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LAURA PERROTTA AEA/AFTRA/SAG Phone: (216) 536-2490 Height: 5’5” Hair: Brown Weight: 125 lbs. Eyes: Blue E-mail: [email protected] The Acting Company – National Tour LOVE’S LABOURS LOST Princess of France Paul Giovanni TALK TO ME LIKE THE RAIN Woman Michael Kahn THE LONG GOODBYE Myra Michael Kahn MUCH ADO ABOUT NOTHING Hero Gerald Gutierrez KABUKI MACBETH Malcolm Shozo Sato BOY MEETS GIRL Suzie Seabrook Brian Murray Off-Broadway WHISPERS ON THE WIND Various Roles Westside Theatre/Lisa Seldin Regional THE DIARY OF ANNE FRANK Petronella Van Daan Cleveland Playhouse/Laura Kepley TWELFTH NIGHT Maria Great Lakes Theater/ Idaho Shakespeare Festival/Drew Barr AND THEN THERE WERE NONE Emily Brent Great Lakes/Idaho Shakespeare/Charles Fee STEEL MAGNOLIAS M’Lynne Idaho Shakespeare/Sari Ketter A CHRISTMAS STORY Miss Shields Cleveland Playhouse/John McCluggage HEARTBREAK HOUSE Hesione Mamai Theater ‘NIGHT MOTHER Jessie Beck Center for the Arts/Scott Plate THE LITTLE DOG LAUGHED Diane Beck Center for the Arts/Scott Plate Cleveland Critics’ Circle 2012 - Best Actress AN IDEAL HUSBAND Mrs. Cheveley Great Lakes/Idaho Shakespeare/Sari Ketter OTHELLO Emila Greak Lakes/Idaho Shakespeare/Risa Brainin THE SEAGULL Irina Arkadina Great Lakes/Idaho Shakespeare/Drew Barr TARTUFFE Dorine Great Lakes/Drew Barr A FUNNY THING HAPPENED… Domina Great Lakes/Idaho Shakespeare/Victoria Bussert THE MYSTERY OF EDWIN DROOD Princess Puffer Great Lakes/Idaho Shakespeare/Victoria Bussert THE CRUCIBLE Elizabeth Proctor Great Lakes/Idaho Shakespeare/Drew Barr ALL’S WELL THAT ENDS WELL The Countess Great Lakes/Charles Fee HAY FEVER Myra Arundel Great Lakes/Idaho Shakespeare/Charles Fee MEASURE FOR MEASURE Mariana Great Lakes/Idaho Shakespeare/Risa Brainin KING LEAR Regan Great Lakes/Idaho Shakespeare/Risa Brainin ARSENIC AND OLD LACE Martha Great Lakes/Idaho Shakespeare/Drew Barr HAMLET Gertrude Great Lakes/Charles Fee ROMEO AND JULIET Lady Capulet Great Lakes/Daniel Fish THE COMEDY OF ERRORS The Courtesan Great Lakes/Idaho Shakespeare/Charles Fee PRIVATE LIVES Amanda Prynne Great Lakes/Victoria Bussert THE TAMING OF THE SHREW Katherina Great Lakes/Idaho Shakespeare/Drew Barr MACBETH Lady Macbeth Great Lakes/Idaho Shakespeare/Charles Fee ARMS AND THE MAN Louka Great Lakes/Charles Fee MACBETH Lady Macduff Great Lakes/James Bundy THE WILD DUCK Ensemble (u/s Gina) Great Lakes/Bill Rauch JOCASTA (World Premiere) Jocasta The Cleveland Playhouse/Eric Schneidel STEEL MAGNOLIAS M’Lynn Eaton Porthouse Theatre/Shelly Butler HEDDA GABLER Hedda Moving Spaces/Sonya Robbins UNCLE VANYA Yelena Cleveland Theatre Company/Tom Fulton Training Acting: Robert Lewis, Nikos Psacharopoulos, Robert W. Smith (Shakespeare), Boris Tobokov (Chekhov) Voice: William Maloney, Felix Knight, Joan Ellison Dance: William Burdick (Period Movement) Siti Company Winter Intensive 2010.

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1 Much Ado About Nothing, Pericles, Antony and Cleopatra, and Head Over Heels, Presented by the Oregon Shakespeare Festival
Much Ado About Nothing, Pericles, Antony and Cleopatra, and Head over Heels, presented by the Oregon Shakespeare Festival, February-November 2015. Geoff Ridden [email protected] Much Ado About Nothing. Director: Lileana Blain-Cruz. With Danforth Comins (Benedick), Christiana Clark (Beatrice), and Rex Young (Dogberry). Pericles. Director: Joseph Haj. With Wayne T. Carr (Pericles) and Jennie Greenberry (Marina). Antony and Cleopatra. Director: Bill Rauch. With Derrick Lee Weeden (Antony), Miriam Laube (Cleopatra), and Jeffrey King (Enobarbus). Head over Heels. Written by Jeff Whitty. Based on Arcadia by Sir Philip Sidney. Music and lyrics: The Go-Go’s. Director: Ed Sylvanus Iskandar. With Michael Sharon (Basilius), Miriam Laube (Gynecia), and Bonnie Milligan (Pamela). This season, only three of the eleven Oregon Shakespeare Festival productions were of Shakespeare plays: one in each theatre. This was an unusually small number, especially since this season marked the beginning of a pledge to stage the entire canon in a decade (in contrast, the 2016 season promises five Shakespeare plays). However, the company did include one other production of interest to early modernists: a musical adaptation of tales from Sir Philip Sidney’s Arcadia. There were other causes for regret this season. Several performances at the outdoor theatre had to be cancelled: one in July because of a flash flood, and a number later in the summer because of smoke drifting in from nearby forest fires. Even more sadly, just before the season ended, Catherine E. Coulson died. She was in her twenty-second season at the Festival, although she was probably better known for her role as the Log Lady in 1 Twin Peaks.
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Franchelle Stewart Dorn, M.F.A
FRANCHELLE STEWART DORN, M.F.A. 4216 Scales St. Office: (512) 232-7097 Austin, Texas 78723 Home: (512) 840-0075 _______________________________________________________________________ [email protected] CURRENT POSITION The University of Texas at Austin, Department of Theatre and Dance, Virginia L. Murchison Regents Professor. Teach scene study method loosely based on Stanislavsky technique at the undergraduate levels. Specializing in acting Shakespeare. EDUCATION Yale University School of Drama, New Haven, M.F.A. in Acting, 1975 Finch College, New York City, BA in Theatre Arts, 1972 Ineamus Meliora Honor Society. Concentration in Acting/Theater History. EXPERIENCE • Teacher. Forty-five years teaching acting for the stage at several universities and conservatories. • Actor. Forty-five years professional work on regional stage, on television and in film. Current union member of AEA, AFTRA and SAG. • Producer. Eight years as educational film producer. Own company. • Artistic Director/Executive Vice President. Co-founder and co-designer of the first on-line theatrical company. Own company. (Detailed information on the following pages) 1 TEACHING University of Texas at Austin, Department of Theatre and Dance: Virginia L Murchison Regents Professor, January 2000 – present TD 303S Acting for Non-Majors. An overview of modern American realism. The course utilizes games, improvisations, exercises (vocal and physical), open scenes and published contemporary plays to introduce students to basic acting techniques. TD 313C Acting I. Non-text based process. Exploration of the actor’s instrument – body, voice, imagination. Learn the rudiments of emotion, endowing properties and space, finding objectives, action and obstacles. Learn to follow impulses and interact with a partner. TD 313D Acting II.
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At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers.
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Robert Schenkkan's All the Way Directed by Bill Rauch to Open A.R.T.'S 2013-14 Season Play Wins Inaugural Kennedy Prize
For Immediate Release: March 15. 2013 Contact: Kati Mitchell 617-495-2668 [email protected] Robert Schenkkan’s All The Way Directed by Bill Rauch to Open A.R.T.’s 2013-14 Season Play Wins inaugural Kennedy Prize for Drama Cambridge, MA The American Repertory Theater (A.R.T.) at Harvard University is pleased to announce award-winning playwright Robert Schenkkan’s new play All The Way will open the A.R.T.’s 2013-14 Season at the Loeb Drama Center and begin performances on September 13, 2013. The production will be directed by Bill Rauch, Artistic Director of the Oregon Shakespeare Festival (OSF). All the Way was recently awarded the inaugural Edward M. Kennedy Prize for Drama Inspired by American History, established in honor of the late Senator Kennedy, honoring new play or musical exploring US history and issues of the day. It was commissioned by the Oregon Shakespeare Festival’s American Revolutions: the United States History Cycle and premiered at OSF in 2012. 1963. An assassin’s bullet catapults Lyndon Baines Johnson into the presidency. A Shakespearean figure of towering ambition and appetite, the charismatic, conflicted Texan hurls himself into Civil Rights legislation, throwing the country into turmoil. Alternately bullying and beguiling, he enacts major social programs, faces down opponents and wins the 1964 election in a landslide. But in faraway Vietnam, a troublesome conflict looms. In the Pulitzer Prize–winning playwright’s vivid dramatization of LBJ’s first year in office, means versus ends plays out on a broad stage canvas as politicians and civil rights leaders plot strategy and wage war.
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Transcript of “Multi-‐‑Cultural Shakespeare”
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Michael Mueller Email: [email protected] / Website: Phone: (208) 570-3096 / Location: Grand Rapids, MI U.S.A
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The Oregon Shakespeare Festival Production Of
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Inclusive Shakespeare
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By Robert Schenkkan Directed by Francine Thomas Reynolds Oct 21-Nov 2, 2014
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