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Woolloomooloo-Brochure-170719.Pdf
Your companion on the road. We make your life stress-free by providing everything you need to create the stay you want. Apartment living with the benefits of a hotel service. stay real. Sydney’s harbour side suburb. Nesuto Woolloomooloo is situated on the Sydney city centre fringe, in the beautiful harbour side suburb of Woolloomooloo, about 900 metres from the heart of Sydney city on the eastern side towards Potts Point. These fabulous serviced-apartments are set in a beautiful heritage listed 4 storey building, located amongst traditional Sydney terrace houses in the tree lined streets of historic Woolloomooloo, a 3-minute walk from the restaurants and bars at Finger Wharf and the legendary Harry’s Cafe de Wheels. Nesuto Woolloomooloo Sydney Apartment Hotel offers a range of self-contained Studio, One, Two and Three Bedroom Apartments, allowing you to enjoy all the comforts of home whilst providing the convenience of apartment style accommodation, making it ideal for corporate and leisure travellers looking for short term or long stay accommodation within Sydney. Nesuto. stay real. A WELCOMING LIVING SPACE Nesuto Woolloomooloo Sydney Apartment Hotel offers a range of spacious self-contained Studio, One, Two and Three Bedroom Apartments in varying styles and layouts. We offer fully equipped kitchenettes, varied bedding arrangements and spacious living areas, ideal for guests wanting more space, solo travellers, couples, families, corporate workers or larger groups looking for a home away from home experience. Our Two and Three Bedroom apartments, along with some Studio apartments, have full length balconies offering spectacular views of the Sydney CBD cityscape and Sydney Harbour Bridge. -
The AWA Microphone for Harbour Bridge 75Th
..The Microphone used for the Sydney Harbour Bridge Opening ceremony. Compiled by David Burger, March 2007 with material from: - Phil Burgess Telstra, - Ted Miles – ex AWA technician. Press Release No. 94 (14/03/07) – Telstra's Sydney Harbour Bridge 75th birthday gift Phil Burgess, GMD, Public Policy and Communication, Telstra. Telstra has donated a rare microphone from its historical collection used to open the Sydney Harbour Bridge 75 years ago to the Sydney Powerhouse Museum - and it has created a bit of excitement. The Reisz microphone is a rare example of Australian technology manufactured in 1930 and was used to broadcast the 1932 opening ceremony of the Sydney Harbour Bridge to thousands of people. What has made the microphone especially significant is the signatures of all 10 dignitaries at the opening ceremony, including the NSW Premier John T Lang, NSW Governor Philip Game and the Bridge's Chief Engineer, JJC Bradfield. Speaking at the official donation event, Telstra's Group Managing Director PP&C Phil Burgess said that Telstra was proud to share this wonderful piece of Australian history with the community on the 75th birthday of the Sydney Harbour Bridge. "Every good piece of history has a story behind it and this microphone is no exception," Dr Burgess said. "Thanks to the Powerhouse Museum, many more people will be able to see and understand the role it played in unveiling a great Aussie icon." Why did Telstra have the microphone in its historical collection? The microphone became one of a collection of microphones owned by Mr Philip Geeves who was announcing for AWA (Amalgamated Wireless Australia Ltd) on the day of the Sydney Harbour Bridge opening. -
Phanfare May/June 2006
Number 218 – May-June 2006 Observing History – Historians Observing PHANFARE No 218 – May-June 2006 1 Phanfare is the newsletter of the Professional Historians Association (NSW) Inc and a public forum for Professional History Published six times a year Annual subscription Email $20 Hardcopy $38.50 Articles, reviews, commentaries, letters and notices are welcome. Copy should be received by 6th of the first month of each issue (or telephone for late copy) Please email copy or supply on disk with hard copy attached. Contact Phanfare GPO Box 2437 Sydney 2001 Enquiries Annette Salt, email [email protected] Phanfare 2005-06 is produced by the following editorial collectives: Jan-Feb & July-Aug: Roslyn Burge, Mark Dunn, Shirley Fitzgerald, Lisa Murray Mar-Apr & Sept-Oct: Rosemary Broomham, Rosemary Kerr, Christa Ludlow, Terri McCormack, Anne Smith May-June & Nov-Dec: Ruth Banfield, Cathy Dunn, Terry Kass, Katherine Knight, Carol Liston, Karen Schamberger Disclaimer Except for official announcements the Professional Historians Association (NSW) Inc accepts no responsibility for expressions of opinion contained in this publication. The views expressed in articles, commentaries and letters are the personal views and opinions of the authors. Copyright of this publication: PHA (NSW) Inc Copyright of articles and commentaries: the respective authors ISSN 0816-3774 PHA (NSW) contacts see Directory at back of issue PHANFARE No 218 – May-June 2006 2 Contents At the moment the executive is considering ways in which we can achieve this. We will be looking at recruiting more members and would welcome President’s Report 3 suggestions from members as to how this could be Archaeology in Parramatta 4 achieved. -
Governor Phillip Tower, Museum of Sydney and First Government
Nationally Significant 20th-Century Architecture Revised date 20/07/2011 Governor Phillip Tower, Museum of Sydney and First Government House Place Address 1 Farrer Place and 41 Bridge Street, Sydney, NSW, 2000 Practice Denton Corker Marshall Designed 1989 Completed 1993 (GPT) 1995 (MoS) History & The site of Governor Phillip Tower, Museum of Sydney & First Government Description House Place are located on a city block bounded by Bridge, Phillip, Bent & Young Streets in Sydney's CBD. Together with the Governor Macquarie Tower First Government House & the heritage listed terraces fronting Young & Phillip Streets the site was the Place with Museum of subject of an international design competition held in 1988, of which the primary Sydney & Governor Phillip aim was to conserve the archaeological resource of the First Government Tower behind, terraces to House which investigations of 1983-85 had revealed to lie beneath the northern portion of the block & extending into the road reserves of Young, Bridge & either side. Source: City of Phillip Streets. The cultural significance of the place shaped the development Sydney Model Makers. for the site: the conservation of the archaeological site of First Government . House & the Victorian terrace housing. To satisfy this & the commercial imperatives of maximising tower floor plate areas, the scheme incorporated several innovative approaches. Firstly in the urban design: the conception of First Government House Place as an 'urban room', achieved by setting back the Governor Phillip Tower from Bridge Street, enabled the archaeological site to be conserved, interpreted & celebrated, & served to ennoble the space with the presence of the imposing colonial sandstone buildings to either side; the public link from Phillip Street to Farrer Place, & the setbacks provided to the terraces. -
The Historical Archaeology of the First Government House Site, Sydney
The Historical Archaeology of the First Government House site, Sydney Further Research PENNY CROOK AND TIM MURRAY Volume 11 of the Archaeology of the Modern City Series A HISTORIC HOUSES TRUST OF NEW SOUTH WALES PUBLICATION Published by the Historic Houses Trust of New South Wales The Mint, 10 Macquarie Street, Sydney NSW 2000, Australia www.hht.net.au Published in Sydney 2006 © Archaeology of the Modern City Project Partners, 2006 ISBN 1 876991 14 3 The views expressed in this book may not be representative of the Historic Houses Trust of New South Wales or the other project partners and remain the responsibility of the authors. The Archaeology of the Modern City project incorporates two research ventures: ‘Exploring the Archaeology of the Modern City: Sydney 1788–1900’ and ‘Managing the Archaeology of Central Sydney and Melbourne 1788–1900’. Both projects are funded by the Australian Research Council Linkage Scheme and conducted by Project Partners: La Trobe University, the Historic Houses Trust of New South Wales, Godden Mackay Logan Pty Ltd, the Sydney Harbour Foreshore Authority, the NSW Heritage Office, Heritage Victoria and the City of Sydney. C ONTENTS Synopsis.......................................................................................................................................... 7 Introduction................................................................................................................................... 9 Acknowledgements..........................................................................................................................................................9 -
Attachment A
Attachment A Report Prepared by External Planning Consultant 3 Recommendation It is resolved that consent be granted to Development Application D/2017/1652, subject to the following: (A) the variation sought to Clause 6.19 Overshadowing of certain public places in accordance with Clause 4.6 'Exceptions to development standards' of the Sydney Local Environmental Plan 2012 be supported in this instance; and (B) the requirement under Clause 6.21 of the Sydney Local Environmental Plan 2012 requiring a competitive design process be waived in this instance; and (C) the requirement under Clause 7.20 of the Sydney Local Environmental Plan 2012 requiring the preparation of a development control plan be waived in this instance; Reasons for Recommendation The reasons for the recommendation are as follows: (A) The proposal, subject to recommended conditions, is consistent with the objectives of the planning controls for the site and is compatible with the character of the area into which it will be inserted. It will provide a new unique element in the public domain which has been specifically designed to highlight Sydney’s main boulevard and the important civic precinct of Town Hall and the Queen Victoria Building. (B) The proposed artwork is permissible on the subject land and complies with all relevant planning controls with the exception of overshadowing of Sydney Town Hall steps. While the proposal will result in some additional shadowing of the steps this impact will be minor and is outweighed by the positive impacts of the proposal. (C) The proposal is of a nature compatible with the overall function of the locality as a civic precinct in the heart of the Sydney CBD. -
The Strip on the Strip
THE STRIP ON THE STRIP The stories that inspired the bronze street plaques of Kings Cross ver 100 plaques were set into the pavement of Darlinghurst ORoad, as part of the City of Sydney’s upgrade of this streetscape in 2004-5. The text for the plaques and for A Minton House this booklet were written by the B Alberto Terrace C Woolworths City Historian, Shirley Fitzgerald. (now Neighbourhood Centre & Library) Dot Dash Pty Ltd designed the plaques. D Arabian Coffee Shop Allan Saxby and Mukesh Malhotra project E William Dobell lived here managed the installation for the City of Sydney. F Les Girls G Barkers’ Windmills H D S Mitchell Lived Here ings Cross is one of the City’s most famous villages and I Kookaburra Café the strip of plaques set in the pavement along Darlinghurst J The Californian Restaurant K Road and its adjoining streets highlight some of its unique K The Wintergarden social history. It is not a list of the ‘big names’. It is history, collecting The Strip on the Strip the on Strip The L Dame Mary Gilmore our stories to be passed on to the next generation of residents and lived here visitors. These stories are not always glorious but they are indisputably M Walter Magnus’ ‘Claremont’ interesting. N Dr Eakin’s Surgery It is also a reflection and celebration of the colour, diversity and wit O Kings X Theatre of Kings Cross; the bohemians and artists, creatives and writers, all those hopefuls, with their dreams and aspirations. And achievements, of which there have been many. -
Powerhouse Museum Exhibitions 1988-2018
"1 The Powerhouse Museum: an exhibition archive 1988-2018 Exhibitions developed by and/or displayed at the Powerhouse Museum, the Observatory, the Mint, the Hyde Park Barracks, the Powerhouse (now Museum) Discovery Centre and online from 1988, when the Powerhouse opened its doors in its new Ultimo location, to 2018. Abbreviations: PHM Powerhouse Museum MNT The Mint Museum HPB The Hyde Park Barracks HB Harwood Building (previously Stage One) OBS The Sydney Observatory PDC Powerhouse (now Museum) Discovery Centre WP Web-based Project AMOL Australian Museums and Galleries Online TR Travelling exhibition PP Powerhouse publication EP External publication Preface From its original establishment in the 1880s to the present day, the Museum of Applied Arts and Sciences, previously under different names and now known as MAAS, has proudly and diligently exhibited different aspects of its outstanding collection. The following list seeks to provide a record of exhibitions from the opening of the new Powerhouse Museum venue in Ultimo in March 1988 through the 30 subsequent fruitful years. The list also documents exhibitions in associated venues including the Sydney Observatory, for some years the Hyde Park Barracks and the Mint Museum, as well as touring exhibitions. Many years of rigorous planning preceded the 1988 opening of the Powerhouse Museum, which was heralded as the most important cultural development in Sydney since the opening of the Opera House, and a major event in Australia’s bicentennial year. A museum for us all, a museum of creativity, curiosity and community, the Powerhouse Museum set out to explore the interrelationship of science, art and people in an Australian context. -
Great at Organising & Talking on the Phone We'd Love You
GREAT AT ORGANISING & TALKING ON THE PHONE WE’D LOVE YOU TO JOIN OUR TEAM! VOLUNTEER WITH THE SYDNEY OBSERVATORY ADMIN TEAM Sydney Observatory, built in 1858, is Australia’s oldest existing observatory and one of the most significant sites in the nation’s scientific history. In 1982 Sydney Observatory came under the management of the Museum of Applied Arts and Sciences. It is now a museum of astronomy and offers a range of educational programs in astronomy and science, which includes the solar system, the universe, space travel, and the history of astronomy. We are looking for a School Rewards Volunteer Role Description: Sydney Observatory receives many requests for support form schools and community organisations. The policy has been to support all NSW schools ( High Schools, Primary schools, State and private schools) and the Starlight Foundation. This must be handled in an ethical and open way and recorded so that there is an auditable system. The aim is to engage with schools who will then make a booking, or for their parents and friends to promote Sydney observatory as a great place to visit during school holidays or weekends. This system has been working well and the uptake of the complimentary tickets is high which means the message is reaching the schools. There are approximately 12-15 applications for support a month. This is a feel good role. It provides direct contact with school fundraisers and an opportunity to say theMAAS is supportive of education for all schools. Key Volunteer Tasks: 1 day per fortnight (10am – 2pm) Based at Sydney Observatory Read requests and make a decision Phone the school or requester (or send an email) Address the envelope correctly and include relevant information Send out tickets with brochures and any forms in a professional manner Keep a log of requests Skills & Knowledge Required: Professional manner Good phone manner. -
AUSTRALIAN ROMANESQUE a History of Romanesque-Inspired Architecture in Australia by John W. East 2016
AUSTRALIAN ROMANESQUE A History of Romanesque-Inspired Architecture in Australia by John W. East 2016 CONTENTS 1. Introduction . 1 2. The Romanesque Style . 4 3. Australian Romanesque: An Overview . 25 4. New South Wales and the Australian Capital Territory . 52 5. Victoria . 92 6. Queensland . 122 7. Western Australia . 138 8. South Australia . 156 9. Tasmania . 170 Chapter 1: Introduction In Australia there are four Catholic cathedrals designed in the Romanesque style (Canberra, Newcastle, Port Pirie and Geraldton) and one Anglican cathedral (Parramatta). These buildings are significant in their local communities, but the numbers of people who visit them each year are minuscule when compared with the numbers visiting Australia's most famous Romanesque building, the large Sydney retail complex known as the Queen Victoria Building. God and Mammon, and the Romanesque serves them both. Do those who come to pray in the cathedrals, and those who come to shop in the galleries of the QVB, take much notice of the architecture? Probably not, and yet the Romanesque is a style of considerable character, with a history stretching back to Antiquity. It was never extensively used in Australia, but there are nonetheless hundreds of buildings in the Romanesque style still standing in Australia's towns and cities. Perhaps it is time to start looking more closely at these buildings? They will not disappoint. The heyday of the Australian Romanesque occurred in the fifty years between 1890 and 1940, and it was largely a brick-based style. As it happens, those years also marked the zenith of craft brickwork in Australia, because it was only in the late nineteenth century that Australia began to produce high-quality, durable bricks in a wide range of colours. -
Paolo Giorza and Music at Sydney's 1879 International Exhibition
‘Pleasure of a High Order:’ Paolo Giorza and Music at Sydney’s 1879 International Exhibition Roslyn Maguire As Sydney’s mighty Exhibition building took shape, looking to the harbour from an elevated site above the Botanic Gardens, anxiety and excitement mounted. This was to be the first International Exhibition held outside Europe or America and musical entertainment was to be its greatest attraction.1 An average of three thousand people would attend each week day and as recent studies have shown, Sydney’s International Exhibition helped initiate reforms to education, town planning, technologies, photography, manufacturing and patronage of the arts, music and literature.2 Although under construction since January 1879, it was mid May before the Exhibition’s influential Executive Commissioner Patrick Jennings3 announced the appointment of his friend, Milanese composer Paolo Giorza4 as musical director: [H]is credentials are of such a nature both as a conductor, composer and artist, that I could not justly pass them over. I think that he should also be authorised to compose a march and cantata for the opening ceremony … Signor Giorza offers to give his exclusive services as composer and director and performer on the organ and to organise a competent orchestra of local artists for promenade concerts, and to conduct the same.5 The extent of Jennings’s personal interest in Exhibition music is evident in this report publicising Giorza’s appointment. It amounts to one of the colony’s most interesting cultural documents for the ideas, attitudes and objectives it reveals, including consideration of whether an ‘Australian School of Music, as distinguished from any of the well-defined schools’ existed. -
Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review
Attachment B Modern Movement Architecture in Central Sydney Heritage Study Review Modern Movement Architecture in Central Sydney Heritage Study Review Prepared for City of Sydney Issue C x January 2018 Project number 13 0581 Modern Movement in Central Sydney x Heritage Study Review EXECUTIVE SUMMARY This study was undertaken to provide a contextual framework to improve understanding post World War II and Modern Movement architecture and places in Central Sydney, which is a significant and integral component of its architectural heritage. Findings x The study period (1945-1975) was an exciting and challenging era that determined much of the present physical form of Central Sydney and resulted in outstanding architectural and civic accomplishments. x There were an unprecedented number of development projects undertaken during the study period, which resulted in fundamental changes to the physical fabric and character of Central Sydney. x The buildings are an historical record of the changing role of Australia in an international context and Sydney’s new-found role as a major world financial centre. Surviving buildings provide crucial evidence of the economic and social circumstances of the study period. x Surviving buildings record the adaptation of the Modern Movement to local conditions, distinguishing them from Modern Movement buildings in other parts of the world. x The overwhelming preponderance of office buildings, which distinguishes Central Sydney from all other parts of NSW, is offset by the presence of other building typologies such as churches, community buildings and cultural institutions. These often demonstrate architectural accomplishment. x The triumph of humane and rational urban planning can be seen in the creation of pedestrian- friendly areas and civic spaces of great accomplishment such as Australia Square, Martin Place and Sydney Square.