DOCSLIB.ORG

Full Beacher

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Full Beacher THE TM 911 Franklin Street Weekly Newspaper Michigan City, IN 46360 Volume 36, Number 8 Thursday, February 27, 2020 Goodby WilliamBones Halliar Michigan City’s landmark, architecturally award-winning library is midway through an all-around upgrade. Two phas- es of the comprehensive rede- sign are fi nished, with work on the main circulation area, then the main entrance and outside landscaping on the way. Don Glossinger, the library’s director, becomes visibly emotional as he speaks of this 43-year-old building and his 30-year relationship with it. He proudly points out all of the recent upgrades, saying, “What has happened here is very special.” The library board of trustees, he continues, loves this unique and historic structure, and con- tractors enjoy the challenge of working on it. A structure cre- ated with such care to light and space. A work of art. An archi- tectural masterpiece. The fi rst phase of upgrades concentrated on the Youth Ser- vices Area and Reference De- partment. The space was entire- ly reconfi gured with whimsical wall murals and new shelving that draw young people to the colorful covers of books on dis- play. Many seating areas and desk clusters were added that are family friendly, lending themselves to storytelling and interaction with parents. Michigan City Public Library staff meet in one of the new enclosed meeting areas within the building. Photo by Paul Kemiel Continued on Page 2 THE Page 2 February 27, 2020 THE 911 Franklin Street • Michigan City, IN 46360 219/879-0088 Beacher Company Directory e-mail: News/Articles - [email protected] Don and Tom Montgomery Owners email: Classifieds - [email protected] Andrew Tallackson Editor http://www.thebeacher.com/ Drew White Print Salesman PRINTE ITH Published and Printed by Janet Baines Inside Sales/Customer Service T Becky Wirebaugh Typesetter/Designer T A S A THE BEACHER BUSINESS PRINTERS Randy Kayser Pressman Dora Kayser Bindery Delivered weekly, free of charge to Birch Tree Farms, Duneland Beach, Grand Beach, Hidden Shores, Long Beach, Michiana Shores, Michiana MI and Shoreland Hills. The Beacher is Hope Costello, Cheryl Joppek, Production also delivered to public places in Michigan City, New Buffalo, LaPorte and Sheridan Beach. John Baines, Karen Gehr, Dennis Mayberry Delivery Michigan City Public Library staff try out the new computer work station area. Photo by Paul Kemiel lic debate continues about its location, the argu- Good Bones Continued from Page 1 ment being the building blocks traffi c to the lake. A puppet stage is central to the reading area. It But their commitment to its history, and the inge- is inhabited by an assortment of fuzzy, Muppet-like nuity of the architect who designed it, honor a long- creatures children can use to let their imaginations standing legacy. take fl ight. Here in this special space, young folks Early in Michigan City history, civic leaders re- can create their own stories and plays. alized the importance of reading for self-improve- Central to the fi rst phase was the addition of a ment and the community’s common good. In the makerspace for kids and teens. According to infor- early 1880s, George Ames, a pioneer and druggist mation provided by the library, “The Makerspace is in town, apparently loved reading and bequeathed a place where young people can tinker, design, craft, in his will a $5,000 endowment to create a public li- create and explore. It includes a variety of equipment brary for the fl edging town. The catch: The site had and projects for guided exploration and hands-on to be built within 10 years of the endowment. learning...” According to the Michigan City Public Library Phase Two offi cially opened to the public Mon- website, “This bequest encouraged a local literary day, Feb. 10. Included were renovation of the Indi- society, the Fortnightly Club, to take the necessary ana Room, and construction of study rooms and a steps to secure a library for the town.” A library as- conference room. These spaces are private and en- sociation formed in 1895. closed, yet offer plenty ambient light through the An architect was hired to design a building wor- translucent outside walls of the building, and the thy of housing a fi ne collection books. It was deter- glass walls and doors facing the interior of the li- mined $25,000 was needed to purchase property brary. Each room has computer capabilities and a and erect a suitable building. John H. Barker of- white board for note taking. These spaces are avail- fered to donate a third of the entire cost if the com- able to the public and can be reserved upon request. munity contributed the rest. Still to come are lighting system upgrades to in- The library association raised $30,000 from clude modern LED lights in 2021 and tasteful new residents, and property at the northeast corner of landscaping in 2022. Eighth and Spring streets was purchased. A build- The library’s staff and board are well aware pub- ing was constructed of “Indiana blue limestone in THE February 27, 2020 Page 3 the classic style of the day.” The library offi cially opened the doors to its new building and collection A special invitation for of 3,000 books on Oct. 9, 1897. By 1975, the library had outgrown the much-be- 5th - 8th graders loved location. A separate children’s library had to (Public, private, charter and be built on an adjacent property. According to the home-school parents & students welcome!) library website, “The building at Eighth and Spring Streets was bursting at the seams. Space was severe- ly limited and, some areas, substandard. It was a diffi cult place to study in, and access to materials Wolf Pack Roundup! was cumbersome.” Thursday March 12 5:30 pm MICHIGAN CITY HIGH SCHOOL 8466 W. Pahs Road Stop by to see what’s in BARKER MIDDLE SCHOOL Don Glossinger (left), Michigan City Public Library director, store as you and Assistant Director Andy Smith. Photo by Paul Kemiel 319 Barker Road take it to the It was decided a new, modern facility should be next level! built. The library website says 15 sites were consid- KRUEGER MIDDLE SCHOOL ered. Glossinger remembers this period as being the 2001 Springland Avenue era of urban renewal in Michigan City. In 1968, the north end of Franklin Street was • TAKE A GUIDED TOUR closed to vehicular traffi c with plans for a pedes- trian mall. A north end “anchor” for the project was • GET INFO ON CLASSES, CLUBS,S, needed, and some considered making it a retail store such as Sears. Finally, it was decided to place ATHLETICS, and ACADEMIC TEAMS the new library across the north end of the new Franklin Street Mall. The city gave up on the idea • FIND OUT HOW YOU’LL SAVE $$$$ ON of a pedestrian mall, reopening Franklin Street to COLLEGE WITH AP & DUAL CREDIT one-way traffi c in 1982. The former Eighth Street li- brary subsequently housed the John G. Blank Cen- PLUS: INFO ON THE ter for the Arts, which later would change its name “MICHIGAN CITY PROMISE” to Lubeznik Center for the Arts and move to 101 W. Second St. SCHOLARSHIP In the early 1970s, Glossinger says, “people were thirsting for something new and exciting.” Where better to fi nd new and exciting ideas than in the ATTENTION, ATHLETES! mind of up-and-coming architect Helmut Jahn Jr., MCHS will host its Athletic Open House during architect with C.F. Murphy Associates in Chicago? Roundup! 7th & 8th graders: Meet coaches and Jahn was seeking a challenging project, and the get info on playing sports in high school. new Michigan City library at 100 E. Fourth St. would be it. Library planners at the time were ambitious. #ONECITYONEPACK Continued on Page 4 THE Page 4 February 27, 2020 The building itself sits on a 6” slab on concrete Good Bones Continued from Page 3 woven throughout with steel-reinforcing bars. An- gular struts at the corners keep it square, giving Why not make this new building a landmark, a it a stiffness against the battering lake winds. The showplace, a functioning work of art for downtown building is 35,000 square feet of open, naturally lit Michigan City? space. Two hundred seventy separate windows open According to the roof space to the sun, while an interior courtyard the library’s web- allows more light to enter the center of the building. site, in the new “Higher ceilings allow the use of indirect lighting, building, “Ser- which is much healthier and reduces glare,” Jahn vices would be dramatically ex- said. The high ceilings, and interior walls that do panded. Avail- not reach the ceiling level itself, allow light to fi lter able space for to every corner of the building. books would be Today, in considering how to reconfi gure inside more than dou- space, Assistant Library Director Andy Smith has bled. There would given great thought to the new shelving units. be seats for over “The top shelf of each unit was removed to let 200 casual read- light from the ceiling windows to reach into every ers. The Youth De- aisle and every stack,” he says. The endcaps are partment would frosted shades of glass arranged in order of color, be incorporated from light to darker. in the new build- Helmut Jahn Jr. Ten thousand square feet of translucent fi ber- ing, bring both children and adults under the same glass, an inner and outer wall that sandwich a 2 1⁄2” roof.” And what a roof Jahn had envisioned! airspace between, form the outer walls of the build- In 1977, the library’s collections and personnel ing.
Load more

Recommended publications
  • DGA's 2014-2015 Episodic Television Diversity Report Reveals
    FOR IMMEDIATE RELEASE CONTACT: Lily Bedrossian August 25, 2015 (310) 289-5334 DGA’s 2014-2015 Episodic Television Diversity Report Reveals: Employer Hiring of Women Directors Shows Modest Improvement; Women and Minorities Continue to be Excluded In First-Time Hiring LOS ANGELES – The Directors Guild of America today released its annual report analyzing the ethnicity and gender of directors hired to direct primetime episodic television across broadcast, basic cable, premium cable, and high budget original content series made for the Internet. More than 3,900 episodes produced in the 2014- 2015 network television season and the 2014 cable television season from more than 270 scripted series were analyzed. The breakdown of those episodes by the gender and ethnicity of directors is as follows: Women directed 16% of all episodes, an increase from 14% the prior year. Minorities (male and female) directed 18% of all episodes, representing a 1% decrease over the prior year. Positive Trends The pie is getting bigger: There were 3,910 episodes in the 2014-2015 season -- a 10% increase in total episodes over the prior season’s 3,562 episodes. With that expansion came more directing jobs for women, who directed 620 total episodes representing a 22% year-over-year growth rate (women directed 509 episodes in the prior season), more than twice the 10% growth rate of total episodes. Additionally, the total number of individual women directors employed in episodic television grew 16% to 150 (up from 129 in the 2013-14 season). The DGA’s “Best Of” list – shows that hired women and minorities to direct at least 40% of episodes – increased 16% to 57 series (from 49 series in the 2013-14 season period).
    [Show full text]
  • SAFER at HOME in Select Theaters, VOD & Digital on February 26, 2021
    SAFER AT HOME In Select Theaters, VOD & Digital on February 26, 2021 DIRECTED BY Will Wernick WRITTEN BY Will Wernick, Lia Bozonelis PRODUCED BY Will Wernick, John Ierardi, Bo Youngblood, Lia Bozonelis (Co-Producer), Jason Phillips (Co-Producer) STARRING Jocelyn Hudon, Emma Lahana, Alisa Allapach, Adwin Brown, Dan J. Johnson, Michael Kupisk, Daniel Robaire RUN TIME: 82 mins DISTRIBUTED BY: Vertical Entertainment For additional information please contact: LA Daniel Coffey – [email protected] Emily Maroon – [email protected] NY Susan Engel – [email protected] Danielle Borelli – [email protected] ABOUT THE FILM Synopsis Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside. Director’s Statement Making Safer at Home was challenging. Not just because of the technical hurdles the pandemic mandated, but because of the strange new features life had taken on in those early months of the pandemic. I found myself having unusual conversations, and realizations about myself and friends — things that only this type of stress could bring out. I noticed people making major, sometimes life changing decisions, quickly. Brake-ups, pregnancies, divorces, fights-- this instigated them all. Almost everyone I knew was caught in an indefinite cycle of every day feeling the same. And then we started working on this film. Safer at Home plays out essentially in real time, and shows what a long period of lockdown could do to a group of friends.
    [Show full text]
  • The Paley Center for Media to Host Its Tenth Annual Paleyfest Fall Tv Previews, September 8-13 in Beverly Hills
    THE PALEY CENTER FOR MEDIA TO HOST ITS TENTH ANNUAL PALEYFEST FALL TV PREVIEWS, SEPTEMBER 8-13 IN BEVERLY HILLS The 2016 Schedule Features Screenings, Panel Events and Insider Looks with The Casts and Creative Teams from Upcoming ABC, CBS, THE CW, EL REY, FOX, and NBC Fall Series Initial Talent Lineup Includes: Sterling K. Brown, Mark Paul Gosselaar Katy Mixon, Mandy Moore, Dermot Mulroney, Piper Perabo, Milo Ventimiglia, Damon Wayans, Sr., and more Hulu Returns as the Official Media Sponsor of The Paley Center for Media; Citi Returns as the Official Card Beverly Hills, CA, July 25, 2016 – The Paley Center for Media’s annual celebration of the Fall TV season, the PaleyFest Fall TV Previews, will take place September 8-13, 2016, at the Center’s Los Angeles location (465 N. Beverly Drive, Beverly Hills, CA 90210). Celebrating its tenth anniversary this year, PaleyFest Fall TV Previews is a week-long festival featuring the biggest stars of Fall TV’s most anticipated new series. Fans enjoy premiere screenings and panel conversations with the stars, all in the elegant West Coast Paley Center. Over the last decade, the PaleyFest Fall TV Previews have brought fans some of the hottest shows including Scandal, Black-ish, Arrow, and Jane The Virgin, to name just a few. “PaleyFest Fall TV Previews offers TV enthusiasts a chance to view highly anticipated fall programs through premiere screenings and exclusive conversations with TV’s most-talked about stars and creators,” said Maureen J. Reidy, President and CEO of The Paley Center for Media. “The Paley Center’s public programs allow fans access to never-before-seen content in an intimate and exciting way, and we couldn’t be more thrilled to present our tenth annual line-up.” Hulu will exclusively stream a selection of clips and the full-length discussions throughout the festival hosted on hulu.com/paleyfest in late September.
    [Show full text]
  • 'LOVE on ICE' Cast Bios JULIE BERMAN (Emily James)
    ‘LOVE ON ICE’ Cast Bios JULIE BERMAN (Emily James) – Julie Berman started acting at the age of six. Early in her career, Berman appeared in over 100 different commercials. She made her television debut with the recurring role in the WB family drama series, “7th Heaven.” She continued that role, while simultaneously adding a recurring role in the ABC drama “Once and Again.” She also guest starred on “ER” and “Boston Public,” and starred alongside Shelley Long in the 1999 television movie “Vanished Without a Trace.” In 2005, while in college at USC, Berman booked the role of Lulu Spencer, the stubborn, troubled daughter of Luke & Laura, in the ABC daytime soap opera General Hospital. The casting immediately garnered much attention due to Berman’s strong resemblance to Genie Francis who played Laura. Berman’s portrayal of Lulu quickly became a fan favorite. Berman earned her first Daytime Emmy® nomination in 2007, and won her first Daytime Emmy® for Outstanding Younger Actress in 2009. She won her second consecutive Emmy® in 2010 in the same category. In 2013, Berman won her third Emmy®, but in the Daytime Emmy® Award for Outstanding Supporting Actress category and then decided to depart the show. After leaving daytime, Berman guest starred on many primetime series including “Two and a Half Men,” “Satisfaction” and “Jane the Virgin.” In 2015, she booked the recurring role of Leia opposite Michaela Watkins in the Hulu comedy series “Casual,” produced by Jason Reitman. Later that year, Berman joined the cast of the NBC medical drama “Chicago Med,” playing the recurring role of Dr.
    [Show full text]
  • When Speakers Are All Ears: Characterizing Misactivations of Iot Smart Speakers
    Proceedings on Privacy Enhancing Technologies ..; .. (..):1–22 Daniel J. Dubois*, Roman Kolcun, Anna Maria Mandalari, Muhammad Talha Paracha, David Choffnes, and Hamed Haddadi When Speakers Are All Ears: Characterizing Misactivations of IoT Smart Speakers Abstract: Internet-connected voice-controlled speakers, also 1 Introduction known as smart speakers, are increasingly popular due Internet-connected voice-controlled speakers, also to their convenience for everyday tasks such as asking known as smart speakers, are popular IoT devices that about the weather forecast or playing music. How- give their users access to voice assistants such as Ama- ever, such convenience comes with privacy risks: smart zon’s Alexa [1], Google Assistant [2], Apple’s Siri [3], speakers need to constantly listen in order to activate and Microsoft’s Cortana [4]. Smart speakers are becom- when the “wake word” is spoken, and are known to ing increasingly pervasive in homes, offices, and public transmit audio from their environment and record it spaces, in part due to the convenience of issuing voice on cloud servers. In particular, this paper focuses on commands [5]. This allows users to perform Internet the privacy risk from smart speaker misactivations, i.e., searches, control home automation, play media con- when they activate, transmit, and/or record audio from tent, shop online, etc.—by saying a “wake word” (e.g., their environment when the wake word is not spoken. “Alexa”) followed by a question or command. To enable repeatable, scalable experiments for exposing However, this convenience comes with privacy risks: smart speakers to conversations that do not contain smart speakers need to constantly listen in order to ac- wake words, we turn to playing audio from popular TV tivate when the “wake word” is spoken, and are known shows from diverse genres.
    [Show full text]
  • Fall 2018 Network Primetime Preview
    FALL 2018 PRIMETIME PREVIEW Brought to you by KATZ TV CONTENT STRATEGY CONTENT IS EVERYWHERE TELEVISION MAKES UP THE LION’S SHARE OF VIDEO MEDIA Television 80% Share of Time Spent with Video Media 4:46 Time Spent 5:57 H:MM/day All other with TV Video 20% All Other Video includes TV-Connected Devices (DVD, Game Console, Internet Connected Device); Video on Computer, Video Focused App/Web on Smartphone, Video Focused App/Web on Tablet Source: Nielsen Total Audience Report Q1 2018. Chart based on Total U.S. Population 18+ THE NEW FACES OF BROADCAST…FALL 2018 AND SOME RETURNING ONES TOO! SOME OF BROADCAST’S TOP CONTENT COMPETITORS NOTABLE NEW & RETURNING OTT SERIES NOTABLE NEW & RETURNING CABLE SERIES CONTENT – OTT & CABLE Every day more and more content Broadcast Network content creators defecting Quantity of content does not mean quality Critical, nomination-worthy successes Alternative Programming THE BIG PICTURE A Look at the Performance of All Viewing Sources in Primetime THE BIG PICTURE – PRIMETIME LANDSCAPE 2017/2018 Broadcast Other Pay Cable 7% Broadcast Networks 3% 20% Diginets 2% All Viewing PBS 3% Sources Total HH Share of Audience All Advertiser Supported DVR, VOD, Cable Ent. Vid. Games, 40% 13% News 20% 77% 10% Sports AOT 5% Note: BroadCast Networks=ABC, CBS, NBC, FOX, CW. BroadCast other = Azteca, Estrella, Ion, Telemundo, Univision, Unimas, Independent Broadcast. Diginets=Bounce TV, Cozi TV, EsCape, Grit, Heroes & Icons, LAFF, Me TV and PBS Source: Nielsen NNTV, 09/25/2017 - 05/23/2018, HH Shares, L+SD data. THE BIG PICTURE – PRIMETIME HH LANDSCAPE 2007/2008 2012/2013 2017/2018 58 56 53 -17% 49 48 48 in past 5 years 45 42 40 26 17 3 4 4 4 2012/2013 2017/2018 2007/2008 6 6 7 5 5 5 5 5 7 Broadcast DVR, Video AOT Pay Cable Ad-Supported Cable Ent.
    [Show full text]
  • 2-8April Paskar2015.Indd
    Gleðilega VESTMANNAEYJA 2. - 8. apríl 2015 páska Heilsu Eyjan Nú er tíminn fyrir Cellutrar Kíktu á Facebook-síðuna okkar og sjáðu tilboðin Gleðilega páskahátíð Fimmtudagur 2. apríl SKJÁREINN 08.00 Morgunstundin okkar 07:00 Barnatími Stöðvar 2 18:30 Friends 06:00 Pepsi MAX tónlist 10.30 Ævintýralegir varðmenn 13:00 iCarly 18:55 New Girl 08:00 Everybody Loves Vönduð fjölskyldu- og 13:20 The Middle 19:20 Modern Family Raymond ævintýramynd. 13:45 The O.C 19:45 Two and a Half Men 08:20 Dr. Phil 12.05 Jerúsalem á diskinn e. 14:30 Enlightened 20:05 H8R 09:00 The Talk 13.05 Í hjartastað (Return to 14:55 Cougar Town 20:50 1600 Penn 09:45 Cheers Me) Hugljúf gamanmynd. Ung 15:15 Raising Hope 21:15 Ally McBeal 10:10 The Voice kona deyr og hjarta hennar er 15:35 Up All Night 22:00 Game Of Thrones 12:25 Benched grætt í aðra konu. Undarleg staða 16:00 Something's Gotta Give 22:55 Prime Suspect 6 12:45 The Odd Couple kemur upp þegar ekkill þeirrar Rómantísk gamanmynd. Harry 00:35 1600 Penn 13:05 Survivor sem lést verður ástfanginn af er stórbokki í tónlistarbransanum 01:00 H8R 13:50 Top Chef líffæraþeganum. e. og með auga fyrir fallegum, 01:45 Ally McBeal 14:35 America's Funniest 15.00 Íslandsmótið í handbolta ungum konum. Hann er kominn af 02:30 Game Of Thrones Home Videos karla Bein úts. léttasta skeiði en lætur það ekki 03:20 Prime Suspect 6 15:00 Sleepless In Seattle 17.15 Bækur og staðir stoppa sig.
    [Show full text]
  • A Feminist Critique of Jane the Virgin
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
    [Show full text]
  • The Cases of the Good Wife, Brooklyn Nine-Nine and Jane the Virgin1
    «Comunicazioni sociali», 2015, n. 2, 142-152 © 2015 Vita e Pensiero / Pubblicazioni dell’Università Cattolica del Sacro Cuore PAOLA BREMBILLA* - LUCIA TRALLI** “WITH 22 EPISODES A YEAR”: SEARCHING FOR QUALITY IN US NETWORK TELEVISION: THE CASES OF THE GOOD WIFE, BROOKLYN NINE-NINE AND JANE THE VIRGIN1 Abstract The notion of “quality television” has been endlessly revised over the last three decades. Giv- en the medium’s technological, institutional, economic and aesthetic evolution, various scholars have probed and explored its forms of quality, focusing especially on the US scenario, a notable forerunner and leader in the development and international distribution of TV shows. Applied to the American industry, this ever-evolving definition has some recurrent features that make it a sort of “super-genre”, a label for TV series that share some elements of “prestige”. Concentrating on the US scenario, where nowadays “quality” mainly tends to be a label for cable series, this paper aims to identify those prestige features and to answer the question: is there such a thing as quality network television in a cable-dominated market? After establishing a theoretical framework by tracing how the notion of quality television has evolved, the article focuses on three contemporary case studies: CBS’s The Good Wife, The CW’s Jane the Virgin and Fox’s Brooklyn Nine-Nine. We see how these three series share some aesthetic and narrative tropes that exploit broadcast television’s weaknesses and restrictions to appeal to a certain upscale audience, resulting in critical acclaim and awards. In conclusion, we argue that several characteristics of quality cable television can be ap- plied to a wave of network television productions that, although based on the standard formats of broadcast storytelling, are critically comparable to more acclaimed shows, ultimately fitting into the prestige series super-genre.
    [Show full text]
  • Appendices Change the Narrative, Change the World How Immigrant Representation on Television Moves Audiences to Action
    Erica L. Rosenthal, Ph.D. Adam Amel Rogers, M.C.M. Emily Peterson, Ph.D. Erica Watson-Currie, Ph.D. Heesung Shin, Ph.D. Appendices Change the Narrative, Change the World How Immigrant Representation on Television Moves Audiences to Action August 2020 CHANGE THE NARRATIVE, CHANGE THE WORLD APPENDIX A: SURVEY Shows with Regular/Recurring Immigrant Characters How often did you watch each of the following shows in the 2018-2019 season? (20 total) Better Call Saul The Big Bang Theory Blindspot Broad City Bull Dear White People Fresh off the Boat Jane the Virgin Madam Secretary Modern Family One Day at a Time Orange Is the New Black Queen of the South Ramy Roswell, New Mexico Shameless Superstore The Bold Type The Good Place The Resident 2 IMMIGRANT REPRESENTATION ON TV APPENDICES APPENDIX B: SURVEY Immigration Storylines Do you recall seeing any of the following immigration-related TV storylines? (13 total) Note: check all that apply. Roswell, New Mexico (The CW) — Arturo is revealed Bob Hearts Abishola (CBS) — After coming to as undocumented, which impacts his hospital stay America from Nigeria to find a better life for herself and his ability to call the police before he explores and her son Dele, Abishola lives in a small apartment citizenship options. with her super-protective relatives, Auntie Olu and Uncle Tunde. Star (Fox) — Simone’s husband is undocumented, Designated Survivor (Netflix) — A dying Guatemalan so he’s moved to Gainesville, a city with temporary child in a Texas hospital brings immigration to the sanctuary. Mateo says, “It’s up to U.S.
    [Show full text]
  • CELEBRITIES SCHEDULED to ATTEND (Appearance of Celebrities Subject to Change)
    Festival of Arts / Pageant of the Masters Celebrity Benefit Event August 25, 2018 CELEBRITIES SCHEDULED TO ATTEND (Appearance of Celebrities Subject to Change) Sarah Drew (Host) – Drew is best known for her roles as Dr. April Kepner on ABC's GREY’S ANATOMY, Hannah Rogers on WB's EVERWOOD, and the voice of Stacy Rowe on MTV's DARIA. Other television credits include SUPERNATURAL, GLEE, MAD MEN, IN PLAIN SIGHT, CASTLE, PRIVATE PRACTICE, and MEDIUM. Drew most recently starred as Cagney in the CBS pilot reboot of CAGNEY AND LACEY. Film credits include MOMS’ NIGHT OUT, TUG, FRONT OF THE CLASS, REINVENTING THE WHEELERS, AMERICAN PASTIME, THE BAXTER and RADIO. Steve Tyrell (Performer) – Ever since his glorious surprise version of “The Way You Look Tonight” in the 1991 film FATHER OF THE BRIDE, Tyrell has been setting A New Standard (the title of his 1999 debut album) for interpreting the Great American Songbook. Nine of Tyrell's own albums have reached top- five status on Billboard's Jazz charts, with his most recent "A Song For You" hitting #1. He continually works to reinvent the American Standards Songbook and connect classic tunes to a modern audience, performing extensively with his band and with orchestras across the country and around the world-from the Hollywood Bowl to Carnegie Hall to Buckingham Palace. James Callis – He is an English born actor best known for starring role of “Dr. Gaius Baltar” in the Syfy series BATTLESTAR GALACTICA and films BRIDGET JONES’S DIARY and AUSTENLAND with Keri Russell. He has also appeared in the television series EUREKA, FLASHFORWARD, ARROW and 12 MONKEYS and starred in the tv movie MERLIN AND THE BOOK OF BEASTS.
    [Show full text]
  • Television Academy Awards
    2018 Primetime Emmy® Awards Ballot Outstanding Single-Camera Picture Editing For A Drama Series Altered Carbon Force Of Evil February 02, 2018 Tortured by his captor, Kovacs taps into his Envoy training to survive. Ortega springs a surprise on her family for Día de los Muertos. Amy Fleming, Editor The Americans Dead Hand March 28, 2018 In the season 6 premiere of The Americans: it’s autumn, 1987, and as a major arms control summit looms, Elizabeth is pushed to her limits as never before. Philip, meanwhile, has settled into running the newly expanded travel agency – until an unexpected visitor makes a disquieting request. Amanda Pollack, Editor The Americans Start May 30, 2018 In the series finale, the Jennings face a choice that will change their lives forever. Dan Valverde, Editor Being Mary Jane Feeling Seen September 12, 2017 Mary Jane uncovers information about Justin's past that spins their love into a entirely new phase. Kara and Justin go head to head for the executive producer slot; Mary Jane learns that she has to become the deciding vote of choosing between Kara and Justin. Nena Erb, ACE, Editor Berlin Station Right Of Way November 05, 2017 The Station’s sting operation to catch the Far Right in an arms deal goes horribly awry, with Otto Ganz (Thomas Kretschmann) escaping. Meanwhile, Robert (Leland Orser) and Frost (Richard Jenkins) make plans to investigate the money trail behind the PfD’s nefarious dealings. David Ray, Editor Billions Redemption May 27, 2018 Axe explores an unappealing investment at a desperate moment. Taylor makes a personal compromise for business.
    [Show full text]