Saxophone Spectacular
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The Saxophone Symposium: an Index of the Journal of the North American Saxophone Alliance, 1976-2014
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 The aS xophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014 Ashley Kelly Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Kelly, Ashley, "The aS xophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014" (2015). LSU Doctoral Dissertations. 2819. https://digitalcommons.lsu.edu/gradschool_dissertations/2819 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE SAXOPHONE SYMPOSIUM: AN INDEX OF THE JOURNAL OF THE NORTH AMERICAN SAXOPHONE ALLIANCE, 1976-2014 A Monograph Submitted to the Graduate Faculty of the Louisiana State University and AgrIcultural and MechanIcal College in partIal fulfIllment of the requIrements for the degree of Doctor of MusIcal Arts in The College of MusIc and DramatIc Arts by Ashley DenIse Kelly B.M., UniversIty of Montevallo, 2008 M.M., UniversIty of New Mexico, 2011 August 2015 To my sIster, AprIl. II ACKNOWLEDGEMENTS My sIncerest thanks go to my committee members for theIr encouragement and support throughout the course of my research. Dr. GrIffIn Campbell, Dr. Blake Howe, Professor Deborah Chodacki and Dr. Michelynn McKnight, your tIme and efforts have been invaluable to my success. The completIon of thIs project could not have come to pass had It not been for the assIstance of my peers here at LouIsIana State UnIversIty. -
2018 OSU Saxophone Summit Schedule of Events Seretean Center for the Perfoming Arts January 27-28, 2018
2018 OSU Saxophone Summit Schedule of Events Seretean Center for the Perfoming Arts January 27-28, 2018 Schedule for Saturday, January 27 1:30 – 2:30 p.m. Summit Registration, OSU Music Lobby 2:30 – 3:20 p.m. Summit Registration, SCPA 123 Dr. Andrew Allen (Midwestern State University) Masterclass Saturday, January 27, 2018, 2:30PM Seretean Center for the Performing Arts – Room 123 Maï Ryo Noda Jacob Black, Oklahoma City University Aria Eugène Bozza AJ Nguyen, Oklahoma State University 3:30 – 4:45 p.m. OSU Saxophone Summit Recital #1, SCPA Concert Hall Alter Ego Georges Aperghis Tent of Miracles Martin Bresnick Geoffrey Deibel, Wichita State University Billie Jacob ter Veldhuis Christopher Barrick, University of Arkansas – Fort Smith Wings Joan Tower Eric Troiano, University of Arkansas String Quartet No. 12, Op.96 “American” Antonin Dvorák Meadowlark Quartet, Wichita State University Robert Hess, soprano saxophone Tyler Burgess, alto saxophone Bobby Kitchen, tenor saxophone Chris Agnew, baritone saxophone 5:00 – 5:50 p.m. Eric Troiano Masterclass, SCPA 123 Dr. Eric Troiano (University of Arkansas – Fayetteville) Masterclass Saturday, January 27, 2018, 5:00PM Seretean Center for the Performing Arts – Room 123 Concerto Henri Tomasi Mvt. I Andante et Allegro Sydney Pointer, Oklahoma State University Prélude, Cadence et Finale Alfred Desenclos Robert Hess, Wichita State University 7:30 – 9:00 p.m. OSU Saxophone Summit Recital #2, SCPA Concert Hall OSU Saxophone Summit Recital #2 Saturday, January 27, 2018, 7:30PM Seretean Center for the Performing Arts Concert Hall Olassimo (2017) François Rossé (b. 1945) Maï (1975) Ryo Noda (b. 1948) Andrew Allen (Midwestern State University), soprano and alto saxophone Wings Joan Tower Cradle Alexis Bacon Matthew Tracy (Southwest Oklahoma State University), alto saxophone Syrinx (1913) Claude Debussy (1862-1918) Hummingbrrd (2012/2016) Steven Bryant (b. -
Selection and Quality of the Reed from the Plant to the Musical Instrument
® magazine SELECTION AND QUALITY OF THE REED FROM THE PLANT TO THE MUSICAL INSTRUMENT NEW PRODUCTS CHOICE OF REED : THE VIEWS OF EXPERIENCED MUSICIANS SHEET MUSIC AND MAGAZINES FOR THE CLARINET AND SAXOPHONE YOUNG TALENTS Left : PRESENTATION of a new method by J.N. Crocq, at Vandoren Below : EXHIBITION of reed pen drawings by Michel Pellegrino, at Vandoren Above : CONCERT of the 1000 saxophonists participating in the Dinant Contest (Belgium) Right : Vandoren STAND at the Frankfurt Music Show (March 1999) EDITORIAL VINTAGE 1999 : "Optimum" for everyone, M14 clarinet and alto saxophone mouthpieces. Dear Musicians, Welcome to the "Vandoren Magazine". It is with great pleasure that we introduce this magazine, which will give you information on various subjects throughout the year such as : - new Vandoren products, of course, - exhibitions throughout the world in which Vandoren will participate, and also : - advice on the choice of reeds and mouthpieces, - the views and opinions of musicians from the past and present, - musicians visiting Paris, - and an artistic column dedicated to poetry, painting or humour depending on the issues. Information, however serious it may be, sometimes needs a pause. Other columns will gradually appear. Since we will not have enough space to talk about all musicians in all our issues, you will find their biographies and activities on Internet at www.vandoren.com. This magazine is yours, so please feel free to share your experiences with us, whether it be choosing reeds and mouthpieces or what you consider to be the ideal tone. Instruments are after all, at the service of the Interpreters of Music. -
Duality: Works for Tenor Saxophone Piano
Duality: Works for Tenor Saxophone & Piano Scott Sandberg tenor saxophone Nariaki Sugiura, piano Keith Teepen, piano WORKS BY McMichael | Lacour | Harvey Giovannini | Worley | Caravan WWW.ALBANYRECORDS.COM TROY1807 ALBANY RECORDS U.S. 915 BROADWAY, ALBANY, NY 12207 TEL: 518.436.8814 FAX: 518.436.0643 ALBANY RECORDS U.K. BOX 137, KENDAL, CUMBRIA LA8 0XD TEL: 01539 824008 © 2020 ALBANY RECORDS MADE IN THE USA DDD WARNING: COPYRIGHT SUBSISTS IN ALL RECORDINGS ISSUED UNDER THIS LABEL. Sandberg_1807_book.indd 1-2 12/18/19 4:13 PM Guy Lacour: Pièce Concertante The Music Frenchman Guy Lacour (1932-2013) had an active career as a performer, teacher, and composer. After winning first prize in both saxophone (class of Marcel Mule, 1952) Catherine McMichael: Duality and chamber music (class of Fernand Oubradous, 1955) at the Conservatoire National A pianist, arranger, composer, and publisher based in Saginaw, Michigan, Catherine Supérieur de Musique de Paris, he could be heard in both classical and popular venues. McMichael (b. 1954) leads a diverse musical life. She maintains a private studio with He specialized on the tenor saxophone, and joining the Marcel Mule Quartet was an students of all ages, is on faculty at Saginaw Valley State University, performs with important turning point in his career. It led to opportunities as a soloist and orchestral several ensembles, directs a church handbell choir, and maintains a busy schedule of musician, making it possible for him to increase the visibility of the lesser-known tenor commissions for ensembles such as the Saginaw Bay Orchestra, the Canadian Brass, saxophone. and the University of Massachusetts at Amherst. -
La Souplesse Patrick Jones, Saxophone Kristine West Denton
La Souplesse Patrick Jones, Saxophone Kristine West Denton, Pinao Program Notes by Richard Ingham [http://www.saxingham.com] Guy Lacour (1932‐2013) had highly successful careers as a saxophonist, as an educator, and as a composer. He made a major contribution to saxophone study material, and also to recital repertoire. After his studies in Paris with Marcel Mule he became a commercial saxophonist, working in several bands and in many theatres in Paris. For many years from 1961 he was a member of the celebrated Marcel Mule Saxophone Quartet (on the tenor instrument), as well as being a featured saxophonist with the Berlin Philharmonic Orchestra and the Orchestre de Paris. Lacour began teaching in 1975 and eventually became Director of the Conservatoire at Mantes‐la‐Ville; from 1992 he concentrated entirely on composition. His Hommage à Jacques Ibert for alto saxophone and orchestra, or as here for saxophone and piano, was composed in 1972. The work is modeled on Ibert’s own Concertino da Camera, with some strong direct references (Ibert himself had written an Hommage à Mozart in 1957). Written for saxophonist Jean‐Marie Londeix, the work is in two movements. The first movement opens with witty yet taut statements from both saxophone and piano. The saxophone maintains an almost relentless linear development, sometimes veering into atonality, at other times a more dense and stretched tonality. The dialogue between the two reaches a new intensity before the resigned throwaway ending: one of many references to Ibert's Concertino. The flowing angular lines in this first movement are typical of Lacour's writing and very challenging for the performer. -
The University of North Carolina at Wilmington Department of Music
The University of North Carolina at Wilmington Department of Music SELECT SAXOPHONE REPERTOIRE & LEVELS First Year Method Books: The Saxophonist’s Workbook (Larry Teal) Foundation Studies (David Hite) Saxophone Scales & Patterns (Dan Higgins) Preparatory Method for Saxophone (George Wolfe) Top Tones for the Saxophone (Eugene Rousseau) Saxophone Altissimo (Robert Luckey) Intonation Exercises (Jean-Marie Londeix) Exercises: The following should be played at a minimum = 120 q • Major scales, various articulations • Single tongue on one note • Major thirds • Alternate fingerings (technique & intonation) • Single tongue on scale excerpt, tonic to dominant • Harmonic minor scales • Chromatic scale • Arpeggios in triads Vibrato (minimum = 108 for 3/beat or = 72-76 for 4/beat) q q Overtones & altissimo Jazz articulation Etude Books: 48 Etudes (Ferling/Mule) Selected Studies (Voxman) 53 Studies, Book I (Marcel Mule) 25 Daily Exercises (Klose) 50 Etudes Faciles & Progressives, I & II (Guy Lacour) 15 Etudes by J.S. Bach (Caillieret) The Orchestral Saxophonist (Ronkin/Frascotti) Rubank Intermediate and/or Advanced Method (Voxman) Select Solos: Alto Solos for Alto Saxophone (arr. by Larry Teal) Aria (Eugene Bozza) Sicilienne (Pierre Lantier) Dix Figures a Danser (Pierre-Max Dubois) Sonata (Henri Eccles/Rasher) Sonata No. 3 (G.F. Handel/Rascher) Adagio & Allegro (G.F. Handel/Gee) Three Romances, alto or tenor (Robert Schumann) Sonata (Paul Hindemith) 1 A la Francaise (P.M. Dubois) Tenor Solo Album (arr. by Eugene Rousseau) 7 Solos for Tenor Saxophone -
Audio Playlist Scroll to See Program
Faculty and Guest Artist Recital: 2007-11-05 -- Kenneth Tse, saxophones, Marian Lee, piano, Kai-Li Cheng, violin, Yi-Ming Chen, violin, Kirsti Petraborg, viola, and Geoff Anderson, cello Audio Playlist Access to audio and video playlists restricted to current faculty, staff, and students. If you have questions, please contact the Rita Benton Music Library at [email protected]. Scroll to see Program PDF SCHOOL !!/ MUSIC • C L A P P RECITAL H A L L Fac~eetad Monday November 5, 2007 8:00 p.m. Kenneth Tse, soprano & alto saxophones Marian Lee, piano l THE fim DfVISION OF PERFORMING ARTS UN!VERS11Y OFIOWA COLLEGE OF LIBERAL ARTS & SCIENCES Facult#I'eeaat' Kenneth Tse, soprano and alto saxophones Nov. 5, 2007, 8:00 p.m. CLAPP RECITAL HALL Marian Lee, piano PROGRAM Two Preludes Dorothy CHANG Adagio e espressivo (b. 1970) Prestissimo * Sonata for Soprano Saxophone and Piano (2006- 7) David DeBoor CANFIELD Furioso con fuoco (b. 1950) Lento ma poco movente Vivacissimo * Quintet for Alto Saxophone and String Quartet (200 7) Perry GOLDSTEIN I. Bright and exuberant, but unforced (b. 1952) II. Heartfelt and singing III. Dancing, yet driving Kai-Li Cheng, violin 1 t Yi-Ming Chen, violin 2 t Kirsti Petraborg, viola t Geoff Anderson, cello t INTERMISSION Sonata No. 1 for Alto Saxophone and Piano (1960) Pierre-Philippe BAUZIN Allegro moderato (1933-2005) Vif et leger Adage Allegro vivo La Ronde des Lutins, op. 25 Antonio BAZZINI (1818-1897) t Guest guartet from tbe University of Minnesota • Dedicated to Kenneth Tse BIOGRAPHIES KENNETH TSE. Recognized as one of the leading saxophonists in the world, Kenneth Tse [cheh) has been called "a brilliant saxophonist," and "worthy of any stage in the world" by his former teacher, world-renowned saxophonist and peda gogue, Eugene Rousseau. -
BIOGRAPHY (Short)
BIOGRAPHY Calvin Wong studied with Stephen Page at The University of Texas at Austin for the Artist Diploma, Otis Murphy at the Indiana University Jacobs School of Music for the Master of Music, and Kenneth Tse at the University of Iowa for the Bachelor of Music degree. Calvin’s enthusiasm of playing with a chamber ensemble has led him to many stages including the North American Saxophone Alliance (NASA) Conferences, Midwest International Clinic, Singapore Saxophone Symposium, World Saxophone Congress XVI, New York Wind Band Festival at Carnegie Hall, and the CBDNA National Conferences. Calvin recorded for David Canfield’s “Saxophone Music, Vol. II” under Enharmonic Records, and with the University of Iowa Saxophone Ensemble in “Contemplation” under Jeanné Records. He is the Gold Medalist of the 4th Manhattan International Music Competition, winner of the Concerto Competition at The University of Texas at Austin in 2017, and the honorable mention in the 2014 Yamaha Performing Young Artist Competition. Besides standard repertoire, Calvin is active in new music performances, including premiere performances of works by composers Don Freund, David Canfield, Dan Welcher, Adam Schoenberg, among others. As an educator, Calvin has given masterclasses at the Soochow University, California State University at Fullerton, MCGP Seacon Square (Mahidol University) in Bangkok, the Summer Saxophone Academy at Indiana University, and the Young Saxophonist’s Institute in Texas. His performances were broadcasted at KMFA Classical 89.5 in Texas and RTHK in Hong Kong. Calvin made his Hong Kong City Hall concerto debut with the Tak Ming Philharmonic Winds in 2019. Currently, Calvin has returned to Hong Kong to promote saxophone education and creative development. -
The Development of the Saxophone 1850-1950: Its Influence on Performance and the Classical Repertory
The development of the saxophone 1850-1950: its influence on performance and the classical repertory Abraham Albertus de Villiers A mini-dissertation submitted in partial fulfilment of the requirements for the degree Magister Musicae (Performing Art) Department of Music University of Pretoria Supervisor: Dr DJ Galloway Words: 25 296 January 2014 ii. STATEMENT I declare that the dissertation/thesis, which I hereby submit for the degree Magister Musicae (Performing Art) at the University of Pretoria, is my own work and has not previously been submitted by me for a degree at this or any other tertiary institution. iii. Then suddenly I hear the real note of the saxophone, unforgettable, high, and clear, as if from a heart of brass, the new thing, the thing we have come to hear. To me it has quite passed out of humanity, this famous upper register, but it is still near enough for me to understand; piercing, musical, the cry of a faun that is beautiful and hurt. The leader tips his instrument into the air; he blows with all his force but his cheeks remain pale. He is now at the height of his art. The voice of our age has come through his lips through this marvellous instrument. He is a priest possessed with half human god, endlessly sorrowful, yet utterly unsentimental. Incapable of regret, with no past, no memory, no future, no hope. The sound pricks the dancers, parts their lips, puts spring into their march. This is the thing that makes the saxophone great and brings fortunes and ruin to its players. -