Dramatic Decline in Cork Taint
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A to Z Glossary of Wine Terms
A to Z Glossary of Wine Terms A ABV (Alcohol by Volume) - A measure of the alcohol concentration of a wine, usually expressed as a percentage. Acidic - A tart, sour, or fresh feeling in the mouth when you taste the wine. Aeration - Adding oxygen to the wine to soften tannins. Aggressive – Wine tasting term describing a wine that is either too tannic, too acidic, or a combina- tion of both. Alcohol - Ethanol; in wine it is produced via fermentation with yeast and sugar. Alcoholic – Wine tasting term indicating high alcohol. A wine with a noticeably high alcohol con- tent; perceived as a hotness in the wine. Angular – Wine tasting term used to describe young wines that display predominately sharp, bitter, or tart flavor characteristics. AOC (Appellation d’origine contrôlée) - A term in the French wine designation system which means “controlled designation of origin.” It identifies the location or region where a wine is made. Appearance - In general, the term appearance is used to describe the clarity of a wine. Appellation - A designated wine growing area governed by specific rules regarding the wine grapes grown and wine produced in the specific appellation areas. Aroma - A wine’s scent characteristics; very closely tied in with the flavors. Aromatic - Varieties of grapes that have especially noticeable aromas. Some aromatic grapes in- clude Viognier, Torrontés, Gewürztraminer, Riesling, Muscat, and Pinot Gris. Aromatized – A wine that is infused with botanicals. Vermouth is an aromatized wine. Assemblage - A method of blending wine before bottling. Astringent – A wine tasting term meaning the wine leaves the mouth feeling overwhelmingly dry. -
'TCA, Probably Contemporary Wine's Worst Threat' by Ernesto De Serdio
'TCA, probably Contemporary Wine's worst Threat' By Ernesto de Serdio. MAY 2002 Wine spoilage is a recurrent issue arising in wine loving circles and considered anathema by fine wine producers who sometimes effortlessly strive to fight all factors that will ruin their hard work on the fields and moreover, their wine masterpieces. For one may spare no resources for the making of a piece of art, be most careful and yet be hit where it hurts most: at the table, at the grand opening. Whether at an important wine tasting contest or simply in a top-notch restaurant or at home, for an impressive dinner, there is nothing more offensive for tasters, consumers and producers alike, than their wine being rated as 'spoiled'. Needless to say that the commercial, image and even moral implications can be disastrous, depending on the type of wine, price, marketing expenditure and, in general, global aims. Though wine spoilage can derive from multiple factors, there seems to be in modern winemaking a culprit that is taking most, if not all the blame: cork. It does not matter if the wine shows too high volatile acidity or suffers from too much sulphur dioxide or hydrogen sulphide or stinks to wet dogs (highly affected by Brettanomyces); most neophytes, many non-professional wine-lovers and even some praised experts tend to point their accusing fingers to corks. Regardless of this malefic circle, for which corks are permanently loathed, it is no less true that the latter are the principals behind one of the most common flaws in today's wines: corked wines or cork-taint. -
Wine That Stinks As Part of Our Winemaking Coursework at UCC We
Wine that Stinks As part of our winemaking coursework at UCC we study sensory science, the science of how humans perceive smells and tastes with respect to wine. This is one of my favorite classes to teach because it was the interesting smells and tastes in different wines which initially stirred my passion for wine and eventually inspired me to change careers from engineering to winemaking. One of the most interesting parts about teaching the sensory science class is our laboratory session on wine faults. In this lab, perhaps more so than others, the students are very excited to get the opportunity to smell and understand fault aromas, and I’m also excited to show them the stinkiest examples of faulty wine I can find. It seems to be a natural human impulse that when we find something uncharacteristically pungent we want to share it with others: “Wow this is disgusting; you’ve got to smell this!” A couple of recent experiences reminded me of my wine fault lab samples. In the first experience I was at a family reunion when several relatives asked if I’d ever had the wines of a particular Washington winery. One of their high school classmates was married to the winemaker and they were interested in my impression of the wines. I replied that I had only one opportunity to taste the wine of this producer (the price of these wines is usually beyond my budget), but that unfortunately the particular bottle I had tried was “corked,” so I was unable to give them my impression of the wine. -
Does Wine Have a Place in Kant's Theory of Taste?1
Does Wine Have a Place in Kant’s Theory of Taste?1 Rachel Cristy, Princeton University Kant’s own answer to my title question is “no.” One can make of a wine the merely subjective judgment that it is agreeable, never the universally valid judgment that it is beautiful. Here is Kant’s only remark on wine in the Critique of the Power of Judgment: With regard to the agreeable, everyone is content that his judgment, which he grounds on a private feeling, and in which he says of an object that it pleases him, be restricted merely to his own person. Hence he is perfectly happy if, when he says that sparkling wine from the Canaries is agreeable, someone else should improve his expression and remind him that he should say “It is agreeable to me”; and this is so not only in the case of the taste of the tongue, palate, and throat, but also in the case of that which may be agreeable to someone’s eyes and ears. (KU §7, 5: 212) Here is Kant’s explanation for why wine can’t be judged beautiful: “Aesthetic judgments can be divided into empirical and pure. The first are those which assert agreeableness or disagreeableness, the second those which assert beauty of an object… the former are judgments of sense (material aesthetic judgments), the latter (as formal) are alone proper judgments of taste” (§14, 5: 223). Not only flavors and aromas, but also “mere color, e.g., the green of a lawn” and “mere tone…say that of a violin” are relegated to judgments of agreeableness, because they “have as their ground merely the matter of the representations, namely mere sensation” (§14, 5: 224). -
James Suckling Biography
James Suckling Biography James Suckling is one of today’s leading wine critics, whose views are read and respected by wine lovers, serious wine collectors, and the wine trade worldwide. He is currently the wine editor for Asia Tatler and its nine luxury magazines in the region, including Hong Kong Tatler, China Tatler, Singapore Tatler, and Thailand Tatler. However, most of his time is spent working for his own website, JamesSuckling.com, as well as promoting his 100 Points wine glass with Lalique, the famous French crystal house. Suckling spent nearly 30 years as Senior Editor and European Bureau Chief of The Wine Spectator, and as European Editor of Cigar Aficionado. On his departure from the magazines, Forbes called the Los Angeles-born writer “one of the world’s most powerful wine critics.” In late 2010, Suckling launched JamesSuckling.com, a site that evolved from him seeing a need for wine to be communicated in a more modern way. The site offers subscribers high-definition video content hosted by Suckling that reports on and rates the best wines from around the world, with a focus on Italy and Bordeaux. Video tastings and interviews conducted in vineyards and cellars with winemakers give viewers a firsthand account of the wines, and allow for a more spontaneous style. The site attracts viewers from over 110 countries, with the largest audiences in North America, Hong Kong, the United Kingdom, Australia, Italy, and France. His first documentary film, “Cigars: The Heart and Soul of Cuba,” was released in autumn 2011 to much acclaim. It was screened in December 2011 during the 33rd Festival of New Latin American Cinema in Havana, Cuba, and was officially selected for the 15th Annual Sonoma Film Festival in Sonoma, Calif. -
Download Tasting Notes
Retail Savings $14.99 $30.00 50% Get GROUND SHIPPING when you purchase 6 or more. 2013 C'est Bon Cuvée 3 Malbecproduct-timed-pdf - Sonoma Valley *Winemaker, Randall Watkins - Durell's ?Viticulturalist | Founders' Release Why We're Drinking It "Malbec is now a seriously thrilling rising star in the red wine firmament," writes wine critic extraordinaire Oz Clarke. A sentiment echoed by the Wine Enthusiast, which notes, “Nowadays, the hottest wine in this country is Argentinean Malbec. Dense and dark, with full-bodied richness that few other grapes … can mimic, Argentine Malbec is about seven years into a golden run during which exports to the United States have grown exponentially year after year.” What happens when the current golden child of the wine world sets roots in the Sonoma Valley? Pure oenological magic, that’s what! Vinified by superstar Randall Watkins before final blending by invino’s Founder and CEO, Tony Westfall, this 2013 Malbec is a dark and brooding red lifted aromatically by chocolate and cinnamon spice and teeming with juicy stone fruit and brambly berry. A touch of Sonoma Merlot was added to the final blend for a softer, easier style of Malbec compared to many of its rustic Argentine cousins, though fans of South American Malbec and California Cab will find this one as lovely as it is familiar. While Malbec enjoys its time in the spotlight, the grape is still a relative rarity among the vineyards of Sonoma Valley. We’ve tracked down what may very well be the best fruit there is for our inaugural Malbec and thrown in Free Shipping on 6+ bottles to further sweeten this smooth and enticing deal. -
Kermit Lynch Wine Merchant March 2015
KERMIT LYNCH WINE MERCHANT MARCH 2015 Burgundian skyline © Gail Skoff THE QUIET LION OF ALSACE COMTESSE DE CHÉRISEY PRE-ARRIVAL COASTAL SAMPLER SYLVAIN’S CARIGNAN h PRE-ARRIVAL OFFERj THE WHITE BURGUNDIES OF COMTESSE BERNARD DE CHÉRISEY by Dixon Brooke s if we weren’t already utterly convinced that Laurent and Hélène Martelet’s wines are among Burgundy’s best, here they go just getting A better and better. This husband-and-wife team works ancient Chardon- nay vines in the hameau de Blagny, a tiny hamlet with a cluster of stone houses founded by Cistercian monks in the twelfth century. Very little has changed here since then except for indoor plumbing. Laurent and Hélène are students of the vine, and they are smart enough to be in complete awe of their incredible terroir. This begets continual learning and understanding, along with a profound respect for what has come before. The consistency and sheer brilliance of the Martelets’ deep, powerful, mineral-driven whites continue to amaze us. I hope you can join us in our enthusiasm and en- joy the ride, before these wines follow in the footsteps of many of their peers and become unobtainable. per case 2013 Puligny-Montrachet 1er Cru “Hameau de Blagny” $960.00 2013 Puligny-Montrachet 1er Cru “Les Chalumaux”. 960.00 2013 Meursault-Blagny 1er Cru “La Genelotte”. 960.00 2013 Blagny Rouge 1er Cru “La Genelotte”. 660.00 Pre-arrival terms: Half-payment due with order; balance due upon arrival. © Gail Skoff SYLVAIN’S CARIGNAN AT DOMAINE D’AUPILHAC by Chris Santini ’ll never forget a dinner in Corsica one night a few years ago with the venerated vi- Igneron Antoine Arena in attendance, plus a pompous (yet also venerated, albeit by a different crowd) French wine critic. -
Wine Doesn't Have to Cost the Earth Final Jul10
Press Release WINE NEED NOT COST THE EARTH WINE NEED NOT COST THE EARTH Press Release According to new research published today, whilst 96% of the UK’s 28.5 million 1wine drinkers claim to recycle their wine bottles, the last thing on two thirds (63%) of the population’s mind when buying wine is the environment, let alone the impact of wine stopper types on biodiversity, rural communities and centuries old traditions. However there is now enough evidence to show that consumers do care about the type of closure and that they want to know more. According to new research 2 among British wine drinkers, only one in 20 (4%) consumers prefer plastic stoppers whilst nearly three in five (58%) say that once told of the environmental, social and cultural benefits of natural cork, they would buy more wine sealed in the traditional way. Top ten reasons to choose natural cork: 1.1.1. 100% natural Natural cork is a truly sustainable product - 100% natural, renewable and recyclable. 2.2.2. Working with nature, not destroying it Not a single tree is felled in the production of cork stoppers. In fact, the bark of the cork oak tree is harvested after 25 years and then once every nine years thereafter. Each year 340,000 tonnes of natural cork stoppers are produce. The sustainability of cork closure production has been recognised by leading NGOs and auditing firms around the world, some even having achieved accreditation from the Forest Stewardship Council, providing independent reassurance that these forests are responsibly managed to guarantee the long term protection of delicate ecosystems and habitats. -
Austria's 2019 Vintage Among the Very Best
24 September 2020 Austria’s 2019 vintage among the very best The 2019 vintage in Austria aroused great expectations right from the start. Now, reviews from experts throughout the world have confirmed it: the wines of this vintage are truly among the best that Austria’s winegrowers have been able to produce in recent decades. Fully ripened grapes with vivid aromaticity A very favourable vegetation cycle yielded fully mature and healthy grape material all over Austria in 2019. A mild winter was followed by a variable spring, with abundant rainfall in May; these reserves of water came in extremely handy during the hot, dry summer to follow. A mild autumn with cool nights brought the clusters to their full physiologic ripeness, imparting vivid aromaticity and pronounced acidic structure. Praise from Jancis Robinson At the beginning of this past February, the Austrian Wine Marketing Board (AWMB) was able to present a few 2019 white wines to some of the top specialists, in the course of a big Austrian Tasting in London. Grande dame of wine Jancis Robinson MW was impressed by the first 2019s she was able to sample: “I have tasted only a tiny fraction of the 2019s […] but their quality – intensity with freshness and personality – has really shone out”. Julia Harding MW also had a high opinion of the 19ers: “My impression of the whites – I haven’t tasted any reds – is that they combine depth of fruit with very good freshness, and the best are likely to age well”. Wine Enthusiast: “Incredible value for such artisanally made wines” In August, Anne Krebiehl MW published her first, enthusiastic assessment of the Austrian 2019 vintage in Wine Enthusiast, recommending that wine lovers shop sooner rather than later: “[...] it’s clear that this vintage represents incredible value for such artisanally made wines. -
Testing the Hedonic Relationship Between Wine Quality and Price
A Hedonic Price Analysis for the New Zealand Wine Industry: Preliminary Results Katie Bicknell Lincoln University, Canterbury, New Zealand e-mail: [email protected] Lana Friesen Lincoln University, Canterbury, New Zealand Ian MacDonald Lincoln University, Canterbury, New Zealand Paper presented at the 2005 NZARES Conference Tahuna Conference Centre – Nelson, New Zealand. August 26-27, 2005. Copyright by author(s). Readers may make copies of this document for non-commercial purposes only, provided that this copyright notice appears on all such copies. A Hedonic Price Analysis for the New Zealand Wine Industry: Preliminary Results Katie Bicknell1, Lana Friesen and Ian MacDonald Lincoln University, Canterbury, New Zealand Abstract This paper presents preliminary results from a hedonic price analysis of premium wines in New Zealand over the vintages 1994 – 2003. Implicit prices are presented for a sensory quality rating, as well as wine variety and regional reputation. Results show that the price premium associated with Michael Cooper‟s five-star quality rating is highly significant and increasing in magnitude over the study period. Trends in regional and varietal preferences are also explored. Keywords: Hedonic pricing, New Zealand wine, quality 1. Introduction Wine is a differentiated product for which information about its true quality is limited until the time of consumption. As a consequence, buyers must use other indicators of a wine‟s value in order to make purchase decisions. Some potential indicators of a wine‟s quality such as the vintage, the region and the varietal are easily obtained from the wine‟s label prior to purchase.2 Other, more subjective, indicators of quality come in the form of quality rankings or recommendations from wine experts, and the receipt of various wine awards. -
Descorchados 2019 Press Recap
ARGENTINA & CHILE SHINE WITH DESCORCHADOS 2019 RELEASE PatricioPatricio TapiaTapia is South America's leading wine critic. He writes for Wine & Spirits and is the author of Descorchados, the only annual guide to South American wine. ARGENTINA CHILE AREYNA AMAYNA 90 PTS 2018 Areyna Torrontés Best of Torrontés 95 PTS *2018 Sauvignon Blanc Best of Sauvignon Blanc & Best of Leyda 93 PTS CASARENA *2016 Pinot Noir 93 PTS *2016 Naoki’s Vyd. Malbec Best Reds of Agrelo AQUITANIA 91 PTS *2016 Owen’s Vyd. Cabernet Sauvignon 90 PTS *2017 Cabernet Sauvignon TIKAL 96 PTS *2015 Sol de Sol Chardonnay Best of Malleco Valley 94 PTS *2015 Amorio Best of Uco Valley BOYA 92 PTS 2015 Natural Best of Vista Flores 90 PTS *2014 Jubilo 94 PTS *2018 Sauvignon Blanc Best of Leyda Valley 90 PTS *2016 Patriota 92 PTS 2018 Rosé Best of Rosé 90 PTS *2017 Pinot Noir LA POSTA CASA SILVA 94 PTS 2017 Pizzella 93 PTS *2017 Fazzio 93 PTS *2016 S38 Cabernet Sauvignon 92 PTS *2017 Paulucci Best of Colchagua Andes 91 PTS *2017 Armando Bonarda Best of Bonarda 93 PTS *2012 Microterroir Best of Colchagua Andes 91 PTS 2017 Carmenere Los Lingues Best of Colchagua Andes LUCA 90 PTS 2017 Carmenere Cuvee Colchagua 95 PTS *2016 Historia de Familia Malbec Best of Uco Valley J. BOUCHON 95 PTS *2015 Nico Malbec Best of La Consulta 93 PTS 94 PTS *2016 Old Vine Malbec Best of Uco Valley *2016 Cabernet Sauvignon 93 PTS 93 PTS *2016 Pinot Noir Best of Pinot Noir *2018 País Salvaje Best of País 92 PTS 93 PTS *2017 Chardonnay *2018 Canto Sur 92 PTS 92 PTS *2016 Laborde Double Select Syrah *2018 País Salvaje Blanco Best of Syrah 91 PTS 2018 País Viejo Best of País 92 PTS *2016 Beso de Dante 90 PTS *2017 Canto Norte MENDEL P.S. -
Hedonic Modelling for Australian Wine
Hedonic Modelling for Australian Wine Tim Davis and Fredoun Ahmadi-Esfahani* Agricultural and Resource Economics The University of Sydney NSW 2006 Contact: [email protected] Abstract The Australian wine industry has been under the pressure of oversupply for many years. Export promotion appears to potentially serve as an effective strategy to partially address this problem. An Hedonic price function is employed to estimate premia and discounts for various varieties, regions and vintages of Australian wine, within the US retail market. Some preliminary results are presented. These results may be used to develop an optimal allocation of Australian wine to various overseas and domestic markets. Keywords: Wine exports, Hedonic pricing, surplus disposal * Contributed paper presented at the 49th Annual Conference at the Australian Agricultural and Resource Economics Society held at the Novotel Coffs Harbour on 9-11 February, 2005 1 1. Introduction Currently the Australian wine industry finds itself suffering the effects of oversupply. This paper seeks to show how Hedonic price analysis could be used to gain a better understanding of how consumers abroad view Australian wine. In current times, where exports are vital to the industry’s progress, such information would be of significant value to Australian wine producers and marketers. Classical surplus disposal policies that recommend the use of world markets (with corresponding price discounting) have the potential to negatively affect an industry’s reputation and appeal. This is of particular concern to the Australian wine industry, which has strived to build its reputation as a premium producer. It is hypothesised that through the analysis of consumer preferences for the attributes of Australian wine, in export markets around the world as well as the domestic market, a more efficient and effective surplus disposal policy could be determined.