SPECTRUM Continuing Care
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Improving Broadcast Accessibility for Hard of Hearing Individuals Using Object-Based Audio Personalisation and Narrative Importance
Improving broadcast accessibility for hard of hearing individuals using object-based audio personalisation and narrative importance Lauren Alison Ward Supervisor: Dr. Ben Shirley Prof. Bill Davies Acoustics Research Centre School of Computing, Science and Engineering Doctorate of Philosophy in Acoustics and Audio Engineering University of Salford May 2020 "We’re all born mad. Some remain so." – Samuel Beckett, Waiting for Godot This work is dedicated to the memory of Gordon ‘Tere’ Manns, who never let an idea pass him without interrogating it. Abstract Technological advances in broadcasting can be the impetus for advances in accessibility services. For the 11 million individuals in the United Kingdom with some degree of hearing loss, the advent of object-based broadcasting and it’s personalisation features has the po- tential to facilitate a transition towards more accessible broadcast audio. Part I of this work conducts a systematic review of previous object-based accessibility research, identifying the personalisation of redundant non-speech objects as a potentially high impact yet unexplored area of research. Guided by these findings, and the results of a survey of end-user needs, the specific research questions of this work are then developed as: 1. What is the relationship between redundant non-speech audio objects and broadcast speech intelligibility, for normal and hard of hearing listeners? 2. Can a system be designed which allows end-users to control the balance between audio objects for dramatic content which is simple to use and preserves comprehension? Part II of this work shows that the presence of redundant non-speech sounds improve speech recognition in noise in normal hearing listeners, even when the sound partially masks the speech. -
BBC DIVERSITY COMMISSIONING CODE of PRACTICE – PROGRESS REPORT – 2018/19 1 Introduction
BBC DIVERSITY COMMISSIONING CODE OF PRACTICE PROGRESS REPORT – 2018/19 The Code sets out what the BBC will do when commissioning content across all genres to ensure our content accurately represents and authentically portrays the diverse communities of the whole of the UK. BBC DIVERSITY COMMISSIONING CODE OF PRACTICE – PROGRESS REPORT – 2018/19 1 Introduction The BBC is fully committed to diversity and inclusion. We need the very best people with a rich variety of views, thoughts and experience, regardless of age, disability, gender, neurodiversity, physical ability, religion, race or ethnicity, sexual orientation, socio-economic background or geographic location to continue to make world class content and reflect the diverse voices of our audiences. Last year we launched our Code of Practice putting diversity at the heart of the BBC’s commissioning processes; it applies to the commissioning of content across BBC TV, radio and online services in the UK. The Code sets out what the BBC will do when commissioning content across all genres to ensure we accurately represent and authentically portray the diverse communities of the whole of the UK. And because this is something that the BBC cannot do on its own, the Code also sets out what we expect from the producers, writers, directors and other suppliers we work with. This report outlines our achievements, learnings and next steps. 2 BBC DIVERSITY COMMISSIONING CODE OF PRACTICE – PROGRESS REPORT – 2018/19 The work undertaken through the Code of Practice has given us a real opportunity to identify areas of excellence within the BBC and the producers we work with. -
EBU Tech-I Magazine
MEDIA TECHNOLOGY & INNOVATION ISSUE 46- • DECEMBERi 2020 Meet 2020’s T&I Award winners Plus • CR42: the control room reimagined at RTBF • Unlocking the potential of AI for data journalism at France tv •The growing problem of Cyberattacks on EBU Members and more... tech-i | tech.ebu.chtech.ebu.ch/subscribe | December 2020 1 Issue 46 • December-i 2020 Cover story: Pages 5 to 9 of this issue feature articles from the winners 4 6 and runners-up of this year’s EBU Technology & Innovation Award. The cover photo shows the award itself in front of a touchscreen user interface for Control Room 42, from joint winner RTBF. HACKED Editor-in-Chief: Antonio Arcidiacono Managing Editor: Patrick Wauthier Editor: Eoghan O’Sullivan [email protected] Design: Louise Tait 9 10 Printed on FSC certified paper by Graphius (FSC CO14767) © European Broadcasting Union All rights reserved. The reproduction of articles in tech-i is authorized only with the written permission of the Contents publishers. The responsibility for views 3 A natural vaccine for misinformation expressed in tech-i rests solely with the authors. Antonio Arcidiacono on amplifying the reach and accessibility of PSM’s trusted content 4 News and events 5 Control Room 42: the control room reimagined RTBF has created a software-based control room 6 Unlocking the potential of AI for data journalism New data-based tools for journalists at France Télévisions 7 Licence to roam: Yle’s mojo-enabled reporters Mobile journalism has become the norm for regional news operations 8 Automated subtitles on a 24/7 news channel TECHNOLOGY & INNOVATION Get an edge NPO has broken new ground with its Autotitling Live solution 9 Putting clearer audio at the fingertips of all viewers • Our goal is to be an incubator to Next Generation Audio trials at BBC seek to improve accessibility advance media technology. -
A Cting School
EAST 15 ACTING SCHOOL PROSPECTUS 2021 We teach and train students from over East 15’s extraordinary 26 countries worldwide legacy and its reputation for rigorous and inspired teaching ensures students consistently Outstanding student satisfaction rating in the UK. 100% total satisfaction display an unusual in the 2020 National Student Survey degree of courage, vision and versatility that is very exciting to watch. Over 50 years of experience in the industry Colin Firth, OBE 2 first class campuses one in Loughton, on the edge of London, and in picturesque Southend-on-Sea 1st for Drama in the Guardian University Guide 2020 For over 50 years, East 15 has produced Contents actors, directors, producers, theatre 6. ABOUT EAST 15 8. OUR TRAINING practitioners and technicians for the 10. PRIZES AND AWARDS OUR CAMPUSES international stage, TV, film and radio. 14. LIFE AT LOUGHTON 16. LIFE AT SOUTHEND 18. ACCOMMODATION 20. SUPPORT SEVICES 22. OUR EXPERT STAFF UNDERGRADUATE STUDY AT EAST 15 28. BA ACTING 30. BA ACTING (INTERNATIONAL) 32. BA ACTING & COMMUNITY THEATRE 34. BA ACTING & CONTEMPORARY THEATRE 36. BA ACTING & STAGE COMBAT 38. BA PHYSICAL THEATRE 40. BA WORLD PERFORMANCE 42. BA STAGE & PRODUCTION MANAGEMENT 44. BA CREATIVE PRODUCING (THEATRE & SHORT FILM) 46. CERTIFICATE OF HIGHER EDUCATION IN THEATRE ARTS 48. INTERNATIONAL FOUNDATION IN ACTING 50. APPLYING FOR UNDERGRADUATE COURSES 52. UNDERGRADUATE AUDITIONS 54. MONEY MATTERS – UNDERGRADUATE POSTGRADUATE 58. MA ACTING 62. MA OR MFA ACTING (INTERNATIONAL) 66. MA OR MFA THEATRE DIRECTING 68. MA PROFESSIONAL THEATRE PRACTICE 70. PHD DRAMA & PERFORMANCE (PRACTICE AS RESEARCH) OR PHD DRAMA & PERFORMANCE 72. -
East 15 Acting School Prospectus
EAST 15 ACTING SCHOOL PROSPECTUS 2021 We teach and train students from over East 15’s extraordinary 26 countries worldwide legacy and its reputation for rigorous and inspired teaching ensures students consistently display an Outstanding student satisfaction rating unusual degree of courage, in the UK. 100% total satisfaction vision and versatility that in the 2020 National Student Survey is very exciting to watch. Colin Firth, OBE Over 50 years of experience in the industry 2 first class campuses one in Loughton, on the edge of London, and in picturesque Southend-on-Sea 1st for Drama in the Guardian University Guide 2020 For over 50 years, East 15 has produced Contents actors, directors, producers, theatre 6. ABOUT EAST 15 practitioners and technicians for the 8. OUR TRAINING 10. PRIZES AND AWARDS international stage, TV, film and radio. OUR CAMPUSES 14. LIFE AT LOUGHTON 16. LIFE AT SOUTHEND 18. ACCOMMODATION 20. SUPPORT SERVICES 22. OUR EXPERT STAFF UNDERGRADUATE STUDY AT EAST 15 28. BA ACTING 30. BA ACTING (INTERNATIONAL) 32. BA ACTING & COMMUNITY THEATRE 34. BA ACTING & CONTEMPORARY THEATRE 36. BA ACTING & STAGE COMBAT 38. BA PHYSICAL THEATRE 40. BA WORLD PERFORMANCE 42. BA STAGE & PRODUCTION MANAGEMENT 44. BA CREATIVE PRODUCING (THEATRE & SHORT FILM) 46. CERTIFICATE OF HIGHER EDUCATION IN THEATRE ARTS 48. APPLYING FOR UNDERGRADUATE COURSES 50. UNDERGRADUATE AUDITIONS 52. MONEY MATTERS – UNDERGRADUATE POSTGRADUATE 56. MA ACTING 60. MA OR MFA ACTING (INTERNATIONAL) 64. MA OR MFA THEATRE DIRECTING 66. MA ADVANCED PROFESSIONAL THEATRE PRACTICE 68. PHD DRAMA & PERFORMANCE (PRACTICE AS RESEARCH) OR PHD DRAMA & PERFORMANCE 70. APPLYING FOR POSTGRADUATE COURSES 72.