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RICHARD ISRAEL Phone: (323) 493-5532 -- Email: [email protected] Richardisraeldirector.Com
RICHARD ISRAEL phone: (323) 493-5532 -- email: [email protected] richardisraeldirector.com • Los Angeles Drama Critics Circle Milton Katselas Award for Career or Special Achievement In Direction • LA Stage Alliance Ovation Award Winner for Best Direction of A Musical, VIOLET • LA Stage Alliance Ovation Award Winner for Best Direction of A Musical, FLOYD COLLINS • LA Stage Alliance Ovation Award Winner for Outstanding Musical in a Large Venue, FLOYD COLLINS • LA Stage Alliance Ovation Award Winner for Outstanding Musical in a Small Venue, 110 IN THE SHADE Upcoming: She Loves Me San Diego Musical Theatre 2020 Rocket Science (In Development) CCM Incubator 2020 Mamma Mia 5-Star Theatricals 2020 A Man Of No Importance The Actor’s Co-op 2020 Film Experience Into Light Musical Short Film 2019 • Honorable Mention – Independent Shorts Awards – Best First Time Director Big Little Lies (Theatrical Coordinator) HBO FILMS/Jean Marc Vallee 2016 NY Theatre Jewel In The Desert (Kevin McCollum-Prod.) In Development 2019 A Very Brady Musical (Broadway & Beyond) In Development 2019 Home Street Home (Kevin McCollum-Prod.) New York Workshop 2018 From Foster Care To Fabulous NY Fringe Festival 2016 Regional and L.A.: Evita In Concert Palos Verdes Performing Arts 2019 The Mollyhouse The Montalban Theatre 2019 The World Goes Round Reprise 2.0 2018 Calvin Berger The Hudson Backstage 2018 Violet The Actor’s Co-Op 2018 • Winner, LA Stage Alliance Ovation Award for Direction of a Musical • Nominated, LA Stage Alliance Ovation Award for Best Production of -
PLAYHOUSE SQUARE January 12-17, 2016
For Immediate Release January 2016 PLAYHOUSE SQUARE January 12-17, 2016 Playhouse Square is proud to announce that the U.S. National Tour of ANNIE, now in its second smash year, will play January 12 - 17 at the Connor Palace in Cleveland. Directed by original lyricist and director Martin Charnin for the 19th time, this production of ANNIE is a brand new physical incarnation of the iconic Tony Award®-winning original. ANNIE has a book by Thomas Meehan, music by Charles Strouse and lyrics by Martin Charnin. All three authors received 1977 Tony Awards® for their work. Choreography is by Liza Gennaro, who has incorporated selections from her father Peter Gennaro’s 1977 Tony Award®-winning choreography. The celebrated design team includes scenic design by Tony Award® winner Beowulf Boritt (Act One, The Scottsboro Boys, Rock of Ages), costume design by Costume Designer’s Guild Award winner Suzy Benzinger (Blue Jasmine, Movin’ Out, Miss Saigon), lighting design by Tony Award® winner Ken Billington (Chicago, Annie, White Christmas) and sound design by Tony Award® nominee Peter Hylenski (Rocky, Bullets Over Broadway, Motown). The lovable mutt “Sandy” is once again trained by Tony Award® Honoree William Berloni (Annie, A Christmas Story, Legally Blonde). Musical supervision and additional orchestrations are by Keith Levenson (Annie, She Loves Me, Dreamgirls). Casting is by Joy Dewing CSA, Joy Dewing Casting (Soul Doctor, Wonderland). The tour is produced by TROIKA Entertainment, LLC. The production features a 25 member company: in the title role of Annie is Heidi Gray, an 11- year-old actress from the Augusta, GA area, making her tour debut. -
The Boy from Oz Music and Lyrics by Peter Allen Book by Martin Sherman and Nick Enright with (In Alphabetical Order) Andrew Bongiorno, Michayla Brown, Marcus S
and Bruce W. Zisterer present in association with Nicholas Caprio, Michael C. Kricfalusi, Todd Milliner, and Jack Morrissey The Boy From Oz Music and Lyrics by Peter Allen Book by Martin Sherman and Nick Enright with (in alphabetical order) Andrew Bongiorno, Michayla Brown, Marcus S. Daniel, Michael Taylor Gray*, Erica Hanrahan-Ball*, Kelly Lester*, Chelsea Martin, Michael Mittman, Nathan Mohebbi, Bess Motta, Jessica Pennington*, Shanta’ Marie Robinson Scenic Designer Lighting Designer Costume Designer Yuri Okahana Derrick McDaniel Michael Mullen Properties Designer Sound Designer Hair and Wig Designer Michael O’Hara Eric Snodgrass Byron Batista Marketing/PR Casting David Elzer/DEMAND PR Jami Rudofsky Production Stage Manager Graphic Designer Photographers Jennifer Leigh Sears* Huntley Woods Casey Kringlen and Kevin McIntyre Assistant Director Associate Producer Assistant Choreographer Kyle Cooper Mark Giberson Michael Quiett Produced by Andrew Carlberg Musical Direction by Bryan Blaskie Choreographed by Janet Roston Directed by Michael A. Shepperd *Member of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States. Original Production by Ben Gannon and Robert Fox by arrangement with David Spicer Productions www.davidspicer.com.au CAST (Alphabetical) ANDREW BONGIORNO Peter Allen MICHAYLA BROWN Young Peter Allen MARCUS S. DANIEL Chris and Others MICHAEL TAYLOR GRAY* Dee and Others ERICA HANRAHAN-BALL* Karen and Others KELLY LESTER* Marion Woolnough CHELSEA MARTIN Linelle and Others MICHAEL MITTMAN Greg and Others NATHAN MOHEBBI Mark and Others BESS MOTTA Judy Garland JESSICA PENNINGTON* Liza Minnelli SHANTA’ MARIE ROBINSON Shena and Others SWINGS (See Insert) *Member of Actors’ Equity Association, The Union of Professional Actors and Stage Managers in the United States. -
“Kiss Today Goodbye, and Point Me Toward Tomorrow”
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape. -
Theatre UAB 2015-2016 Season College of Arts and Sciences Department of Theatre DANCING at LUGHNASA Frank and Joan Dawson, Michael J
The University of Alabama at Birmingham Theatre UAB 2015-2016 Season College of Arts and Sciences Department of Theatre DANCING AT LUGHNASA Frank and Joan Dawson, Michael J. and Mary Anne Freeman by Brian Friel and Directed by Jack Cannon W.B. Philips, Jr. The Sirote Theatre present October 14 - 17 at 7:30pm & October 18 at 2:00pm l STUPID F*CKING BIRD by Aaron Posner Directed by Dennis McLemon The Odess Theatre November 11 - 14 & 18- 20 at 7:30pm & November 21 at 2:00pm THE HUMAN RIGHTS PROJECT by Robert Earl Price Directed by Karla Koskinen The Sirote Theatre February 17- 20 at 7:30pm & February 21 at 2:00pm THEATRE UAB THIRTEENTH ANNUAL FESTIVAL OF TEN MINUTE PLAYS Produced by Lee Shackleford The Odess Theatre March13 at 2:00pm & March 14-17 at 7:30pm SPRING AWAKENING Music by Duncan Sheik. Book & Lyrics by Steven Sater Directed by Valerie Accetta Musical Direction by Carolyn Violi The Sirote Theatre April 6 - 9 at 7:30pm & April 10 at 2:00pm ] ASC Box Office: 975-ARTS. Show information at http://www.uab.edu/cas/theatre/productions in the Alys Robinson Stephens Performing Arts Center OVATIONUAB Theatre UAB Faculty and Administrative StatI (Sponsored by Theatre Advisory Committee) Kelly Dean Allison, Professor .................................................... .. , ......... Chair Opening nights at Theatre UAB are OVATION nights. OVATION UAB features Valerie Accetta, Assistant Professor ..... ....... ... Head of Musical Theatre Performance refreshments and conversation with the director and designers before the show , as well Jack Cannon, Assistant Professor ........................................ Acting/Intro to Theatre as a post-performance party with the cast and crew. -
Back-To-School 2015 Newsletter
THOMAS JEFFERSON PARTNERSHIP FUND BACK-TO-SCHOOL 2015 NEWSWORTHY The Newsletter of the Thomas Jefferson High School for Science and Technology Partnership Fund, a non-profit foundation dedicated to supporting the unique learning opportunities available at TJ and maintaining the special relationship of alumni to the School Dramatic New Spaces to Open This School Year ! RENOVATION UPDATE Upon the com- pletion of Phase I of TJ’s transformative renovation last November, students moved into spacious new Research Lab and Chemistry/Geosystem wings and visited their counselors in a new Administrative wing. Phase II is expected to be completed by April, open- ing up most of the new building’s interior, including: the new Design & Tech/Physics wing; IBET, humanities, and world language classrooms; the lecture hall; the Global Learning Center (library); two attractive courtyards, one with a greenhouse, the other with an amphitheater; Internet cafes; and additional common areas. Some new spaces will open even sooner. By the end of September, students will have access to a completely renovated Gym I, with new locker rooms and weight rooms. By Thanksgiving, they’ll enter the Inside the new dome. See our website for the latest renovation pictures. school through a majestic Jeffersonian dome that opens into a two-story atrium lobby, with direct access to the Research Lab wing. CAMPAIGN UPDATE All of us at the Thomas Jefferson Partnership Fund (PF), TJ’s non-profit foundation, have enjoyed sharing TJ’s new Research Lab Wing with the School’s many loyal supporters, from parents whose children graduated long ago to alumni who are returning to campus as TJ parents. -
WYDOWN THEATRE COMPANY Wydown Middle School Clayton, MO
WYDOWN T HEAT RE COMPANY Wydown Middle School Clayton, MO Copyright © 2017 Playbill Online Inc. All marks used by permission. Wydo wn T heat re Co mpany Pro udly Present s FOOTLOOSE THE MUSICAL Stage Adaptation by DEAN PITCHFORD and WALTER BOBBIE Music by Lyrics By TOM SNOW DEAN PITCHFORD Additional Music By ERIC CARMEN, SAMMY HAGAR, KENNY LOGGINS and JIM STEINMAN Directed By Music Director Brian R. Engelmeyer Nicholas Urvan Choreographer Costume Director Anjuli Kroon Carla Miller Technical Director Scenic Artist Edward Kastner Lisa Kastner Performance Musical Tracks provided by www.RightOnCueServices.com Presented through special arrangment with 601 West 26th Street - Suite 312 - New York, NY 10001 www.rnh.com Out of respect for the performers and fellow audience members, please do not use screens that emit light and please turn off all cell phones and other devices. In accordance with our arrangements with the publisher, audio/video recording and photography are not allowed. Please visit www.wydowntheatre.com/archive to view Footloose production photos. Copyright © 2017 Playbill Online Inc. All marks used by permission. SONGS ACT I Footloose* Company On Any Sunday Rev. Shaw Moore and the Company I Can't Stand Still Ren Somebody's Eyes Rusty, Urleen, Wendy Jo and the Company Learning To Be Silent Vi, Ethel and Ariel Holding Our For a Hero+ Ariel and Teen Ensemble Somebody's Eyes (Scene Change) Rusty, Wendy Jo and Urleen Somebody's Eyes (Reprise) Rusty, Urleen, Wendy Jo, Chuck, Lyle and Travis Heaven Help Me Rev. Shaw Moore I'm Free* / Heaven Help Me Ren and the Company ACT II Still Rockin' Cowboy Bob and his Band Let's Hear It For The Boy Rusty and the Teen Ensemble Can You Find It In Your Heart Vi Mama Says (You Can't Back Down) Willard and the Boys Mama Says (Encore) Willard and the Boys Almost Paradise++ Ren and Ariel Heaven Help Me (Reprise) Rev. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20 -
The Enduring Power of Musical Theatre Curated by Thom Allison
THE ENDURING POWER OF MUSICAL THEATRE CURATED BY THOM ALLISON PRODUCTION SUPPORT IS GENEROUSLY PROVIDED BY NONA MACDONALD HEASLIP PRODUCTION CO-SPONSOR LAND ACKNOWLEDGEMENT Welcome to the Stratford Festival. It is a great privilege to gather and share stories on this beautiful territory, which has been the site of human activity — and therefore storytelling — for many thousands of years. We wish to honour the ancestral guardians of this land and its waterways: the Anishinaabe, the Haudenosaunee Confederacy, the Wendat, and the Attiwonderonk. Today many Indigenous peoples continue to call this land home and act as its stewards, and this responsibility extends to all peoples, to share and care for this land for generations to come. CURATED AND DIRECTED BY THOM ALLISON THE SINGERS ALANA HIBBERT GABRIELLE JONES EVANGELIA KAMBITES MARK UHRE THE BAND CONDUCTOR, KEYBOARD ACOUSTIC BASS, ELECTRIC BASS, LAURA BURTON ORCHESTRA SUPERVISOR MICHAEL McCLENNAN CELLO, ACOUSTIC GUITAR, ELECTRIC GUITAR DRUM KIT GEORGE MEANWELL DAVID CAMPION The videotaping or other video or audio recording of this production is strictly prohibited. A MESSAGE FROM OUR ARTISTIC DIRECTOR WORLDS WITHOUT WALLS Two young people are in love. They’re next- cocoon, and now it’s time to emerge in a door neighbours, but their families don’t get blaze of new colour, with lively, searching on. So they’re not allowed to meet: all they work that deals with profound questions and can do is whisper sweet nothings to each prompts us to think and see in new ways. other through a small gap in the garden wall between them. Eventually, they plan to While I do intend to program in future run off together – but on the night of their seasons all the plays we’d planned to elopement, a terrible accident of fate impels present in 2020, I also know we can’t just them both to take their own lives. -
We Are One June 16, 2018
We Are One June 16, 2018 Julie Desbordes, Artistic Director Molly Pope, Host and Special Guest Ian Shafer, Assistant Conductor La Gazza Ladra Overture Gioacchino Rossini Blood Moon Elizabeth Lain WORLD PREMIERE Sixth Fanfare for the Uncommon Woman Joan Tower Intermission Blue Danube Waltz Johann Strausse Selections from Man of La Mancha Mitch Leigh Conducted by Ian Shafer Ballad of the Sad Young Men Fran Landesman and Tommy Wolf The Best of Times Jerry Herman Special Guest Molly Pope The Carousel Waltz (Concert Version) Richard Rodgers Orchestrations by Don Walker Queer Urban Orchestra Violin I Bass Trumpet Brian Harrington Roger Herr Gilbert Galindo Andrew Holland Adrienne Lloyd •§ Erin Kulick § Nick Johnson George Nicholson Ron Nahass • Jennifer Rich Bryan Wang Farzaneh Sarafraz Harp Navida Stein Stephanie Babirak Trombone Phong Ta †§ Kevin Schmitt • Liann Wadewitz Flute/Piccolo Simon Morales Craig Devereaux •§ Violin II Scott Oaks Bass Trombone Alva Bostick § Ashley Williams Alex Arellano Jonathan Chang • Laura Flanagan Oboe Tuba Andre Gillard Alan Hyde Andrew Madej Suzanne Lipkin Rishi Magia Cory Pitts Percussion Seyed Safavynia Clarinet Andrew Berman •§ Ligia Sakurai Travis Fraser § Paul Robertson Vasanth Subramaniam Fran Novak • Álvaro Rodas James Teal Timothy Soldani Viola Bassoon Darcy Leon • Emily Bayer Nick Pulito James Di Meglio •§ William Jones Matthew Overberg Contrabassoon Nicholas Singletary Norma Kerlin Horn Cello Lynn Caron Bjorn Berkhout •§ Noah Dopkins Alex Humesky Steven Petrucelli § Todd Porter Marshall Sealy Brittany Taylor † concertmaster § section leader • principal Julie Desbordes, Artistic Director Originally from Limoges, France, Julie Desbordes is a fast-rising conductor known for her engaging style, energetic interpretations and emotional communication with her musicians and audiences. -
2013 Annual Report
2013 ANNUAL REPORT The ASCAP Foundation, established in 1975, is a publicly supported charity dedicated to supporting American music creators and encouraging their development through music education and talent development programs such as: songwriting workshops, scholarships, awards, community outreach and humanitarian programs, and providing grants to other 501(c)(3) organizations engaged in educational programs for aspiring songwriters and composers. The ASCAP Foundation supports programs in all musical genres that are national and regional in scope. Over the years, The ASCAP Foundation has developed and established its own scholarships, awards and music education programs and has collaborated with other organizations to meet its objectives. We are proud of the musical greats who have chosen to establish programs in their name and the families that have memorialized loved ones’ achievements by creating and funding named programs. They include: Harold Adamson, Richard Adler, Robert Allen, Herb Alpert, Harold Arlen, Louis Armstrong, Nick Ashford, Irving Berlin, Leonard Bernstein, Freddy Bienstock, Irving Burgie, Irving Caesar, Sammy Cahn, Desmond Child, George M. Cohan, Cy Coleman, Aaron Copland, Hal David, John Denver, Duke Ellington, George and Ira Gershwin, Jay Gorney, Morton Gould, Marvin Hamlisch, W.C. Handy, Lorenz Hart, Jerry Herman, Bart Howard, Billy Joel, Quincy Jones, Leo Kaplan, Steve Kaplan, Dean Kay, Leiber & Stoller, Tania Leon, Livingston & Evans, Frederick Loewe, John LoFrumento, Henry Mancini, Johnny Mandel, Michael Masser, Joseph Meyer, Vic Mizzy, Jason Mraz, Jack Norworth, Rudy Perez, Cole Porter, Louis Prima, Jerry Ragovoy, Joe Raposo, Irwin Robinson, Mary Rodgers, Richard Rodgers, Betty Rose, David Rose, Stephen Sondheim, Jimmy Van Heusen, Paul Williams, Lucille and Jack Yellen, and others.