Sábado, 01 De Junio De 2019

Total Page:16

File Type:pdf, Size:1020Kb

Sábado, 01 De Junio De 2019 Sábado, 01 de Junio de 2019 00:02:00 hs: BACH, JOHANN SEBASTIAN (1685-1750): CAPRICHO A LA PARTIDA DE SU AMADO HERMANO EN SI BEMOL MAYOR BWV. 992 Duración: 00:10:38 KENNETH GILBERT CLAVE 00:13:00 hs: ZELLER, KARL (1842-1898): DOS FRAGMENTOS DE LA OPERETA "EL PAJARERO" Duración: 00:09:01 ELISABETH SCHWARZKOPF SOPRANO ORQUESTA PHILHARMONIA Director: OTTO ACKERMANN 00:23:00 hs: VIERNE, LOUIS (1870-1937): TOCCATA (Nº 6 DE LAS PIEZAS DE FANTASIA OPUS 53) Duración: 00:04:25 BERNARD BARTELINK ORGANO 00:27:00 hs: GUASTAVINO, CARLOS (1914-2000): TRES ROMANCES ARGENTINOS Duración: 00:18:11 CARLOS GUASTAVINO Y HAYDEE GIORDANO PIANOS 00:46:00 hs: BRITTEN, LORD BENJAMIN (1913-1976): MATINÉES MUSICALES (SUITE SOBRE MUSICA DE GIOACCHINO ROSSINI Nº 2 OPUS 24) Duración: 00:13:25 ORQUESTA NATIONAL PHILHARMONIC Director: RICHARD BONYNGE 01:02:00 hs: SCRIABIN, ALEXANDER (1872-1915): SONATA Nº 9 OPUS 68 "MISA NEGRA" Duración: 00:08:15 VLADIMIR AZHKENAZY PIANO 01:11:00 hs: RAVEL, MAURICE (1875-1937): DOS PRELUDIOS Duración: 00:03:58 OLGA GALPERIN PIANO 01:15:00 hs: GINASTERA, ALBERTO (1916-1983): SALMO 150 OPUS 5 Duración: 00:15:19 CORO POLIFONICO NACIONAL Director: JULIO FAINGUERSCH CORO NACIONAL DE NIÑOS Director: VILMA GORINI ORQUESTA SINFONICA NACIONAL Director: PEDRO IGNACIO CALDERON 01:31:00 hs: SCHÖNBERG, ARNOLD (1874-1951): NOCHE TRANSFIGURADA OPUS 4 (VERSION PARA ORQUESTA DE CUERDAS 1943) Duración: 00:30:01 MIEMBROS DE LA ORQUESTA FILARMONICA DE BERLIN Director: HERBERT VON KARAJAN 02:03:00 hs: MENDELSSOHN-BARTHOLDY, FELIX (1809-1847): SUEÑO DE UNA NOCHE DE VERANO (MUSICA INCIDENTAL PARA LA COMEDIA DE WILLIAM SHAKESPEARE OPUS 21 Y 61) Duración: 01:03:07 FRIEDHELM EBERLE RECITANTE EDITH WIENS SOPRANO CHRISTIANE ÖRTEL MEZZO-SOPRANO CORO DE LA RADIO DE LEIPZIG Director: GERD FRISCHMUTH ORQUESTA DE LA GEWANDHAUS DE LEIPZIG Director: KURT MASUR 03:11:00 hs: DUPRE, MARCEL (1886-1971): QUINCE VERSICULOS SOBRE LAS VISPERAS DE LA VIRGEN OPUS 18 Duración: 00:40:47 ROBERT DELCAMP ORGANO 03:52:00 hs: DOUGLAS, ROY (1908): CANTILENA Duración: 00:07:33 ROYAL BALLET SINFONIA Director: DAVID LLOYD-JONES 04:02:00 hs: TAVERNER, JOHN (1490-1545): MAGNIFICAT A 5 Duración: 00:12:10 CORO DE LA CATEDRAL CHRIST CHURCH DE OXFORD Director: STEPHEN DARLINGTON 04:15:00 hs: STANLEY, JOHN (1712-1786): DOS VOLUNTARIES Duración: 00:08:43 NORBERTO BROGGINI ORGANO 04:24:00 hs: DEBUSSY, CLAUDE (1862-1918): EL RINCON DE LOS NIÑOS (SUITE) Duración: 00:15:41 WILLIAM KAPELL PIANO 04:40:00 hs: MASSA, JUAN BAUTISTA (1884-1938): PRIMERA SUITE ARGENTINA Duración: 00:09:02 ORQUESTA SINFÓNICA DE LA ASOCIACIÓN GENERAL DE MÚSICOS DE LA ARGENTINA Director: RICARDO ENGELBRECHT 04:50:00 hs: WOOD, HAYDN (1882-1959): DOS COMPOSICIONES Duración: 00:09:28 2) ORQUESTA SINFONICA DE LA RADIO ESLOVACA Director: ERNEST TOMLINSON 1) ORQUESTA SINFONICA DE LA RADIO CHECOSLOVACA Director: ADRIAN LEAPER 05:02:00 hs: AUTORES VARIOS: DOS COMPOSICIONES Duración: 00:06:47 MARGOT GUILLAUME SOPRANO HELMUT KREBS TENOR CORO DE LA CIUDAD DE HAMBURGO Director: CORO DE NIÑOS DE LA ESCUELA SECUNDARIA DE EPPENDORF Director: HEINZ ZABEL ORQUESTA DE CAMARA DE LA ARCHIV PRODUKTION Director: ADOLF DETEL 05:10:00 hs: TURINA, JOAQUIN (1882-1949): TOCCATA Y FUGA OPUS 50 Duración: 00:10:21 NICANOR ZABALETA ARPA 05:21:00 hs: PERCEVAL, JULIO (1903-1963): MASACRE DE LOS INOCENTES Duración: 00:10:13 EDITH PEINADO DE DRAGO ÓRGANO 05:31:00 hs: GARCIA ABRIL, ANTON (1933): EVOCACIONES Duración: 00:19:41 GABRIEL ESTARELLAS GUITARRA 05:52:00 hs: STRAUSS, RICHARD (1864-1949): SUITE DE VALSES DEL BALLET "CREMA BATIDA" OPUS 70 Duración: 00:07:28 ORQUESTA DEL ESTADO DE DRESDEN Director: RUDOLF KEMPE 06:03:00 hs: BACH, JOHANN SEBASTIAN (1685-1750): SONATA-TRIO Nº 4 EN MI MENOR BWV. 528 Duración: 00:10:57 EDWARD POWER BIGGS ORGANO 06:15:00 hs: CHAMINADE, CECILE (1857-1944): CUATRO COMPOSICIONES Duración: 00:18:03 PETER JACOBS PIANO 06:34:00 hs: STRAUSS, JOHANN II (1825-1899): CINCO COMPOSICIONES Duración: 00:24:56 ORQUESTA SINFONICA DE VIENA Director: ROBERT STOLZ ORQUESTA SINFONICA DE BERLIN Director: ROBERT STOLZ 07:03:00 hs: BOCCHERINI, LUIGI (1743-1805): MENUETTO (DEL QUINTETO EN MI MAYOR OPUS 11 Nº 5) (ORQUESTACION: LEOPOLD STOKOWSKI) Duración: 00:02:42 ORQUESTA DE FILADELFIA Director: WOLFGANG SAWALLISCH 07:06:00 hs: BEETHOVEN, LUDWIG VAN (1770-1827): SONATA Nº 18 EN MI BEMOL MAYOR OPUS 31 Nº 3 Duración: 00:23:10 CLARA HASKIL PIANO 07:30:00 hs: ARBAN, JEAN-BAPTISTE (1825-1889): FANTASIA SOBRE TEMAS DE "LA TRAVIATA" DE VERDI Duración: 00:09:02 MAURICE ANDRE TROMPETA ORQUESTA NACIONAL DE LA OPERA DE MONTECARLO Director: MARC SOUSTROT 07:40:00 hs: GRIEG, EDVARD HAGERUP (1843-1907): SUITE Nº 2 DE LA MUSICA INCIDENTAL PARA "PEER GYNT" OPUS 55 Duración: 00:18:44 ORQUESTA FILARMONICA DE BERLIN Director: HERBERT VON KARAJAN 08:03:00 hs: SCHUMANN, ROBERT (1810-1856): CINCO PIEZAS EN EL ESTILO POPULAR OPUS 102 REGISTRO REALIZADO EN LONDRES EN 1961 Duración: 00:18:24 MSTISLAV ROSTROPOVICH VIOLONCELLO BENJAMIN BRITTEN PIANO 08:22:00 hs: LISZT, FRANZ (1811-1886): DOS RAPSODIAS HUNGARAS SEARLE 244 Duración: 00:19:32 IGNAZ JAN PADEREWSKI PIANO 08:42:00 hs: WIENIAWSKI, HENRYK (1835-1880): POLONESA BRILLANTE Nº 1 EN RE MAYOR OPUS 4 Duración: 00:05:27 MAXIM VENGEROV VIOLIN ITAMAR GOLAN PIANO 08:48:00 hs: AUTORES VARIOS: DOS COMPOSICIONES Duración: 00:11:22 ORQUESTA VIENESA DE LONDRES Director: JACK ROTHSTEIN 09:04:00 hs: PRAETORIUS, MICHAEL (1571-1621): TRES DANZAS DE TERPSICORE Duración: 00:10:13 NEW LONDON CONSORT Director: PHILIP PICKETT 09:15:00 hs: VIVALDI, ANTONIO (1678-1741): DOS CONCIERTOS DEL CICLO "IL CIMENTO DELL' ARMONIA E DELL' INVENZIONE" OPUS 8 Duración: 00:16:24 MICHEL PIGUET OBOE THE ACADEMY OF ANCIENT MUSIC Director: CHRISTOPHER HOGWOOD 09:32:00 hs: ALBINONI, TOMASO (1671-1751): CONCIERTO PARA OBOE, CUERDAS Y BAJO CONTINUO EN SOL MENOR OPUS 9 Nº 8 Duración: 00:12:12 ALFRED SOUS OBOE HERBERT TACHEZI CLAVE FLORILEGIUM MUSICUM Director: HANS LUDWIG HIRSCH 09:45:00 hs: HAENDEL, GEORG FRIEDRICH (1685-1759): ARIA Nº 2 PARA INSTRUMENTOS DE VIENTO Duración: 00:02:13 MIEMBROS DE THE ACADEMY OF ANCIENT MUSIC Director: CHRISTOPHER HOGWOOD 09:48:00 hs: TARTINI, GIUSEPPE (1692-1770): CONCIERTO PARA TROMPETA Y ORQUESTA EN RE MAYOR Duración: 00:11:14 VACLAV BREZINA TROMPETA CAMERATA ROMANA Director: HANSPETER GMÜR 10:03:00 hs: BACH, JOHANN CHRISTIAN (1735-1782): CONCIERTO PARA CLAVE Y ORQUESTA EN RE MAYOR OPUS 1 Nº 6 (ARREGLO: ARPA Y ORQUESTA) Duración: 00:10:07 ANNIE CHALAN ARPA ORQUESTA ANTIQUA MUSICA Director: MARCEL COURAUD 10:14:00 hs: MOZART, WOLFGANG AMADEUS (1756-1791): SONATA Nº 32 EN SI BEMOL MAYOR K. 454 Duración: 00:19:02 JULIAN OLEVSKY VIOLIN ESTELA KERSENBAUM PIANO 10:34:00 hs: PAISIELLO, GIOVANNI (1740-1816): CONCIERTO PARA PIANO Y ORQUESTA Nº 4 EN SOL MENOR Duración: 00:25:17 PIETRO SPADA PIANO ORQUESTA DE CAMARA SANTA CECILIA Director: PIETRO SPADA 11:03:00 hs: HAYDN, FRANZ JOSEPH (1732-1809): SONATA EN LA BEMOL MAYOR HOBOKEN XVI Nº 46 Duración: 00:17:51 EMANUEL AX PIANO 11:22:00 hs: CHOPIN, FREDERIC (1810-1849): INTRODUCCION Y POLONESA BRLLANTE EN DO MAYOR OPUS 3 Duración: 00:08:22 MSTISLAV ROSTROPOVICH VIOLONCELLO MARTHA ARGERICH PIANO 11:31:00 hs: LISZT, FRANZ (1811-1886): RAPSODIA ESPAÑOLA SEARLE 254 Duración: 00:12:34 GYÖRGY CZIFFRA PIANO 11:44:00 hs: RACHMANINOV, SERGEI (1873-1943): LA ROCA (FANTASÍA OPUS 7) Duración: 00:15:10 ORQUESTA SINFONICA DE LA UNION SOVIETICA Director: YEVGENY SVETLANOV 12:03:00 hs: KUHLAU, FRIEDRICH (1786-1832): OBERTURA DE LA OPERA "HUGO Y ADELAIDA" OPUS 107 Duración: 00:05:43 ORQUESTA SINFONICA DE LA RADIO NACIONAL DANESA Director: MICHAEL SCHONWANDT 12:09:00 hs: BERWALD, FRANZ (1796-1868): SINFONIA Nº 3 EN DO MAYOR "SINGULAR" Duración: 00:26:57 ORQUESTA SINFONICA DE LA RADIO SUECA Director: SERGIU CELIBIDACHE 12:37:00 hs: STOKOWSKI, LEOPOLD (1882-1977): SINTESIS SINFONICA DE LA OPERA "BORIS GODUNOV" DE MODEST MUSSORGSKY Duración: 00:22:44 ORQUESTA SINFONICA DE BOSTON Director: LEOPOLD STOKOWSKI REGISTRO REALIZADO EL 13 DE ENERO DE 1968 13:04:00 hs: OFFENBACH, JACQUES (1819-1880): OBERTURA DE LA OPERETA "ORFEO EN LOS INFIERNOS" Duración: 00:09:50 ORQUESTA FILARMONICA DE BERLIN Director: HERBERT VON KARAJAN 13:14:00 hs: REINECKE, CARL (1824-1910): CONCIERTO PARA PIANO Y ORQUESTA Nº 1 EN FA SOSTENIDO MENOR OPUS 72 Duración: 00:24:00 MICHAEL PONTI PIANO ORQUESTA DE LA RADIO DE LUXEMBURGO Director: PIERRE CAO 13:39:00 hs: DVORAK, ANTONIN (1841-1904): SUITE AMERICANA OPUS 98B Duración: 00:20:31 ORQUESTA FILARMONICA REAL Director: ANTAL DORATI 14:04:00 hs: BEETHOVEN, LUDWIG VAN (1770-1827): SONATA Nº 5 EN FA MAYOR OPUS 24 "PRIMAVERA" Duración: 00:25:51 YEHUDI MENUHIN VIOLIN WILHELM KEMPFF PIANO 14:30:00 hs: BRAHMS, JOHANNES (1833-1897): DOS RAPSODIAS OPUS 79 Duración: 00:15:38 MARTIN JONES PIANO 14:46:00 hs: SMETANA, BEDRICH (1824-1884): TABOR (Nº 5 DEL CICLO DE POEMAS SINFONICOS "MI PATRIA") Duración: 00:12:58 ORQUESTA SINFONICA DE LA RADIO DE PRAGA Director: JAROSLAV KROMBHOLC 15:03:00 hs: WEBER, CARL MARIA VON (1786-1826): GRAN DUO CONCERTANTE EN MI BEMOL MAYOR OPUS 48 Duración: 00:19:54 MARIANO REY CLARINETE SILVIA LESTER PIANO 15:24:00 hs: PAGANINI, NICCOLO (1782-1840): CONCIERTO PARA VIOLIN Y ORQUESTA Nº 2 EN SI MENOR OPUS 7 "LA CAMPANELLA" Duración: 00:31:01 SALVATORE ACCARDO VIOLIN ORQUESTA FILARMONICA DE LONDRES Director: CHARLES DUTOIT 15:56:00 hs: CHABRIER, ALEXIS EMMANUEL (1841-1894): MARCHA ALEGRE Duración: 00:04:03 ORQUESTA SINFONICA DE MONTREAL Director: CHARLES DUTOIT 16:04:00 hs: LISZT, FRANZ (1811-1886): REMINISCENCIAS DE LA OPERA "I PURITANI" DE VINCENZO BELLINI (SEGUNDA VERSION
Recommended publications
  • A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich
    A Russian Eschatology: Theological Reflections on the Music of Dmitri Shostakovich Submitted by Anna Megan Davis to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Theology in December 2011 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. 2 3 Abstract Theological reflection on music commonly adopts a metaphysical approach, according to which the proportions of musical harmony are interpreted as ontologies of divine order, mirrored in the created world. Attempts to engage theologically with music’s expressivity have been largely rejected on the grounds of a distrust of sensuality, accusations that they endorse a ‘religion of aestheticism’ and concern that they prioritise human emotion at the expense of the divine. This thesis, however, argues that understanding music as expressive is both essential to a proper appreciation of the art form and of value to the theological task, and aims to defend and substantiate this claim in relation to the music of twentieth-century Russian composer Dmitri Shostakovich. Analysing a selection of his works with reference to culture, iconography, interiority and comedy, it seeks both to address the theological criticisms of musical expressivism and to carve out a positive theological engagement with the subject, arguing that the distinctive contribution of Shostakovich’s music to theological endeavour lies in relation to a theology of hope, articulated through the possibilities of the creative act.
    [Show full text]
  • Adams & Shostakovich
    27 May 2021 Sydney Town Hall ADAMS & SHOSTAKOVICH Principal Partner Presenting Partner SYDNEY SYMPHONY ORCHESTRA PATRON Her Excellency The Honourable Margaret Beazley AC QC Founded in 1932 by the Australian Broadcasting Commission, the Sydney Symphony Orchestra has evolved into one of the world’s finest orchestras as Sydney has become one of the world’s great cities. Resident at the iconic Sydney Opera House, the Sydney Symphony Orchestra also performs in venues throughout Sydney and regional New South Wales, and international tours to Europe, Asia and the USA have earned the Orchestra worldwide recognition for artistic excellence. The Orchestra’s first chief conductor was Sir Eugene Goossens, appointed in 1947; he was followed by Nicolai Malko, Dean Dixon, Moshe Atzmon, Willem van Otterloo, Louis Frémaux, Sir Charles Mackerras, Zdenêk Mácal, Stuart Challender, Edo de Waart and Gianluigi Gelmetti. Vladimir Ashkenazy was Principal Conductor from 2009 to 2013, followed by David Robertson as Chief Conductor from 2014 to 2019. Australia-born Simone Young has been the Orchestra’s Chief Conductor Designate since 2020. She commences her role as Chief Conductor in 2022 as the Orchestra returns to the renewed Concert Hall of the Sydney Opera House. The Sydney Symphony Orchestra’s concerts encompass masterpieces from the classical repertoire, music by some of the finest living composers, and collaborations with guest artists from all genres, reflecting the Orchestra’s versatility and diverse appeal. Its award-winning education program is central to its commitment to the future of live symphonic music, and the Orchestra promotes the work of Australian composers through performances, recordings and its commissioning program.
    [Show full text]
  • Banesco Libro Gente Que Hace Escuela
    J-310069921-1 J-310069921-1 AntonioCOMPILADOR López Ortega Gente que hace escuela Este libro ha sido editado por la Vicepresidencia Ejecutiva de Comunicaciones de Banesco Banco Universal, C.A. y la Fundación Artesanogroup Producción General Vicepresidencia Ejecutiva de Comunicaciones de Banesco Producción Ejecutiva Fundación Artesanogroup Carmen Julieta Centeno Sudán Macció Coordinación Editorial Antonio López Ortega Investigación y selección de personajes Nela Ochoa Corrección Alberto Márquez Concepto gráfico y diseño Taller de diseño editorial Escuela de Comunicación Visual Prodiseño Alumnos Ursula D’Amico (4° año) | Stefano Di Cristófaro (3er año) | Luis Pernía (3er año) Samuel Rivas (2° año) | Arum Rodríguez (2° año) | Eleonora Soteldo (4° año) Dirección del curso Profesora Aixa Díaz Coordinación general Jaime Cruz | Gabriela Fontanillas Preprensa e Impresión Editorial ExLibris Edición 2000 ejemplares Depósito legal lf78320128003621 ISBN 978-980-6671-02-7 © Banesco Banco Universal, C.A. Ninguna parte de esta publicación, incluido el diseño de cubierta, puede ser reproducida, almacenada o transmitida de manera alguna ni por ningún medio, ya sea eléctrico, químico, mecánico, óptico, de grabación o fotocopia sin permiso previo del editor. A MANERA DE PRESENTACIÓN | pág. 7 | UNA CARTOGRAFÍA HUMANA | pág. 9 | AMAZONAS | pág. 13 | Nelson Méndez ANZOÁTEGUI | pág. 25 | Hung Ki Kim APURE | pág. 35 | Arriz Domínguez ARAGUA | pág. 47 | Salvador Rodrigo BARINAS | pág. 59 | Rolando Hernández Pérez BOLÍVAR | pág. 71 | Nalúa Silva Monterrey CARABOBO | pág. 81 | Nina Nikanorova COJEDES | pág. 93 | José Antonio Pereira DELTA AMACURO | pág. 103 | Oswaldo Brito DISTRITO CAPITAL | pág. 113 | Rodolfo Briceño González | pág. 125 | Franklin Rojas | pág. 137 | Luis Ugalde,S.J. FALCÓN | pág. 147 | Olga Camacho GUÁRICO | pág.
    [Show full text]
  • EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
    EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos.
    [Show full text]
  • Schubert and Liszt SIMONE YOUNG’S VISIONS of VIENNA
    Schubert and Liszt SIMONE YOUNG’S VISIONS OF VIENNA 21 – 24 AUGUST SYDNEY OPERA HOUSE CONCERT DIARY NEW SEASON AUGUST Beethoven and Brahms Cocktail Hour Fri 23 Aug, 6pm BEETHOVEN String Quartet in E minor, Sat 24 Aug, 6pm Op.59 No.2 (Razumovsky No.2) Sydney Opera House, BRAHMS String Quintet No.2 Utzon Room Musicians of the Sydney Symphony Orchestra Abercrombie & Kent Shostakovich Symphony No.4 Masters Series JAMES EHNES PLAYS KHACHATURIAN Wed 28 Aug, 8pm KHACHATURIAN Violin Concerto Fri 30 Aug, 8pm SHOSTAKOVICH Symphony No.4 Sat 31 Aug, 8pm Sydney Opera House Mark Wigglesworth conductor James Ehnes violin SEPTEMBER Geoffrey Lancaster in Recital Mon 2 Sep, 7pm City Recital Hall MOZART ON THE FORTEPIANO MOZART Piano Sonata in B flat, K570 MOZART Piano Sonata in E flat, K282 MOZART Rondo in A minor, K511 MOZART Piano Sonata in B flat, K333 Geoffrey Lancaster fortepiano Music from Swan Lake Wed 4 Sep, 7pm Thu 5 Sep, 7pm BEAUTY AND MAGIC Concourse Concert Hall, ROSSINI The Thieving Magpie: Overture Chatswood RAVEL Mother Goose: Suite TCHAIKOVSKY Swan Lake: Suite Umberto Clerici conductor Star Wars: The Force Awakens Sydney Symphony Presents Thu 12 Sep, 8pm in Concert Fri 13 Sep, 8pm Watch Wednesdays 8.30pm Set 30 years after the defeat of the Empire, Sat 14 Sep, 2pm this instalment of the Star Wars saga sees original Sat 14 Sep, 8pm or catch up On Demand cast members Carrie Fisher, Mark Hamill and Sydney Opera House Harrison Ford reunited on the big-screen, with the Orchestra playing live to film.
    [Show full text]
  • Howard Milner Lives Remembered (For the Independent)
    Howard Milner Lives Remembered (for The Independent) My friend Howard Milner, who has died of cancer at the age of 58, will be remembered with enormous affection by many hundreds of people – who heard him sing, who learned from his remarkable teaching, who worked with him as colleagues, or who valued him as someone with a supreme gift of friendship. Howard was a chorister at Coventry Cathedral, won a music scholarship to Monkton Combe School, and went on to read English at Cambridge. It was there that I met – and briefly taught – him, a brilliant student with an ability for serious appreciation of poetry that never deserted him. He went on to make his career in music, though, putting his wonderful tenor voice to the service of singing. He became a member of Swingle II, the jazz vocal octet. He spent several years in Paris with the Group Vocal de France, specialising in contemporary music. And back in London he sang in West End shows and took on commercial engagements. But after a serious motorbike accident in 1982, he decided to take the opera course at the Guildhall School, won several major prizes, and went on to carve out an international career at Glyndebourne, ENO, the Royal Opera House, Opera Factory, Sydney Opera House, Carnegie Hall, Paris Chatelet, Barcelona, Aix-en-Provence, and Menton. His opera and concert performances have been widely recorded. The combination of a fine voice, a literary enthusiasm, an ability with languages, and a serious dedication to helping others in his field was always going to lead to more, however.
    [Show full text]
  • Gente Que Hace Escuela Este Libro Ha Sido Editado Por La Vicepresidencia Ejecutiva De Comunicaciones De Banesco Banco Universal, C.A
    J-310069921-1 J-310069921-1 AntonioCOMPILADOR López Ortega Gente que hace escuela Este libro ha sido editado por la Vicepresidencia Ejecutiva de Comunicaciones de Banesco Banco Universal, C.A. y la Fundación Artesanogroup Producción General Vicepresidencia Ejecutiva de Comunicaciones de Banesco Producción Ejecutiva Fundación Artesanogroup Carmen Julieta Centeno Sudán Macció Coordinación Editorial Antonio López Ortega Investigación y selección de personajes Nela Ochoa Corrección Alberto Márquez Concepto gráfico y diseño Taller de diseño editorial Escuela de Comunicación Visual Prodiseño Alumnos Ursula D’Amico (4° año) | Stefano Di Cristófaro (3er año) | Luis Pernía (3er año) Samuel Rivas (2° año) | Arum Rodríguez (2° año) | Eleonora Soteldo (4° año) Dirección del curso Profesora Aixa Díaz Coordinación general Jaime Cruz | Gabriela Fontanillas Preprensa e Impresión Editorial ExLibris Edición 2000 ejemplares Depósito legal lf78320128003621 ISBN 978-980-6671-02-7 © Banesco Banco Universal, C.A. Ninguna parte de esta publicación, incluido el diseño de cubierta, puede ser reproducida, almacenada o transmitida de manera alguna ni por ningún medio, ya sea eléctrico, químico, mecánico, óptico, de grabación o fotocopia sin permiso previo del editor. A MANERA DE PRESENTACIÓN | pág. 7 | UNA CARTOGRAFÍA HUMANA | pág. 9 | AMAZONAS | pág. 13 | Nelson Méndez ANZOÁTEGUI | pág. 25 | Hung Ki Kim APURE | pág. 35 | Arriz Domínguez ARAGUA | pág. 47 | Salvador Rodrigo BARINAS | pág. 59 | Rolando Hernández Pérez BOLÍVAR | pág. 71 | Nalúa Silva Monterrey CARABOBO | pág. 81 | Nina Nikanorova COJEDES | pág. 93 | José Antonio Pereira DELTA AMACURO | pág. 103 | Oswaldo Brito DISTRITO CAPITAL | pág. 113 | Rodolfo Briceño González | pág. 125 | Franklin Rojas | pág. 137 | Luis Ugalde,S.J. FALCÓN | pág. 147 | Olga Camacho GUÁRICO | pág.
    [Show full text]
  • SEASON THOMAS ADÈS Overture
    2017 2018 SEASON David Robertson, conductor Friday, January 12, 2018 at 10:30AM Augustin Hadelich, violin Saturday, January 13, 2018 at 8:00PM THOMAS ADÈS Powder Her Face Suite (1995/2017 SLSO co-commission) (b. 1971) Overture – Scene with Song – Wedding March – Waltz – Ode – Paperchase – Hotel Manager’s Aria “It is too late” – Finale BRITTEN Violin Concerto, op. 15 (1939) (1913–1976) Moderato con moto – Vivace – Passacaglia: Andante lento (un poco meno mosso) Augustin Hadelich, violin INTERMISSION SHOSTAKOVICH Symphony No. 1 in F minor, op. 10 (1925) (1906–1975) Allegretto; Allegro non troppo Allegro Lento – Lento; Allegro molto 23 ACKNOWLEDGMENTS The 2017/2018 Classical Series is presented by World Wide Technology, The Steward Family Foundation, and Centene Charitable Foundation. These concerts are sponsored by St. Louis College of Pharmacy. The concert of Friday, January 12 is underwritten in part by a generous gift from Renee and Bruce Michelson. The concert of Saturday, January 13 is underwritten in part by a generous gift from Norman and Susan Gilbert. David Robertson is the Beofor Music Director and Conductor. Augustin Hadelich is the Carolyn and Jay Henges Guest Artist. Pre-Concert Conversations are sponsored by Washington University Physicians. 24 NEW VOICES BY BENJAMIN PESETSKY TIMELINKS Thomas Adès, Benjamin Britten, and Dmitri Shostakovich were all under the age of 30 when they wrote the pieces on today’s program. Adès’s 1925 F. Scott Fitzgerald opera, Powder Her Face, and Shostakovich’s publishes The Great Gatsby. Symphony No. 1 launched their composers to fame, receiving international performances soon 1939 Marian Anderson after their premieres.
    [Show full text]
  • ALC 3143 WEB BOOKLET.Indd
    The audience listened with enthusiasm and the scherzo had to be repeated. At the end, Mitya was hurt when Shostakovich commented that he had been hindered in composing when he was [Dmitri] was called up to the stage over and over again. When our handsome young composer a student. The dramatic final bars of Maximilian Steinberg’s own powerful Second Symphony of appeared, looking still like a boy, the enthusiasm turned into one long thunderous ovation. He came 1909 (in memory of Rimsky-Korsakov), in its use of the orchestral piano, during the redemptive, to take his bows, sometimes with Malko [Nikolai Malko, the conductor], sometimes alone’ though paradoxically doom-laden coda, to some extent anticipate the music of his young pupil. (Shostakovich’s mother - letter to a friend after the first performance of Symphony No.1, performed by the Leningrad Philharmonic Orchestra on 12th May, 1926) No composer works in a vacuum and despite its remarkable originality Shostakovich’s First Symphony The slow movement ... shows us an imagination and a degree of compassion that go far beyond does show the influences of other composers, not least Stravinsky, whose ballet score Petrushka youthful insight…What is important is that it [the Symphony] communicates a vital spiritual (1909-11) shares some of the ironic, grotesque humour of the first two movements of the Shostakovich experience. (Robert Layton ‘The Symphony – Elgar to the Present Day’, Penguin, 1967) symphony - a habitual feature of the composer’s music, not least in the opening movement of his final symphony – No.15 of 1971. Prokofiev, Tchaikovsky, Mahler, Scriabin and Bruckner have also Symphony No.1 in F minor, Op.10 (1924-5) which was completed as a graduation exercise, when been identified as possible influences.
    [Show full text]
  • Intervista Di Ceausescu Alpunita SI PRECISANO I CONTORNI DELLA TRAMA EVERSIVA EICOLLEGAMENTIINTERNAZIONALI DELL'assassino
    Quotidiano / Anno L / N. 136 ( Vu^i/So1 ) * Domenica 20 maggio 1973 / L. 90 UN PIANO DEL PCI P0SITIV0 ACCORDO DI LOTTA CONTRO RAGGIUNTOPER IL CARO-VITA I PARASTATALI A PAG. 2 OR6ANO DEL PARTITO COMUNISTA ITALIANO A PAG. 4 Occorre un governo che si ponga come primo compito la ferma difesa delle istituzioni repubblicane LAVORATORIE FORZE DEMOCRATIZE UNITI PER SPEZZAREICOMPLOHI DELIA REAZIONE Milano ha risposto con fermezza alPappello lanciato dai sindacati — Assemblee nelle fabbriche e prese di posizione unitarie chiedono la salvaguardia dell'ordine co- stituzionale — Significativo commento del principal* giornale inglese: « La violenza in Italia va attribuita alia destra » — Nuovo grave discorso di Andreotti a Milano Mobilitazione e vigilanza popolare hanno risposto in Andreotti si regge coi voti del MSI tutto il paese aH'ultimo cri- minale episodio di violenza a II Presidente romeno arriva domani in Italia Milano. In particolare nel ca- poluogo lombardo, in seguito all'appello unitario dei sinda­ U inquinamen to cati i lavoratori hanno mani- festato con scioperi, assem­ blee, prese di posizione. la Intervista e in atto ferma volonta di respingere la strategia delta tensione. ENZA dubbio, e eresciu- sunse le difese dei gruppi: i Con la saldezza di nervi di S ta ulteriormente la con- quali, d'altronde, risultano cui la classe operaia, i lavo­ di Ceausescu sapevolezza, anche tra le for­ apertamente legati al parti­ ratori, i democratici italiani ze che compongono l'attua- to missino e ai suoi massimi hanno dato piu. volte prova. al lo maggioranza, che questo esponenti. clima torbido e al pericolo di governo se ne deve andare.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 84, 1964-1965
    BOSTON SYMPHONY ORCHESTRA % FOUNDED IN 1881 BY /i HENRY LEE HIGGINSON i &A SUNDAY AFTERNOON ll! b?. J* SERIES ;:;;M^swJid \ \ ^% CtJr: EIGHTY-FOURTH SEASON 1964. 1965 , TAKE NOTE The precursor of the oboe goes back to antiquity — it was found in Sumeria (2800 bc) and was the Jewish halil, the Greek aulos, and the Roman tibia • After the renaissance, instruments of this type were found in complete families ranging from the soprano to the bass. The higher or smaller instruments were named by the French "haulx-bois" or "hault- bois" which was transcribed by the Italians into oboe which name is now used in English, German and Italian to distinguish the smallest instrument • In a symphony orchestra, it usually gives the pitch to the other instruments • Is it time for you to take note of your insurance needs? • We welcome the opportunity to analyze your present program and offer our professional service to provide you with intelligent, complete protection. We respectfully invite your inquiry i . , . H Wj C0 5^¥£?._ : ™^ £_ _:.. /OBRION, KUSSELL 8c CO. Richard P. Nyquist — Charles G. Carleton 147 MILK STREET BOSTON 9, MASSACHUSETTS Insurance of Every Description 542-1250 EIGHTY-FOURTH SEASON, 1964-1965 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-Presiden t Richard C. Paine Treasurer Abram Berkowitz Henry A. Laughlin Theodore P. Ferris John T. Noonan Francis W. Hatch Mrs.
    [Show full text]
  • Terra Nova, an Experiment in Creating Cult Televison for a Mass Audience
    Syracuse University SURFACE S.I. Newhouse School of Public Media Studies - Theses Communications 8-2012 Terra Nova, An Experiment in Creating Cult Televison for a Mass Audience Laura Osur Syracuse University Follow this and additional works at: https://surface.syr.edu/ms_thesis Part of the Film and Media Studies Commons, and the Mass Communication Commons Recommended Citation Osur, Laura, "Terra Nova, An Experiment in Creating Cult Televison for a Mass Audience" (2012). Media Studies - Theses. 5. https://surface.syr.edu/ms_thesis/5 This Thesis is brought to you for free and open access by the S.I. Newhouse School of Public Communications at SURFACE. It has been accepted for inclusion in Media Studies - Theses by an authorized administrator of SURFACE. For more information, please contact [email protected]. Abstract When it aired in Fall 2011 on Fox, Terra Nova was an experiment in creating a cult television program that appealed to a mass audience. This thesis is a case study of that experiment. I conclude that the show failed because of its attempts to maintain the sophistication, complexity and innovative nature of the cult genre while simultaneously employing an overly simplistic narrative structure that resembles that of mass audience programming. Terra Nova was unique in its transmedia approach to marketing and storytelling, its advanced special effects, and its dystopian speculative fiction premise. Terra Nova’s narrative, on the other hand, presented a nostalgically simple moralistic landscape that upheld old-fashioned ideologies and felt oddly retro to the modern SF TV audience. Terra Nova’s failure suggests that a cult show made for this type of broad audience is impossible.
    [Show full text]