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The City of Chicago – Christy Moore – Notes (1)
The City of Chicago – Christy Moore – Notes (1) Activity types: Discussion; gap fill; Pronunciation focus on “ch” / ʃ/, /tʃ/ and /k/; Internet search Level: Intermediate/Upper-Intermediate (Song only: Pre-Intermediate) Language: summarising and reporting historical events and geographical details; comparing; making a tourist leaflet Grammar: Past Simple (regular and irregular verbs); Note: Christy Moore, one of the best-known Irish folk singers, has made a major contribution to the development of Irish music since the 1970s. He has both re-arranged old songs and written new songs about Irish and world current events. For further details visit www.christymoore.com The song The City of Chicago, written by his brother Barry (better known as Luka Bloom) and released on the 1984 album Ride On, is about the mid-nineteenth century Irish Great Hunger or Famine, caused by repeated failure of the potato crop. Famine and emigration are recurring themes on traditional Irish songs. • Discussion: To introduce the song and create interest in the topic you can ask some of the following questions: Do you know the meaning of the words hunger and famine? Do you know any countries in the world that lack food nowadays? What do you know about the Irish Great Hunger in 1845-49? Why do you think the year 1847 was called “Black 1847”? Was Ireland an independent country at that time? Do you know where the city of Chicago and County Donegal are exactly? (Students can use a world map if available) • Explain they are going to listen to a song about the Great Famine in Ireland. -
Identity, Authority and Myth-Making: Politically-Motivated Prisoners and the Use of Music During the Northern Irish Conflict, 1962 - 2000
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Queen Mary Research Online Identity, authority and myth-making: Politically-motivated prisoners and the use of music during the Northern Irish conflict, 1962 - 2000 Claire Alexandra Green Submitted in partial fulfillment of the requirements of the Degree of Doctor of Philosophy 1 I, Claire Alexandra Green, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 29/04/19 Details of collaboration and publications: ‘It’s All Over: Romantic Relationships, Endurance and Loyalty in the Songs of Northern Irish Politically-Motivated Prisoners’, Estudios Irlandeses, 14, 70-82. 2 Abstract. In this study I examine the use of music by and in relation to politically-motivated prisoners in Northern Ireland, from the mid-1960s until 2000. -
Remembering Larry Reynolds, Fiddler: US Rep
November 2012 Boston’s hometown VOL. 23 #11 journal of Irish culture. $1.50 Worldwide at All contents copyright © 2012 Boston Neighborhood News, Inc. bostonirish.com BIR cites Rep. Neal, Muses, and Feeneys The Boston Irish Reporter hosted its third annual Boston Irish Honors on Fri., Oct. 19, at the Seaport Hotel on the South Boston waterfront. The event, which marked the 22nd anni- versary of the BIR, drew more than 350 persons to the mid-day luncheon. In his prepared remarks, publisher Ed Forry said, “In hon- oring these exemplary families and individu- als who em- body the fin- est qualities of our people, we seek to h o n o r t h e memories of our ancestors who came here in bygone days when it was far from clear that we could make this place our home. How proud those early immigrants would be of their descendants, who have made Boston a welcoming place— Larry Reynolds leading a session at the Green Briar Irish Pub in Brighton. not only for new waves of Irish Photo courtesy of Bill Brett, from “Boston: An Extended Family” © 2007 entrepreneurs and workers, but for people from around the globe. “Today’s honorees — the Muse family, the Feeney brothers and Remembering Larry Reynolds, fiddler: US Rep. Richard Neal—are agents of idealism and ingenu- ity who represent the best of the ‘He never, ever got tired of the music’ Boston Irish experience. They no room for all of them to come simply passed along by word of are devoted to a level of profes- By Sean Smith Ui Cheide, a sean-nos singer sionalism in their chosen fields and say goodbye to him. -
Vinyls-Collection.Com Page 1/222 - Total : 8629 Vinyls Au 05/10/2021 Collection "Artistes Divers Toutes Catã©Gorie
Collection "Artistes divers toutes catégorie. TOUT FORMATS." de yvinyl Artiste Titre Format Ref Pays de pressage !!! !!! LP GSL39 Etats Unis Amerique 10cc Windows In The Jungle LP MERL 28 Royaume-Uni 10cc The Original Soundtrack LP 9102 500 France 10cc Ten Out Of 10 LP 6359 048 France 10cc Look Hear? LP 6310 507 Allemagne 10cc Live And Let Live 2LP 6641 698 Royaume-Uni 10cc How Dare You! LP 9102.501 France 10cc Deceptive Bends LP 9102 502 France 10cc Bloody Tourists LP 9102 503 France 12°5 12°5 LP BAL 13015 France 13th Floor Elevators The Psychedelic Sounds LP LIKP 003 Inconnu 13th Floor Elevators Live LP LIKP 002 Inconnu 13th Floor Elevators Easter Everywhere LP IA 5 Etats Unis Amerique 18 Karat Gold All-bumm LP UAS 29 559 1 Allemagne 20/20 20/20 LP 83898 Pays-Bas 20th Century Steel Band Yellow Bird Is Dead LP UAS 29980 France 3 Hur-el Hürel Arsivi LP 002 Inconnu 38 Special Wild Eyed Southern Boys LP 64835 Pays-Bas 38 Special W.w. Rockin' Into The Night LP 64782 Pays-Bas 38 Special Tour De Force LP SP 4971 Etats Unis Amerique 38 Special Strength In Numbers LP SP 5115 Etats Unis Amerique 38 Special Special Forces LP 64888 Pays-Bas 38 Special Special Delivery LP SP-3165 Etats Unis Amerique 38 Special Rock & Roll Strategy LP SP 5218 Etats Unis Amerique 45s (the) 45s CD hag 009 Inconnu A Cid Symphony Ernie Fischbach And Charles Ew...3LP AK 090/3 Italie A Euphonius Wail A Euphonius Wail LP KS-3668 Etats Unis Amerique A Foot In Coldwater Or All Around Us LP 7E-1025 Etats Unis Amerique A's (the A's) The A's LP AB 4238 Etats Unis Amerique A.b. -
Mick Evans Song List 1
MICK EVANS SONG LIST 1. 1927 If I could 2. 3 Doors Down Kryptonite Here Without You 3. 4 Non Blondes What’s Going On 4. Abba Dancing Queen 5. AC/DC Shook Me All Night Long Highway to Hell 6. Adel Find Another You 7. Allan Jackson Little Bitty Remember When 8. America Horse with No Name Sister Golden Hair 9. Australian Crawl Boys Light Up Reckless Oh No Not You Again 10. Angels She Keeps No Secrets from You MICK EVANS SONG LIST Am I Ever Gonna See Your Face Again 11. Avicii Hey Brother 12. Barenaked Ladies It’s All Been Done 13. Beatles Saw Her Standing There Hey Jude 14. Ben Harper Steam My Kisses 15. Bernard Fanning Song Bird 16. Billy Idol Rebel Yell 17. Billy Joel Piano Man 18. Blink 182 Small Things 19. Bob Dylan How Does It Feel 20. Bon Jovi Living on a Prayer Wanted Dead or Alive Always Bead of Roses Blaze of Glory Saturday Night MICK EVANS SONG LIST 21. Bruce Springsteen Dancing in the dark I’m on Fire My Home town The River Streets of Philadelphia 22. Bryan Adams Summer of 69 Heaven Run to You Cuts Like A Knife When You’re Gone 23. Bush Glycerine 24. Carly Simon Your So Vein 25. Cheap Trick The Flame 26. Choir Boys Run to Paradise 27. Cold Chisel Bow River Khe Sanh When the War is Over My Baby Flame Trees MICK EVANS SONG LIST 28. Cold Play Yellow 29. Collective Soul The World I know 30. Concrete Blonde Joey 31. -
A Discography of Robert Burns 1948 to 2002 Thomas Keith
Studies in Scottish Literature Volume 33 | Issue 1 Article 30 2004 A Discography of Robert Burns 1948 to 2002 Thomas Keith Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Keith, Thomas (2004) "A Discography of Robert Burns 1948 to 2002," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/30 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas Keith A Discography of Robert Bums 1948 to 2002 After Sir Walter Scott published his edition of border ballads he came to be chastised by the mother of James Hogg, one Margaret Laidlaw, who told him: "There was never ane 0 my sangs prentit till ye prentit them yoursel, and ye hae spoilt them awthegither. They were made for singing an no forreadin: butye hae broken the charm noo, and they'll never be sung mair.'l Mrs. Laidlaw was perhaps unaware that others had been printing Scottish songs from the oral tradition in great numbers for at least the previous hundred years in volumes such as Allan Ramsay's The Tea-Table Miscellany (1723-37), Orpheus Caledonius (1733) compiled by William Thompson, James Oswald's The Cale donian Pocket Companion (1743, 1759), Ancient and Modern Scottish Songs (1767, 1770) edited by David Herd, James Johnson's Scots Musical Museum (1787-1803) and A Select Collection of Original Scotish Airs (1793-1818) compiled by George Thompson-substantial contributions having been made to the latter two collections by Robert Burns. -
To Get the BFC Tunebook!
Bampton Folk Club Tunebook April 2021 1 2 Contents Contents .................................................................................................................................................. 3 Introduction ............................................................................................................................................ 7 About us and our session. ................................................................................................................... 7 Some format notes. ............................................................................................................................ 7 The Essentials ...................................................................................................................................... 8 More Music ......................................................................................................................................... 8 Inclusions and Corrections .................................................................................................................. 8 Songs ....................................................................................................................................................... 9 All For Me Grog ................................................................................................................................. 10 Banbury Ale ....................................................................................................................................... 14 -
Christy Moore and the Irish Protest Ballad
“Ordinary Man”: Christy Moore and the Irish Protest Ballad MIKE INGHAM Introduction: Contextualizing the Modern Ballad In his critical study, The Long Revolution, Raymond Williams identified three definitions of culture, namely idealist, documentary, and social. He conceives of them as integrated strands of a holistic, organic cultural process pertaining to the “common associative life”1 of which creative artworks are an inalienable part. His renowned “structure of feeling” concept is closely related to this theoretical paradigm. The ballad tradition of popular and protest song in many ethnic cultural traditions exemplifies the core of Williams’s argument: it synthesizes the ideal aesthetic of the traditional folk song form as cultural production, the documentary element of the people, places, and events that the song records and the contextual resonances of the ballad’s source and target cultures. Likewise, the persistence and durability of the form over many centuries have ensured its survival as a rich source for ethnographic studies and an index of prevailing socio-political conditions and concerns. As twentieth-century commentators on the Anglophone ballad form, such as A. L. Lloyd, have observed, there is an evident distinction between the older ballad tradition, tending toward a more impersonal and distanced voice and perspective, and the more personal style of ballad composed after the anthropological research of ethnomusicologists such as Cecil Sharp, Alan Lomax, and others during the first half of the twentieth century. The former derives from a continuous lineage of predominantly anonymous or unattributed folk material that can be said to reside in the public domain, and largely resists recuperation or commodification by the music industry. -
Time to Put on the Green Again; St. Patrick's Day Festivities Await
March 2019 Boston’s hometown VOL. 30 # 3 journal of Irish culture. $2.00 Worldwide at All contents copyright © 2019 bostonirish.com Boston Neighborhood News, Inc. Time to put on the green again; St. Patrick’s Day festivities await March is the month when tradition reigns across the world for those of Irish heritage who take part happily in the annual ritual of celebrating St. Patrick’s Day. In Massachusetts, a parade is the coin of the realm, with music and dance supplying the background sounds, and the Boston Irish Re- porter has it all covered. • For a listing of the dates and times of sched- uled parades, see Page 3. • A voluminous and detailed schedule of Irish music and dance events begins on Page 11. • The St. Patrick’s Day Celtic Sojourn will offer its 12th edition in Cam- bridge on March 16 and in Beverly on March 17. See photo at right, and story on Page 19. • Colm Keegan is on tour with a musical twist, a project entitled, Dorchester native “A History of Ireland Through Music.” He spoke about his work breaks new ground recently with the BIR’s The Friel Sisters, traditional musicians born in Glasgow but with family Sean Smith. See below. roots in the Donegal Gaeltacht, will be in this year’s “St. Patrick’s Day in McConville case Celtic Sojourn.” See Page 19. By Bill Forry Bir Editor He takes stock Labor says Patrick Radden Keefe grew up in the heart of Bos- ton’s Irish community— the Adams Corner section of it will back Dorchester. -
Press Book from 01.07.2014 to 31.07.2014
Press Book from 01.07.2014 to 31.07.2014 Copyright Material. This may only be copied under the terms of a Newspaper Licensing Ireland agreement (www.newspaperlicensing.ie) or written publisher permission. -2- Table of Contents 16/07/2014 The Herald - National Edition: BONO'S PAL CELEBRATES ACCOLADE............................................................................................ 3 27/06/2014 Mullingar Advertiser: Building a Career in Country Music - IMRO music seminar............................................................ 4 08/07/2014 Irish Examiner: Club owner avoids jail...................................................................................................................5 01/08/2014 Irish Music Magazine: ENDA REILLY................................................................................................................................ 6 20/07/2014 Sunday Independent: Fair air play for Irish musicians.................................................................................................... 7 12/07/2014 Westmeath Examiner: Free seminar on 'Building a Career in Country Music'....................................................................8 30/07/2014 Irish Times - Business & Commercial Property: IMRO claims Radio Nova failed to pay €47,000 in musical royalties............................................ 10 08/07/2014 The Star: Jail order avoided....................................................................................................................... 11 29/07/2014 Evening Echo: -
"THE TROUBLES" in IRELAND Jacquelin C
"THE TROUBLES" IN IRELAND jacquelin C. Peters 'Tis Ireland, my country, the birthplace ofheroes , Moore, whose reputation in Ireland is comparable to Tbe home of the patriot, warrior and sage, that of the late Woody Guthrie in America, has Of bards and of chieftains, whose names live in written a wealth of songs on many social issues. story, Frank Harte, the All-Ireland Champion singer from May they live forever, on history's page. Chapelizod in Dublin, has a repertory of over 8,000 You once were a proud and glorious nation, songs. Son of a "pub" proprietor and an architect by Your name and yourfame were known all over the profession, Mr. Harte was introduced to traditional world, Irish songs by a fateful encounter with a man selling 'Til misfortune came o'er you and sad desolation, sheet music at a fair. This began a life-long passion Your moral banner in slavery lay unfurled. for collecting songs and for the culture that goes with (excerpt from "A1y Own Native Land," a tradi them. tional song) CITATIONS AND FURTHER READINGS "The troubles" is the euphemism used in Ireland Cowdery, James R.l990. TbeMelodic Tradition of to refer to the host of prob Ireland. Kent: The Kent lems attending the conflict State University Press. over British presence in Ireland. 1985 . Tbe New that land. Irish history pro Encyclopedia Britannica. vides ample themes for 6:378-382. music of struggle sung in Kelly, K. 1982. Tbe the scan-nos ("old") style. Longest War: Northern Ire There is much historical land and the IRA. -
Dirty Old Town C – 1949 Ewan Maccoll 4/4 C / / / / / F I Met My Love by the Gas Works Wall
Dirty Old Town C – 1949 Ewan MacColl 4/4 C / / / / / F I met my love by the gas works wall. Dreamed a dream / C / / / / by the old canal. I kissed my girl by the factory wall. C G / Am / Dirty old town, dirty old town. C / / / F / Clouds are drifting across the moon. Cats are prowling on their C / / / / feet. Spring's a girl from the streets at night. C G / Am / Dirty old town, dirty old town. C / / / F / I heard a siren from the docks. Saw a train set the night on C / / / / fire. I smelled the spring on the smoky wind. C G / Am / Dirty old town, dirty old town. C / / / F / I'm gonna make me a good sharp axe. Shining steel tempered C / / / / in the fire. I'll chop you down like an old dead tree. C G / Am / Dirty old town, dirty old town. C / / / / F I met my love by the gas works wall. Dreamed a dream / C / / / / by the old canal. I kissed my girl by the factory wall. C G / Am / ||: Dirty old town, dirty old town. :|| repeat and fade Written about Salford, Lancashire, England where MacColl grew up. Popular version by the Pogues and the Dubliners. 3/13/2021 Dirty Old Town G – 1949 Ewan MacColl 4/4 G / / / / / C I met my love by the gas works wall. Dreamed a dream / G / / / / by the old canal. I kissed my girl by the factory wall. G D / Em / Dirty old town, dirty old town. G / / / C / Clouds are drifting across the moon.