Monteagle Florist Service; Fi Rewood for Sale

Total Page:16

File Type:pdf, Size:1020Kb

Monteagle Florist Service; Fi Rewood for Sale The SewaneeMountain MESSENGER Vol. XXVII, No. 33 Friday, September 9, 2011 Sewanee Locations Host Movie Filming If you ever sit through the entire closing credits on a movie, you might see a list of “stand-ins” for various actors. When the fi lm “Stoker” comes out, you’ll recognize a variety of places around Sewanee as the sets. And you might see the name of Sewanee resident Leslie Doster Jones in the credits. Jones worked on the movie being fi lmed in Sewanee earlier this week. She was a stand-in for a character in the movie who is a psycholo- gist. Is it any coincidence that Jones is a clinical psychologist for her day job? “My cousin is a casting director in Nash- ville,” Jones said. “When she told me she was working on a film in Sewanee, she found a Leslie Jones with her blocking place for me in it.” Th is is Jones’ fi rst time to notes on the set of “Stoker.” do such work. As a stand-in, Jones temporarily replaced the actor while the shot was being blocked, cameras and lighting were set and microphones adjusted. St. Mary’s Sewanee and the University served as movie sets earlier this week when the crew and cast of “Stoker” came to town. “Stoker” is a psychological thriller that will star Oscar-winner Nicole Kid- man, Mia Wasikowska (“Alice in Wonderland,” “Th e Kids Are Alright”), Mat- thew Goode (“A Single Man,” “Match Point”) and Dermot Mulroney (“My Best Friend’s Wedding,” “Th e Family Tree”). Th e story centers on a young woman Members of the Sewanee Tigers football team celebrate aft er their Sept. 3 win over Earlham College. See full story on page 13. (Wasikowska) who loses her father and must contend with a mysterious uncle Photo by Lyn Hutchinson (Goode). Kidman plays the woman’s mother; Mulroney is playing the woman’s father. Wasikowska and Kidman were not on campus, but Goode and Mulroney were expected to be on the Mountain. Acclaimed Korean director Chan-wook Park was supervising the fi lming SAS Faculty Spends Summer Learning in Sewanee and was accompanied by production designer, Th érèse DePrez, Several members of the St. An- Hangzhou. Asmussen took the op- Board. Th e workshop focused on four whose work includes “Black Swan.” More than 100 crew members, a dozen drew’s-Sewanee School faculty spent portunity to visit with several SAS broad areas of the AP curriculum: data semi-trucks, and thousands of feet of cable fi lled the Quad and Guerry Garth the summer acquiring new skills and alumni living in China. In addition, collection, data description, probabil- on Th ursday morning. experiences in their quest for lifelong she participated in the “Sweet Tea ity and statistical inference. Th omas Morris, director of St. Mary’s Sewanee, said location scouts looked learning. Many of these projects were Tour” of nine colleges and universi- Barbara Carden, French teacher at the various buildings on their campus in August. supported in part by the fi nancial help ties in Tennessee and Mississippi and musician, participated in an Art “Th ey became greatly enamored of the green tile in the hallway of St. Jo- of the school’s Parents’ Council. Much this summer, attended the Summer of Improvisation workshop sponsored seph’s,” he said. Th ey also shot inside one of the rooms in St. Joseph’s. of the Parents’ Council support is de- Counselor Program at the University by Music for People that took place at At the University, shooting locations were in outdoor spaces: the arched rived from the school’s annual auction, of Richmond and toured Randolph- SUNY Fredonia in New York. Music walkway at the east end of Guerry Garth adjacent to Guerry Auditorium, the which will be held on Saturday, Nov. Macon College in Ashland, Va. for People is dedicated to revitalizing archway between All Saints’ Chapel and Carnegie Hall and behind Quintard 12, this year. History teacher Mark Brunton music-making and promoting music Hall. Th e crew used the parking lot next to the Tennessee Williams Center as Christine Asmussen, director of att ended a Gilder Lehrman Institute as a means of self-expression. its staging area with its trailers and trucks. college counseling, participated in the Summer Seminar on the “Gilded Anne Chenoweth, director of Filmmakers are making contributions to both institutions for the use of Dipont College Admission Camp in Age and Its Modern Parallels.” It was admission and fi nancial aid, partici- the spaces. Shanghai, China. She worked with 23 a week-long conference at Stanford pated in the Association of Indepen- “Stoker” will be the English-language debut of Chan-wook Park; Tony Scott , students from public high schools in University with high school history dent School Admission Professionals Ridley Scott and Michael Costigan are producing the fi lm for Fox Searchlight Beijing, Wuxi and Hangzhou on col- teachers from around the country. (AISAP) Summer Institute at the Uni- Pictures. Th e movie, with a budget of $14 million (considered modest by Holly- lege selection, application preparation Mathematics teacher Margot versity School of Nashville. AISAP is a wood standards) is shooting at more than 30 locations across middle Tennessee. and essay writing. She also served as Burns participated in a fi ve-day AP series of programs and events that help It is anticipated to be released in 2012. a mentor to two Chinese high school statistics workshop through Texas admission professionals navigate counselors, one in Beijing and one in A&M University and the College (continued on page 6) Marking the Anniversary of 9/11 On the 10th anniversary of the September 11 terrorist attacks, Uni- versity students have organized to put an American fl ag in the Quad for every person who died on that day. Starting at 9 a.m., Saturday, Sept. 10, and continu- ing until 11:30 p.m., Sunday, Sept. 11, they will be placing the fl ags. In recognition that not all who died that day were American citizens, there will be a poster listing the home coun- tries of others who died in the att acks. Th is is a collaborative project by a “Stoker” director Chan-wook Park (third fr om the right) and production designer number of student groups, including Th érèse DePrez (center) working on location in the Quad Th ursday morning. SAS college counselor Christine Asmussen (center) in Shanghai, China sharing her the College Republicans, the College expertise at the Dipont College Admission Camp. Democrats, the Muslim Student As- sociation, the Organization for Cross- Community Chest Applications Cultural Understanding and various P.O. Box 296 Online, Due October 15th fraternities and sororities. Sewanee, TN 37375 Th e Community Chest Fund Drive is gearing up for its fall campaign. Sponsored by the Sewanee Civic Association, the drive raises money for lo- Chatt anooga Jury cal charitable organizations serving the Sewanee area. Funding applications Awards $26,500 to are now being accepted and can be completed online at <ur.sewanee.edu/ alumni/communitychest.> Th e deadline for submission is Saturday, Oct. 15. Student in University If you prefer to have an application mailed to you, please email Susan Askew at Legal Case; Denies <[email protected]>. At the meeting of the Sewanee Civic Association, Th ursday, Sept. 15, Com- Claim for Millions. munity Chest leaders Susan and Bob Askew will announce their co-chairs for this year’s campaign. See page 2 for story. 2 • Friday, September 9, 2011 • Th e Sewanee Mountain MESSENGER Letters THE SEWANEE MOUNTAIN MESSENGER Ransom on 418 St. Mary’s Ln. P.O. Box 296 SINGING FOR PEACE Center for Spiritual Development is To the Editor: a 24-year-old nonprofi t organization Stage Tonight Sewanee, Tennessee 37375 Dr. Martin Luther King Jr. said, “A offering a sanctuary of quiet and William Ransom and the Vega Phone (931) 598-9949 time comes when silence is betrayal.” natural beauty for retreat, renewal and String Quartet will perform at 7 Fax (931) 598-9685 And that time has come for me. spiritual growth. It is a great privilege p.m., tonight (Friday), Sept. 9, at St. Email [email protected] I planned a celebration of world to share in the rich history and life of Andrew’s-Sewanee School’s McCrory Contributors peace on Friday, Sept. 9 [today], in the Cumberland Plateau and to con- Hall. Th e evening will include selec- www.sewaneemessenger.com Phoebe & Scott Bates Angel Park in Sewanee from 7 a.m. to tribute to the health and quality of life tions from J.S. Bach, Rachmaninoff Jean & Harry Yeatman Laura L. Willis, editor/publisher John Shackelford noon by singing peace songs. I hope of the good people of this community. and Brahms. Janet B. Graham, advertising director/publisher people stopped by and listened and Th ank you all for making our ministry Annie Armour April H. Minkler, office manager John Bordley even sang along. I felt a deep need to possible. Ray Minkler, circulation manager Virginia Craighill sing for peace on “Patriot’s Day,” which Th omas Morris Leslie Lytle, staff writer Executive Director Buck Gorrell will be acknowledged at Sewanee El- Deer Census K.G. Beavers, staff writer Margaret Stephens ementary School on the same day. St. Mary’s Sewanee ■ Sandra Gabrielle, proofreader Peter Trenchi Yes, it’s good to love your country. Geraldine H. Piccard, editor/publisher emerita Pat Wiser How deeply I know the world needs all Underway In preparation for the annual deer Published as a public service to the Sewanee community. 3,500 copies are printed on Fridays, the love we can give! For some, how- PARTNER TO MAKE BETT ER 46 times a year, and distributed to 26 Sewanee-area locations for pickup free of charge.
Recommended publications
  • Hiff and Bafta New York to Honor Bevan and Fellner of Working Title Films With
    THE HAMPTONS INTERNATIONAL FILM FESTIVAL IN PARTNERSHIP WITH THE BRITISH ACADEMY OF FILM AND TELEVISION ARTS, NEW YORK HONORS WORKING TITLE FILMS CO-CHAIRS - TIM BEVAN AND ERIC FELLNER WITH THE GOLDEN STARFISH AWARD FOR LIFETIME ACHIEVEMENT AS PART OF THE FESTIVAL’S “FOCUS ON UK FILM.” BAFTA and Academy® Award Winner Renée Zellweger Will Introduce the Honorees and be joined by Richard Curtis, Joe Wright and Edgar Wright to toast the Producers. East Hampton, NY (September 17, 2013) - The Hamptons International Film Festival (HIFF) and the British Academy of Film and Television Arts New York (BAFTA New York), announced today that they will present Tim Bevan and Eric Fellner, co-chairs of British production powerhouse Working Title Films, with this year’s Golden Starfish Award for Lifetime Achievement on October 12th during the festival. Actress, Renée Zellweger, who came to prominence as the star of Working Title Films’ Bridget Jones’ Diary movies, will introduce the event. Working Title Films has produced some of the most well known films from the UK including LES MISERABLES, ATONEMENT, FOUR WEDDINGS AND A FUNERAL, ELIZABETH, and BILLY ELLIOT to name just a few. Richard Curtis (ABOUT TIME, LOVE ACTUALLY), Edgar Wright (THE WORLD'S END, SHAUN OF THE DEAD) and Joe Wright (ANNA KARENINA, ATONEMENT), three directors and longtime collaborators responsible for some of Working Title Films most acclaimed titles, will join Renee Zellweger, Tim Bevan and Eric Fellner in conversation for an insider’s view of Working Title Films. “The Hamptons International Film Festival is pleased to recognize Working Title Films and its incredible body of work,” said Anne Chaisson, Executive Director of The Hamptons International Film Festival.
    [Show full text]
  • Atonement (2007) Compiled by Jay Seller
    Literature to Film, lecture on Atonement (2007) Compiled by Jay Seller Atonement (2007) Universal Pictures Director: Joe Wright Screenwriter: Christopher Hampton Novel: Ian McEwan 123 minutes Cast Cecilia Tallis Keira Knightley Robbie Turner James McAvoy Briony Tallis,Briony Romola Garai Older Briony Vanessa Redgrave Briony Taliis,Briony Saoirse Ronan Grace Turner Brenda Blethyn Singing Housemaid Allie MacKay Betty Julia Ann West Lola Quincey Juno Temple Jackson Quincey Charlie Von Simpson Leon Tallis Patrick Kennedy Paul Marshall Benedict Cumberbatch Emily Tallis Harriet Walter Fiona MacGuire Michelle Duncan Sister Drummond Gina McKee Police Constable Leander Deeny Luc Cornet Jeremie Renier Police Sergeant Peter McNeil O’Connor Tommy Nettle Daniel Mays Danny Hardman Alfie Allen Pierrot,Pierrot Jack Harcourt Frenchmen Michel Vuillemoz Jackson,Jackson Ben Harcourt Frenchmen Lionel Abelanski Frank Mace Nonso Anozie Naval Officer Tobias Menzies Crying Soldier Paul Stocker Police Inspector Peter Wright Solitary Sunbather Alex Noodle Vicar John Normington Mrs. Jarvis Wendy Nottingham Beach Soldier Roger Evans, Bronson Webb, Ian Bonar, Oliver Gilbert Interviewer Anthony Minghella Soldier in Bray Bar Jamie Beamish, Johnny Harris, Nick Bagnall, Billy Seymour, Neil Maskell Soldier With Ukulele Paul Harper Probationary Nurse Charlie Banks, Madeleine Crowe, Olivia Grant, Scarlett Dalton, Katy Lawrence, Jade Moulla, Georgia Oakley, Alice Orr-Ewing, Catherine Philps, Bryony Reiss, DSarah Shaul, Anna Singleton, Emily Thomson Hospital Admin Assistant Kelly Scott Soldier at Hospital Entrance Mark Holgate Registrar Ryan Kiggell Staff Nurse Vivienne Gibbs Second Soldier at Hospital Entrance Matthew Forest Injured Sergeant Richard Stacey Soldier Who Looks Like Robbie Jay Quinn Mother of Evacuees Tilly Vosburgh Evacuee Child Angel Witney, Bonnie Witney, Webb Bem 1 Primary source director’s commentary by Joe Wright.
    [Show full text]
  • Ian Mcewan's Atonement
    UNIVERZITA PALACKÉHO V OLOMOUCI Pedagogická fakulta Katedra anglického jazyka ANETA VRÁGOVÁ III. ročník – prezenční studium Obor: Anglický jazyk se zaměřením na vzdělávání – Německý jazyk se zaměřením na vzdělávání IAN MCEWAN’S ATONEMENT: COMPARISON OF THE NOVEL AND THE FILM ADAPTATION Bakalářská práce Vedoucí práce: Mgr. Josef Nevařil, Ph.D. Olomouc 2015 Prohlášení: Prohlašuji, že jsem závěrečnou práci vypracovala samostatně a použila jen uvedených pramenů a literatury. V Olomouci (datum) ……………………………………………… vlastnoruční podpis I would like to thank Mgr. Josef Nevařil, Ph. D. for his assistance, comments and guidance throughout the writing process. CONTENTS INTRODUCTION .......................................................................................................... 6 1. BIOGRAPHY OF IAN MCEWAN ...................................................................... 7 1.1. BIOGRAPHY ................................................................................................... 7 1.2. LITERARY OUTPUT ...................................................................................... 8 1.3. AUTOBIOGRAPHICAL ASPECTS ................................................................ 9 2. POSTMODERNISM .......................................................................................... 12 3. COMPARISON OF THE NOVEL ATONEMENT AND THE FILM ADAPTATION ......................................................................................................................... 14 3.1. NOVEL: GENERAL INFORMATION ........................................................
    [Show full text]
  • 2020 21 Media Guide Comple
    2021 UCLA TRACK & FIELD 2021 QUICK FACTS TABLE OF CONTENTS Location Los Angeles, CA The 2021 Bruins Men’s All-Time Indoor Top 10 65-66 Rosters 2-3 Athletic Dept. Address 325 Westwood Plaza Women’s All-Time Indoor Top 10 67-68 Coaching Staff 4-9 Los Angeles, CA 90095 Men’s All-Time Outdoor Top 10 69-71 Men’s Athlete Profles 10-26 Athletics Phone (310) 825-8699 Women’s All-Time Outdoor Top 10 72-74 Women’s Athlete Profles 27-51 Ticket Offce (310) UCLA-WIN Drake Stadium 75 Track & Field Offce Phone (310) 794-6443 History/Records Drake Stadium Records 76 Chancellor Dr. Gene Block UCLA-USC Dual Meet History 52 Bruins in the Olympics 77-78 Director of Athletics Martin Jarmond Pac-12 Conference History 53-55 USA Track & Field Hall of Fame Bruins 79-81 Associate Athletic Director Gavin Crew NCAA Championships All-Time Results 56 Sr. Women’s Administrator Dr. Christina Rivera NCAA Men’s Champions 57 Faculty Athletic Rep. Dr. Michael Teitell NCAA Women’s Champions 58 Home Track (Capacity) Drake Stadium (11,700) Men’s NCAA Championship History 59-61 Enrollment 44,742 Women’s NCAA Championship History 62-63 NCAA Indoor All-Americans 64 Founded 1919 Colors Blue and Gold Nickname Bruins Conference Pac-12 National Affliation NCAA Division I Director of Track & Field/XC Avery Anderson Record at UCLA (Years) Fourth Year Asst. Coach (Jumps, Hurdles, Pole Vault) Marshall Ackley Asst. Coach (Sprints, Relays) Curtis Allen Asst. Coach (Distance) Devin Elizondo Asst. Coach (Distance) Austin O’Neil Asst.
    [Show full text]
  • Costume Design and the Modern Romanticization of Pride and Prejudice
    Creating a Romantic Landscape: Costume Design and the Modern Romanticization of Pride and Prejudice Catherine Perez College of Fine Arts, University of Florida Through an examination of the three major film adaptations of Pride and Prejudice, this paper explores how costume design plays a role in highlighting the romance plot of the novel and creating entirely different interpretations of Austen’s original text. The Robert Z. Leonard (1940), Simon Langton (1995), and Joe Wright (2005) adaptations of Pride and Prejudice have all contributed to the contemporary notion that Pride and Prejudice is a great romance; the interpretations of historic costume design in each film play a significant role in changing modern perception of Austen’s original novel. Throughout the 19th and 20th centuries, Jane Austen’s hailed for “describing involvements, and feelings, and Pride and Prejudice has been highly regarded, and characters of ordinary life which is to [the reviewer] the considered a prime example of Austen’s innate ability to most wonderful [he] ever met with” (Southam 135). The bring the everyday to life. Today, however, it is the romance between Elizabeth and Mr. Darcy is never romance aspect of the novel that is most promoted by expounded upon, but merely mentioned in passing as the mainstream entertainment. Society’s obsession with the primary device that moves the plot. It is not until the 20th “timeless romance” between Elizabeth Bennet and Mr. century and the advent of film that the modern perception Darcy (a quick Google search brings up over 182,000 of Pride and Prejudice as an epic romance begins to take articles, blog entries, and movie reviews on the topic) has form.
    [Show full text]
  • Experiencing Reel Spirituality Spirituality and Film
    Experiencing Reel Spirituality Spirituality and Film Theme Speaker The Rev. Douglas E. Wadkins Camp Eliot August 2013 Day 1 The Daily Round “Let the Great World Spin” Day 2 Joy and Laughter “To Truly Laugh” Day 2 Joy and Laughter “To Truly Laugh” Day 3 Sadness & Loss "It's Not That I am Afraid to Die..." Day 4 Forgiveness, Faith, Fear & Film The Fantastic Four (?) Day 4 Forgiveness, Faith, Fear & Film The Fantastic Four (?) Day 5 Love and Other Redemptions Day 6 “The Play’s the Thing” Befriending Film Frederic and Mary Ann Brussat 1. Be Prepared 2. Remember your intention to be hospitable 3. Connect with the characters Befriending Film 4. Pay attention to your reactions 5. Consider the significance of what you are seeing 6. Look for the bigger picture Befriending Film 7. Watch for epiphanies 8. Don’t turn away from the shadow 9. Let the movie simmer Frederic and Mary Ann Brussat Links Home Page: http://www.spiritualityandpractice.com Spirituality & Film: http://www.spiritualityandpractice.com/films Rotten Tomatoes Critic Page: http://www.rottentomatoes.com/critic/frederic-and-mary-ann-brussat Filmography 1 Baraka. Dir. Ron Fricke. Magidson Films, 1992. Film. Beasts of the Southern Wild. Dir. Benh Zeitlin. Perf. Quvenzhané Wallis, Dwight Henry, Jovan Hathaway et al. Cinereach, 2012. Film. Defending Your Life. Dir. Albert Brooks. Perf. Albert Brooks, Michael Durrell, Lee Grant, Meryl Streep et al. Producer Robert Grand, 1991. Film. The Descendants. Dir. Alexander Payne. Perf. George Clooney, Patricia Hastie et al. Fox Searchlight Pictures, 2011. Film. The Impossible. Dir. J.A. Bayona. Perf.
    [Show full text]
  • Books and Letters in Joe Wright's Pride & Prejudice (2005)
    Books and Letters in Joe Wright’s Pride & Prejudice (2005) David Roche To cite this version: David Roche. Books and Letters in Joe Wright’s Pride & Prejudice (2005): Anticipating the Spec- tator’s Response through the Thematization of Film Adaptation. Persuasions: the Jane Austen Journal On-Line, Jane Austen Society of North America, 2007, http://www.jasna.org/persuasions/on- line/vol27no2/roche.htm. halshs-00451735 HAL Id: halshs-00451735 https://halshs.archives-ouvertes.fr/halshs-00451735 Submitted on 16 Jun 2011 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. David Roche 16/06/11 15:05 V.27, NO.2 (Summer PERSUASIONS ON-LINE 2007) Books and Letters in Joe Wright’s Pride & Prejudice (2005): Anticipating the Spectator’s Response through the Thematization of Film Adaptation DAVID ROCHE David Roche (email: [email protected]) teaches American cinema and literature at the L’Université Blaise Pascal (Clermont II), France. His forthcoming L’Imagination malsaine (L’Harmattan, 2007) is an attempt to understand what we mean by “unhealthy” and notably by an “unhealthy” book or film. He has published articles on David Cronenberg, David Lynch, and Joe Wright’s Pride & Prejudice.
    [Show full text]
  • Silver Arts Award West Oxfordshire Academy of Performing Arts My
    Silver Arts Award West Oxfordshire Academy of Performing Arts My Review of The Darkest Hour By Sophie Cridland For my review, I went to go and see ‘The Darkest Hour’ at the cinema in Witney. From what I knew before I went to see it, I understood that it was a film about Churchill during WWII and the difficult decisions he had to make to try and save the British expeditionary force, which was being overwhelmed by the advancing German army and was at risk of being cut off. I found it a captivating story that gave an interesting insight into the events from a different perspective than one would normally see. I thought that it was clever the way the film showed you all the factors influencing the decisions that Churchill had to make, which helped the audience connect and sympathise with his situation. The film has a sense of determination and while at times he is shown as vulnerable, this helps the audience see him as a person with great responsibilities and also a lot struggles. The film also shows the effect of events on key characters in the British government and their motivations and aspirations. It paints Churchill as very human, determined and honourable yet lost all the same. It takes someone who he would not have traditionally looked to for support to open his eyes to the fact that he has supporters and people who will not give up on him, no matter if they are his family, the king, his cabinet or just ordinary people on a train.
    [Show full text]
  • DARKEST HOUR LOCANDINA.Pdf
    CINEPALACE PARLA INGLESE CinePalace/Riccione in collaborazione con Comune di Riccione DARKEST HOUR Director: Joe Wright Cast:: Gary Oldman, Kristin Scott Thomas, Lily James, Stephen Dillane Gran Bretagna 2017 - 125’ The film commences in May 1940. The opposition Labour Party in Parliament demands the resignation of British Prime Minister Neville Chamberlain for being too weak in the face of the Nazi onslaught. Chamberlain tells Conservative Party advisers that he wants Lord Halifax as his successor, but Halifax does not want to become Prime Minister yet. Chamberlain must choose the only other man whom other parties will support: Winston Churchill, the First Lord of the Admiralty. Churchill tries to dismiss his new secretary Elizabeth Layton for mis- hearing him, which earns him a rebuke from his wife Clementine. King George VI reluctantly invites Churchill to form a government including Chamberlain and Halifax. Although he was right about the danger from Adolf Hitler, Churchill has a poor reputation because of his record in the Admiralty, the Gallipoli Campaign in the First World War, his views on India and his support for Edward VIII during the Abdication Crisis. Parliament reacts coolly to Churchill’s first speech promising “Blood, toil, tears and sweat,” for which he is chastised by the King. Churchill refuses to negotiate for peace, believing that the Germans are untrustworthy, but the French Prime Minister thinks him delusional for not admitting that the Allies are losing the Battle of France. Halifax and Chamberlain agree, keen to use Italian Ambassador Giuseppe Bastianini as intermediary to negotiate with Germany. They plan to resign from the government if Churchill refuses, to cause a vote of no confidence that will allow Halifax to become Prime Minister.
    [Show full text]
  • Darkest Hour
    ‘DARKEST HOUR’ Filming the Underground train scene, featuring Oscar winner Gary Oldman as Prime Minister, Winston Churchill by Niall Devitt The critically acclaimed film ‘Darkest Hour’ (Working Title Films, 2017), is based on the events of May to September 1940, and the decision of an isolated and politically vulnerable new Prime Minister, Winston Churchill, to muster the will of the British people, and fight on against overwhelming odds against Nazi Germany. A moment, which it can be argued, saved western democracy and civilisation itself. A critical scene in the film is where Churchill, seeking to access the determination of the ordinary people to fight on, embarks on an Underground journey to Westminster. The solid and united defiance of his fellow passengers, spurs the newly emboldened Prime Minster to rally the nation, a ‘Finest Hour’ in the nation’s history. In reality, Churchill, a descendant of the Duke of Marlborough, would never use the Underground if he could avoid it, though his cabinet colleague, deputy Prime Minister, Clement Attlee, was a regular commuter from his family home, near Stanmore on the then Bakerloo Line. When smoking was allowed. Churchill contemplates the future of the nation with his fellow passengers. Filming of the critical scene took place over four days in the first week of January 2017 at Leavesden Studios, near Watford Junction, originally the site of the famous Gainsborough Studios. Unfortunately, the originally requested four-car 1938 Tube Stock unit owned by the LT Museum was unavailable as it was still undergoing a protracted overhaul at the Train Modification at Acton, and other LTM cars were unavailable or inappropriate.
    [Show full text]
  • 1St Time Charm! Master’S Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano
    Fall 2008 1st Time Charm! Master’s Student Jeremy Wilson Wins a Position in the Vienna Philharmonic Fortepiano Exciting Acquisition— a First for the College of Music rriving in spring 2007 from the McNulty workshop in the Czech Republic, this gorgeous fortepiano, an 1805 Walter und Sohn copy, Ahas already become an important educational and performance tool within the College of Music. Many, many thanks are due to Professor Emeritus Michael Collins, philanthropist Paul Voertman and the National Endowment for the Arts for their generosity that enabled us to purchase this instrument. One of its most interesting uses has been the recording project planned in conjunction with an upcoming book by UNT musicology alumnus James “Chip” Parsons, Professor of Music at Missouri State University and a former student of Professor Collins. A-R Editions will publish Dr. Parsons’ book on early alternate settings of Schiller’s poem “An die Freude” (heard in the famous last movement of Beethoven’s 9th Symphony). The accompanying CD, coordinated by UNT faculty Elvia Puccinelli, will include selections based on the facsimile scores included in the book. (For more about the fortepiano and its impact, go to page 17.) Contents Dean’s Message ......................................................4 William W. “Bill” Winspear Transitions ................................................................6 1933-2007 Welcome to New Faculty ..........................................8 International Relationships .......................................11 illiam W. “Bill”
    [Show full text]
  • Masaryk University
    MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature THE INFLUENCE OF TIME AND HISTORICAL EVENTS ON THE STORY OF PETER PAN IN FILMS Bachelor Thesis Brno 2018 Supervisor Author Mgr. Barbora Kašpárková Eva Nešporová Declaration I hereby declare that I worked on the following thesis on my own and that I used only the sources listed in the bibliography. Prohlášení Prohlašuji, že jsem závěrečnou bakalářskou práci vypracovala samostatně, s využitím pouze citovaných literárních zdrojů, dalších informací a zdrojů v souladu s Disciplinárním řádem pro studenty Pedagogické fakulty Masarykovy university a se zákonem č. 121/2000 Sb. o právu autorském, o právech souvisejících s právem autorským a o změně některých zákonů (autorský zákon), ve znění pozdějších předpisů. V Brně dne 30.3. 2018 ..................................... Eva Nešporová Acknowledgment I would like to express my gratitude to my supervisor Mgr. Barbora Kašpárková for the useful comments and guidance that she provided through the writing process of this thesis. Abstract This bachelor thesis focuses on the story of Peter Pan, also known as “a boy who would not grow up”, and on changes that appeared during the past hundred years. The thesis analyzes three different films that were made in the past seventy years and compares them with the original story called Peter Pan by James Matthew Barrie, first published in the year 1911. The analytic part consists of Peter Pan, directed in 1953 by the Walt Disney Company, Peter Pan by Paul John Hogen, directed in 2003, and Pan by Joe Wright, the latest film made, from 2015. The analysis focuses mainly on the issue of racism and feminism that appeared in the adaptations.
    [Show full text]