Macklemore Album Downloads Macklemore Album Downloads

Total Page:16

File Type:pdf, Size:1020Kb

Macklemore Album Downloads Macklemore Album Downloads macklemore album downloads Macklemore album downloads. 1) Select a file to send by clicking the "Browse" button. You can then select photos, audio, video, documents or anything else you want to send. The maximum file size is 500 MB. 2) Click the "Start Upload" button to start uploading the file. You will see the progress of the file transfer. Please don't close your browser window while uploading or it will cancel the upload. 3) After a succesfull upload you'll receive a unique link to the download site, which you can place anywhere: on your homepage, blog, forum or send it via IM or e-mail to your friends. The Heist [Deluxe Edition] When Macklemore declares his music is "David Bowie meets Kanye sh*t," it's a bit of an oversell on the Bowie side, but then again, Jean-Michel Basquiat and Keith Haring are also honored as influences during "Ten Thousand Hours," the biographical highlight that opens the Seattle rapper's vibrant sophomore release. These arty name-drops threaten to paint the album as more obscure than it is, but even as glitch electronica and Mad Rad member Buffalo Madonna strange up the breakup number "Thin Line," The Heist comes off as instant, alive, and oh so welcoming. Chalk it up to Macklemore's playful and open lyrics ("When I was in the third grade/I thought I was gay/Because I could draw, my uncle was, and I kept my room straight") or the album's not so secret weapon, Ryan Lewis, the producer who earns his co-billing with a George Martin or Dave Fridmann- sized sense of purpose and an Internet kid's sense of utilizing anything and/or everything. For the music industry takeover "Jimmy Iovine" with Ab- Soul as guest, Lewis' production is a mix of G-Unit gangster music and a Houston hip-hop trunk rumbler, while the pro-gay marriage highlight "Same Love" with Mary Lambert is supported by full-bodied piano and the sound of a bittersweet marching band, all of it familiar yet twisted through a laptop with hypnotic loops and catchy hooks coming out. "Gold" (feeling like "500,000 sold") is joyous and bright mini-electro that feeds the positive side of the soul, while "Can't Hold Us" comes with an irresistible bounce, both tracks being light, lovely, and in contrast to the numbers that deal with Macklemore's addiction issues and other obstacles. These two talented young bucks can't be contained, and hearing them offer one memorable, meaty number after another makes for an exciting listen, but this is unfiltered freshness released on Macklemore's own label, so the concepts of restraint and focus take a slight hit, leaving the is-he-Eminem, is-he-Childish Gambino, or is-he-Grieves question with no clear winner. Here, he's a mix of all of the above with some distinctive qualities, and with Lewis putting that kaleidoscope style underneath, The Heist winds up a rich combination of fresh and familiar. A SEATTLE HIP-HOP BLOG. EST 2009 – FIN 2016 | DEDICATED TO TOWN MOVEMENT. DOWNLOAD: “Wings” – Macklemore & Ryan Lewis. Click photo to D/L. I have never owned a pair of Jordans in my life. There, I said it. As a 33 year-old man who grew into adolescence addicted to baseball cards and pick-up basketball games in the summer, admitting to having never owned a pair of the most famous sneakers in the history of footwear still makes me oddly uncomfortable. Maybe because my lack of ownership means I never achieved that rep, that place in the awkward hierarchy of teenage boys reserved not necessarily for the ones with the most athletic prowess on the court, but the ones whose parents possessed the greatest financial means for supply, or the ones whose skills at manipulation or work hustle outpaced that of kids like me who valued the taste-making sneakers just as much as the next dude but lacked the necessary enterprise it took to obtain them. Odd that in 2011, after over three decades of life on this planet and armed with a value system that allows me to put material things like Air Jordans into proper perspective, I still feel a twinge of unworthiness over never having owned a pair — the power of consumerism in this country doing what it was built to do. A few weeks ago, for old time’s sake, I tried some on. The IV’s, in a fresh gray colorway. And, as much as I wanted to buy them — to finally fill that void that had remained empty since I was a teenager — I didn’t do it. Something felt wrong. Out of place. Like the time had come and gone and it would never feel right to have them on my feet again, regardless of how many approving glances I might receive. Macklemore and Ryan Lewis’ epic track “Wings” perfectly captures the folklore associated with Air Jordans. This song dropped about four months ago (#LatePass) and I only recently realized I hadn’t featured it on a post. So here it is: a compelling ballad to lost innocence. And a perfect reminder of the false power material objects hold over people. Even ones like me who never tasted that sweet possession in the first place. (Read about the making of the “Wings” music video at director Zia Mohajerjasbi’s website, here.) The Heist. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at £13.99. When Macklemore declares his music is "David Bowie meets Kanye sh*t," it's a bit of an oversell on the Bowie side, but then again, Jean-Michel Basquiat and Keith Haring are also honored as influences during "Ten Thousand Hours," the biographical highlight that opens the Seattle rapper's vibrant sophomore release. These arty name-drops threaten to paint the album as more obscure than it is, but even as glitch electronica and Mad Rad member Buffalo Madonna strange up the breakup number "Thin Line," The Heist comes off as instant, alive, and oh so welcoming. Chalk it up to Macklemore's playful and open lyrics ("When I was in the third grade/I thought I was gay/Because I could draw, my uncle was, and I kept my room straight") or the album's not so secret weapon, Ryan Lewis, the producer who earns his co-billing with a George Martin or Dave Fridmann- sized sense of purpose and an Internet kid's sense of utilizing anything and/or everything. For the music industry takeover "Jimmy Iovine" with Ab- Soul as guest, Lewis' production is a mix of G-Unit gangster music and a Houston hip-hop trunk rumbler, while the pro-gay marriage highlight "Same Love" with Mary Lambert is supported by full-bodied piano and the sound of a bittersweet marching band, all of it familiar yet twisted through a laptop with hypnotic loops and catchy hooks coming out. "Gold" (feeling like "500,000 sold") is joyous and bright mini-electro that feeds the positive side of the soul, while "Can't Hold Us" comes with an irresistible bounce, both tracks being light, lovely, and in contrast to the numbers that deal with Macklemore's addiction issues and other obstacles. These two talented young bucks can't be contained, and hearing them offer one memorable, meaty number after another makes for an exciting listen, but this is unfiltered freshness released on Macklemore's own label, so the concepts of restraint and focus take a slight hit, leaving the is-he-Eminem, is-he-Childish Gambino, or is-he-Grieves question with no clear winner. Here, he's a mix of all of the above with some distinctive qualities, and with Lewis putting that kaleidoscope style underneath, The Heist winds up a rich combination of fresh and familiar. © David Jeffries /TiVo. DOWNLOAD: Macklemore & Ryan Lewis – Thrift Shop mp3/mp4 (Video & Lyrics) Ft Wanz. Thrift Shop Lyrics – Macklemore & Ryan Lewis. Hey Macklemore? can we go thrift shopping? What, what, what, what What, what, what, what What, what, what, what What, what, what, what What, what, what, what What, what, what, what What, what, what, what What, what, what, what. I’m gonna pop some tags Only got twenty dollars in my pocket I, I, I’m hunting, looking for a come-up This is fucking awesome. Nah walk up to the club like, what up, I got a big cock! I’m just pumped, just bought some shit from the thrift shop Ice on the fringe, it’s so damn frosty The people like, Damn! That’s a cold ass honkey. Rollin’ in, hella deep, headin’ to the mezzanine Dressed in all pink, ‘cept my gator shoes, those are green Draped in a leopard mink, girls standin’ next to me Probably shoulda washed this, smells like R. Kelly’s sheets (Piss) But shit, it was ninety-nine cents! (Bag it) Coppin’ it, washin’ it ‘Bout to go and get some compliments Passin’ up on those moccasins someone else’s been walkin’ in them Bummy and grungy, fuck it man, I am stuntin’ and flossin’ and And savin’ my money and I’m hella happy that’s a bargain, bitch I’ma take your grandpa’s style, I’ma take your grandpa’s style No for real ask your grandpa can I have his hand-me-downs? (Thank you) Velour jumpsuit and some house slippers Dookie brown leather jacket that I found diggin’ They had a broken keyboard, I bought a broken keyboard I bought a skeet blanket, and then I bought a kneeboard Hello, hello, my ace man, my Miller John Wayne ain’t got nothing on my fringe game, hell no I could take some Pro Wings, make them cool, sell those The sneaker heads would be like Aw, he got the Velcros.
Recommended publications
  • Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
    BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales.
    [Show full text]
  • Guest Host: Macklemore Show Date: Weekend of December 2-3, 2017 Hour One Opening Billboard: None Seg
    Show Code: #17-49 INTERNATIONAL Guest Host: Macklemore Show Date: Weekend of December 2-3, 2017 Hour One Opening Billboard: None Seg. 1 Content: #40 “THAT'S WHAT I LIKE” – Bruno Mars #39 “LOVE'S JUST A FEELING” – Lindsey Stirling f/Rooty #38 “DESPACITO” – Luis Fonsi & Daddy Yankee f/Justin Bieber Outcue: JINGLE OUT Segment Time: 11:27 Local Break 2:00 Seg. 2 Content: #37 “WORST IN ME” – Julia Michaels Extra: “ANIMALS” – Maroon 5 #36 “SAY YOU WON'T LET GO” – James Arthur #35 “TOO MUCH TO ASK” – Niall Horan #34 “DON'T TAKE THE MONEY” – Bleachers Outcue: JINGLE OUT Segment Time: 18:51 Local Break 2:00 Seg. 3 Content: #33 “IT AIN’T ME” – Kygo X Selena Gomez Extra: “SET FIRE TO THE RAIN” – Adele #32 “RICH LOVE” – OneRepublic f/SeeB #31 “BODY LIKE A BACK ROAD” – Sam Hunt Outcue: JINGLE OUT Segment Time: 15:00 Local Break 1:00 Seg. 4 ***This is an optional cut - Stations can opt to drop song for local inventory*** Content: AT40 Extra: “THRIFT SHOP” – Macklemore & Ryan Lewis f/Wanz Outcue: “…big it got.” (sfx) Segment Time: 4:25 Hour 1 Total Time: 49:43 END OF HOUR ONE Show Code: #17-49 INTERNATIONAL Show Date: Weekend of December 2-3, 2017 Hour Two Opening Billboard: None Seg. 1 Content: #30 “1-800-273-8255” – Logic f/Alessia Cara & Khalid #29 “SHAPE OF YOU” – Ed Sheeran #28 “NO PROMISES” – Cheat Codes f/Demi Lovato On The Verge: “ONE MORE LIGHT” – Linkin Park Outcue: JINGLE OUT Segment Time: 17:53 Local Break 2:00 Seg.
    [Show full text]
  • News Release
    ORGANIZATION: Contact: Thousand Oaks Civic Arts Plaza Foundation Colleen Debler 2100 Thousand Oaks Blvd. [email protected] Thousand Oaks, CA 91362 805-449-2765 NEWS RELEASE FOR IMMEDIATE RELEASE Thousand Oaks Civic Arts Plaza Foundation Sept. 2, 2014 Bob Biery Rising Singer/Songwriter Mary Lambert President Performs at the Civic Arts Plaza Jerry Miller Vice President (Thousand Oaks, CA) – Mary Lambert, the featured vocalist and songwriter on Macklemore & Ryan Lewis’ award-winning song “Same Love”, makes her only southern California appearance at the Scherr John Bradley Forum on Friday, September 26, 2014 at 8:30 pm. Judith Linton Lambert has been a singer, songwriter, composer and spoken word artist in her native Seattle for the past six years. A competitor in Russell Simmons “Brave New Voices” (HBO) International Competition David Mead in 2008, Lambert is Seattle’s 2011 Grand Poetry Slam Champion and the 2012 Northwest Regional Slam winner. ◊ ◊ ◊ As one of the biggest music revelations of 2013, Lambert went from juggling several jobs to playing in front of thousands of people, touring the country, and performing live on national television on such hugely popular primetime and late night shows as The Ellen DeGeneres Show, VH1 and The Colbert Barry McComb Report. “Same Love” has sold over a million copies in the US alone, peaking at number 11 on The Executive Director Billboard Hot 100. Stacy Park Lambert has been lighting up the airwaves at Adult Top 40 stations nationwide with her single “She Associate Director Keeps Me Warm,” which has climbed into the Top 20. The track is featured on her debut EP, Welcome to the Age of My Body, which was released in December and has earned rave reviews.
    [Show full text]
  • 1 United States District Court Eastern District Of
    UNITED STATES DISTRICT COURT EASTERN DISTRICT OF LOUISIANA PAUL BATISTE d/b/a ARTANG PUBLISHING, LLC CIVIL ACTION V. NO. 17-4435 RYAN LEWIS, ET AL. SECTION "F" ORDER AND REASONS Before the Court is the defendants’ motion to dismiss pursuant to Federal Rule of Civil Procedure 12(b)(6). For the following reasons, the motion is DENIED. Background A New Orleans jazz musician accuses an internationally famous hip-hop duo of copyright infringement of eleven original songs. This litigation followed. Paul Batiste is a member of The Batiste Brothers Band, a New Orleans jazz band founded in 1976. Batiste also owns Artang Publishing LLC. Beginning in 1997 through 2002, Batiste composed several original songs, entitled Hip Jazz, Kids, Starlite Pt. 1, World of Blues, Love Horizon, Tone Palette, My Bad, Salsa 4 Elise (Fur Elise), Drowning in my Blues, Sportsman’s Paradise, and Move That Body. Batiste has registered each song with the United States Copyright Office. Ryan Lewis and Ben Haggerty form the hip-hop duo known as “Macklemore and Ryan Lewis.” The duo has achieved international 1 stardom, and is best known for their singles “Thrift Shop” and “Can’t Hold Us,” which were both one of the most popular songs in the United States and Australia after their releases in 2012 and 2016.1 They also received several Grammy awards, including those for best new artist, best album, and best rap performance for their single, Thrift Shop. On May 1, 2017, Batiste2 sued Ryan Lewis and Ben Haggerty for infringing on his copyrights by using unauthorized samples and copying elements of the eleven original songs listed above in the composition of their songs Thrift Shop, Can’t Hold Us, Need to Know, Same Love, and Neon Cathedral.
    [Show full text]
  • Macklemore & Ryan Lewis – White Privilege II Lyrics
    Macklemore & Ryan Lewis – White Privilege II Lyrics [Verse 1] Pulled into the parking lot, parked it Zipped up my parka, joined the procession of marchers In my head like, "Is this awkward? Should I even be here marching?" Thinking if they can't, how can I breathe? Thinking that they chant, what do I sing? I want to take a stance cause we are not free And then I thought about it, we are not "we" Am I in the outside looking in, or am I in the inside looking out? Is it my place to give my two cents? Or should I stand on the side and shut my mouth? "No justice, no peace," okay, I'm saying that They're chanting out, "Black Lives Matter," but I don't say it back Is it okay for me to say? I don't know, so I watch and stand In front of a line of police that look the same as me Only separated by a badge, a baton, a can of Mace, a mask A shield, a gun with gloves and hands that gives an alibi In case somebody dies behind a bullet that flies out of the 9 Takes another child's life on sight [Hook] Blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free There's blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free Blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free There's blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free Blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free There's blood in the streets, no justice, no peace No racist beliefs, no rest 'til we're free [Verse 2] You've exploited
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Front of House Master Song List
    CURRENT ROTATION CONTEMPORARY DANCE Love on Top – Beyoncé 24K Magic – Bruno Mars Moves Like Jagger – Maroon 5 All About That Bass – Meghan Trainor Mr. Saxobeat – Alexandra Stan All of Me – John Legend No One – Alicia Keys American Boy – Estelle & Kanye West OMG – Usher Applause – Lady Gaga One Kiss – Calvin Harris, Dua Lipa Bang Bang – Jessie J, Ariana Grande, Nicki Minaj Only Girl (in the World) – Rihanna Blurred Lines – Robin Thicke On the Floor – Jennifer Lopez Boom Clap – Charlie XCX Party In The USA – Miley Cyrus Born This Way – Lady Gaga Party Rock Anthem – LMFAO Break Free – Ariana Grande Perm – Bruno Mars California Gurls – Katy Perry Poker Face – Lady Gaga Cake By The Ocean – DNCE Raise Your Glass – Pink Call Me Maybe – Carly Rae Jepsen Rather Be – Clean Bandit ft. Jess Glynn Can’t Feel My Face – The Weeknd Roar – Katy Perry Can’t Hold Us – Macklemore & Ryan Lewis Rock Your Body – Justin Timberlake Can’t Stop The Feeling – Justin Timberlake Rolling in the Deep – Adele Cheap Thrills – Sia Safe and Sound – Capital Cities Cheerleader – OMI Sexy Back – Justin Timberlake Closer – Chainsmokers ft. Halsey Shake It Off – Taylor Swift Club Can’t Handle Me – Flo Rida Shape of You – Ed Sheeran Confident – Demi Lovato Shut Up and Dance With Me – Walk the Moon Counting Stars – OneRepublic Single Ladies – Beyoncé Crazy – Gnarls Barkley Sugar – Maroon 5 Crazy In Love / Funk Medley – Beyoncé, others Suit & Tie – Justin Timberlake Despacito – Luis Fonsi ft. Justin Bieber Take Back the Night – Justin Timberlake DJ Got Us Falling in Love Again – Usher That’s What I Like – Bruno Mars Don’t Stop the Music – Rihanna There’s Nothing Holding Me Back – Shawn Mendez Domino – Jessie J This Is What You Came For – Calvin Harris ft.
    [Show full text]
  • Mary Lambert: Spreading the Love Call Singer-Songwriter Mary Lambert a Missionary for Self-Acceptance
    Mary Lambert: Spreading the love Call singer-songwriter Mary Lambert a missionary for self-acceptance. When it comes to bipolar disorder, body-image and more, she won’t take shame for an answer. By Stephanie Stephens Mary Lambert doesn’t care if the world knows her secrets. She recites them, sings them, and lives them large with a candid, “this is really me” demeanor that endears her to legions of loyal fans. Along the way she sets a powerful example of how to steadfastly love yourself even when you’ve been programmed not to—because you’re not a size 4, because you have a mental illness, because people in your life treat you as if you’re worthless. Hearing her hit single “Secrets” for the first time often prompts a double-take: “Did she really sing that?” Yes, she did, just like this: I’ve got bi-polar disorder My sh*** not in order The bubbly and disarming multi-hyphenate (singer-songwriter, poet, and spoken-word artist) remembers telling her friends how she was going to start the song. Aghast, they asked her, “Are you sure you want to do that?” She shot back without hesitation, “Yes!” “Then I woke up the next morning with a ‘truth hangover,’” laughs Lambert, on break from a U.S. tour with the Irish band The Script and singer/songwriter Colton Avery. “Being vulnerable is essential to my music, the way I function and love, and how I connect with people,” the 26-year-old says. “Vulnerability is the key to empathy, but it is also a double-edged sword.
    [Show full text]
  • Chance the Rapper's Creation of a New Community of Christian
    Bates College SCARAB Honors Theses Capstone Projects 5-2020 “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book Samuel Patrick Glenn [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Glenn, Samuel Patrick, "“Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book" (2020). Honors Theses. 336. https://scarab.bates.edu/honorstheses/336 This Open Access is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. “Your Favorite Rapper’s a Christian Rapper”: Chance the Rapper’s Creation of a New Community of Christian Hip Hop Through His Use of Religious Discourse on the 2016 Mixtape Coloring Book An Honors Thesis Presented to The Faculty of the Religious Studies Department Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Samuel Patrick Glenn Lewiston, Maine March 30 2020 Acknowledgements I would first like to acknowledge my thesis advisor, Professor Marcus Bruce, for his never-ending support, interest, and positivity in this project. You have supported me through the lows and the highs. You have endlessly made sacrifices for myself and this project and I cannot express my thanks enough.
    [Show full text]
  • THESIS Submitted As Partial Fulfillment of Requirement for the Sarjana Sastra Degree of the English Department Faculty of Cultural Sciences Sebelas Maret University
    perpustakaan.uns.ac.id digilib.uns.ac.id THE REPRESENTATION OF HOMOSEXUALITY IN AMERICAN MUSIC VIDEOS IN THE ERA OF LEGALIZATION OF SAME-SEX MARRIAGE RELEASED BETWEEN 2012-2014 THESIS Submitted as Partial Fulfillment of Requirement For the Sarjana Sastra Degree of the English Department Faculty of Cultural Sciences Sebelas Maret University By Isna Ardyani Fataya C1313008 ENGLISH DEPARTMENT FACULTY OF CULTURAL SCIENCES SEBELAS MARET UNIVERSITY 2016 commit to user iii perpustakaan.uns.ac.id digilib.uns.ac.id commit to user iv perpustakaan.uns.ac.id digilib.uns.ac.id commit to user v perpustakaan.uns.ac.id digilib.uns.ac.id PRONOUNCEMENT Name : Isna Ardyani Fataya Number : C1313008 I sincerely certify that this thesis entitled The Representation of Homosexuality in American Music Videos in the Post-Legalization of Same-Sex Marriage Released Between 2012-2014 is my original work. It is not a plagiarism nor written by others. Any materials and previous studies used as reference are written in direct quotation or in paraphrase and cited properly. I am fully responsible for the pronouncement. If it is proven to be wrong, I am willing to take any responsible actions given by the Faculty of Cultural Sciences, Sebelas Maret University. Surakarta, 18 July 2016 Isna Ardyani Fataya commit to user vi perpustakaan.uns.ac.id digilib.uns.ac.id MOTTOS “Successful people are not lucky people. They are fighters, believers and thinkers. Don’t wipe out all the battles they’ve passed through by saying they are lucky” -Budi Waluyo- “It always seems impossible until it’s done” -Nelson Mandela- “I will keep moving forward.
    [Show full text]
  • The Recording Academy®
    ® The Recording Academy 3030 Olympic Blvd. • Santa Monica, CA 90404 www.grammy.com JAY Z LEADS NOMINATIONS WITH NINE; KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, JUSTIN TIMBERLAKE, AND PHARRELL WILLIAMS EACH EARN SEVEN; DRAKE AND BOB LUDWIG EACH GARNER FIVE SARA BAREILLES, DAFT PUNK, KENDRICK LAMAR, MACKLEMORE & RYAN LEWIS, AND TAYLOR SWIFT VIE FOR ALBUM OF THE YEAR AT THE 56TH ANNUAL GRAMMY AWARDS® JAN. 26, 2014, LIVE ON CBS LOS ANGELES (Dec. 06, 2013) — Nominations for the 56th Annual GRAMMY Awards® were announced tonight by The Recording Academy® and reflected one of the most diverse years with the Album Of The Year category alone representing the rap, pop, country and dance/electronica genres, as determined by the voting members of The Academy. Once again, nominations in select categories for the annual GRAMMY Awards were announced on primetime television as part of "The GRAMMY® Nominations Concert Live!! — Countdown To Music's Biggest Night®," a one-hour CBS entertainment special broadcast live from Nokia Theatre L.A. LIVE. The 56th Annual GRAMMY Awards will be held on "GRAMMY Sunday," Jan. 26, 2014, at STAPLES Center in Los Angeles and once again will be broadcast live in high-definition TV and 5.1 surround sound on CBS from 8 – 11:30 p.m. (ET/PT). For updates and breaking news, please visit The Recording Academy's social networks on Twitter and Facebook. For a complete nominations list, please visit www.grammy.com. Jay Z tops the nominations with nine; Kendrick Lamar, Macklemore & Ryan Lewis, Justin Timberlake, and Pharrell Williams each garner seven nods; Drake and mastering engineer Bob Ludwig are up for five awards.
    [Show full text]
  • Q3 Hit Pop Sub-Genre Influences
    Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com Q3 Hit Pop Sub-Genre Influences Overview This report spotlights the individual sub-genres that helped shape the 23 top 10 songs that landed on the Billboard Pop Songs chart during Q3-2013. Typically, these sub-genres fall into one of the following categories: Dance Hip Hop/Rap Rock R&B/Soul Pop Fusion/Other “Other” refers to songs that didn’t fall into one of the primary sub-genre categories detailed above (e.g. Folk, Singer/Songwriter, Dubstep, etc…). In regard to Pop Fusion, this is where more than one primary sub-genre influences a song’s sound. Some recent examples include Country/Folk fusing with EDM (Wake Me Up), Country fusing with Straight-Up Pop and Hip Hop/Rap (Cruise) and Funk, Disco and R&B packaged in a retro manner (Treasure). Q3-2013 HIGHLIGHTS Sub Genre Performance All of the sub-genre categories yielded at least 1 #1 hit except for Dance and Rock. Songs that feature a fusion of sub-genres that define their sound (i.e. more than one) rebounded after a 2 quarter decline and once again accounted for the vast majority of 1 / 35 Hit Songs Deconstructed Deconstructing Today's Hits for Songwriting Success http://reports.hitsongsdeconstructed.com songs. Hip Hop/Rap was the only category that showed a slight increase in number over the previous quarter in addition to Pop Fusion/Other songs. Dance, Rock and R&B/Soul all declined in number. There were 14 distinct sub-genres that mixed and matched with one another to help shape the sound of the 13 songs that landed in the Pop Fusion/Other category during Q3-2013.
    [Show full text]