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Wurlitzer's S'i'yle 165X: the Ofthe Smaller Theatre Organ
WURLITZER'S S'I'YLE 165X: THE uintessence OFTHE SMALLER THEATRE ORGAN by George Baker Audiences attending theatre organ recitals today often organists were seldom, if ever, mentioned in theatre adver include among their most enthusiastic listeners fans born tising. Under-maintenance of the organs was often the rule, long after the close of the theatre organ's golden age. This rather than the exception. welcome infusion of young blood is a healthy sign, and one Downtown, however, managers of the larger theatres, that augers well for future theatre organ appreciation and well aware that proper organ maintenance as well as key preservation. board talent helped sell tickets, lavished the kind of care on Some younger fans reason that because most of today's their instruments that was seldom extended to the 2/4 and surviving theatre pipe organs are supersize organs located 2/6 Cinderellas in the smaller houses. in large movie palaces that these giants were the dominant When the nation's film theatres were wired for sound, types of organs in use during the halcyon years. many of the big organs survived for another decade by pre A reasonable deduction , but such was not the case. Cen senting organlogues and brief, clear-the-house opening and terpiece theatre organs, such as the New York Paramount closing programs between showings of the feature film. At and Shea's Buffalo Wurlitzers, the Atlanta Fox Moller, and the same time, most of the smaller organs were abandoned the Ohio Theatre Robert-Morton, in Columbus, were the ex immediately after the installation of sound equipment - left ception, not the rule. -
Robert Glier Violins
INDEX A Drum Stande - 75 O Altoe, Perfection *2 Druiii Bells '. , .76 Oboes ., , OS Altos, ProfessionaJ Circular 4S Drummers' Traps- ..., , 76-77 Oboes, Reeds •* Accordeons 81-82 Dulcimers . ...'..... J.... 78 Oboes, Reed Cases .66 Accordcons, Bismark t 81 Obtjes, Cases ...... j,.,,.;..,.. fl8 AccordeonSf Spaethe , .> y- , , 82 e Orchestra Bells -.. '. 78 Accordeons, Blow L 85 Euphoniums 29 Ocarinas .91 Autoharps ^'. ....•...'.... 90 P Antobarp Furnishings 98 F Free Music Lessons 2-3 Plating . , 46 B Formation of Bands 6 PicccJoS . 69 triuegel Hern. Bb *0 Piccolo Supplies ,. 60 Bandurrias ,. 16 Polishes for Band Instruments .99 Banjos . , .' 19-20 Fluegel Horn, C , 40 Banjo Piccolo — i, :., .20 French Horns , -41 S Banjo Guitar 20 Fifes . ..58 Fife Mouthpieces ,' .'— 58 Saxophones utO-&l Banjo Maiidolin .20 Strings for all Instruments tt-9S Banjo Manjorette or Mandolin 20 Flageolets > ,. 68 Flutes, Moning .....J ,61 St^•ing Gauges L........97 Banjorine . , 20 Sonophones , ; ..>. ...; ....,-. 161 Banjo Trimmings ......' ., 20 Flutes. D. & C 68-63 Band Instruments ' 21 to 44 Flute Trimmings ,. 1 ,. 64 T Fanfares German '. 79 Band Instruments, Artist Symphony 22-23 Trombones, Slide; 39-31 Band Inetruments, Presentation .^.... 24 Ti-ombones, Valve .,. 30-31 Band Instruments, Artist Original Excelsior.. .27-28-29-30 a Trumpets .... .,, 8M3-45 Band Instruments, Perfection 33 Guitars 13-14 Trombotie in C. ^. , ...40 Band Instruments, Monarch ^ ,. 84 Guitar Outfits ,16 Tympani . ; Vs Band Instruments, Professional 35-36-37 Guitar Mandolin 16 Tamb'burinfts . 1 .01 Band Instruments, Reliable .......',,.'.. .38 Guitar Trimmings" ,,, ....^98 Triangles .....91 Band Instruments in C and I^b — 40 Glue, Liquid ....,....,..........'- 100 Triangle Beater »l Bugles ., 43-44 Tuning Pipes 94 Brass loBtruipents, Supplied ' ; 46-47 H Tuning Forks „., .94 Brass Inatruraehts, Covers and Cases ,...;. -
'Pamy}L 'Wurlitzer
'Pamy}l 'Wurlitzer 1883 • 1912 Orbil ill '"e eclronic1ynt-he1izer P,UJ ~ -~ohJre01pinel orqon equo1... ~e nevve;Iwoy lo mo <.emu1ic fromWur irzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe with a sectionalized vibrato/tremolo, toy counter, in sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. TO - 672 WURLiizER ® The Wurlitzer Company, DeKalb, Illinois 60115 . hn.4'the \T8fl cover- photo .. Farny R. Wurlitzer, Chairman Emeritus of the Board of Directors of the Wurlitzer Company, who died May 6, 1972. -
The John Hill Memorial Recitals 2014
John Hill Concert Brochure 2014:Layout 1 26/03/2014 16:03 Page 1 The John Hill Memorial Recitals 2014 The Guild Church of St. Lawrence Jewry Next Guildhall City of London EC2V 5AA The Eric Thompson Charitable Trust Tuesday Lunchtime Organ Recitals 1:00pm - 1:45pm for organists and organ music 6 May Karol Mossakowski Poland 13 May Anna-Victoria Baltrusch Germany 20 May Martin Sturm Germany 27 May Peter Holder UK 3 June Benjamin Sheen UK John Hill Concert Brochure 2014:Layout 1 26/03/2014 16:03 Page 2 Welcome to the 9th Annual John Hill Memorial Recitals This year marks a departure from the sponsorship of HSBC who have generously supported us since the recitals started. John was an international officer with HSBC and its associated banks for over 45 years. Now, Catherine Ennis, Graham Matthews, David Wakefield, my family and I sincerely acknowledge our many friends who have helped us financially and in other resourceful ways to ensure that these recitals continue; and to maintain the very high standard that we have seen grow and develop exponentially. Again our thanks go to Canon David Parrott Every Tuesday in October four organists, for continuing to encourage these memorial who are recipients of ETT grants, will give recitals in his beautiful church. St Lawrence the lunch time recitals; just another example Jewry holds many happy memories for me, how help for young organists is increasing. listening to my husband playing the renowned Klais organ under the tutelage of Catherine. I feel sure you will be inspired by the music at Also our thanks go to Brigadier Charlie Hobson today's recital. -
Dean's Message Program News Quote of the Month Won't You Be My Neighbor? Joke of the Month from the Editor
Volume 69, Number 12 October 2019 John Bishop, editor Visit the website of the NYC AGO Chapter Don't miss events presented by your friends and colleagues. Visit the Concert Calendar of the NYC Chapter, and attend some concerts! Table of contents: Dean's Message Program News Quote of the Month Won't you be my neighbor? Joke of the Month From the Editor Dean's Message It is with the greatest pleasure that we announce the winner of the 2019 International Performer of the Year Award: Joan Lippincott. Read more about Joan's career later in this issue. More than 200 votes were cast by the Chapter membership, and it is clear that many people hold a deep appreciation for all Joan has done and continues to do in the world of the pipe organ and its music. Brava! The International Performer of the Year Award was created in 1978 to recognize excellence in organ performance and to increase public awareness of the organ and its performers. Robert Noehren was the first recipient of the award, in 1978. The award is considered by many to be the highest organists' honor given by a musicians' guild in the United States. The New York City Chapter's Distinguished Career Award was created in 2016 to honor people for exemplary service to the organ, choral music, and related fields. The inaugural recipient was Diane Bish. Each award is made on a biennial basis. Our grateful thanks go to the Awards Committee members, Chelsea Chen, David Hurd, Daniel Hyde, and Donald Meineke, Chair. -
Howe Collection of Musical Instrument Literature ARS.0167
http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items. -
Organ Interpretation Competition for the Johann Pachelbel Award at the 69Th ION Music Festival 26 June - 02 July 2020
Organ Interpretation Competition for the Johann Pachelbel Award at the 69th ION Music Festival 26 June - 02 July 2020 A WARM INVITATION TO NUREMBERG For 52 years, young artists have been invited to come to Nuremberg in early summer to give proof of their artistic prowess to a jury comprised of prominent experts. The climax of this process has always been the presentation of the widely known Johann Pachelbel Award. And so again we issue an invitation to register for this prestigious international interpretation competition in 2020. What is it all about? The organ interpretation competition is looking for organists who in their young careers have already achieved independent interpretation of significant works of organ literature. But it will also seek interaction with contemporary works. And expect competitors to be able to deal with both the soundscapes and playing technique of historical organs and to cope with the possibilities and challenges of modern instruments. At the same time, this interpretation competition explicitly demands not only technical skills, but also looks for interpretations which are courageous, sometimes leaving matters open, finding new aspects in well-known works, and eliciting unique sounds from the instruments themselves – feeding on the tension between tradition and future perspectives. And of course, the sequence of works, the organists’ programming and sometimes the link between the individual compositions to be played is of special interest to the jurors. This is all about a contemporary way of dealing with the history of music and instruments. From the first round on, the competition will be public. The final will be an integral element of the festival programme of the 69th ION Music Festival, staged in the world famous Old Town of Nuremberg, and played on the Peter organ of St Sebaldus’ Church. -
Silent Film Music and the Theatre Organ Thomas J. Mathiesen
Silent Film Music and the Theatre Organ Thomas J. Mathiesen Introduction Until the 1980s, the community of musical scholars in general regarded film music-and especially music for the silent films-as insignificant and uninteresting. Film music, it seemed, was utili tarian, commercial, trite, and manipulative. Moreover, because it was film music rather than film music, it could not claim the musical integrity required of artworks worthy of study. If film music in general was denigrated, the theatre organ was regarded in serious musical circles as a particular aberration, not only because of the type of music it was intended to play but also because it represented the exact opposite of the characteristics espoused by the Orgelbewegung of the twentieth century. To make matters worse, many of the grand old motion picture theatres were torn down in the fifties and sixties, their music libraries and theatre organs sold off piecemeal or destroyed. With a few obvious exceptions (such as the installation at Radio City Music Hall in New (c) 1991 Indiana Theory Review 82 Indiana Theory Review Vol. 11 York Cityl), it became increasingly difficult to hear a theatre organ in anything like its original acoustic setting. The theatre organ might have disappeared altogether under the depredations of time and changing taste had it not been for groups of amateurs that restored and maintained some of the instruments in theatres or purchased and installed them in other locations. The American Association of Theatre Organ Enthusiasts (now American Theatre Organ Society [ATOS]) was established on 8 February 1955,2 and by 1962, there were thirteen chapters spread across the country. -
International Directory of Pipe Organ Builders
INTERNATIONAL DIRECTORY OF PIPE ORGAN BUILDERS visit our online listings at www.choirandorgan.com INTERNATIONAL DIRECTORY OF PIPE ORGAN BUILDERS COURTESY A.R.COURTESY SCHOPP’S SONS, INC. Chris Haidet, of A.R. Schopp’s Sons, Inc., solders an ear to a pipe AUSTRIA Services: N = new organs; R = restorations; P = repairs; NOT INCLUDED? Christoph Allgäuer C = consultancy • W = workshop open to public Email choirandorgan Neunkirchnerstr. 150, 2732 Wurflack Area: all builders work locally, regionally, nationally and @rhinegold.co.uk. Contact +43 0 2630 21676, [email protected] internationally unless otherwise stated. All listings are www.allgaeuer.info Membership: Membership of organ builders’ associations FREE OF CHARGE. Rieger Orgelbau Hofsteigstr. 120, 6858 Schwarzach-Vbg Contact +43 0 5572 58132 21 AUSTRALIA Pierce Pipe Organs P/L [email protected] Australian Pipe Organs Pty Ltd 1/18 Violet St, Hemmant, QLD 4174 www.rieger-orgelbau.com 11a Boileau St, Keysborough, VIC 3173 Contact +61 7 3390 5821 Services N, R, P, C • W (by appointment) Contact +61 3 9798 7664, [email protected] Membership ISO, AOF [email protected] www.piercepipeorgans.com.au Vonbank Orgelbau www.australianpipeorgans.com.au Services N, R, P • W (by appointment) Triebendorf Nr. 20, 8850 Triebendorf Services N, R, P, C, service, maintenance and Area Australasia Contact +43 3588/471, [email protected] tuning • W (by appointment) Membership ISO www.vonbank-orgelbau.at Area Australia-wide Pipe Organs W.A. Pty Ltd Services N, R, P, C Membership AGMO, ISO Membership ISO, GDO, Österreichisches 3/19 John St, Bayswater, W.A. 6053 Peter D.G. -
OCTOBER, 2006 St. Mark's Pro-Cathedral Hastings, Nebraska
THE DIAPASON OCTOBER, 2006 St. Mark’s Pro-Cathedral Hastings, Nebraska Cover feature on pages 31–32 ica and Great Britain. The festival will Matthew Lewis; 10/22, Thomas Spacht; use two of the most significant instru- 10/29, Justin Hartz; November 5, Rut- THE DIAPASON ments in London for its Exhibition- gers Collegium Musicum; 11/12, Mark A Scranton Gillette Publication Concerts: the original 1883 “Father” Pacoe; 11/19, David Schelat; 11/26, Ninety-seventh Year: No. 10, Whole No. 1163 OCTOBER, 2006 Willis organ in St. Dominic’s Priory organ students of the Mason Gross Established in 1909 ISSN 0012-2378 (Haverstock Hill) and the newly School of the Arts, Rutgers; December restored 1963 Walker organ in St. John 10, Vox Fidelis; December 17, Advent An International Monthly Devoted to the Organ, the Evangelist (Islington). Lessons & Carols. For information: the Harpsichord, the Carillon and Church Music The first two Exhibition-Concerts in <christchurchnewbrunswick.org>. London take place on October 7 and 14, and both are preceded by pubic discus- St. James Episcopal Cathedral, sions on organ composition today. Addi- Chicago, Illinois, continues its music CONTENTS Editor & Publisher JEROME BUTERA [email protected] tionally, there are three ‘new music’ series: October 14, Mozart chamber 847/391-1045 concerts at Westminster Abbey, West- music; 10/15, The Cathedral Choir, FEATURES minster Cathedral and St. Dominic’s soloists, and chamber orchestra; Introducing Charles Quef Priory. Full details can be found on the November 5, Choral Evensong; 11/19, Forgotten master of La Trinité in Paris Associate Editor JOYCE ROBINSON festival website <www.afnom.org>. -
Köln Klais Und Kuhn!
Registration Form Title First Name Surname Address Line 1 Köln Address Line 2 Town/City Postcode und Country Home Telephone Date of Birth Mobile Telephone Email Klais Standard Please tick your option £300 NDSO Member (Player) £150 NDSO Member (Observer) und Kuhn! £350 Non-NDSO Member (Player) £200 Non-NDSO Member (Observer) You are invited to join the NDSO if you are not a member, which makes the overall course price inviting advanced level Organists of all ages…(grade 8+) cheaper. Please tick your option if you wish to support the NDSO and add the subscription to your and keen Observers for inspiration final amount. and relaxation in Cologne and Bonn Annual subscriptions (September - August) are currently: £36 Full Membership with Organists’ Review Play and hear sensational historic and modern organs in central Germany £15 Student Membership (includes Organists' Review) £21 Ordinary Membership (without Organists' Review) For more information on how NDSO processes personal data please see their website: kristopherking2.wixsite.com/ndso Mon Fri Terms and Conditions c. Between two and four complete weeks: 25%. 24 - 28 1. All fees are as stated and are payable in pounds sterling. d. Less than two weeks: no refund. 2. Fees are subject to change only in the event of circumstances 8. Anyone with a disability of any kind should consult the course beyond the control of the organisers, including, but not limited to, organisers before booking. changes in taxation and exceptional surcharges imposed by venues 9. The organisers cannot accept responsibility for any accident or injury 3. If a tutor is absent, the organisers will provide a suitable sustained during the course. -
The Tracker Journal of the Organ Historical Society Skinner Organ Company, Op
VOLUME 62, NUMBER 2, APRIL 2018 THE TRACKER JOURNAL OF THE ORGAN HISTORICAL SOCIETY SKINNER ORGAN COMPANY, OP. 711 (1928) C.E. MOREY, NO. 248 (1907) PAUL FRITTS & COMPANY, OP. 26 (2008) THE RUDOLPH WURLITZER COMPANY (1929) OUR FEATURED ARTISTS DAVID BASKEYFIELD NATHAN LAUBE DAVID PECKHAM EDOARDO BELLOTTI ANNIE LAVER ROBERT POOVEY IVAN BOSNAR THATCHER LYMAN WILLIAM PORTER KEN COWAN COLIN LYNCH CAROLINE ROBINSON PETER DUBOIS COLIN MACKNIGHT DARYL ROBINSON KATELYN EMERSON CHRISTOPHER MARKS JONATHAN RYAN DAVID HIGGS MALCOLM MATTHEWS NICOLE SIMENTAL RICHARD HILLS AMANDA MOLE JOEL SPEERSTRA FRED HOHMAN ALAN MORRISON BRUCE STEVENS LEN LEVASSEUR LEN WILMA JENSEN JONATHAN MOYER MICHAEL UNGER PHOTOS PETER KRASINSKI SEAN O’DONNELL JORIS VERDIN C.B. FISK, INC., OP. 83 (1983) CHRISTIAN LANE JONATHAN ORTLOFF BRADLEY HUNTER WELCH ORTLOFF ORGAN COMPANY, LLC, OP. 1 (2016) JOIN THE OHS IN ROCHESTER IN COLLABORATION WITH THE EASTMAN ROCHESTER ORGAN INITIATIVE FESTIVAL IN OCTOBER THE 2018 CONVENTION of the Organ Historical Society will celebrate the rich array of instruments in Rochester, New York. Home to an expansive collection of organs representing diverse musical styles and performance practices, Rochester is a hub for organ performance and education. Convention attendees will experience an eighteenth-century Italian Baroque organ housed in the beautiful Memorial Art Gallery, a tour of the George Eastman Museum—home of the world’s largest residence organ—and everything in between. Visit the website below for the latest updates! WWW.ORGANHISTORICALSOCIETY.ORG/2018 AEOLIAN COMPANY, NO. 947 AND NO. 1345 GOART/YOKOTA (2008) HOPE-JONES ORGAN COMPANY, OP. 2 (1908) ANONYMOUS ITALIAN BAROQUE ORGAN (CA.