Made Outside London Programme Titles Register 2018
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Exploring Informal and Colloquial Language Through Netflix's Derry Girls
Exploring informal and colloquial language through Netflix’s Derry Girls. Bàrbara Pilar Serra Ballester Master’s Thesis Master’s Degree in Teacher Training (With a speciality in English and German) at the UNIVERSITAT DE LES ILLES BALEARS Academic year 2018-2019 Date: June 2019 UIB Master’s Thesis Supervisor: Dra. Yolanda Joy Calvo Benzies Abstract The presence of colloquial and informal language is rather neglected in today’s EFL classrooms. The following study aims to demonstrate that this vocabulary, part of a genuine, real-world English, can be incorporated into the lesson in a unique way; by using authentic audio-visual materials like television sitcoms. For this dissertation, several fields have been explored in depth, such as the value of those genuine products as a teaching tool, that goes hand in hand with students’ motivation, the relevance of the cultural competence and further aspects like the purpose of working with informal and colloquial word-forms, the irrefutable role of captions and an analysis of the incidental vocabulary acquisition phenomenon in the language learning experience. Moreover, this MA dissertation includes an empirical study conducted with 4th of ESO students which aimed at analysing whether using the Northern Irish TV show Derry Girls is a beneficial tool to gain new vocabulary like idioms and phrasal verbs. The results obtained indicate that students were more motivated when learning English this way; moreover, it in fact helped most of them learn new vocabulary. Keywords: informal language, colloquial language, EFL, TV sitcom, Derry Girls. 2 Table of Contents Abstract ............................................................................................................. 2 1. Introduction ................................................................................................. 4 2. Literature review ........................................................................................ -
Joel Devlin Director of Photography
Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British -
Review of Regional TV Production and Programming Guidance Consultation
Review of Regional TV Production and Programming Guidance Consultation CONSULTATION: Publication Date: 19 December 2018 Closing Date for Responses: 27 February 2019 Contents Section 1. Overview 1 2. Background 7 3. The changing TV production landscape 14 4. Appraisal of the current regime and the Guidance 29 5. Review proposals 46 Annex A1. Responding to this consultation 65 A2. Ofcom’s consultation principles 68 A3. Consultation coversheet 69 A4. Consultation questions 70 Review of Regional TV Production and Programming Guidance 1. Overview Ofcom is reviewing the Regional Production and Programming Guidance (‘the Guidance’) 1 and associated reporting and compliance regime to ensure that the regulatory framework is effective in a rapidly evolving production landscape. Nations and regions’ production is a crucial part of the UK television production sector, accounting for almost half of public service broadcaster (‘PSB’) qualifying programme hours2 in 2017. TV production outside of London helps to disperse and stimulate investment and job opportunities in the sector, throughout the UK. This has resulted in the employment of a broad range of talent with a diversity of editorial perspectives, to create a wide variety of programmes for the enjoyment of UK viewers. This can also assist in strengthening regional production centres for the long term and supporting broader creative and cultural economies across the UK. To help promote nations and regions’ TV production, Ofcom has imposed quotas on the PSBs3 to ensure that a suitable proportion of their network programmes are made in the UK outside of the M25 (‘regional productions’). The BBC and Channel 3 services also have quotas to broadcast localised programmes, including regional news, across different areas of the UK (‘regional programming’), and a suitable proportion of these should be made in the local area. -
News: for Immediate Release Made in Bristol & on Screens This Christmas: the Trial of Christine Keeler, the Cure, His Dark M
News: for immediate release Made in Bristol & on screens this Christmas: The Trial of Christine Keeler, The Cure, His Dark Materials, The Crystal Maze Celeb Xmas Special, Tipping Point Lucky Stars Xmas Special Coming in 2020: The Pale Horse, Invisible, War of the Worlds, Salisbury BRISTOL, 18 December 2019: This year’s festive guide is full of TV shows made in Bristol to enjoy this Christmas - and there’s plenty of locally-made titles to look forward to in 2020 too. Here’s a roundup of shows to look out for, all filmed at The Bottle Yard Studios and/or on location in Bristol, with assistance from Bristol Film Office. Clockwise from top left: The Cure (Story Films / Channel 4), The Crystal Maze Celebrity Christmas Special (Fizz TV / RDF Television / Channel 4), The Trial of Christine Keeler (Mammoth Screen / BBC), Tipping Point Lucky Stars Christmas Special (Fizz TV / RDF Television / ITV) The Cure: Thursday 19th December, Channel 4, 9pm Based on the inspiring real-life story of Julie Bailey, The Cure is the story of an ordinary woman who exposed one of the worst hospital care scandals in the history of the NHS. Starring Sian Brookes, Sue Johnston and Hannah Rae, the one-off drama charts the scandal at Stafford Hospital which came to national attention in 2008. Produced by Story Films for Channel 4, The Cure filmed in Bristol in April ’19 at locations including City Hall, College Green, Canford Cemetery, Badock Woods and Wellington Hill West. His Dark Materials series finale: Sunday 22nd December, BBC One, 9pm Jack Thorne’s highly anticipated adaptation of Philip Pullman’s acclaimed series of novels reaches its series finale on 22 December. -
The Speakers and Chairs 2016
WEDNESDAY 24 FESTIVAL AT A GLANCE 09:30-09:45 10:00-11:00 BREAK BREAK 11:45-12:45 BREAK 13:45-14:45 BREAK 15:30-16:30 BREAK 18:00-19:00 19:00-21:30 20:50-21:45 THE SPEAKERS AND CHAIRS 2016 SA The Rolling BT “Feed The 11:00-11:20 11:00-11:45 P Edinburgh 12:45-13:45 P Meet the 14:45-15:30 P Meet the MK London 2012 16:30-17:00 The MacTaggart ITV Opening Night FH People Hills Chorus Beast” Welcome F Revealed: The T Breakout Does… T Breakout Controller: T Creative Diversity Controller: to Rio 2016: SA Margaritas Lecture: Drinks Reception Just Do Nothing Joanna Abeyie David Brindley Craig Doyle Sara Geater Louise Holmes Alison Kirkham Antony Mayfield Craig Orr Peter Salmon Alan Tyler Breakfast Hottest Trends session: An App Taskmaster session: Charlotte Moore, Network Drinks: Jay Hunt, The Superhumans’ and music Shane Smith The Balmoral screening with Thursday 14.20 - 14.55 Wednesday 15:30-16:30 Thursday 15:00-16:00 Thursday 11:00-11:30 Thursday 09:45-10:45 Wednesday 15:30-16:30 Wednesday 12:50-13:40 Thursday 09:45-10:45 Thursday 10:45-11:30 Wednesday 11:45-12:45 The Tinto The Moorfoot/Kilsyth The Fintry The Tinto The Sidlaw The Fintry The Tinto The Sidlaw The Networking Lounge 10:00-11:30 in TV Formats for Success: Why Branded Content BBC A Little Less Channel 4 Struggle For The Edinburgh Hotel talent Q&A The Pentland Digital is Key in – Big Cash but Conversation, Equality Playhouse F Have I Got F Winning in F Confessions of FH Porridge Adam Abramson Dan Brooke Christiana Ebohon-Green Sam Glynne Alex Horne Thursday 11:30-12:30 Anne Mensah Cathy -
Trivago and Derry Girls
BLOG Trivago and Derry Girls EDINBURGH PARTNERSHIP TELEVISION NICOLA CLARK - MARKETING COORDINATOR 12 MAR 2019 Trivago, the hotel search comparison specialist, is currently sponsoring Channel 4’s hit coming-of-age comedy, Derry Girls, for its second series. Created and written by Lisa McGee, Derry Girls candidly follows the lives of five teenagers as they navigate life in Derry during The Troubles. Series one of Derry Girls was the most watched series in Northern Ireland since modern records began in 2002 and won both Best Comedy and Best Writer at the 2018 IFTA Gala Television Awards as well as the 2018 Radio Times Comedy Champion award. Across the UK, consolidated viewing figures revealed that the first series was watched by an average on 2.5 million viewers making it Channel 4’s biggest comedy launch since 2004. Negotiated by MediaCom Edinburgh, Trivago features sponsorship bumpers throughout the show. They also feature on all the on-air promos as well as on All4. New creative has been developed for the partnership which features a Northern Irish voiceover to link it to the programme. Maud Cant, Head of AV at MediaCom Edinburgh, said “Derry Girls has been one of the best performing programmes against 16-34adults on its first series last year, so it was a great opportunity for us to help Trivago reach the younger end of their target audience. After a lot of back and forth we managed to get a deal agreed and we are delighted that Trivago made sure they are maximising the partnership with the creation of new bumpers”. -
Becoming a Translator Second Edition
Becoming a Translator Second Edition "Absolutely up-to-date and state of the art in the practical as well as theoretical aspect of translation, this new edition of Becoming a Translator retains the strength of the first edition while offering new sections on current issues. Bright, lively and witty, the book is filled with entertaining and thoughtful examples; I would recommend it to teachers offering courses to beginning and advanced students, and to any translator who wishes to know where the field is today." Malcolm Hayward, Indiana University of Pennsylvania, USA "A very useful book ... I would recommend it to students who aim at a career in translation as a valuable introduction to the profession and an initiation into the social and transactional skills which it requires." Mike Routledge, Royal Holloway, University of London, UK Fusing theory with advice and information about the practicalities of translating, Becoming a Translator is the essential resource for novice and practising translators. The book explains how the market works, helps translators learn how to translate faster and more accurately, as well as providing invaluable advice and tips about how to deal with potential problems such as stress. The second edition has been revised and updated throughout, offering: • a "useful contacts" section • new exercises and examples • new e-mail exchanges to show how translators have dealt with a range of real problems • updated further reading sections • extensive up-to-date information about new translation technologies. Offering suggestions for discussion, activities, and hints for the teaching of translation, the second edition of Becoming a Translator remains invaluable for students on and teachers of courses in translation, as well as for professional translators and scholars of translation and language. -
Parliamentary Debates House of Commons Official Report General Committees
PARLIAMENTARY DEBATES HOUSE OF COMMONS OFFICIAL REPORT GENERAL COMMITTEES Public Bill Committee FINANCE BILL (Except clauses 1, 5 to 7, 11, 72 to 74 and 112, schedule 1, and certain new clauses and new schedules) Eleventh Sitting Tuesday 10 June 2014 (Afternoon) CONTENTS Programme order amended. CLAUSES 90 to 93 agreed to. SCHEDULE 16 agreed to. CLAUSES 94 and 95 agreed to. SCHEDULE 17 agreed to. CLAUSES 96 to 100 agreed to. SCHEDULE 18 agreed to. CLAUSES 101 to 106 agreed to. SCHEDULE 19 agreed to. CLAUSES 107 and 108 agreed to. SCHEDULE 20 agreed to. CLAUSES 109 and 110 agreed to. SCHEDULE 21 agreed to. CLAUSES 111 and 113 agreed to. SCHEDULE 22 agreed to. CLAUSES 114 to 117 agreed to. Adjourned till Thursday 12 June at Two o’clock. Written evidence reported to the House. PUBLISHED BY AUTHORITY OF THE HOUSE OF COMMONS LONDON – THE STATIONERY OFFICE LIMITED £6·00 PBC (Bill 190) 2014 - 2015 Members who wish to have copies of the Official Report of Proceedings in General Committees sent to them are requested to give notice to that effect at the Vote Office. No proofs can be supplied. Corrigenda slips may be published with Bound Volume editions. Corrigenda that Members suggest should be clearly marked in a copy of the report—not telephoned—and must be received in the Editor’s Room, House of Commons, not later than Saturday 14 June 2014 STRICT ADHERENCE TO THIS ARRANGEMENT WILL GREATLY FACILITATE THE PROMPT PUBLICATION OF THE BOUND VOLUMES OF PROCEEDINGS IN GENERAL COMMITTEES © Parliamentary Copyright House of Commons 2014 This publication may be reproduced under the terms of the Open Parliament licence, which is published at www.parliament.uk/site-information/copyright/. -
JIMMY Mcgovern
JIMMY McGOVERN Writer Agent: Norman North Film & Television: Jimmy was awarded the Lifetime Achievement Award from the Royal Television Society in March 2018 ANTHONY LA Productions CARE LA Productions for BBC1 1 x 90’ MOVING ON Series II - XI LA Productions for BBC1 Creator and Series Script Editor BROKEN LA Productions for BBC1 Creator and Writer 6 x 60’ REG LA Productions for BBC1 1 x 90’ BANISHED RSJ Films / See Saw for BBC2 Creator and Lead Writer 7 x 60’ REDFERN NOW Series I, II & III Blackfella Films - Australia Story Consultant 6 x 60’ COMMON LA Productions for BBC1 Nominated: TV Movie / Mini-Series, International Emmys 2015 THE ACCUSED II RSJ Films for BBC1 Creator and Writer/Co-Writer Nominated: BAFTA Best Mini Series 2013 THE ACCUSED RSJ Films for BBC1 Creator and Lead Writer Winner: Best Drama Series, International Emmys 2011 THE STREET Series III Granada for BBC1 Creator, Writer and Creative Consultant Winner: Best Drama Series, International Emmys 2010 Winner: Best Drama Series, RTS Awards 2010 Nominated: Best Drama Series, BAFTA Awards 2010 MARY QUEEN OF SCOTS BBC Films / Raging Star Films Feature film commission MOVING ON LA Productions for BBC1 Executive Producer Series THE STREET Series II Granada for BBC1 Creator, Writer and Creative Consultant Winner: Best Drama Series, International Emmys 2007 Winner: RTS Award 2008 Winner: BAFTA for Best Drama Series 2008 CRACKER Granada for ITV1 2 x 120’ special Director: Antonia Bird With Robbie Coltrane Nominated: Edgar Allan Poe Award for Best Teleplay 2007 THE STREET Granada -
A Sheffield Hallam University Thesis
Reflections on UK Comedy’s Glass Ceiling: Stand-Up Comedy and Contemporary Feminisms TOMSETT, Eleanor Louise Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/26442/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/26442/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Reflections on UK Comedy’s Glass Ceiling: Stand-up Comedy and Contemporary Feminisms Eleanor Louise Tomsett A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy October 2019 Candidate declaration: I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acKnowledged. 4. The worK undertaKen towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy. -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Hairy Bikers Best of British Episode Guide
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