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First Batch of Christmas

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First Batch of Christmas Page 6 grifEin Fridjy, October 31, 1980 ▲ First Batch of Christmas by Todd McDermot rich."), there's no French on this album. Surprise. iazz legend Charles Mingus, who wrote the music for Well, boys and girls, the Christmas season is It's Supertramp's double live album on A&M her last album while terminally ill. The album, en­ upon us. "What?" you say. "It's only Halloween!" records called, amazingly enough, "Paris". titled "Mingus" raised the eyebrows of many who Where have you been? In the record business, the The album Is destined to do absolutely nothing twelve days of Christmas become the twelve weeks other than make these six old Englishmen a ton of of Christmas, and we're already into the fifth week. money: However, it's a pleasant, entertaining run­ Anyway, as anybody who has stumbled into a down of their average stage show. Containing bits record store or turned on the radio lately knows, and pieces of each of their more recent albums. almost everybody who's anybody has released an ("Breakfast in America", "Even on the Quietist album in the hopes of becoming a winner in the Moments", "Crime of the Century" etc.), the album "Christmas gift sweepstakes". Only major recor­ really isn't much of a deviation from their studio ef­ ding stars need apply and since so many new forts. But, hey, why tamper with success. albums now glut the stores, what better way to ring There are a tew highlights to this sixteen song set in the Christmas season than glut this article with though. "Bloody Well Right" takes on more strength four of the more interesting, (if not completely and evolves into a rousing vamping anthem. Also, satisfying) new albums. "From Now On" becomes an urgent melo-dramatic plea with the saxophone backing up a repeating, emotion building chorus. Most of the difference between these songs and the previous versions com­ es from the "concert stretch", in which the tunes are m^ww strung out with a saxophone break in the middle or a few extra bars of the chorus at the end. In fact, it's the saxophone of John Helliwell that provides the spectacular musical moments in a Supertramp concert. The special lyrical quality and —pholo by Fr;in Matthews passion his playing possesses really makes the Pari­ thought a collaboration between a young white sian crowd come alive. The only real problem with female pop star and an old black jazz musician to be the entire set ts a slightly under recorded piano. quite a strange spectacle. However, Joni fooled them "Paris" will definitely be a perfect gift for anyone all. She always king of sang around a melody with who may be only familiar with "Breakfast in that sing-song style of hers, so a little vocal im­ America" or thought that Supertramp's last provisation wasn't too far out of line for her. On this appearance here was a thrill. live album recorded last summer in Santa Barbara, The next live set on our Christmas list comes California, she swings back and forth between the from our favorite pop-folk songstress gone iazzy, iazz of Mingus' "Goodbye Pork Pie Hat" and Joni Mitchell. Actually, it's interesting that Joni's rockers, (especially a cute little "Why Do Fools Fall other live double album, "Miles of Aisles" was. in Love" with the original Persuasions, no less). In - pholn h\ ('ran M.althrws recorded with sax player Tom Scott and the L.A. Ex­ between there are some new arrangements of old press, some prominent iazz rockers of that time. On Mitchell standards like "Free Man in Paris". Our first Christmas goody comes from exotic this one, called "Shadows and Lights" on Asylum Metheny and bassist Pastorius, whose vyork with and romantic Paris. However, other than the oc- records she hooks up with some of todays giants of Joni goes back to 1977's "Hejira', add some in­ ciasional "merci beaucoup" (which it you iazz: guitarist PatMetheny, Weather Report bassist teresting jazz touches throughout. remember your high school or last semester's Jaco Pastorius, and Brecker Brother Mike on sax­ Things go a little sour only when Joni tries to im­ French course means "Thank you for spending ophone. provise too wildly (especially on Mingus' "Dry twelve dollars on a ticket and making me very Much was made of Mitchell's association with Cleaner from Des Moines") or goes bananas, like on Horror Film Typifies Halloween by Phil Kowalski diabolical secret recipe of Farmer ierky" delicacies. Carpenter's "Halloween" and jerkies" (Motson's included). The fall season has traditionally Vincent's smoked meats. His The inevitable turnaround com­ Romero's "Night of the Living So, the next time you go into been signified by the onslaught of meats consist of a special concoc­ es when his latest group of Dead." your favorite watering hole or horror films and reasonable fac­ tion of ingredients which has fed "ingredients" escape their earth Somehow, I couldn't help think­ house of brew to drench the ole similes of the like. And this year is the county for over thirty years. domain and rebel. What ensues is ing that it probably was cheaper to tastebuds ask yourself: "I wonder no exception. He also operates the motel where a chillingly suspenseful and produce_ "Motel Hell", an un­ how many fat Hermans it took This year's fright-film season is the action occurs. It is called the humorous (if you can imagine) reasonable facsimile of a horror Farmer Vincent to make one Slim rebellion of the "living beer movie, than it would be to Jim." snacks" (just picture the stupidity purchase an entire jar of "beef Then, chuckle and drink up! of itall). The suspense climaxes with a chain saw duel, complete with shredded flesh and oozing blood. Also part of the finale is the scene in which the helpless, screaming girl is tied to the slowly- approaching meat-slicing machine. This is • reminiscent of the bygone days of moviedom when the girl was hopelessly tied to the railroad tracks. Enter — hero. End — predictable. It is typical to unimaginably Kveryone comes out on Halloween. conceive "Motel Hell" as a basic low-budget, 35mm home horror movie or a desperate second marked by everything from Motel Hello. However, the final feature at a drive-in. In evidence fashionable murder-ala-chic to letter is about to flicker out. of this is the appallingly poor act­ senseless slaughters on a lomotive Hence, Motel Hell. ing of the Hollywood no-names to the gruesome killings at a What Farmer Vincent does is and of the apparent fakeness of senior prom. capture unsuspecting passersby the grisly scenes (personally, I've One such film that does not even and bury them alive in his garden. seen more lifelike hands and feet whet the appetite or make sweaty There he, feeds and cares for on the mannequins at Twin Fair). the palms of many a diehard them until harvest time. Although this Is a primitive low- fright fanatic is the new Vincent then proceeds to cure, budget fright-flick, it cannot even Halloween treat, "Motel Hell." smoke, and prepare the bodies for approach the ranks of such B- Don’t go out alone. The film deals with the use in his world-famous "beef grade terror classics as John Friday, October 31, 1980 gH ffin Page 7 i Albums Arrive in Stores the weird vocal over percussion accompaniment on has become stagnant. With, "Civilized Evil", Jean guitarist John McFee, drummer Chet McCracken "Dreamland". Unfortunately, she doesn't have the Luc has made a conscious effort to fight iust that. and Cornelius Bumpus, who doubles on saxophone vocal range or musical background to succeed with New personnel and a more varied outlook have and organ hasn't made the Doobies miss a beat, these. helped Ponty create an instrumental album which The diverse somewhat uneven performance here succeeds in creating many moods and feelings for makes "Shadows and Light" an interesting, tran­ fhe listener. sitional record. Although what Mitchell is doing now Also, he has let a different side of himself show on is not popular with many of her old fans, it has open­ fhe peaceful acoustic sound of "Once a Blue Plane". ed her up to a whole new audience and record buy­ Although none of fhe tunes here seem destined for ing public. The music on this album may be a the AM-FM radio popularity of last year's "Beach prototype of future pop music trends. Girl" from his "Tasfe of Passion" album, as a whole The word iazz is the only similarity between Joni "Civilized Evil" is easily a superior album. The Mitchell's latest and electric violinist Jean Luc Pon- churning moog bass of "Demagomania", spritely ty's new album. His Atlantic Records album, melody of "Happy Robots" and the singing violin "Civilized Evil" borrows heavily from the lines of "Shape Up Your Mind", engage one in a kind progressive rock and classical genres, leaving the of aural picture painting defying descripfion. This jazz improvising solely to the violin master himself. album should probably be on fhe fop of every Everything else is carefully written and progressive rock or jazz-rock fan's iisf to Santa. orchestrated, making for a flawless, if some times Finally, we have those titans of pop song, fhe Doobie Brothers and their new one "One Step Closer" on Warner Bros. Records, (which the lEAM-LUC PONTT aviuzfo Ev»t Doobies probably own by now). This album, the followup to last year's platinum selling, top 40 hit laden "Minute by Minute" is more of the same, only a little less inspired.
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