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Page Turners @ CAMI December Book Report From A Christmas Carol by Charles Dickens Book Reports Kathy G: Hamnet by Maggie O'Farrell, Three Single Wives by Gina LaManna, A Long Petal of the Sea by “There are many things from Isabel Allende which I might have derived good, JoAnn: The Alice Network by Kate Quinn by which I have not profited, I Deb S: The Midnight Library by Matt Haig, The Island of dare say,' returned the nephew. 'Christmas among the rest. But I Sea Women by Lisa See am sure I have always thought of Lori: The Topeka School by Ben Lerner, Transcendent Christmas time, when it has come Kingdom by Yaa Gyasi, Girl, Woman, Other by round—apart from the veneration Bernardine Evaristo due to its sacred name and Judy: Daughter of Fortune &, A Long Petal of the Sea origin, if anything belonging to it by Isabel Allende, Maybe You Should Talk to Someone: can be apart from that—as a good time; a kind, forgiving, A Therapist, Her Therapist, and Our Lives Revealed by charitable, pleasant time; the Lori Gottlieb only time I know of, in the long Sharon S: The Topeka School by Ben Lerner calendar of the year, when men Sharon N: Transcendent Kingdom by Yaa Gyasi, and women seem by one consent Monogamy by Sue Miller to open their shut-up hearts Carolyn: Bone by Fae Myenne Ng, Dark Light (Doc Ford freely, and to think of people below them as if they really were Mystery, #13) by Randy Wayne White fellow-passengers to the grave, Kathy P: Hamnet by Maggie O'Farrell and not another race of creatures Loretta: Caste: The Origins of Our Discontents by bound on other journeys. And Isabel Wilkerson, A Children's Bible by Lydia Millet, The therefore, uncle, though it has Shapeless Unease: A Year of Not Sleeping by Samantha never put a scrap of gold or silver Harvey in my pocket, I believe that it has done me good, and will do me Barbara: The Island of Sea Women by Lisa See, good; and I say, God bless it!” American Dirt by Jeanine Cummins, The Giver of Stars ― Charles Dickens, A by Jojo Moyes Christmas Carol Nancy: The Searcher by Tana French, Magic Lessons (Practical Magic, #0.1) by Alice Hoffman Wishing you a season of open hearts and joy. ~Deb .

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A Christmas Carol by CHARLES DICKENS Adapted by CRISPIN WHITTELL Directed by LAUREN KEATING
Wurtele Thrust Stage / Nov 13 – Dec 29, 2018 A Christmas Carol by CHARLES DICKENS adapted by CRISPIN WHITTELL directed by LAUREN KEATING PLAY GUIDE Inside THE PLAY Synopsis • 4 Characters • 5 THE STORY Comments on A Christmas Carol • 6 PLAY FEATURES A Novel Petition for London’s Poor • 7 From Director Lauren Keating • 9 THE PLAYWRIGHT Dickens and the Christmas Tradition • 11 BUILDING THE PRODUCTION From the Creative Team • 13 ADDITIONAL INFORMATION Discussion Questions and Classroom Activities • 16 For Further Reading and Understanding • 19 Play guides are made possible by Guthrie Theater Play Guide Copyright 2018 DRAMATURG Jo Holcomb GRAPHIC DESIGNER Akemi Graves Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 All rights reserved. With the exception of classroom use by teachers and individual personal use, no part of this Play Guide ADMINISTRATION 612.225.6000 may be reproduced in any form or by any means, electronic BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in guthrietheater.org • Joseph Haj, artistic director writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie creates transformative theater experiences that ignite the imagination, The Guthrie Theater receives support from the National Endowment for the Arts. This activity is made possible in part stir the heart, open the mind and build community through the illumination of our by the Minnesota State Arts Board, through an appropriation common humanity. by the Minnesota State Legislature.
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A CHRISTMAS CAROL Adapted by Burton Bumgarner
A CHRISTMAS CAROL Adapted by Burton Bumgarner Copyright © MMXVII by Burton Bumgarner, All rights reserved. ISBN: 978-1-61588-394-3 CAUTION: Professionals and amateurs are hereby warned that this Work is subject to a royalty. This Work is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan-American Copyright Convention, the Universal Copyright Convention and the Berne Convention. RIGHTS RESERVED: All rights to this Work are strictly reserved, including professional and amateur stage performance rights. Also reserved are: motion picture, recitation, lecturing, public reading, radio broadcasting, television, video or sound recording, all forms of mechanical or electronic reproduction, such as CD-ROM, CD-I, DVD, information and storage retrieval systems and photocopying, and the rights of translation into non-English languages. PERFORMANCE RIGHTS AND ROYALTY PAYMENTS: All amateur and stock performance rights to this Work are controlled exclusively by Heuer Publishing LLC. No amateur or stock production groups or individuals may perform this play without securing license and royalty arrangements in advance from Heuer Publishing LLC. Questions concerning other rights should be addressed to Heuer Publishing LLC. Royalty fees are subject to change without notice. Professional and stock fees will be set upon application in accordance with your producing circumstances. Any licensing requests and inquiries relating to amateur and stock (professional) performance rights should be addressed to Heuer Publishing LLC. Royalty of the required amount must be paid, whether the play is presented for charity or profit and whether or not admission is charged.
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Christmas Carol Study Guide W/Answers
Name_________________________ ! A Christmas Carol Study Guide for Mid-term Exam ! 1. How did the atmosphere in Fezziwig’s office on Christmas Eve differ from the atmosphere in Scrooge’s office on Christmas Eve? Fezziwig’s office was more festive and fun; Scrooge’s office was dreary and ! depressing. 2. Characters in a story are often different. How was Scrooge’s nephew, Fred, most different from Scrooge? ! Fred was happier and excited about Christmas. 3. Marley was bound by a chain. What did the chain symbolize? ! The chain was punishment for how Marley actives when he was alive. 4. The author described Scrooge as a very cold, unfeeling man. What is a detail from the story that best supports this description? Scrooge gave Marley a cheap funeral; he did not want to donate to charity; he did not ! want to give Cratchit the day off. 5. What is the setting when the Ghost of Christmas Past takes Scrooge on his journey? ! Places from Scrooge’s childhood and young adult life 6. Marley’s ghost said Scrooge would receive visitors. Who were those visitors? ! Three spirits: Ghosts of Christmas Past, Present and Future 7. The scene at Old Fezziwig’s caused Scrooge to realize what? ! Scrooge realized he has not treated his employee well. 8. How did Scrooge’s attitude change when he recognized people from his past? ! He felt happy to see people from his past, but he regretted his behavior. 9. Which choice best describes the relationship between Scrooge and Marley? ! They were friends and business partners. 10. What is a detail from the story that best shows how Scrooge started to change when he saw his old friends? ! Answers will vary.
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A Christmas Carol
TEACHER PREPARATION GUIDE Generous Support Provided By: By Charles Dickens Adapted & Directed By Gerald Freedman Table of Contents The Background 3 Dear Educator 4 GLT: Our History, Our Future 5 A Note to Students: What to Expect at the Theater 6 About the Author 9 Dickens and Christmas 10 Adapting Charles Dickens 12 Fifteen Years Later with the Director 15 A Perspective 18 Tiny Tim’s Ailment 19 Humbug? It’s More Like Hard Work 23 Costume Design The Curriculum 24 Summary of the Play 27 Questions for Discussion: Prior to Attending the Play 28 Vocabulary 29 Writing Prompts/Activities 33 How to Write a Review 34 Additional Writing Prompts 35 Additional Activities 42 Questions for Discussion: After Attending the Performance 44 Adaptations for the Screen 46 Notes 47 Generous Support 48 About Great Lakes Theater 2 Dear Educator, We welcome you and your students to Great Lakes Theater’s production of Charles Dickens’ A Christmas Carol. Northeast Ohio’s best-loved holiday tradition — GLT’s production of A Christmas Carol returns to the Ohio Theatre. Ebenezer Scrooge is literally haunted by his past — his present and future too! Aided by four lively, mysterious spirits, Scrooge re-examines his life, half-lived, and is given one last chance to change his fate. His exhilarating journey, filled with humor and music, abounds with charm — as well as dazzling stagecraft and enchanting effects. A cast of two-dozen actors recreates over sixty immortal characters in this heartwarming, timeless tale. This guide is designed — through its essays, discussion questions and classroom activities — to give students both an introduction to, and a point of entry for, a personal exploration of A Christmas Carol.
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Charles Dickens, A Christmas Carol "Mr. Dickens, dead? Does that mean Father Christmas will die as well?" "I have always thought of Christmas time, when it has come round, as a good time; a kind, forgiving, charitable time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow passengers to the grave, and not another race of creatures bound on other journeys." - Charles Dickens Original Book Cover Published in 1843, A Christmas Carol was rather ornate in red cloth with gilded edges. Inside were four black and white etchings and four hand- colored etchings by John Leetch. Dickens paid for production costs, which were relatively high, while keeping the purchase price economical. Therefore he did not make much of a profit, even though he needed money at the time as he was expecting another child. Discussion Question: What does it say about Dickens that a book promoting charity is packaged in such an ornate way? Was the beautiful packaging just another aspect of his artistic expression? Or was the beautiful packaging an attempt to increase his profits with more sales? Who Is Charles Dickens? Charles John Huffam Dickens was born on February 7, 1812 in Landport, a district of Portsmouth, England. He was the second eldest of eight children under his parents, John and Elizabeth Dickens and sometimes wrote under the pen-name of ‘Boz,’ a family nickname. On April 2, 1836, Dickens married Catherine Thomson Hogarth with whom he had ten children.
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A Christmas Carol
Answers: A Christmas Carol Answers to the AQA exam-style and practice questions are indicative only and highlight the key things that should be included in your response. You may cover other points. It’s how your answer is written and how it fits with the mark scheme that will determine the quality of your answer. CHRONOLOGICAL SECTION Stave One p.12 Do it! For example: ‘You will, therefore permit me to repeat, emphatically, that Marley was as dead as a doornail.’ The narrator addresses the reader directly in a playful tone as he discusses the meaning of ‘dead as a doornail’. This form of narration allows Dickens to comment directly on the characters’ actions and thoughts and make jokes with his readers. p.12 Stretch it! The ‘fourth wall’ comes from the theatre, when a character realises that they are in a play and speaks directly to the audience. In A Christmas Carol, the narrator comments on Scrooge, ensuring that the reader knows their opinion. p.13 Do it! ‘Hard and sharp as flint’ – ‘flint’ is a type of rock that was used during the Stone Age to make tools. It is very sharp. This simile links to the ‘grindstone’ used earlier. Scrooge is shown to be unyielding and harsh as rock. ‘solitary as an oyster’ – an oyster is encased in a hard shell. It is closed against the world and lives alone on the seabed. Dickens uses this simile to show the reader how Scrooge is isolated and closed off from the world around him. As oysters also can have pearls hidden inside them, Dickens is suggesting that the wealthy businessmen are closed off from the lives of the poor, unwilling to share their hidden wealth.
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A Christmas Carol: Glossary, Commentary and Notes
A Christmas Carol: Glossary, Commentary and Notes Rich Bowen Christmas, 2004 Contents 1 Introduction 6 2 Stave One : Marley's Ghost 7 2.1 Terms . 7 2.1.1 Stave . 7 2.1.2 Scrooge . 7 2.1.3 Good upon 'Change . 7 2.1.4 Door-nail . 8 2.1.5 The wisdom of our ancestors . 8 2.1.6 Assign . 8 2.1.7 Residuary legatee . 8 2.1.8 His son's weak mind . 8 2.1.9 Nuts to . 9 2.1.10 Dog days . 9 2.1.11 Come Down . 9 2.1.12 God save you! . 9 2.1.13 Humbug . 9 2.1.14 A stake of holly through his heart . 9 2.1.15 Fellow-passengers . 9 2.1.16 Situation . 9 2.1.17 Fifteen shillings . 10 2.1.18 Bedlam . 10 2.1.19 Are there no prisons? . 10 2.1.20 Union workhouses, the Treadmill, and the Poor Law . 11 2.1.21 Surplus population . 11 2.1.22 The palpable brown air . 11 2.1.23 Water-plug . 11 2.1.24 Saint Dunstan . 12 2.1.25 Half a crown . 12 2.1.26 A bad lobster in a dark cellar . 12 2.1.27 ... through a bad young Act of Parliament . 12 2.1.28 Splinter-bar . 13 2.1.29 Dip . 13 2.1.30 Bowels . 13 2.1.31 Shade . 13 2.1.32 The bandage around its head . 13 2.1.33 From other regions . 13 2.2 Notes . 13 3 Stave Two : The First Of The Three Spirits 15 3.1 Terms .
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A Christmas Carol
A CHRISTMAS CAROL IN PROSE BEING 7>BC(C>AH>57A8BC<0B BY CHARLES DICKENS WITH ILLUSTRATIONS BY JOHN LEECH 7^WYS`f7Taa]e PREFACE I HAVE endeavoured in this Ghostly little book, to raise the Ghost of an Idea, which shall not put my readers out of humour with themselves, with each other, with the season, or with me. May it haunt their houses pleasantly, and no one wish to lay it. Their faithful Friend and Servant, C. D. December, 1843. CONTENTS STAVE I Marley’s Ghost Marley’s Ghost STAVE II The First of the Three Spirits The First of the Three Spirits STAVE III The Second of the Three Spirits The Second of the Three Spirits STAVE IV The Last of the Spirits The Last of the Spirits STAVE V The End of It The End of It ILLUSTRATIONS Artist. MARLEY’S GHOST J. LEECH GHOSTS OF DEPARTED USURERS ,, MR. FEZZIWIG’S BALL ,, SCROOGE EXTINGUISHES THE FIRST ,, OF THE THREE SPIRITS SCROOGE’S THIRD VISITOR ,, IGNORANCE AND WANT ,, THE LAST OF THE SPIRITS ,, SCROOGE AND BOB CRATCHIT ,, [Many thanks to David Widger for scanning these illustrations from his copy of the first edition.—J. M.] STAVE I MARLEY’S GHOST MARLEY was dead, to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it. And Scrooge’s name was good upon ’Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.
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Doug Goheen Adapted from the Classic Story by Charles Dickens Cover Illustration and Woodprints by John Leech from a Christmas Carol (1843)
Doug Goheen Adapted from the classic story by Charles Dickens Cover illustration and woodprints by John Leech from A Christmas Carol (1843) Big Dog Publishing A Christmas Carol 2 Copyright © 2006, Doug Goheen ALL RIGHTS RESERVED A Christmas Carol is fully protected under the copyright laws of the United States of America, and all of the countries covered by the Universal Copyright Convention and countries with which the United States has bilateral copyright relations including Canada, Mexico, Australia, and all nations of the United Kingdom. Copying or reproducing all or any part of this book in any manner is strictly forbidden by law. No part of this book may be stored in a retrieval system or transmitted in any form by any means including mechanical, electronic, photocopying, recording, or videotaping without written permission from the publisher. A royalty is due for every performance of this play whether admission is charged or not. A “performance” is any presentation in which an audience of any size is admitted. The name of the author must appear on all programs, printing, and advertising for the play. The program must also contain the following notice: “Produced by special arrangement with Big Dog Publishing Company, Sarasota, FL.” All rights including professional, amateur, radio broadcasting, television, motion picture, recitation, lecturing, public reading, and the rights of translation into foreign languages are strictly reserved by Big Dog Publishing Company, www.BigDogPlays.com, to whom all inquiries should be addressed. Big Dog Publishing P.O. Box 1400 Tallevast, FL 34270 A Christmas Carol 3 For the wonderful theater students of Topeka West High School… Past… Present… Yet to come.
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Read an Excerpt
Charles Dickens' A CHRISTMAS CAROL A New Version for the Stage by JOHN JAKES Dramatic Publishing Woodstoc~ Dlinois· Londoo, FnglaM. MeIbourtt; Amtrnlia © The Dramatic Publishing Company, Woodstock, Illinois *** NOTICE *** The amateur and stock acting rights to this work are controlled excl~vely by 1HE DRAMATIC PUBUSIDNG CO:MPANY without wOOie pennission in writing no perfonnance of it may be given Royalty fees are given in our current catalog and are subject to change without notice. Royalty must be paid every time a play is perfonned whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. All inquiries concerning amatem and stock rights should be addressed to: DRAMATIC PUBUSHING P. O. Box 129, Woodstoc~ lllinois 60098 COPYRIGHT UW GIVES THE AUTHOR OR THE AUTHOR'S AGENT TIlE EXCLUSWE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the peIformance of their work. Conscienti~ observaJ¥:e of copyright law is not only ethical, it encomages authors to continue their creative work. This work is fully protected by copyright No alterations, dele tions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any fonn or by any means, electronic or mechanicaL including photocopy, recording, video tape, fihn, or any infonnation storage and retrieval syste~ without pe~on in writing from the publisher.
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PLAY GUIDE | 2019 Contents
PLAY GUIDE | 2019 Contents Welcome to ACT Theatre! Page 2 About ACT Theatre Page 3 A Christmas Carol: A Synopsis Page 4 Notes from Director Kelly Kitchens Page 5 Who’s Who in the Play Page 6 Author Charles Dickens Page 8 Playwright Gregory Falls Page 10 Themes Page 11 Questions for Further Discussion with Students Page 15 Suggested Exercises Page 15 Sources and Additional Information Page 16 WELCOME TO ACT THEATRE Thank you for joining us for our 2019 production of A Christmas Carol! This is ACT’s 44th production of Charles Dickens’ A Christmas Carol, adapted by Gregory A. Falls. Directed by Kelly Kitchens, this celebrated adaptation follows the original Dickens tale by taking audiences along on Ebenezer Scrooge’s transfor- mational journey through time during the Christmas season. We hope that your journey through this story is a reward- ing and memorable experience as well. Enjoy the show! Tracy Hyland Education and Engagement Manager, ACT Theatre Photo by John Ullman. ABOUT ACT THEATRE Mission ACT is a contemporary theatre where artistic ambition and civic engagement unite. Vision ACT envisions a world where the power of theatre expands our collective understanding of com- munity and our own humanity. History A Contemporary Theatre (ACT) was founded in the summer of 1965 by Gregory A. Falls (1922- 1997), head of the University of Washington’s theatre department at the time. The theatre thrived in a former community hall at the base of Queen Anne Hill until 1996 when they moved into their new home, the historic Eagles Auditorium in downtown Seattle.
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