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Historical Organ-Recitals
Hl~ I LLNO I S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Brittle Books Project, 2011. COPYRIGHT NOTIFICATION In Copyright. Reproduced according to U.S. copyright law USC 17 section 107. Contact dcc(&Iibrary.uiuc.edu for more information. This digital copy was made from the printed version held by the University of Illinois at Urbana-Champaign. It was made in compliance with copyright law. Prepared for the Brittle Books Project, Preservation Department, Main Library, University of Illinois at Urbana-Champaign by Northern Micrographics Brookhaven Bindery La Crosse, Wisconsin 2011 . , . ' . OF THE UN IVERS ITY Of ILLINOIS M-76.8G.. 6G4lI music i OF THE JOSEPH BNNET H ISTORICAL O RG.AN-RECITALS IN FIVEVOLUMES iForerunnersof Bach- 2Joan n Sebastian Bac 4.Roman ero:Schu- 3'Handel, .. Mozart, and- mann, Mendelssoh'n, Liszt' Mlastrsofthe.,XVIIIhA SM ern Csar anderl Ith- centure Fran~k toMax.Reger Pice,each,$.00 Eited, an nnotated by JOSEPH;BONET Organist..ofq t . Eustache aris. -,and of: La So ci ettides Concer ts: du-Consgrvatoire. G. SlCH.JEIRMER.. INC . NEW '.YORK JOSEPH BONNET HISTORICAL ORGAN-RECITALS IN FIVE VOLUMES VOL. V Modern Composers: Cesar Franck to Max Reger Eighteen Pieces for Organ Collected, Edited and Annotated by JOSEPH BONNET Organist of St. Eustache, Paris and of La Sociti des Concerts du Conservatoire G. SCHIRMER INC., NEW YORK Copyright, 1929, by G. Schirmer, Inc. 33517 Printed in the U. -S. A. To MR. LYNNWOOD FARNAM. PREFACE It will always be a matter of regret to the organistic world that Beethoven's genius did not lead him to write for the organ. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Volume 17, Number 05 (May 1899) Winton J
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 5-1-1899 Volume 17, Number 05 (May 1899) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 17, Number 05 (May 1899)." , (1899). https://digitalcommons.gardner-webb.edu/etude/437 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. ^CONTENTS* AMERICAN NUMBER WITH SUPPLEMENT Music ftn<l the American Public. Robert Braine.131 American Virtuosi. J. S. Van Cleve,.133 American Composers. Richard Aldrich.136 The American as a Theorist. H. C. MacDougall, . 137 American Students J F. Cooke.137 The Foundations of Musical America. IF. S. D. Mathews, 138 American Impatience. Ilarvey Wickham.139 Americans in Musical Literature. IF. F. Oates, .... 140 Development of the Military Sand in the United States. W.H.Dana.. 141 American Musical Instruments. Fanny Morris Smith, . 142 The Music Trades of America. Leonard Liehling, . 143 Progress of Middle West in Musical Art. E R. Kroeger, 145 Will American Composition ever Possess a Distinctive Accent? E. -
THE FOUNDERS of the AGO—WHO WERE THEY? Barbara Owen, Chm
AMERICAN GUILD OF ORGANISTS CENTENNIAL THE FOUNDERS OF THE AGO—WHO WERE THEY? Barbara Owen, ChM Their names crop up on old anthems that have not been sung for years, and sprightly organ variations played at Organ Historical Society conventions. Go back far enough in old issues of The Diapason or the “original” The American Organist and their stiffly :‘ posed likenesses peer back at you from the V yellowed pages. An occasional plaque in some metropolitan church serves as a re ‘I minder that their fingers once touched the keys of an organ there. - Many of them were giants in their day, - . .• men (they were mostly men) to be reckoned ,:_ ‘ with at an organ console or on a podium. A surprising number are mentioned in the 1935 Grove’s Dictionary or its American Supplement, as well as in other standard sources. Most of them were from the eastern cities, but places as far away as Colorado and California are represented, and one Founder was a Canadian. Most had good Anglo-Sax- on surnames, but there is also a smattering of names betraying German, French, Scandina d’Indy FRANKLIN BASSETT. b. 1852 Wheeling, W.Va.; vian, and Italian origins. And of the 145 that 0: Churches in Meadville, Pa., and Toledo, Ohio, d. 1915 were designated as “Founders” on the final 1879—86 5: Reinecke in Leipzig day of 1896, a tiny minority—four, in fact— First Congregational Church, Oberlin, Ohio 0: First Methodist Church, Plymouth Church, St. were women. Two Founders died durirtg the Second Congregational Church, Oberlin, Ohio Paul’s Church, Cleveland, Ohio year following the founding of the Guild, but T: Oberlin Conservatory 1886; Prof. -
Century Music Arr. by Albert Beeker, Ed
BIBLIOGRAPHY OF SCORES AND RECORDINGS IN THE CLARENCE DICKINSON COLLECTION OF CHURCH MUSIC WILLIAM CAREY COLLEGE HATTIESBURG, MISSISSIPPI I MANUSCRIPTS OF WORKS COMPOSED OR ARRANGED BY CLARENCE DICKINSON (Some Include a Copy of the Published Work) [Many with Dickinson’s Notations] [Filed Alphabetically by Title in Locked Drawers of Display Cabinet] [Miscellaneous Sketches Filed in Archive Box 67] A Christmas Round with Bells, arr. by Clarence Dickinson. Three equal vocal groups with bells. A Grace for a Child, words by Robert Herrick, music by Clarence Dickinson. Solo with Piano accompaniment. A Little Christmas Song, English text by Helen A. Dickinson, 16th century music arr. by Albert Beeker, ed. by Clarence Dickinson. SATB with accompaniment (for rehearsal). A Lovely Rose is Blooming, English text by Helen A. Dickinson; music by Michael Praetorius, arr. by Clarence Dickinson. TTBB with accompaniment (for rehearsal). A Natal Hymn, words and music by Clarence Dickinson. Solo with piano. A Song in Praise of Laziness, English text by Helen A. Dickinson, music by Joseph Haydn, ed. by Clarence Dickinson. Baritone solo with Male Chorus and Piano. A Song of Love, words by Sidney Lanier, music by Clarence Dickinson. Medium Voice with Piano accompaniment. Ach Herr, lass dein lieben Engelein, by Franz Tunder [possibly arr. by Clarence Dickinson, although no credit line is given]. For Soprano with strings and continuo. This manuscript is a transcription for organ. Adagio Sostenuto, by Ludwig van Beethoven, ed. by Clarence Dickinson, for Organ. All Hail the Virgin’s Son, arr. for The Mendelssohn Club by Clarence Dickinson. TTBB unaccompanied. An Angel Spake Unto the Shepherds, by Franz Liszt, ed. -
Jan Kraybill
THE ORCHESTRAL ORGAN JAN KRAYBILL TChaiKOvsKY JÄrnefelT menDelssOhn sainT-saËns BarBer gOunOD hOlsT siBelius ŘezníčeK Wagner verDi The Julia irene Kauffman Organ CasavanT frères Op. 3875 A ‘PROF’ JOHNSON 24-BIT RECORDING As a performer, I treasure moments when a composition, an instrument, or an audience teaches me something new or causes me to think differently about a piece of music, so that my post-concert journey is changed by the interaction. My aim for each performance is to similarly teach and shape listeners, so that when audiences depart they are changed somehow, whether by hearing a new-to-them composition, gaining a new insight into a composer’s story, or being inspired by a different view of a familiar piece. In the same way, the art of organ transcription is inspired by orchestral composers and their works, and in turn, creates new impressions of these compositions. I am pleased to collaborate with the talented artists at Reference Recordings again to create this second solo recording of the Julia Irene Kauffman pipe organ. This unique instrument, created by organ-building artists at Casavant Frères and shaped by the visually and acoustically gorgeous Helzberg Hall at the Kauffman Center for the Performing Arts in Kansas City, Missouri, offers distinctive voices and the most exceptional dynamic range of any organ in my experience. These and its many other capabilities allowed us to explore the rich repertoire of orchestral transcriptions for organ. The producers for this album, Marina and Victor Ledin, were invaluable in their research, repertoire suggestions, and enthusiasm for the project.