About the Institute
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Unmasking the Right of Publicity
Hastings Law Journal Volume 71 Issue 2 Article 5 2-2020 Unmasking the Right of Publicity Dustin Marlan Follow this and additional works at: https://repository.uchastings.edu/hastings_law_journal Part of the Law Commons Recommended Citation Dustin Marlan, Unmasking the Right of Publicity, 71 HASTINGS L.J. 419 (2020). Available at: https://repository.uchastings.edu/hastings_law_journal/vol71/iss2/5 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Unmasking the Right of Publicity † DUSTIN MARLAN In the landmark 1953 case of Haelan Laboratories v. Topps Chewing Gum, Judge Jerome Frank first articulated the modern right of publicity as a transferable intellectual property right. The right of publicity has since been seen to protect the strictly commercial value of one’s “persona”—the Latin-derived word meaning the mask of an actor. Why might Judge Frank have been motivated to fashion a transferable right in the monetary value of one’s public persona distinct from the psychic harm to feelings, emotions, and dignity rooted in the individual and protected under the rubric of privacy? Judge Frank was a leading figure in the American legal realist movement known for his unique and controversial “psychoanalysis of certain legal traditions” through influential books including Law and the Modern Mind. His work drew heavily on the ideas of psychoanalytic thinkers, like Sigmund Freud and Carl Jung, to describe the distorting effects of unconscious wishes and fantasies on the decision-making process of legal actors and judges. -
'Saving' the Poor and the Seductions of Capitalism
humanities Article Crisis and Consumption: ‘Saving’ the Poor and the Seductions of Capitalism Jennifer L. Fluri Geography Department, University of Colorado-Boulder, Boulder, CO 80303, USA; jennifer.fl[email protected]; Tel.: +1-303-492-4794 Academic Editor: Annabel Martín Received: 14 February 2017; Accepted: 27 May 2017; Published: 2 June 2017 Abstract: This article examines the crisis of capitalist seduction through the lens of online shopping platforms that raise funds for international assistance organizations and development celebrity advertising. Consumer-based giving has altered the commodity fetish into cliché, subsequently masking the capitalist produced crisis of endemic poverty and global inequality. Celebrity supported consumer-based giving and product advertising are used to illustrate the seductions of capitalism. This article argues that international assistance organizations are embedded in the substance and lifeblood of capitalisms’ dependence on inequality and poverty to generate profits/wealth. Consumer driven assistance remains a pervasive crisis hidden by seductive shopping platforms camouflaged as compassion. Keywords: capitalism; gender; body; seduction; international assistance; economic development 1. Introduction Listening to Democracy Now, on National Public Radio (NPR) during their annual fund raising drive, renowned journalist, Amy Goodman was hard at work trying to convince listeners to call in with their financial support for NPR programs. The program prior to the fundraising pitch was an interview with Jeremy Scahill and Glenn Greewald, who wrote and contributed to the book The Assassination Complex: Inside the Government’s Secret Drone Warfare Program. I was struck by the intersecting crises in the discussion of United States (US) militarism and target killing through the use of drones, and the less obvious crisis (and not identified as such by Goodman) of fundraising attached to consumer-capitalist inequalities and commodity fetishism. -
1 an Ethical Consumer Capitalism Steven Mcmullen Assistant
An Ethical Consumer Capitalism Steven McMullen Assistant Professor of Economics Department of Economics & Business Hope College [email protected] This draft: April 2015 Prepared for the “Future of Meat without Animals” track 10th International Whitehead Conference June 2015 Pamona College, Claremont, CA. Abstract: Consumers who desire to abstain from purchasing animal products for ethical reasons can find the task challenging. The current economic system in the U.S. is systematically biased against ethical consumption. Three elements of our current system push consumers and producers toward exploitation. First, limited information limits consumer power. Second, competition limits producers’ power. Finally, government actions support animal consumption. None of these biases are necessary. The second half of this chapter outlines possible reforms that will help structure a more humane consumer culture. The important insight is that we can shape institutions to ensure that ethical alternatives are competitively priced and that consumers have the information necessary to make ethical choices. 1 While few today gainsay the effectiveness of market economies for delivering goods and services to consumers, there are significant critiques of the current economic system in the affluent world. To animal advocates and ethicists, the treatment of animals in our economic system is seems particularly egregious. Normal practices include experimentation in product development, the subjugation of free-living animals to the logic of “resource management,” and, most notably, the breeding and slaughter of millions of animals for human food. This systemic abuse of animals is often strongly determined by economic motivations, and so it is tempting to attribute animal abuse to our economic system.1 While it is certainly true that animals have suffered tremendously under other economic arrangements, there are some central attributes of consumer-oriented market economies that have particularly bad results for animals. -
Jung, Mcluhan and the Archetype
philosophies Article Mind as Medium: Jung, McLuhan and the Archetype Adriana Braga Department of Communication, Pontifical Catholic University of Rio de Janeiro, National Council for Scientific and Technological Development (CNPq), Rio de Janeiro 22451-900, Brazil; [email protected] Academic Editors: Robert K. Logan and Marcin J. Schroeder Received: 21 June 2016; Accepted: 25 October 2016; Published: 4 November 2016 Abstract: The Greek notion of archetype was adopted and popularized in the context of the analytical psychology of Carl Gustav Jung. Marshall McLuhan used the concept archetype as a formal perspective rather than the content of an alleged “collective unconscious”. In his book From Cliché to Archetype, the idea of archetype is presented as the ground where individual action is the figure. This article, departing from the notion of archetype, explores some convergences between the thought of Carl Jung and Marshall McLuhan and some of its developments for Media Ecology studies. Keywords: archetype; Marshall McLuhan; C. G. Jung 1. Introduction The Greek notion of archetype was adopted and popularized in the context of the analytical psychology of Carl Gustav Jung. Marshall McLuhan used the term archetype as a formal perspective rather than the content of an alleged “collective unconscious”. In his book From Cliché to Archetype, the idea of archetype is presented as the ground where individual action is the figure. This article relates the notion of archetype in the perspective of Marshall McLuhan and its correlate in the approach of Carl Gustav Jung. A discussion of McLuhan’s position vis-à-vis psychological theory is followed by a discussion of the notion of archetype. -
“What I'm Not Gonna Buy”: Algorithmic Culture Jamming And
‘What I’m not gonna buy’: Algorithmic culture jamming and anti-consumer politics on YouTube Item Type Article Authors Wood, Rachel Citation Wood, R. (2020). ‘What I’m not gonna buy’: Algorithmic culture jamming and anti-consumer politics on YouTube. New Media & Society. Publisher Sage Journals Journal New Media and Society Download date 30/09/2021 04:58:05 Item License https://creativecommons.org/licenses/by-nc-nd/4.0/ Link to Item http://hdl.handle.net/10034/623570 “What I’m not gonna buy”: algorithmic culture jamming and anti-consumer politics on YouTube ‘I feel like a lot of YouTubers hyperbolise all the time, they talk about how you need things, how important these products are for your life and all that stuff. So, I’m basically going to be talking about how much you don’t need things, and it’s the exact same thing that everyone else is doing, except I’m being extreme in the other way’. So states Kimberly Clark in her first ‘anti-haul’ video (2015), a YouTube vlog in which she lists beauty products that she is ‘not gonna buy’.i Since widely imitated by other beauty YouTube vloggers, the anti-haul vlog is a deliberate attempt to resist the celebration of beauty consumption in beauty ‘influencer’ social media culture. Anti- haul vloggers have much in common with other ethical or anti-consumer lifestyle experts (Meissner, 2019) and the growing ranks of online ‘environmental influencers’ (Heathman, 2019). These influencers play an important intermediary function, where complex ethical questions are broken down into manageable and rewarding tasks, projects or challenges (Haider, 2016: p.484; Joosse and Brydges, 2018: p.697). -
A Copernican Revolution in Science and Religion:The Entangled State
1 A Copernican Revolution in Science and Religion Towards a Third Millennium Spirituality:The Entangled State of God and Humanity Peter B. Todd Synopsis As the title, The Entangled State of God and Humanity suggests, this lecture dispenses with the pre-Copernican, patriarchal, anthropomorphic image of God while presenting a case for a third millennium theology illuminated by insights from archetypal depth psychology, quantum physics, neuroscience and evolutionary biology. It attempts to smash the conceptual barriers between science and religion and in so doing, it may contribute to a Copernican revolution which reconciles both perspectives which have been apparently irreconcilable opposites since the sixteenth century. The published work of C.G. Jung, Wolfgang Pauli, David Bohm and Teilhard de Chardin outline a process whereby matter evolves in increasing complexity from sub-atomic particles to the human brain and the emergence of a reflective consciousness leading to a noosphere evolving towards an Omega point. The noosphere is the envelope of consciousness and meaning superimposed upon the biosphere a concept central to the evolutionary thought of visionary Jesuit palaeontologist Pierre Teilhard de Chardin (The Phenomenon of Man). His central ideas, like those of Jung with his archetypes, in particular that of the Self, provide intimations of a numinous principle implicit in cosmology and the discovery that in and through humanity, evolution becomes not only conscious of itself but also directed and purposive. Although in Jung’s conception it was a “late-born offspring of the unconscious soul”, consciousness has become the mirror which the universe has evolved to reflect upon itself and in which its very existence is revealed. -
Postmodern Visual Dynamics in Amy Heckerling's Clueless
e Interdisciplinary Journal of Popular Culture and Pedagogy Hyping the Hyperreal: Postmodern Visual Dynamics in Amy Heckerling’s Clueless Andrew Urie York University Toronto, Ontario, Canada [email protected] ABSTRACT An iconic staple of 1990s Hollywood cinema, director-screenwriter Amy Heckerling’s Clueless (1995) is a cult classic. This article examines the film’s postmodern visual dynamics, which parody hyperreal media culture and its connection to feminine teen consumerism amidst the image-saturated society of mid-’90s era Los Angeles. Keywords: Clueless; Amy Heckerling; Jane Austen; Emma; Popular Culture; Visual Culture; Film Studies; Media Studies; Postmodernism; Hyperreal 38 Volume 4, Issue 1 Hyping the Hyperreal A contemporized reworking of Jane Austen’s 1816 novel, Emma, director-screenwriter Amy Heckerling’s Clueless (1995) stands out as a notable cultural artifact of 1990s Hollywood cinema. While an abundance of scholarly articles exist on how Heckerling adapted the key plot dynamics of Austen’s novel for a postmodern audience,1 this article will largely eschew such narrative analysis in favor of focusing on the film’s unique postmodern visual dynamics, which constitute an insightful parody of hyperreal media culture and its particular connection to feminine teen consumerism amidst the image-saturated society of mid-’90s era Los Angeles. Less an adaptation of Emma than a postmodern appropriation, Clueless pays parodic homage to an oft- overlooked thematic element embedded in its source text. Transposing the decadence of Emma’s upper echelon Regency-era society for the nouveau riche decadence of Beverly Hills and its attendant culture of conspicuous consumption, the film focuses on the travails of its affluent sixteen-year-old heroine, Cher Horowitz (Alicia Silverstone), whose narcissistic preoccupations revolve around consumerism and fashion. -
Affluenza - Pages 6/4/05 9:03 AM Page 3
Affluenza - pages 6/4/05 9:03 AM Page 3 Chapter 1 What is affluenza? Af-flu-en-za n. 1. The bloated, sluggish and unfulfilled feeling that results from efforts to keep up with the Joneses. 2. An epidemic of stress, overwork, waste and indebtedness caused by dogged pursuit of the Australian dream. 3. An unsustainable addiction to economic growth.1 Wanting In 2004 the Australian economy grew by over $25 billion, yet the tenor of public debate suggests that the country is in a dire situation. We are repeatedly told of funding shortages for hos- pitals, schools, universities and public transport, and politicians constantly appeal to that icon of Australian spirit, the ‘Aussie battler’. Political rhetoric and social commentary continue to emphasise deprivation—as if we are living in the nineteenth century and the problems facing the country have arisen because we are not rich enough. When the Labor Party lost the federal election in 2004 it declared that, like the conservatives, it must pay more attention to growth and the economy. It would seem that achieving an economic growth rate of 4 per cent is the magic potion to cure all our ills. But how rich do we have to be before we are no longer a nation of battlers? Australia’s GDP has doubled since 1980; at 3 Affluenza - pages 6/4/05 9:03 AM Page 4 AFFLUENZA a growth rate of 3 per cent, it will double again in 23 years and quadruple 23 years after that. Will our problems be solved then? Or will the relentless emphasis on economic growth and higher incomes simply make us feel more dissatisfied? In the private domain, Australia is beset by a constant rumble of complaint—as if we are experiencing hard times. -
Sequence Iv: Buy Nothing Day
SEQUENCE IV: BUY NOTHING DAY 1 - Reading comprehension 2 - Pronunciation 3 - Word Building 4 - Grammar 5 – Writing 6 – Final Project Reading Comprehension Read the text below then do the activities: BUY NOTHING DAY On November 29th, thousands of activists and concerned citizens in 65 countries will take a 24- hour consumer detox as part of the annual Buy Nothing Day, a global phenomenon that originated in Vancouver, Canada. From joining marches through malls to organizing credit cardcut-ups, Buy Nothing Day activists aim to challenge themselves, their families and their friends to switch off from shopping for one day. The even is celebrated as a family holiday, as a non-commercial street party, or even as a public protest. Anyone can take part provided they spend a day without spending. Reasons for participating in Buy Nothing Day are varied. Some people want to escape from the marketing mind games. Others use it to complain about the environmental consequences of over-consumption. Two recent disaster warnings outline the sudden urgency of our dilemma. In October, a global warning report predicted that climate change will lead to the most massive market failure the world has ever seen. Soon after, a study published in the journal Science forecast the total collapse of global fisheries within 40 years. Kalle Lasn, co-founder of Adbusters Media Foundation which was responsible for turning Buy Nothing Day into an international annual event, said, “ We must protect our environment from an ecological collapse. Driving hybrid cars and limiting industrial emissions are just band-aid solutions if we don’t address the core problem. -
Banksy at Disneyland: Generic Participation in Culture Jamming Joshua Carlisle Harzman University of the Pacific, [email protected]
Kaleidoscope: A Graduate Journal of Qualitative Communication Research Volume 14 Article 3 2015 Banksy at Disneyland: Generic Participation in Culture Jamming Joshua Carlisle Harzman University of the Pacific, [email protected] Follow this and additional works at: http://opensiuc.lib.siu.edu/kaleidoscope Recommended Citation Harzman, Joshua Carlisle (2015) "Banksy at Disneyland: Generic Participation in Culture Jamming," Kaleidoscope: A Graduate Journal of Qualitative Communication Research: Vol. 14 , Article 3. Available at: http://opensiuc.lib.siu.edu/kaleidoscope/vol14/iss1/3 This Article is brought to you for free and open access by OpenSIUC. It has been accepted for inclusion in Kaleidoscope: A Graduate Journal of Qualitative Communication Research by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Banksy at Disneyland: Generic Participation in Culture Jamming Cover Page Footnote Many thanks to all of my colleagues and mentors at the University of the Pacific; special thanks to my fiancé Kelly Marie Lootz. This article is available in Kaleidoscope: A Graduate Journal of Qualitative Communication Research: http://opensiuc.lib.siu.edu/ kaleidoscope/vol14/iss1/3 Banksy at Disneyland: Generic Participation in Culture Jamming Joshua Carlisle Harzman Culture jamming is a profound genre of communication and its proliferation demands further academic scholarship. However, there exists a substantial gap in the literature, specifically regarding a framework for determining participation within the genre of culture jamming. This essay seeks to offer such a foundation and subsequently considers participation of an artifact. First, the three elements of culture jamming genre are established and identified: artifact, distortion, and awareness. Second, the street art installment, Banksy at Disneyland, is analyzed for participation within the genre of culture jamming. -
Kirwan Update July/August 2010
Kirwan Update July/August 2010 The Changing Face of Black America Executive Notes Charisma S. Acey number of reasons, including increasingly The immigration issue Assistant Professor of restrictive immigration policies among City and Regional Planning has exploded again with a joint appointment European countries. Moreover, changes into the national spot- at the Kirwan Institute to U.S. immigration policy have directly light with Arizona’s affected the rates of legal migration to the draconian law. Given Most of the increase in scholarship United States: The 1965 act eliminated the the issue’s complexity, on immigration following the 1965 quota system, and refugee policies in the I would like to touch Immigration and Naturalization Act has 1980s also facilitated immigration. The most on four key points. Professor john a. powell followed the dramatic rise in non-European dramatic jump in African immigrant popu- Rather than looking at immigrant diversity, but has been heavily lation was between 2000 and 2005, accord- the immigration issue focused on Latino, Asian, and European ing to the 2007 report by Mary Mederios in isolation, we should socioeconomic attainment and assimila- Kent, “Immigration and America’s Black recognize the effect of our current socio- tion. According to the last U.S. Census, Population,” when 40 percent of the current political situation as the country deals African immigrants to the United States African immigrant population arrived. with a deep recession in the Obama era. from the mid-20th century now num- How do Black Caribbean and Black African Secondly, we should consider the role of ber approximately one million persons, migration differ? Studies of Black Caribbean immigration in Anglo-American global- mostly from West, East, and North Africa, migration have found evidence of assimila- ization, which has become the received with smaller numbers from Southern and tion with Black America, in terms of resi- wisdom for elites. -
Pdf at OAPEN Library
Tweets and the Streets Gerbaudo T02575 00 pre 1 30/08/2012 11:04 Gerbaudo T02575 00 pre 2 30/08/2012 11:04 TWEETS AND THE STREETS Social Media and Contemporary Activism Paolo Gerbaudo Gerbaudo T02575 00 pre 3 30/08/2012 11:04 First published 2012 by Pluto Press 345 Archway Road, London N6 5AA www.plutobooks.com Distributed in the United States of America exclusively by Palgrave Macmillan, a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010 Copyright © Paolo Gerbaudo 2012 The right of Paolo Gerbaudo to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 3249 9 Hardback ISBN 978 0 7453 3248 2 Paperback ISBN 978 1 8496 4800 4 PDF eBook ISBN 978 1 8496 4802 8 Kindle eBook ISBN 978 1 8496 4801 1 EPUB eBook Library of Congress Cataloging in Publication Data applied for This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. 10 9 8 7 6 5 4 3 2 1 Designed and produced for Pluto Press by Chase Publishing Services Ltd Typeset from disk by Stanford DTP Services, Northampton, England Simultaneously printed digitally by CPI Antony Rowe, Chippenham, UK and Edwards Bros in the United States of America Gerbaudo T02575 00 pre 4 30/08/2012 11:04