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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Horton Foote
38th Season • 373rd Production MAINSTAGE / MARCH 29 THROUGH MAY 5, 2002 David Emmes Martin Benson Producing Artistic Director Artistic Director presents the World Premiere of by HORTON FOOTE Scenic Design Costume Design Lighting Design Composer MICHAEL DEVINE MAGGIE MORGAN TOM RUZIKA DENNIS MCCARTHY Dramaturgs Production Manager Stage Manager JENNIFER KIGER/LINDA S. BAITY TOM ABERGER *RANDALL K. LUM Directed by MARTIN BENSON Honorary Producers JEAN AND TIM WEISS, AT&T: ONSTAGE ADMINISTERED BY THEATRE COMMUNICATIONS GROUP PERFORMING ARTS NETWORK / SOUTH COAST REPERTORY P - 1 CAST OF CHARACTERS (In order of appearance) Constance ................................................................................................... *Annie LaRussa Laverne .................................................................................................... *Jennifer Parsons Mae ............................................................................................................ *Barbara Roberts Frankie ...................................................................................................... *Juliana Donald Fred ............................................................................................................... *Joel Anderson Georgia Dale ............................................................................................ *Linda Gehringer S.P. ............................................................................................................... *Hal Landon Jr. Mrs. Willis ....................................................................................................... -
The Translation of Cultural References and Proper-Name Allusions in the Finnish Subtitles of Gilmore Girls
The Translation of Cultural References and Proper-Name Allusions in the Finnish Subtitles of Gilmore Girls Riikka Vänni Pro Gradu Thesis English Philology Faculty of Humanities University of Oulu Autumn 2017 TABLE OF CONTENTS 1 INTRODUCTION …………………………………………………………………………………………….........................1 2 THE GILMOREVERSE…………………………………………………..............................................................5 2.1 On the Gilmore Girls and genre………………………………………………………………………................5 2.2 On Amy Sherman-Palladino and the target audience……………………………..........................7 3 CULTURE BUMPS AND GILMORE-ISMS………………………………………………………………………………….10 3.1 Defining and categorising cultural references……………………………………………………….………10 3.2 Collecting and analysing the Gilmore-isms………………………………………………………….………..14 4 PREVIOUS RESEARCH AND TRANSLATION STUDIES.…………………………………..............................18 4.1 Previous studies on the Gilmore Girls’ Finnish translations…………………………………….……….18 4.2 The importance of translation: language, culture and the link between………………….………20 4.3 The basics: source versus target……………………………………………………………………………………..22 4.4 Translation method: domestication or foreignisation…………………..…………………………………26 4.5 Reception theory and the target audience……………………………………………………………….…….29 4.6 Audiovisual translation: subtitling and the DVD-industry……………………………………….………31 5 ANALYSING THE GILMORE-ISMS…………………………………………………………………………………..……...34 5.1 References to music……………………………………………………………………………………..………….…..34 5.2 References to films………………………………………………………………………………………..……….…….38 -
Sam Shepard One Acts: War in Heaven (Angel’S Monologue), the Curse of the Raven’S Black Feather, Hail from Nowhere, Just Space Rhythm
Sam Shepard One Acts: War in Heaven (Angel’s Monologue), The Curse of the Raven’s Black Feather, Hail from Nowhere, Just Space Rhythm Resource Guide for Teachers Created by: Lauren Bloom Hanover, Director of Education 1 Table of Contents About Profile Theatre 3 How to Use This Resource Guide 4 The Artists 5 Lesson 1: Who is Sam Shepard? Classroom Activities: 1) Biography and Context 6 2) Shepard in His Own Words 6 3) Shepard Adjectives 7 Lesson 2: Influences on Shepard Classroom Activities 1) Exploring Similar Themes in O’Neill and Shepard 16 2) Exploring Similar Styles in Beckett and Shepard 17 3) Exploring the Influence of Music on Shepard 18 Lesson 3: Inspired by Shepard Classroom Activities 1) Reading Samples of Shepard 28 2) Creative Writing Inspired by Shepard 29 3) Directing One’s Own Work 29 Lesson 4: What Are You Seeing Classroom Activities 1) Pieces Being Performed 33 2) Statues 34 3) Staging a Monologue 36 Lesson 5: Reflection Classroom Activities 1) Written Reflection 44 2) Putting It All Together 45 2 About Profile Theatre Profile Theatre was founded in 1997 with the mission of celebrating the playwright’s contribution to live theater. To that end, Profile programs a full season of the work of a single playwright. This provides our community with the opportunity to deeply engage with the work of our featured playwright through performances, readings, lectures and talkbacks, a unique experience in Portland. Our Mission realized... Profile invites our audiences to enter a writer’s world for a full season of plays and events. -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
ALEX NEPOMNIASCHY, ASC Director of Photography Alexnepomniaschy.Com
ALEX NEPOMNIASCHY, ASC Director of Photography alexnepomniaschy.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS THE MARVELOUS MRS. MAISEL Daniel Palladino AMAZON STUDIOS / Nick Thomason Season 4 Amy Sherman-Palladino MIXTAPE Ti West ANNAPURNA PICTURES Series NETFLIX / Chip Vucelich, Josh Safran L.A.’S FINEST Eagle Egilsson SONY PICTURES TELEVISION Series Mark Tonderai Scott White, Jerry Bruckheimer WISDOM OF THE CROWD Adam Davidson CBS Series Jon Amiel Ted Humphrey, Vahan Moosekian Milan Cheylov Adam Davidson GILMORE GIRLS: A YEAR IN THE LIFE Amy Sherman- WARNER BROS. TV / NETFLIX Mini-series Palladino Daniel Palladino Daniel Palladino Amy Sherman-Palladino THE AMERICANS Thomas Schlamme DREAMWORKS / FX Season 4 Chris Long Mary Rae Thewlis, Chris Long Daniel Sackheim Joe Weisberg, Joel Fields THE MENTALIST Chris Long WARNER BROS. / CBS Season 7 Simon Baker Matthew Carlisle, Bruno Heller Nina Lopez-Corrado Chris Long STANDING UP D.J. Caruso ALDAMISA Janet Wattles, Jim Brubaker Ken Aguado, John McAdams BLUE BLOODS David Barrett CBS Seasons 4 & 5 John Behring Jane Raab, Kevin Wade Alex Chapple Eric Laneuville I AM NUMBER FOUR D.J. Caruso DREAMWORKS Add’l Photography Sue McNamara, Michael Bay BIG LOVE Daniel Attias HBO Season 4 David Petrarca Bernie Caulfield THE EDUCATION OF CHARLIE BANKS Fred Durst Marisa Polvino, Declan Baldwin TAKE THE LEAD Liz Friedlander NEW LINE Diane Nabatoff, Michelle Grace CRIMINAL MINDS Pilot Richard Shepherd CBS / Peter McIntosh NARC Joe Carnahan PARAMOUNT PICTURES Nomination, Best Cinematography – Ind. Spirit -
Moana Destined to Be Another Disney Classic
6 THE NEW TRIER NEWS THE 385 FRIDAY, DECEMBER 9, 2016 Moana destined to be another Disney classic (voiced by Rachel House) to tell Disney’s new family her the truth that she’s been hiding: flick has fans old Moana has been chosen by the ocean to reverse an age old curse that’s and new enthralled slowly been destroying all of the surrounding islands. With this newfound knowledge, Moana, who has never gone more by Jessi Zook than a couple hundred feet off her island and has no knowledge of “Moana” is a must-see movie sailing, must sail away to find Maui for any Disney-lover looking to be (voiced by Dwayne Johnson). transported back to their childhood. Maui, a demigod, is the one The movie follows Moana responsible for the destructive curse, (voiced by Auli’i Cravalho), who and is the only hope of reversing it. grew up with the expectation that Moana must somehow convince him she’ll follow in her father’s footsteps to make things right. and become the next chief of her What ensues for Moana is a life island village. changing, high stakes journey that Moana, staring Dwayne “The Rock” Johnson and Auli’i Cravalho, has surpassed expectations | Disney.co.uk/moana But there’s a catch: no one on forces her to find herself and define the island is allowed to go past the what type of leader she will be. of others. from the deep. intriguing South Pacific legends. But ocean reef a couple hundred feet out She’s pushed out of the only “Frozen” and “Brave”, two In many ways, it also had many above all else, my favorite part had into the ocean. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
Universidade Federal Da Bahia Tal Mãe, Tal Filha?
UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO DANIELE MARQUES LIMA TAL MÃE, TAL FILHA? A REPRESENTAÇÃO DAS MULHERES EM GILMORE GIRLS Salvador 2018 DANIELE MARQUES LIMA TAL MÃE, TAL FILHA? A REPRESENTAÇÃO DAS MULHERES EM GILMORE GIRLS Trabalho de conclusão de curso de graduação em Comunicação com Habilitação em Jornalismo, Faculdade de Comunicação, Universidade Federal da Bahia, como requisito parcial para obtenção de grau de Bacharel em Comunicação. Orientadora: Prof. Dr. Marcelo Rodrigues Souza Ribeiro Salvador 2018 DANIELE MARQUES LIMA TAL MAL, TAL FILHA? A REPRESENTAÇÃO DAS MULHERES EM GILMORE GIRLS Monografia apresentada como requisito parcial para obtenção do grau de Bacharel em Comunicação, Faculdade de Comunicação, da Universidade Federal da Bahia. Aprovada em 20 de fevereiro de 2018. Marcelo R. S. Ribeiro – Orientador _______________________________________________ Doutor em Arte e Cultura Visual pela Faculdade de Artes Visuais da Universidade Federal de Goiás (UFG) Mestre em Antropologia Social pela Universidade Federal de Santa Catarina (UFSC) Universidade Federal da Bahia Marcelo Monteiro Costa _______________________________________________________ Mestre em Comunicação pela Universidade Federal de Pernambuco (UFPE) Universidade Federal da Bahia Valéria Maria Sampaio Vilas Bôas Araújo _________________________________________ Mestre em Comunicação e Cultura Contemporânea pela Universidade Federal da Bahia (UFBA) Universidade Federal da Bahia AGRADECIMENTOS Ao contrário do que pensei, fazer meu segundo Trabalho de Conclusão de Curso não foi fácil. Graduei-me em 2014 em Produção em Comunicação e Cultura, também pela Universidade Federal da Bahia (UFBA) e, de lá para cá, decidi me aventurar em mais uma graduação. Deu vontade de desistir, medo e até mesmo raiva. Então, diferente do que fiz no meu primeiro TCC, agradeço a mim pelo trabalho desempenhado e pela paciência. -
Theatre & Performance
CONTEMPORARY Theatre & Performance MULTICULTURALISM/ DIVERSITY • African-American Theatre • Global Theatre • LGBTQ • Performance • Asian-American • Performance Art Theatre • Experimental Theatre • Latino Theatre (LATC) AFRICAN-AMERICAN THEATRE • August Wilson (1945-2005) - Fences (1987) • Joe Turner’s Come and Gone (1988) • The Piano Lesson (1990) ASIAN-AMERICAN THEATRE • East/West Players (downtown LA) • David Henry Huang - M. Butterfly, Bondage, Yellow Face LGBTQ • Charles Ludlam (19431987) died of AIDS— founded The Ridiculous Theatre Company- The Mystery of Irma Vep (1984) with Everett Quinton • Tony Kushner- Angels in America (1993) • Larry Kramer -The Normal Heart (1985) • Terence McNally - Mothers and Sons (2014) • Split Britches (WOW Cafe)- Beauty and The Beast (1982), Belle Reprieve (1990), Lesbians Who Kill (1992) • The Tectonic Theatre Company (The Laramie Project) • Rent, Hedwig and The Angry Inch, Kinky Boots, Fun Home LATINO THEATRE • LATC (Latino Theatre Company- LA Theatre Center)- founded 1985 by Artistic Director, Jose Luis Valenzuela • Zoot Suit (1979) by Luis Valdez- made into a film (1981) • based on the Sleepy Lagoon Murder Trial (1942) and the Zoot Suit Riots in Los Angeles https://www.youtube.com/watch?v=M51xwySGNYc https://www.youtube.com/watch?v=dwINn5DEL1c GLOBAL THEATRE • Takarazuka Revue (Drag performance in Japan) https://www.youtube.com/watch?v=JLy2iOnBnsA https://www.youtube.com/watch?v=3Wccu0JjcLw • Handspring Puppet Company (South Africa) https://www.youtube.com/watch?v=SqAkQCbuvqg • Chinese Performance (spectacle) -
The Playwright As Filmmaker: History, Theory and Practice, Summary of a Completed Thesis by Portfolio OTHNIEL SMITH, University of Glamorgan
Networking Knowledge: Journal of the MeCCSA Postgraduate Network, Vol 1, No 2 (2007) ARTICLE The Playwright as Filmmaker: History, Theory and Practice, Summary of a completed thesis by portfolio OTHNIEL SMITH, University of Glamorgan ABSTRACT This paper summarises my doctoral research into the work of dramatists who became filmmakers – specifically Preston Sturges, Rainer Werner Fassbinder, David Mamet, and Neil Labute. I began with the hypothesis that there is something distinctive about the work of filmmakers who have a background in writing for text-based theatre, an arena where the authorship is, on the whole, not a vexatious issue, as is the case in commercial cinema. Through case studies involving textual and contextual analyses of their films, I found common threads linking their work, in respect both of their working methods and their approach to text and performance. From this, I evolved a theoretical position involving the development of a tentative ‘dogme’ designed to smooth the path between writing plays and making films, and produced short no- budget videos illustrating it. KEYWORDS Theatre/film, Dogme, theoretical practice, Mamet, Fassbinder. Introduction The aim of this project – a thesis by portfolio, completed at the now-defunct Film Academy at the University of Glamorgan – was to contribute to that area within film theory where creativity is taken seriously as a field of study; an attempt to reconcile theory with artistry, without attempting to theorise artistry. The ‘theatrical’ is often characterised as the ‘other’ of the cinematic, within both popular and scholarly discourse. My intention was to examines the interface between the two forms, and isolate those aspects of the theatrical aesthetic which can be profitably employed within cinema, looking at the issue from the perspective of the working dramatist – my background being as a writer for theatre, radio and television. -
The TV Showrunner's Roadmap
PRESS RELEASE For Immediate Publication Tuesday 14th January 2014 Burlington, USA The TV Showrunner’s Roadmap. How do you become a TV writing God? Award-winning screenwriter and UCLA professor writes a powerful guide to help screenwriters create and rule their own successful TV series universe as a showrunner. Most every aspiring TV writer dreams of creating and running their own television network, cable, or web series. In a golden age of TV, it’s the showrunner that rules. But how does one get to that divine place? The TV Showrunner’s Roadmap provides writers with the tools for creating, writing, and managing their own hit show. Award- winning screenwriter and UCLA professor Neil Landau expertly guides them through 21 essential insights to the creation of a successful show, and takes them behind the scenes with exclusive and enlightening interviews with leading big-name showrunners from some of TV’s most lauded series, including Breaking Bad, Homeland, Scandal, Modern Family, The Walking Dead, and Lost, to name just a few. For anyone interested in becoming a showrunner, the keys and the map to the kingdom are now in hand. Visit the book page at: http://www.routledge.com/u/Landau/ 978-0-415-83167-3 | $24.95 in paperback | December 2013 Available for interviews, media features, excerpts, and giveaways – contact Lisa Farkas for a review copy (details below). – ENDS – NOTES TO EDITORS For more information or to arrange an interview, please contact: Lisa Farkas, Marketing Assistant Tel: 212-216-7898| Email: [email protected] About the Author Neil Landau is a screenwriter, producer, author, and professor in the MFA in Screen- writing and Producing Programs at UCLA School of Film, Television & Digital Media.