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ALTERED STATES of PERFORMANCE: SCORDATURA in the CLASSICAL GUITAR REPERTOIRE by COREY JAMES FLOWERS (Under the Direction Of
ALTERED STATES OF PERFORMANCE: SCORDATURA IN THE CLASSICAL GUITAR REPERTOIRE by COREY JAMES FLOWERS (Under the Direction of Michael Heald) ABSTRACT Scordatura is commonplace in the guitar repertoire, though there are relatively few resources available that explain the approach to its use, either from a performer’s or a composer’s perspective. Through examination of specific selections in the classical guitar repertoire, this document offers an introduction to various alternate tunings for the guitar, beginning with tunings used to transcribe lute and vihuela music, and progressing to modern experimentations found in the literature. Each piece on the accompanying recording provides insight into the use of these alternate tunings by highlighting specific musical characteristics that are made possible, or are idiomatic, in each tuning, such as extended ranges, open string relationships, unique chord voicings, and the ease of introducing contrasting tonal centers across a program. The CD provides a basis for aural comparison of the tunings and is a resource for performers interested in this repertoire. It also provides examples for composers and arrangers wishing to approach writing for the guitar using non-standard tunings. As additional resources, a glossary of terminology is provided, concerning tunings found in the document, as well as tunings used outside of the classical repertoire that may be useful for experimentation. An index of scordatura repertoire is provided as well, offering a broad overview of additional repertoire for further -
United States Patent (10) Patent No.: US 9,508,327 B2 Jackson (45) Date of Patent: Nov
USOO9508327B2 (12) United States Patent (10) Patent No.: US 9,508,327 B2 JacksOn (45) Date of Patent: Nov. 29, 2016 (54) PITCH ADJUSTMENT DEVICE FOR 2,998,742 A 9, 1961 Pratt STRINGED MUSICAL INSTRUMENTS 3.248,991 A * 5/1966 Cole ........................ G1OD 3/12 84/313 3,390,600 A 7/1968 Kelly, Jr. (71) Applicant: David H. Jackson, Dahlonega, GA 3,479,917. A 1 1/1969 Zitnik, Jr. et al. (US) 3,688,631 A 9, 1972 Jackson 4,080,864 A 3, 1978 Jackson (72) Inventor: David H. Jackson, Dahlonega, GA 4,080,865 A * 3/1978 Gfell ...................... G10D3/143 (US) 84,297 R 4,170,161 A * 10/1979 Kaftan ................... G10D3/143 (*) Notice: Subject to any disclaimer, the term of this 4.457,201 A 7/1984 Storey 84,297 R patent is extended or adjusted under 35 4,535,670 A 8, 1985 Borisoff U.S.C. 154(b) by 0 days. 4,742,750 A 5/1988 Storey 5,140,884 A 8, 1992 Bowden 5,323,680 A 6/1994 Miller et al. (21) Appl. No.: 15/082,972 5.438,902 A 8, 1995 Baker 5,542,330 A 8, 1996 Borisoff (22) Filed: Mar. 28, 2016 5,567,897 A 10/1996 McEwen (65) Prior Publication Data (Continued) Related U.S. Application Data http://duesenberg.de/en/guitars specials/pomona-6-lapsteel.html. (63) Continuation-in-part of application No. 14/640,693, (Continued) filed on Mar. 6, 2015, now Pat. No. 9,299,323. Primary Examiner — Robert W Horn (51) Int. -
Fftuner Basic Instructions. (For Chrome Or Firefox, Not
FFTuner basic instructions. (for Chrome or Firefox, not IE) A) Overview B) Graphical User Interface elements defined C) Measuring inharmonicity of a string D) Demonstration of just and equal temperament scales E) Basic tuning sequence F) Tuning hardware and techniques G) Guitars H) Drums I) Disclaimer A) Overview Why FFTuner (piano)? There are many excellent piano-tuning applications available (both for free and for charge). This one is designed to also demonstrate a little music theory (and physics for the ‘engineer’ in all of us). It displays and helps interpret the full audio spectra produced when striking a piano key, including its harmonics. Since it does not lock in on the primary note struck (like many other tuners do), you can tune the interval between two keys by examining the spectral regions where their harmonics should overlap in frequency. You can also clearly see (and measure) the inharmonicity driving ‘stretch’ tuning (where the spacing of real-string harmonics is not constant, but increases with higher harmonics). The tuning sequence described here effectively incorporates your piano’s specific inharmonicity directly, key by key, (and makes it visually clear why choices have to be made). You can also use a (very) simple calculated stretch if desired. Other tuner apps have pre-defined stretch curves available (or record keys and then algorithmically calculate their own). Some are much more sophisticated indeed! B) Graphical User Interface elements defined A) Complete interface. Green: Fast Fourier Transform of microphone input (linear display in this case) Yellow: Left fundamental and harmonics (dotted lines) up to output frequency (dashed line). -
Manual V1.0B
An Impact Soundworks Instrument for Kontakt Player 5.7+ Produced by Dimitris Plagiannis User Manual v1.0b CONTENTS INTRODUCTION 2 INSTALLATION 3 USER INTERFACE 4 PERFORMANCE CONTROLS 5 VOICE MODE 5 ARTICULATION 5 FRET POSITION 6 TONIC 6 VOLUME PEDAL 6 VIBRATO MODE 7 VIBRATO DEPTH 7 AUTO VIBRATO DELAY 7 AUTO VIBRATO ATTACK 7 AUTO VIBRATO RELEASE 7 PREFERENCES 8 RELEASE VOLUME 8 NOISE VOLUME 8 NOISE CHANCE 9 POLY LEGATO THRESHOLD 9 POLY LEGATO PRIORITY 9 SAMPLE OFFSET 9 ROUND ROBIN 10 PITCH BEND RANGE 10 HUMANIZE PITCH 10 HUMANIZE TIMING 10 EXP > VOLUME TABLE 11 VEL > PORTA TABLE 11 VEL > HARM VOL TABLE 12 TEMPERAMENT TABLE 13 HARMONIZATION 13 HARMONY 14 CAPTIONS 14 OPERATION TIPS 14 CREDITS 15 TROUBLESHOOTING 15 COPYRIGHT & LICENSE AGREEMENT 15 OVERVIEW 15 AUTHORIZED USERS 16 A. INDIVIDUAL PURCHASE 16 B. CORPORATE, ACADEMIC, INSTITUTIONAL PURCHASE 16 SCOPE OF LICENSE 16 OWNERSHIP, RESALE, AND TRANSFER 17 INTRODUCTION The pedal steel guitar’s journey to Nashville began in the Hawaiian Islands. Islanders would take an old guitar, lose the frets, raise the strings, and then slide the dull edge of a steel knife to sound wavering chords up and down the strings. Further tinkering led to the invention of the Dobro, the classic bluegrass instrument. The Dobro eventually morphed into the lap steel, which when electrified was one of the first electric guitars, and along with the ukulele became one of the signature sounds of Hawaii. After pedals were added to the lap steel, pedal modifications developed until the standardized pedal steel was born. Unlike the lap steel, the pedal steel guitar is not limited in its voicings – it allows for an unlimited amount of inversions and chords. -
DP990F E01.Pdf
* 5 1 0 0 0 1 3 6 2 1 - 0 1 * Information When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below. PHILIPPINES CURACAO URUGUAY POLAND JORDAN AFRICA G.A. Yupangco & Co. Inc. Zeelandia Music Center Inc. Todo Musica S.A. ROLAND POLSKA SP. Z O.O. MUSIC HOUSE CO. LTD. 339 Gil J. Puyat Avenue Orionweg 30 Francisco Acuna de Figueroa ul. Kty Grodziskie 16B FREDDY FOR MUSIC Makati, Metro Manila 1200, Curacao, Netherland Antilles 1771 03-289 Warszawa, POLAND P. O. Box 922846 EGYPT PHILIPPINES TEL:(305)5926866 C.P.: 11.800 TEL: (022) 678 9512 Amman 11192 JORDAN Al Fanny Trading O ce TEL: (02) 899 9801 Montevideo, URUGUAY TEL: (06) 5692696 9, EBN Hagar Al Askalany Street, DOMINICAN REPUBLIC TEL: (02) 924-2335 PORTUGAL ARD E1 Golf, Heliopolis, SINGAPORE Instrumentos Fernando Giraldez Roland Iberia, S.L. KUWAIT Cairo 11341, EGYPT SWEE LEE MUSIC COMPANY Calle Proyecto Central No.3 VENEZUELA Branch O ce Porto EASA HUSAIN AL-YOUSIFI & TEL: (022)-417-1828 PTE. LTD. Ens.La Esperilla Instrumentos Musicales Edifício Tower Plaza SONS CO. 150 Sims Drive, Santo Domingo, Allegro,C.A. Rotunda Eng. Edgar Cardoso Al-Yousi Service Center REUNION SINGAPORE 387381 Dominican Republic Av.las industrias edf.Guitar import 23, 9ºG P.O.Box 126 (Safat) 13002 MARCEL FO-YAM Sarl TEL: 6846-3676 TEL:(809) 683 0305 #7 zona Industrial de Turumo 4400-676 VILA NOVA DE GAIA KUWAIT 25 Rue Jules Hermann, Caracas, Venezuela PORTUGAL TEL: 00 965 802929 Chaudron - BP79 97 491 TAIWAN ECUADOR TEL: (212) 244-1122 TEL:(+351) 22 608 00 60 Ste Clotilde Cedex, ROLAND TAIWAN ENTERPRISE Mas Musika LEBANON REUNION ISLAND CO., LTD. -
Alternate Tuning Guide
1 Alternate Tuning Guide by Bill Sethares New tunings inspire new musical thoughts. Belew is talented... But playing in alternate Alternate tunings let you play voicings and slide tunings is impossible on stage, retuning is a between chord forms that would normally be nightmare... strings break, wiggle and bend out impossible. They give access to nonstandard of tune, necks warp. And the alternative - carry- open strings. Playing familiar fingerings on an ing around five special guitars for five special unfamiliar fretboard is exciting - you never know tuning tunes - is a hassle. Back to EBGDAE. exactly what to expect. And working out familiar But all these "practical" reasons pale com- riffs on an unfamiliar fretboard often suggests pared to psychological inertia. "I've spent years new sound patterns and variations. This book mastering one tuning, why should I try others?" helps you explore alternative ways of making Because there are musical worlds waiting to be music. exploited. Once you have retuned and explored a Why is the standard guitar tuning standard? single alternate tuning, you'll be hooked by the Where did this strange combination of a major unexpected fingerings, the easy drone strings, 3rd and four perfect 4ths come from? There is a the "new" open chords. New tunings are a way to bit of history (view the guitar as a descendant of recapture the wonder you experienced when first the lute), a bit of technology (strings which are finding your way around the fretboard - but now too high and thin tend to break, those which are you can become proficient in a matter of days too low tend to be too soft), and a bit of chance. -
VS-1 Virtual Strobe Tuner Guitar & Bass Supplement
peterson V-SAM Virtual Strobe Audio Metronome™ Tuner Quick Start for Guitar/Bass/Steel Guitar Whether you are new to Strobe Tuning or have previously owned a Peterson tuner, thank you for making Peterson your choice of tuner this time. The Peterson company is the sole manufacturer of true strobe tuners and is dedicated to the design and production of tuners that meet the expectations of the world’s most discerning ears. 2 Peterson V-SAM Guitar, Bass and Steel Guitar Guide Contents Page The basics ------------------------------------------------------------------- 4 Using the V-SAM for guitar & Bass ----------------------------------------- 5 Intonation ------------------------------------------------------------------ 6 Transposed Guitar Tuning --------------------------------------------------- 6 A word about temperaments ---------------------------------------------- 7 Using GTR temperament For Guitar ---------------------------------------- 7 Using BAS temperament For Bass ------------------------------------------ 8 Using S-E9 & S-C6 temperament For Steel Guitar ------------------------ 8 Using JST temperament For Dobro & Slide Guitar ------------------------- 9 Programming your V-SAM -------------------------------------------------10 Universal E9/B6 tuning for Steel guitar ----------------------------------- 10 How to use your tuner with the Buzz Feiten Tuning System® --------- 11 How to use your tuner with the Earvana Compensated Nut™ ------------ 11 Using the Metronome ----------------------------------------------------- 12 Using -
Overview Guitar Models
14.04.2011 HOHNER - HISTORICAL GUITAR MODELS page 1 [54] Image Category Model Name Year from-to Description former retail price Musima Resonata classical; beginners guitar; mahogany back and sides Acoustic 129 (730) ca. 1988 140 DM (1990) with celluloid binding; 19 frets Acoustic A EAGLE 2004 Top Wood: Spruce - Finish : Natural - Guitar Hardware: Grover Tuners BR CLASSIC CITY Acoustic 1999 Fingerboard: Rosewood - Pickup Configuration: H-H (BATON ROUGE) electro-acoustic; solid spruce top; striped ebony back and sides; maple w/ abalone binding; mahogany neck; solid ebony fingerboard and Acoustic CE 800 E 2007 bridge; Gold Grover 3-in-line tuners; shadow P7 pickup, 3-band EQ; single cutaway; colour: natural electro-acoustic; solid spruce top; striped ebony back and sides; maple Acoustic CE 800 S 2007 w/ abalone binding; mahogany neck; solid ebony fingerboard and bridge; Gold Grover 3-in-line tuners; single cutaway; colour: natural dreadnought western guitar; Gruhn design; 20 nickel silver frets; rosewood veneer on headstock; mahogany back and sides; spruce top, Acoustic D 1 ca. 1991 950 DM (1992) scalloped bracings; mahogany neck with rosewood fingerboard; satin finish; Gotoh die-cast machine heads dreadnought western guitar; Gruhn design; rosewood back and sides; spruce top, scalloped bracings; mahogany neck with rosewood Acoustic D 2 ca. 1991 1100 DM (1992) fingerboard; 20 nickel silver frets; rosewood veneer on headstock; satin finish; Gotoh die-cast machine heads Top Wood: Sitka Spruce - Back: Rosewood - Sides: Rosewood - Guitar Acoustic -
Pedagogical Practices Related to the Ability to Discern and Correct
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2014 Pedagogical Practices Related to the Ability to Discern and Correct Intonation Errors: An Evaluation of Current Practices, Expectations, and a Model for Instruction Ryan Vincent Scherber Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC PEDAGOGICAL PRACTICES RELATED TO THE ABILITY TO DISCERN AND CORRECT INTONATION ERRORS: AN EVALUATION OF CURRENT PRACTICES, EXPECTATIONS, AND A MODEL FOR INSTRUCTION By RYAN VINCENT SCHERBER A Dissertation submitted to the College of Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2014 Ryan V. Scherber defended this dissertation on June 18, 2014. The members of the supervisory committee were: William Fredrickson Professor Directing Dissertation Alexander Jimenez University Representative John Geringer Committee Member Patrick Dunnigan Committee Member Clifford Madsen Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii For Mary Scherber, a selfless individual to whom I owe much. iii ACKNOWLEDGEMENTS The completion of this journey would not have been possible without the care and support of my family, mentors, colleagues, and friends. Your support and encouragement have proven invaluable throughout this process and I feel privileged to have earned your kindness and assistance. To Dr. William Fredrickson, I extend my deepest and most sincere gratitude. You have been a remarkable inspiration during my time at FSU and I will be eternally thankful for the opportunity to have worked closely with you. -
Yamaha Acoustic Guitar Owner's Manual
アコースティックギター 持込修理 保 証 書 This warranty is valid only in Japan. Acoustic Guitar Akustikgitarre Guitare acoustique 取扱説明書 この度はヤマハギターをお買い上げ戴きましてありがとうございました。 Owner’s Manual Bedienungsanleitung Mode d’emploi 本書は、保証規定により無料修理を行なう事をお約束するものです。 お買上げの日から下記期間中に故障が発生した場合は、本書をご提示の上、お買 上げの販売店に修理をご依頼ください。( 詳細は下記をご覧ください。) このたびは、ヤマハギターをお買い求めいただきまして、まことにありがとうございます。優れた性能を充分 Thank you for purchasing this Yamaha Guitar. Zunächst einmal vielen Dank dafür, dass Sie sich für diese Yamaha Gitarre entschieden haben. Nous vous remercions d’avoir acquis une guitare Yamaha. に発揮させると共に、いつまでも支障なくお使いいただくため、ご使用の前にこの取扱説明書をよくお読みに To get the most out of this fine instrument, and to use it in a safe manner, we urge you to read this Damit Sie das Potenzial dieses hochwertigen Instruments voll ausschöpfen können und es auf Pour tirer le meilleur parti de ce bel instrument de musique et l’utiliser en toute sécurité, nous vous なってください。以下の「安全へのこころがけ」には、思わぬけがや事故を未然に防ぐための注意が書かれて Owner’s Manual before using the instrument. sichere Weise nutzen, sollten Sie sich vor dem Spielen des Instruments die Zeit nehmen, die invitons à lire attentivement ce mode d’emploi préalablement à toute autre chose. Les consignes The cautions given in the following Safety Precautions section are provided to prevent unexpected injuries vorliegende Anleitung aufmerksam durchzulesen. Die Vorsichtshinweise im nachstehenden Abschnitt mentionnées dans la section qui suit, Précautions de sécurité, sont avant tout destinées à vous éviter ヤマハギター ※ 品番 ※ 製番 います。内容をご理解の上、この製品を正しく安全にお使いいただきますようお願いいたします。 or accidents. Please understand each of the cautions and use the instrument in a safe and proper manner. „Vorsichtsmaßregeln“ sollen Ihnen helfen, mögliche Verletzungen oder Unfälle zu vermeiden. Bitte prägen accidents ou blessures. Respecter ces consignes et utiliser l’instrument de la manière convenable. ご住所 〒 Sie sich die einzelnen Vorsichtsmaßregeln ein und achten Sie auf einen sicheren und vorschriftsmäßigen Gebrauch des Instruments. -
Fingerstyle Guitar Arrangements
The Heritage Fingerstyle Guitar Arrangements Includes FREE CD! By Stuart Ryan The Heritage An Overview PICKING HAND TECHNIQUES There are several diferent approaches to the picking must ensure your fretting hand is clean and accurate hand that you will encounter in this book. Pieces so you can really keep these strings sounding. When like ‘Amazing Grace’ rely on the traditional ‘pima’ building your own arrangements you’ll fnd DADGAD is fngerpicking approach. In this system the thumb is ideal for pieces from the Irish and Scottish canon (and typically used to pluck the 6th, 5th and 4th strings whilst beyond) but you may come to a point where you fnd it the index, middle and ring fngers pluck 3rd, 2nd and always drags you to the key of D so make sure you try 1st strings respectively. Of course there are variations arranging in some other keys when using this tuning! on these patterns and sometimes the fngers move to diferent strings but if you come from a traditional Standard tuning is ideal for pieces requiring walking fngerpicking background then you will probably be basslines or chords that are commonly associated with already familiar with this approach. Other pieces like Gospel and Blues and you’ll fnd this used on pieces ‘Since I Lay My Burden Down’ rely on the traditional like ‘Amazing Grace’ and ‘Swing Low Sweet Chariot.’ American blues/Travis picking system where the thumb A close cousin of Standard tuning is Drop D where the is used to pluck alternating basslines on the 6th, 5th and 6th string is lowered a tone from E to D. -
11 Things You Need to Know Before You Buy a New Guitar
11 Things You Need to Know Before You Buy a New Guitar Kevin Downing Kevin Downing is a guitarist, teacher and author. He writes for the New Zealand Musician Musician and Guitar Teacher magazines. He can be contacted on (06) 357 0057, through his website at www.guitar.co.nz or P O Box 4586, Palmerston North, 4442, New Zealand. Copyright © Kevin Downing 2013 No part of this publication may be reproduced, or transmitted in any form without the written permission of the author. Contents Introduction 3 Eleven Things You Need to Know Before You Buy a New Guitar Buy the Best Guitar You Can Afford 4 What Makes a Good Quality Guitar? 5 Quality Guitar Manufacturers 6 Many Models 7 How Do I Choose A Model for Me? 7 The Difference Between New and Second-hand Guitars 7 Buying the Right Guitar for the Job 9 Try It Out Before You Buy 10 Always Pick a Guitar Because it Sounds Great 11 Getting a Second-hand Purchase Checked Out 11 Buy Quality Accessories 12 The Difference Between Cases 12 Always Have an Electronic Tuner 13 Always Know the String Gauge 13 What to Do When You Need to Sell 14 Conclusion 14 2 © Kevin Downing 2013 Introduction The reason I have written this report is because a lot of people just do not know how to go about buying their first guitar. Even people who have been playing for a while and are buying their second or third guitar are sometimes unsure if what they are doing is right.