The Vampire Diaries

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THE VAMPIRE DIARIES KEVIN WILLIAMSON & JULIE PLEC Directed by: Macros Siega MOOD & TONE FILM LOOK REFERENCE & MOOD BEAUTIFUL SKIN TONE WARM LIGHTING FILM LOOK REFERENCE : ATMOSPHERE / FOG & BONFIRE DAY FOG WARMER TONE NIGHT FOG BONFIRE ELENA’S ROOM - MOOD & TONE STEFAN’S ROOM - MOOD LOCATIONS ELENA’S HOUSE MYSTIC FALLS BONFIRE PARTY SALVATORE HOUSE MYSTIC HIGH SCHOOL MYSTIC CEMETERY OPENING SEQUENCE MYSTIC FALLS TOWN VAMPIRE LOOK STEFAN & DAMON FAMILY RING THIS IS OUR DESIGN THESE ARE FOR REFERENCE Vampire Make-up Concept In addition to the eye transformation there will be a draining of color in the lips. This only happens when our vampires are enraged or hunting. The rule should be that if their lips are pale, the fangs are extended. Even if we don’t see them. Vampire Fang Concept Subtle extensions of the actors teeth. We should use this as a reference for size as well. Vampire Eye Concept THESE ARE VERY ROUGH SAMPLES AND NOT REPRESENTATIVE OF WHAT THE FINAL LOOK WILL BE. THE VFX WILL SHOW THE VEINS IN THE EYE SPIDER INWARD - WHILE THE COLOR OF THE EYE BRIGHTENS. AS OUR VAMPIRES BECOME MORE ENRAGED THE VEINS GET THICKER UNTIL THE WHITES OF THE EYE COMPLETELY FILL WITH BLOOD. THE WHITES OF THE EYE WLL BE BLOOD RED - THIS REFERENCE IS FOR DISCUSSION PURPOSE ONLY THE EYE WILL NOT BE MILKY - THE CENTER OF THE EYE WILL BE THE ACTOR’S NATURAL EYE COLOR WE WILL ENHANCE THE COLOR IN POST .

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Tese De Charles Ponte
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE ESTUDOS DA LINGUAGEM CHARLES ALBUQUERQUE PONTE INDÚSTRIA CULTURAL, REPETIÇÃO E TOTALIZAÇÃO NA TRILOGIA PÂNICO Tese apresentada ao Instituto de Estudos da Linguagem, da Universidade Estadual de Campinas, para obtenção do Título de Doutor em Teoria e História Literária, na área de concentração de Literatura e Outras Produções Culturais. Orientador: Prof. Dr. Fabio Akcelrud Durão CAMPINAS 2011 i FICHA CATALOGRÁFICA ELABORADA POR CRISLLENE QUEIROZ CUSTODIO – CRB8/8624 - BIBLIOTECA DO INSTITUTO DE ESTUDOS DA LINGUAGEM - UNICAMP Ponte, Charles, 1976- P777i Indústria cultural, repetição e totalização na trilogia Pânico / Charles Albuquerque Ponte. -- Campinas, SP : [s.n.], 2011. Orientador : Fabio Akcelrud Durão. Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem. 1. Craven, Wes. Pânico - Crítica e interpretação. 2. Indústria cultural. 3. Repetição no cinema. 4. Filmes de horror. I. Durão, Fábio Akcelrud, 1969-. II. Universidade Estadual de Campinas. Instituto de Estudos da Linguagem. III. Título. Informações para Biblioteca Digital Título em inglês: Culture industry, repetition and totalization in the Scream trilogy. Palavras-chave em inglês: Craven, Wes. Scream - Criticism and interpretation Culture industry Repetition in motion pictures Horror films Área de concentração: Literatura e Outras Produções Culturais. Titulação: Doutor em Teoria e História Literária. Banca examinadora: Fabio Akcelrud Durão [Orientador] Lourdes Bernardes Gonçalves Marcio Renato Pinheiro
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The Originals: the Loss by Julie Plec
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The Vampire Diaries
University of Wollongong Research Online Senior Deputy Vice-Chancellor and Deputy Vice- Senior Deputy Vice-Chancellor and Deputy Vice- Chancellor (Education) - Papers Chancellor (Education) 1-1-2013 Myriad mirrors: Doppelgangers and doubling in The Vampire Diaries Kimberley McMahon-Coleman University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/asdpapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation McMahon-Coleman, Kimberley: Myriad mirrors: Doppelgangers and doubling in The Vampire Diaries 2013, 210-224. https://ro.uow.edu.au/asdpapers/441 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Myriad mirrors: Doppelgangers and doubling in The Vampire Diaries Abstract As Samantha George notes in Chapter 4 above, mirroring is of fundamental importance in Gothic literature and film. It is also a prevalent trope in the CW network teen drama, The Vampire Diaries. The television series is itself a ‘doubling’ in that it is an adaptation of a series of novels by L. J. Smith, creating a situation wherein the same central characters inhabit the parallel townships of the novels’ Fells Church and television’s Mystic Falls, and consequently have histories which are, at times, contradictory.2 The television version also explicitly explores the concept of the doppelgänger, and thus the idea of reflection, even as it manipulates the historical and cultural contexts of the characters. Nuclear families are noticeably absent in the television series, yet significant emphasis is placed on the twin themes of brothers as foils to each other, and an ongoing focus on matrilineal power.
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To Kill a Vampire?: Through the Hearth Charlsie Lamos Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 12-2012 To Kill a Vampire?: Through the Hearth Charlsie Lamos Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Comparative Literature Commons Recommended Citation Lamos, Charlsie, "To Kill a Vampire?: Through the Hearth" (2012). All Theses. 1553. https://tigerprints.clemson.edu/all_theses/1553 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. TO KILL A VAMPIRE?: THROUGH THE HEARTH A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Charlsie Canterbury Lamos December 2012 Accepted by: Dr. Kimberly Manganelli, Committee Chair Dr. Cameron Bushnell Dr. Erin Goss But first, on earth as Vampire sent, Thy corse shall from its tomb be rent; Then ghastly haunt thy native place, And suck the blood of all thy race; There from thy daughter, sister, wife, At midnight drain the stream of life; Yet loathe the banquet which perforce Must feed thy livid living corse: Thy victims ere they yet expire Shall know the demon for their sire, As cursing thee, thou cursing them, Thy flowers are wither'd on the stem. But one that for thy crime must fall, The youngest, most beloved of all, Shall bless thee with a father's name --- That word shall wrap thy heart in flame! Yet must thou end thy task, and mark Her cheek's last tinge, her eye's last spark, And the last glassy glance must view Which freezes o'er its lifeless blue; Then with unhallow'd hand shalt tear The tresses of her yellow hair, Of which in life a lock when shorn, Affection's fondest pledge was worn, But now is borne away by thee, Memorial of thine agony! from Lord Byron’s The Giaour (1812) ii ABSTRACT Long before Dracula was terrorizing English families, Emily Brontë’s Heathcliff captivated Victorian audiences.
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At Vancouver Film School
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Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature _____________________________ ______________ Nicholas Bestor Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor Master of Arts Film Studies Michele Schreiber, Ph.D. Advisor Eddy Von Mueller, Ph.D. Committee Member Karla Oeler, Ph.D. Committee Member Accepted: Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ___________________ Date TV to Talk About: The CW and Post-Network Television By Nicholas Bestor B.A., Middlebury College, 2005 Advisor: Michele Schreiber, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2012 Abstract TV to Talk About: The CW and Post-Network Television By Nicholas Bestor The CW is the smallest of the American broadcast networks, but it has made the most of its marginal position by committing itself wholly to servicing a niche demographic.
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