark V, Dan Penn & The Pallbearers/Muscle Shoals, Alabama Band Directories Copyright 2004 How would like to have had the Mark V or its sucessor, Dan Penn & The Pallbearers play for your fraternity some Saturday night in the 60s. If Dan Penn's Pallbearers played for your gig, they may have arrived in a hearse. Otherwise, members of one of the two groups may have been back in Muscle Shoals at Fame Studios providing the backing, producing, or engineering for some of the greatest hits of T he Heeey Baby Days of Beach Music. See the Del-Rays for a similar effect. Brief Description Hear Dan Penn on the Soundtrack to The Heeey Baby Days of Beach Music Year Established Favorite Venues Music Genre/Recordings R&B Performer ` Instrument Years In The Band Notes Havely, Dan Trumpet FROM ALABAMA MUSIC HALL OF FAME: WWW.alamhof.org - Joined Gregg and Duanne Allman in 1966 as the drummer for the Southern rock band The HourglassProduced the Allman's "Brothers and Sisters" and "Win Lose or Draw"Also produced albums for Delbert McClinton, The Outlaws, Wet Willie and many more Sandlin, Johnny Guitar FROM ALABAMA MUSIC HALL OF FAME: WWW.alamhof.org :We laid the groundwork for the whole Muscle Shoals R&B movement to begin," Carrigan says of himself and fellow musicians David Briggs and Norbert Putnam, who were part of the original "Muscle Shoals Rhythm Section" in the early Sixties. They played on Arthur Alexander's "You Better Move On" (the first R&B hit out of Muscle Shoals), followed that with Jimmy Hughes' chartbuster "Steal Away" and later, on numerous hits by Tommy Roe and by The Tams, including "What Kind of Fool". -
A Study of How Four Black Newspapers Covered the U.S. Masters Tournament 1994 Through 2001
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2007 A Study of How Four Black Newspapers Covered the U.S. Masters Tournament 1994 through 2001. Mark James Sharman East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the African American Studies Commons, and the Journalism Studies Commons Recommended Citation Sharman, Mark James, "A Study of How Four Black Newspapers Covered the U.S. Masters Tournament 1994 through 2001." (2007). Electronic Theses and Dissertations. Paper 2042. https://dc.etsu.edu/etd/2042 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. A Study of How Four Black Newspapers Covered the U.S. Masters Tournament 1994 Through 2001 _____________________ A thesis presented to the faculty of the Department of Liberal Studies East Tennessee State University In partial fulfillment of the requirements for the degree Masters of Arts in Liberal Studies _____________________ by Mark James Sharman May 2007 _____________________ Dr. Elwood Watson, Chair Dr. Marie Tedesco Dr. Emmett Essin Keywords: Tiger Woods, Augusta National, Golf, Racism, Newspapers, Black ABSTRACT A Study of How Four Black Newspapers Covered the U.S. Masters Tournament 1994 Through 2001 by Mark James Sharman The intent of this thesis is to discuss the manner in which four black newspapers covered the U.S. -
Ron Artest, Meet Charlie Sifford by Debbie Waitkus, Golf for Cause
Ron Artest, Meet Charlie Sifford By Debbie Waitkus, Golf for Cause There’s been lots of talk over the past several days on the airwaves and around the water coolers about the mêlée at the Indiana Pacers-Detroit Pistons basketball game. We’ve seen replay after replay on television of the foul on the court and the ensuing altercation on the court and the fight in the stands with the fans. As many of you know, David Stern, the NBA Commissioner, administered some hefty fines and suspensions to the players. I’m reminded of those times my parents wanted to make an example out of me, dishing out a punishment that put the fear of death into my younger siblings’ minds. Now, I’m not suggesting that the penalties the NBA handed down to the players are unreasonable. What I do find troubling is that the players chose to cross the line – the boundary separating them from the fans. But the fans struck first, you say. A fan tossed beer onto Ron Artest. The issue is professionalism. As an athlete, you can get caught up in the moment. The adrenaline is flowing; you become invincible. Yet, professional athletes, along with a paycheck, accept a level of responsibility, a code of ethics and a rulebook. These ethics and rules apply to all professionals, athlete or not. Even a comedian being heckled doesn’t run out into the crowd and beat up the heckler(s). Unfortunately, Ron Artest, Stephen Jackson, Jermaine O’Neal, Ben Wallace, Anthony Johnson, Reggie Miller, Chauncey Billups, Elden Campbell and Derrick Coleman all violated the rules of professional basketball. -
Concert Press Release
For more information contact: Rick Harmon Alabama Tourism Department 334-242-0583 Top Alabama musicians to culminate bicentennial with free Montgomery concert More than a dozen of Alabama’s top musicians will present a free concert of the state’s greatest hits in front of the Capitol in Montgomery on Dec. 14 as part of the celebration of the culmination of Alabama’s three-year bicentennial. “American Idol”-winner Taylor Hicks and Hank Williams daughter Jett Williams will co-host the 4 p.m. show. Performers include Allison Moorer, who has been nominated for Academy, Grammy, Americana Music Association and Academy of Country Music awards, John Paul White, a four-time Grammy winner, Martha Reeves, a Rock and Roll Hall of Fame inductee, Jimmy Hall, who led Southern blues/rock band Wet Willie, Eddie Floyd, who had the hit “Knock on Wood” and recorded and toured with the Blues Brothers, Candi Staton, the R&B great who had the disco hit “Young Hearts Run Free” and Dan Penn, who co-wrote such classics as “I’m Your Puppet,” “Cry Like a Baby” and “Dark End of the Street.” All these artists will be backed up by the 14-piece Muscle Shoals Allstars with David Hood and other legendary session players who have played on hits by artists such as Aretha Franklin, Wilson Pickett, Bob Dylan, Paul McCartney, The Staple Singers, Paul Simon, Bob Seger and Percy Sledge. “The state of Alabama played a seminal role in the history of rock and roll, and many of the musicians who helped create that history are performing in this concert,” said Lee Sentell. -
1960-1969 Section History.Pub
A Chronicle of the Philadelphia Section PGA and its Members by Peter C. Trenham 1960 to 1969 1960 Al Besselink won the Section Championship and Skee Riegel won the Philadelphia Open. 1961 Gary Player won the Masters Tournament playing out of the Langhorne Country Club. 1962 Forty-four year old Henry Williams, Jr. won the Jamaica Open and Aronimink GC hosted the PGA Championship. 1963 The PGA Tour returned to the Section and played for the largest purse in the history of the PGA Tour. 1964 Art Wall won at San Diego, Al Besselink won the Azalea Open and Mike Souchak won at Houston and Memphis. 1965 Al Besselink won two Caracas Opens and Art Wall won his 4th Section Championship and the Maracaibo Open. 1966 Bert Yancey won at Wilmington, Memphis and Portland. 1967 Bob Ross won the Section Championship, the Pennsylvania Open and the DeBaufre Trophy. 1968 The Section rented office space. Leo Fraser elected PGA president. Bert Yancey 3rd in the Masters & U.S. Open 1969 Al Besselink won the Section Championship and the Prior Golf Festival. 1960 When the New Year began the Philadelphia Section had a new member on the PGA Tour. Jon Gustin was playing out of the Philadelphia Country Club. The Country Club’s professional Loma Frakes and two of the mem- bers backed him on the tour financially for four years. His ball striking abil- ity was legendary. He was one of the few players that Ben Hogan would pause to watch hit balls on the practice tee. While serving in the marines Gustin was in President Eisenhower’s Color Guard at the White House. -
Spooner Oldham's Life in Music by Haley Walden
An Unlikely Place and Time: Spooner Oldham’s Life in Music By Haley Walden (published in Alabama Music Magazine, 2009) A passing glance at Spooner Oldham’s quiet life in Rogersville, Alabama would give few people reason for pause. His country home is situated on several lush acres off a scenic county road, and a creek flows steadily behind the house. Visitors to the neighborhood might notice Oldham relaxing on the patio with his dogs, Oscar and Porter, and his cats, Waylon and Cash. Or if the front screen door is propped open, a hint of a familiar tune from his baby grand piano may reach their ears. What they probably won’t realize is how much Oldham’s musical career has influenced their lives. Oldham handles the extraordinary details of his life with little ego and a great deal of humility. From Muscle Shoals to Memphis to Los Angeles and all over the world, he has worked with the likes of musical talents Neil Young, Bob Dylan, Aretha Franklin, Duane Allman, Jewel, Wilson Pickett, and Percy Sledge, among many others. His songs have appeared on albums by Janis Joplin, Hank Williams, Jr., and The Box Tops. He’s a seasoned songwriter and studio musician with a flair for piano and organ, and on April 4th, he’s being inducted into the Rock ‘n’ Roll Hall of Fame. Born June 14, 1943 in Sheffield, Alabama, Oldham grew up as the music business was blooming in Muscle Shoals, a city a few miles from his hometown of Center Star. Music was a shared passion among many of his family members. -
Cameron Smith Wins Sony Open in Another Hawaii Comeback Pete
OUR 1610 TH ISSUE Vol. 31, No. 50 R O C H E S T E R Monday, January 13, 2020 Fans Select Inbee Park Cameron Smith Wins Sony Open As Player of the Decade In Another Hawaii Comeback BY DOUG FERGUSON HONOLULU (AP) — Two weeks in Hawaii brought rain, unusually strong wind, playoffs and two players who thought victory was out of reach until the winner’s lei was draped around their necks. Cameron Smith was the latest Sunday at the Sony Open. He might have been even more surprised than Justin Thomas, who got a second chance when he won a playoff BY AMY ROGERS votes were cast over the LPGA’s at Kapalua. With 53 percent of the fan social platforms to lift the LPGA “Two or three holes left, I re- vote received, No. 1 Inbee Park Tour Hall of Famer ahead of No. ally didn’t think there was much Cameron Smith holds the champions trophy after the final round of the was selected as the LPGA Player 14 Brooke Henderson, who had of a shot,” Smith said after his Sony Open PGA Tour golf event, Sunday, Jan. 12 at Waialae Country of the Decade. Nearly 12,000 Park — PAGE 3 Sony Open — PAGE 3 Club in Honolulu. (AP Photo/Matt York) Timeline of African-American Pete Dye, ‘Picasso’ of Golf Achievements in Golf Course Design, Is Dead at 94 BY RICHARD GOLDSTEIN “His courses built for tourna- ments are hard,” Tiger Woods once said, “but there’s a good reason for everything.” Pete Dye, who designed many of America’s most famous golf courses and became known as the mad scientist of golf archi- tecture for his imaginative and supremely challenging layouts, died on Thursday in the Domin- ican Republic, the site of several Pete Dye and his wife, Alice, at TPC Sawgrass in Ponte Vedra Beach, Dye family courses. -
Who Was Charlie Sifford?
WHO WAS CHARLIE SIFFORD? GOAL: TO UNDERStaND THE HIStoRY OF CHARLIE SIFFORD TASKS: 1. READ THE PASSagE ABOUT CHARLIE SIFFORD 2. TAKE THE QUIZ Charlie Sifford broke barriers throughout his life. He was the first African American to earn a PGA TOUR card and the first to be inducted into the World Golf Hall of Fame. But there was a time when none of that seemed possible. Jackie Robinson’s courageous integration of Major League Baseball in 1946 is widely and appro- priately credited for changing the American sports landscape forever. One year later, toughened by a tour of duty in the Army’s 24th Infantry, another young black man named Charles Sifford, told Robinson he planned to follow in his footsteps and compete in golf. At the time golf was a sport where the ball and the participants were equally as white. “He asked me if I was a quitter,” Sifford recalled. “He said, ‘OK, if you’re not a quitter, go ahead and take the challenge. If you’re a quitter, there’s going to be a lot of obstacles you’re going to have to go through to be successful in what you’re trying to do.’ “I made up my mind I was going to do it. I just did it. Everything worked out perfect.” Indeed, it was Sifford who opened professional golf, a game with a “Caucasian only” rule, to blacks more than four decades ago. Without him Tiger Woods may not have been able to make his own impact on the sports world. “He has my respect and my gratitude for the sacrifices he made to open the doors to this great game to people of color,” Woods said.