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Robert Nelson's a Room with a View: the Creation of a Contemporary Opera

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Robert Nelson's a Room with a View: the Creation of a Contemporary Opera University of Kentucky UKnowledge Theses and Dissertations--Music Music 2016 Robert Nelson's A Room with a View: The Creation of a Contemporary Opera Marcello Cormio University of Kentucky, [email protected] Digital Object Identifier: http://dx.doi.org/10.13023/ETD.2016.228 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Cormio, Marcello, "Robert Nelson's A Room with a View: The Creation of a Contemporary Opera" (2016). Theses and Dissertations--Music. 63. https://uknowledge.uky.edu/music_etds/63 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. I agree that the document mentioned above may be made available immediately for worldwide access unless an embargo applies. I retain all other ownership rights to the copyright of my work. I also retain the right to use in future works (such as articles or books) all or part of my work. I understand that I am free to register the copyright to my work. REVIEW, APPROVAL AND ACCEPTANCE The document mentioned above has been reviewed and accepted by the student’s advisor, on behalf of the advisory committee, and by the Director of Graduate Studies (DGS), on behalf of the program; we verify that this is the final, approved version of the student’s thesis including all changes required by the advisory committee. The undersigned agree to abide by the statements above. Marcello Cormio, Student John Nardolillo, Major Professor Dr. David Sogin, Director of Graduate Studies ROBERT NELSON’S A ROOM WITH A VIEW: THE CREATION OF A CONTEMPORARY OPERA __________________________________________ DISSERTATION _______________________________ A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the School of Music of the College of Fine Arts at the University of Kentucky By Marcello Cormio Lexington, Kentucky Director: John Nardolillo, Professor of Music Lexington, Kentucky 2016 Copyright © Marcello Cormio 2016 ABSTRACT My recent engagement as music director and conductor of Robert Nelson’s A Room with a View (1992, rev. 2004) has offered me the valuable opportunity to work on an opera side by side with its composer. The purpose of this dissertation is to reconstruct the various stages of the process of creation, interpretation, and performance of a contemporary opera, addressing aspects of the collaboration between the composer and the conductor. The methodology used in my research is based primarily on direct observation and interview. The investigation is conducted from the perspective of a “participant-observer,” due to my personal involvement in the project, as music director and conductor first, and then as interviewer and researcher. The document will be organized in three sections: - the first chapter will establish the context and specific features of my research, providing a scholarly background in relation to the study of the relationship between composer and conductor; - the second chapter will focus on the process of composition in all its stages. I have defined this as the “extended creative process” of A Room with a View; - the third chapter will discuss the Michigan State University production of the opera, considering several aspects of the artistic collaboration between Robert Nelson and me, as well as my involvement in the process as conductor. Through my research, I wish to provide useful insight into the crucial aspects of the composition and the production of new music. In addition, the project aims to offer a fresh contribution to the investigation of the relationship between composers and interpreters, and perhaps could provide some background reference for an interrogation about the current state and the future of American opera. KEYWORDS: Robert Nelson, A Room with a View, Contemporary Opera, Composer–Conductor Relationship Marcello Cormio ________________________________ May 16th, 2016 ________________________ ROBERT NELSON’S A ROOM WITH A VIEW: THE CREATION OF A CONTEMPORARY OPERA By Marcello Cormio John Nardolillo ______________________________ David Sogin ______________________________ May 16th, 2016 ______________________________ AKNOWLEDGMENTS I would like to express my gratitude to composer Robert Nelson for always being extremely helpful and collaborative during the different stages of development of my project. From our interview in person in November 2015 to the subsequent email exchange between us over a period of several months, the information provided by Nelson was vital to my research. I also found him to be a wonderful colleague and collaborator, and I am thankful for his support and friendship. I would like to thank Melanie Helton, Head of the Opera Program at the Michigan State University College of Music: without her initiative, I would have not come in contact with A Room with a View and Robert Nelson. She is in fact a fundamental link in the practical circumstances of the genesis of this project. I am grateful to William Shomos for graciously making his work available to me for consultation. His dissertation was an essential source of information to reconstruct the initial stages of the creation of the opera. I would also like to thank the librettist Buck Ross for bringing Shomos’s work to my attention. I would like to acknowledge my research director, John Nardolillo, for his help and guidance in my research and throughout my studies, as well as Lance Brunner for his invaluable advice and constant presence in my years at the University of Kentucky. I am also grateful to the other members of my committee for their support in my academic career: Nancy Jones, Everett McCorvey, and Jefferson Johnson. Finally, thanks to my wife Orsola and my daughter Viola for their patience, understanding, love, and support: day after day, they are such incredible and indispensable companions in my life and in my artistic journey. iii TABLE OF CONTENTS Acknowledgments………………………………………………………………... iii Introduction…………………………………………………………….………… 1 Chapter One: Preliminary considerations: On the composer–conductor collaboration........ 4 Chapter Two: The “extended creative process” of A Room with a View………….....……. 14 Chapter Three: The Michigan State University production………………………..……… 33 Appendix One: Transcripts of the in-person interview to Robert Nelson in East Lansing, Michigan, on November 13, 2016………………………………………... 54 Appendix Two: Musical examples, from the full score to A Room with a View, provided by the composer Robert Nelson…………………………………………….. 65 Appendix Three: Plot summary of the opera A Room with a View…………………………... 90 Bibliography…………………………………………………………...………… 93 Vita……………………………………………………………………………… 95 iv INTRODUCTION The purpose of the present dissertation is to reconstruct the various stages of the process of creation and musical realization of a contemporary opera, within the context of the personal and artistic relationship between its composer and the conductor in charge of its performance. The idea behind the project has been developing within the circumstances of my recent work on Robert Nelson’s opera A Room with a View, composed in 1992, and offered in a new production in the fall of 2015 at the Michigan State University Opera Theater, under my musical direction. It is indeed a valuable opportunity to work on an opera side by side with its composer. The structure of the document revolves around the interaction between creator and interpreter, represented by Nelson and myself. My research will address aspects of the composition process and of the collaboration between the composer and the conductor throughout the stages of rehearsal and performance of the piece. An unusual aspect of my project is my involvement in the investigation as both the researcher and a participant in the relationship being studied. In addition, the project has developed in the context of my direct participation as interpreter and performer of the opera. This allows for a unique vantage point, a privileged perspective “from within” in my research. On the other hand, it may constitute a challenge in maintaining a desirable degree of neutrality when analyzing and evaluating the different aspects of the collaboration between conductor and composer and of their human and artistic relationship. For this reason, my work as researcher will also consist in filtering and synthesizing the description of the creative process as provided by the composer, as well as my own account of my personal experience in the recent Michigan State University production of the opera. Another interesting aspect of this
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