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Trends in the Development of Modern Linguistics in the Age of Globalization
Vědecko vydavatelské centrum «Sociosféra-CZ» Belgorod State University Belarusian State University TRENDS IN THE DEVELOPMENT OF MODERN LINGUISTICS IN THE AGE OF GLOBALIZATION Materials of the III international scientific conference on October 17–18, 2017 Prague 2017 1 Trends in the development of modern linguistics in the age of globalization : materials of the III international scientific conference on October 17–18, 2017. – Prague : Vědecko vydavatelské centrum «Sociosféra-CZ», 2017. – 55 p. – ISBN 978-80-7526-238-7 ORGANISING COMMITTEE: Vasily V. Lipich, doctor of philological sciences, professor of Belgorod State University. Serdobintseva Elena, doctor of philological sciences, professor of the Penza State University. Irina I. Skachkova, candidate of philological sciences, associate professor of the Volgograd branch of the Russian Academy of National Economy and Public Administration under the President of the Russian Federation. Olga Yu. Shimanskaya, candidate of philological sciences, assistant professor of English language department of Belarusian State University. Ilona G. Doroshina, candidate of psychological sciences, assistant professor, the chief man- ager of the Science Publishing Center «Sociosphere». Authors are responsible for the accuracy of cited publications, facts, figures, quotations, statistics, proper names and other information. These Conference Proceedings combines materials of the conference – research papers and thesis reports of scientific workers and professors. It examines trends in the development of modern linguistics in the age of globalization. Some articles deal with theoretical problems of mod- ern linguistics. A number of articles are covered language as a socio-cultural organism. Some arti- cles are devoted to intercultural communication and linguistic identity. Authors are also interested in Training native and foreign languages in a multicultural space. -
Hw Biography 2021
HUGH WOOLDRIDGE Director and Lighting Designer; Visiting Professor Hugh Wooldridge has produced, directed and devised theatre and television productions all over the world. He has taught and given master-classes in the UK, Europe, the US, South Africa and Australia. He trained at the London Academy of Music and Dramatic Art (LAMDA) and made his West End debut as an actor in The Dame of Sark with Dame Celia Johnson. Subsequently he performed with the London Festival Ballet / English National Ballet in the world premiere production of Romeo and Juliet choreographed by Rudolph Nureyev. At the age of 22, he directed The World of Giselle for Dame Ninette de Valois and the Royal Ballet. Since this time, he has designed lighting for new choreography with dance companies around the world including The Royal Ballet, Dance Theatre London, Rambert Dance Company, the National Youth Ballet and the English National Ballet Company. He directed the world premieres of the Graham Collier / Malcolm Lowry Jazz Suite Under A Volcano and The Undisput’d Monarch of the English Stage with Gary Bond portraying David Garrick; the Charles Strouse opera, Nightingale with Sarah Brightman at the Buxton Opera Festival; Francis Wyndham’s Abel and Cain (Haymarket, Leicester) with Peter Eyre and Sean Baker. He directed and lit the original award-winning Jeeves Takes Charge at the Lyric Hammersmith; the first productions of the Andrew Lloyd Webber and T. S. Eliot Cats (Sydmonton Festival), and the Andrew Lloyd Webber / Don Black song-cycle Tell Me 0n a Sunday with Marti Webb at the Royalty (now Peacock) Theatre; also Lloyd Webber’s Variations at the Royal Festival Hall (later combined together to become Song and Dance) and Liz Robertson’s one-woman show Just Liz compiled by Alan Jay Lerner at the Duke of York’s Theatre, London. -
Aldwych-House-Brochure.Pdf
Executive summary • An iconic flagship in the heart of Midtown • This imposing building invested with period grandeur, has been brought to life in an exciting and modern manner • A powerful and dramatic entrance hall with 9 storey atrium creates a backdrop to this efficient and modern office • A total of 142,696 sq ft of new lettings have taken place leaving just 31,164 sq ft available • A space to dwell… 4,209 – 31,164 SQ FT 4 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 5 Aldwych House • MoreySmith designed reception • Full height (9 storey) central atrium fusing a modern which provides a light, modern, interior with imposing spacious circulation area 1920s architecture • Floors are served by a newly refurbished lightwell on the west side and a dramatically lit internal Aldwych House totals 174,000 atrium to the east from lower sq ft over lower ground to 8th ground to 3rd floor floors with a 65m frontage • An extensive timber roof terrace onto historic Aldwych around a glazed roof area • Showers, cycle storage and a drying room are located in the basement with easy access from the rear of the building • The ROKA restaurant is on the ground floor 6 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 7 8 | ALDWYCHHOUSE.COM Floorplate Typical upper floor c. 18,000 sq ft Typical upper floor CGI with sample fit-out 10 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 11 Floorplate Typical upper floor with suite fit-out 12 | ALDWYCHHOUSE.COM ALDWYCHHOUSE.COM | 13 SOHO TOTTENHAM COURT ROAD MIDTOWN | LONDON Aldwych House, now transformed as part of the dynamic re-generation of this vibrant eclectic midtown destination, stands tall and COVENT GARDEN commanding on the north of the double crescent of Aldwych. -
Owner Occupier Opportunity Hexagon Covent Garden
43 PARKER STREET WC2 OWNER OCCUPIER OPPORTUNITY HEXAGON COVENT GARDEN Investment summary • Virtual freehold commercial premises with vacant possession ST PAUL’S LINCOLN’S INN FIELDS • Exceptionally well located in Covent Garden, one of London’s premier submarkets THE CITY TOWER THE BLOOMSBURY COVENT BRITISH LONDON HOUSES OF BRIDGE SHARD SQUARE GARDEN MUSEUM EYE PARLIAMENT GARDENS • Situated within a short walk of Covent Garden, Holborn and Tottenham Court Road underground stations, soon to benefit from the arrival of the Elizabeth Line • The property comprises 5,487 sq ft GIA of voluminous commercial space with excellent natural light, its own front door, and generous street frontage, arranged over basement, ground and first floors, and is offered in shell and core condition • The consented use is for B1 offices, but the accommodation is highly flexible and would be suitable for retail, health and fitness, medical and other commercial uses • The property is provided with full vacant possession and in shell and core condition • Very suitable for owner occupiers or private investors • The property is available either on a rental basis, on a lease direct from the landlord or via a purchase of the virtual freehold interest • We are instructed to invite offers at £5,000,000, for the virtual freehold interest, subject to contract and exclusive of VAT • A sale at this level reflects a capital value of £911 per sq ft CLICK FOR VIRTUAL TOUR 2 3 HEXAGON COVENT GARDEN 43 PARKER STREET WC2 LOCATION The property occupies a prominent Covent Garden position, moments from the world renowned Covent Garden Piazza, the variety of retail and amenities on offer along Long Acre and Seven Dials and a wealth culture and theatre with Theatre Royal Drury Lane, the Royal Opera House and the British Transport Museum all nearby. -
Gabriele Rizzi, Bar Manager at Hotel Eden, Rome
Gabriele Rizzi, Bar Manager at Hotel Eden, Rome Gabriele Rizzi was born in 1981 in Monza, Lombardia. After a variety of work experiences in Milan and Cagliari, Gabriele arrived in London in 2011 and was introduced to the world of luxury hospitality. He started his experience in Bar Max at London’s Covent Garden Hotel and shortly after he became head barman. After receiving his qualification from WSET (Wines & Spirits Educational Trust), he deepened his managerial training by attending the ILM (Institute of Leadership and Management) in 2013. A year later, he was entrusted to lead The Soho Hotel’s Refuel Bar. dorchestercollection.com Facebook: DC.Luxuryhotels Twitter: DC_LuxuryHotels Instagram: DorchesterCollection #DCmoments Gabriele returned to Italy in 2015, to oversee the launch of Café del Pincio and the Chill Bar at the exclusive Casina Valadier in Rome. An important experience, which encouraged him to stay in Italy. In 2017, Gabriele began his role as bar manager at Dorchester Collection’s Hotel Eden, Rome. He joined the hotel for its grand reopening following an extensive 17-month renovation. His Philosophy Originally from the north of Italy, Gabriele Rizzi has always been linked to the Italian tradition of the “Aperitivo”. It reminds him of his family, who would never miss the opportunity to take a moment to relax before dinner. His passion for mixology started early in his career and the desire to continuously delight guests during their free time has contributed to his successes. Fascinated with the idea that mixing different ingredients can produce a unique and well balanced concoction, Gabriele has honoured Rome through one of his creations La Grande Bellezza. -
DAVID WOOD a Chronology
DAVID WOOD A Chronology CHILDREN’S PLAYS AND MUSICALS (acting editions published by Samuel French) 1967 THE TINDERBOX (book, music and lyrics). (Based on the story by Hans Andersen) Swan Theatre, Worcester. Unpublished. 1968 THE OWL AND THE PUSSYCAT WENT TO SEE... (co-written with Sheila Ruskin, based on the verses and stories of Edward Lear). Swan Theatre, Worcester. Subsequently WSG Productions Ltd. production at Jeannetta Cochrane Theatre, London (1969) and many more London Christmas seasons. * 1969 LARRY THE LAMB IN TOYTOWN (co-written with Sheila Ruskin, adapted from the stories of S.G. Hulme-Beaman). Swan Theatre, Worcester. Subsequently WSG Productions Ltd production at Shaw Theatre, London, 1973. * 1970 THE PLOTTERS OF CABBAGE PATCH CORNER (book, music and lyrics). Swan Theatre, Worcester. Subsequently Knightsbridge Theatical Productions Ltd/WSG Productions Limited production, Shaw Theatre 1971 and 1972 and Whirligig Theatre tour including Sadler’s Wells Theatre, London, 1979. 1971 FLIBBERTY AND THE PENGUIN (book, music and lyrics). Swan Theatre, Worcester. Subsequently Whirligig Theatre pilot tour, 1978. * 1972 TICKLE (one act) (book, music and lyrics). The Dance Drama Theatre tour. Subsequently Wakefield Tricycle Company production at Arts Theatre, London, 1977. THE PAPERTOWN PAPERCHASE (book, music and lyrics). Swan Theatre, Worcester. Subsequently Whirligig Theatre tour, including Sadler’s Wells Theatre, London, 1984.* 1973 HIJACK OVER HYGENIA (book, music and lyrics). Swan Theatre, Worcester. 1975 OLD MOTHER HUBBARD (book, music and lyrics). Queen’s Theatre, Hornchurch. 1976 THE GINGERBREAD MAN (book, music and lyrics). Towngate Theatre, Basildon. Subsequently, Cameron Mackintosh/David Wood production, The Old Vic (1977 and 1978) and many other London seasons. -
Mike Robertson
ROAR House, 46 Charlo2e Street, London W1T 2GS 0207 4275681 [email protected] www.colekitchenn.com twi8er.com/ColeKitchenn facebook.com/ColeKitchenn MIKE ROBERTSON LIGHTING DESIGNER 2007 Olivier Award Winner, 2010 Whatsonstage Award nominee DEAR WORLD Charing Cross Theatre Dir: Gillian Lynne VOLCANO (World Premiere) Vaudeville Theatre West End/Tour Dir: Roy Marsden DRY ROT UK Tour Dir: Ron Aldridge FRAGILE/THE FATHER Belgrade Theatre, Coventry Dir: Joe Harmston MURDER ON THE NILE Theatre Royal Windsor/Tour Dir: Joe Harmston FUNNY PECULIAR UK Tour Dir: Bob Tomson THIRD FLOOR Trafalgar Studios for Sally Humphreys Dir: Russell Labey ABOUT BILL Landor Theatre Dir: Charlotte Westenra COMPANY Southwark Playhouse Dir: Joe Fredericks BY JEEVES Landor Theatre Dir: Nick Bagnall OEDIPUS Nottingham/Edinburgh Festival 2011 Dir: Giles Croft VERDICT UK Tour/Bill Kenwright Ltd Diir: Joe Harmston LARK RISE TO CANDLEFORD No.1 National Tour for Bill Kenwright Dir: Joe Harmston CAROLINE O'CONNOR: THE SHOWGIRL WITHIN, LYNDA CARTER: AT LAST all at Garrick Theatre, West-End FRANCES RUFFELLE: BENEATH THE DRESS, JASON ROBERT BROWN CONCERT for Speckulation Entertainment BIBLICAL TALES New End Theatre Dir: Steven Berkoff BILLY LIAR West Yorkshire Playhouse Dir: Nick Bagnall WOLFBOY Trafalgar Studios Dir: Russell Labey EDUCATING RITA Watermill Theatre, Newbury Dir: Jamie Glover ON THE WATERFRONT Theatre Royal, Haymarket/World Tour Dir: Steven Berkoff Nottingham Playhouse/Edinburgh *2010 Whatsonstage Award nomination: Best Lighting Design WOLFBOY George Square -
Cultural Convergence the Dublin Gate Theatre, 1928–1960
Cultural Convergence The Dublin Gate Theatre, 1928–1960 Edited by Ondřej Pilný · Ruud van den Beuken · Ian R. Walsh Cultural Convergence “This well-organised volume makes a notable contribution to our understanding of Irish theatre studies and Irish modernist studies more broadly. The essays are written by a diverse range of leading scholars who outline the outstanding cultural importance of the Dublin Gate Theatre, both in terms of its national significance and in terms of its function as a hub of international engagement.” —Professor James Moran, University of Nottingham, UK “The consistently outstanding contributions to this illuminating and cohesive collection demonstrate that, for Gate Theatre founders Hilton Edwards and Micheál mac Liammóir and their collaborators, the limits of the imagination lay well beyond Ireland’s borders. Individually and collectively, the contribu- tors to this volume unravel the intricate connections, both personal and artistic, linking the theatre’s directors, designers, and practitioners to Britain, Europe, and beyond; they examine the development and staging of domestic plays written in either English or Irish; and they trace across national boundaries the complex textual and production history of foreign dramas performed in translation. In addition to examining a broad spectrum of intercultural and transnational influ- ences and perspectives, these frequently groundbreaking essays also reveal the extent to which the early Gate Theatre was a cosmopolitan, progressive, and inclusive space that recognized and valued women’s voices and queer forms of expression.” —Professor José Lanters, University of Wisconsin—Milwaukee, USA “Cultural Convergence is a book for which we have been waiting, not just in Irish theatre history, but in Irish cultural studies more widely. -
Download András Jacobs' CV
András Jacobs Costume and Wardrobe Email: [email protected] Based in London, SE EDUCATION Currently: Technical Theatre Arts: Costume Supervision – Sept 2017 – July 2020 (3rd year) BA(HONS) Guildhall School of Music & Drama PRODUCTION PROFILE (Highlights productions are ones produced by the Guildhall School) ROLE PRODUCTION DESIGNER VENUE/COMPANY Costume Supervisor Grease: The Musical Stewart - Charlesworth Set and Costume The Kettling Brighton Fringe, Edinburgh Designer - Fringe, Camden Fringe. Hungry Wolf VYT Costume Assistant Dance Journeys 2020 Louie Whitemore English National Ballet Costume Supervisor Antigone Kai Fischer Silk Street Theatre, Guildhall School of Music & Drama Costume Supervisor The Royale Louie Whitemore Milton Court Studio, Guildhall School of Music & Drama Costume Supervisor GUT Louie Whitemore Milton Court Studio, Guildhall School of Music & Drama Costume Designer and Autumn Opera Scenes Milton Court Studio, Guildhall - Supervisor School of Music & Drama Costume Assistant [BLANK] Rosie Elnile Donmar Warehouse Costume Designer and RENT Stockwell Playhouse, RicNic - Dresser Theatre Set and Costume Sane and Sound Arcola Theatre - Designer Costume Designer All the Little Lights Tristan Bates Theatre, Camden - Fringe (Offie Winning) Costume Stylist and Iolanta Madeleine Boyd Villa Ephrussi de Rothschild, Les Buyer Azuriales Opera 1st Costume Assistant Merrily We Roll Along Adam Wiltshire Silk Street Theatre, Guildhall and Head Dresser School of Music & Drama Costume Assistant and Opera Double Bill – Aminta E Madeleine -
Small Is Beautiful PATRICK MCDONNELL Looks at the Growing Popularity of Small Luxury Screening Theatres
MICRO VENUES 17 Small is beautiful PATRICK MCDONNELL looks at the growing popularity of small luxury screening theatres LEFT Soho Hotel Screen 1 ABOVE (L-R) One Aldwych, Covent Garden Hotel, Soho Hotel Screen 2 THERE IS something very sound systems with full available in all projection aspect option. Besides these private exclusive about screening rooms. conferencing facilities. Release is ratios, video presentation and screenings, the company runs They are the preserve of movie decorated with aubergine Powerpoint presentations. Digital regular weekend movie clubs executives and critics, the place coloured walls and large green cinema (or to give it its proper open to anyone. where new films spring into life leather armchairs. title HDTV) and 16mm projection In recent years there has been for the first time. However, many Another hotel catering for this can be catered for. The largest an emergence of a number of of the intimate, luxurious trend is the Gordon Campbell- theatre contains soft red leather screening rooms designed from screening rooms in central Gray owned One Aldwych. Its reclining seating, the smaller 50- the outset as dual-purpose micro London are increasingly running take on the film club theme “Give seat VIP theatre is fitted with venues — offering sumptuous films for members of the public. Me Movies” is priced at £40, this pony skin design upholstery, seating and surroundings that There are, according to Pocket includes a three-course meal with individual tables and — at nearly meet movie industry technical Films’ Screening Room Map, 24 champagne at Axis, the hotel’s six-feet — legroom double that of expectations and are able to such venues in London. -
July 2018 Nickolas Grace Wayne Sleep OBE
President: Vice President: No. 503 - July 2018 Nickolas Grace Wayne Sleep OBE Shakespeare’s Birthday Party Reviewed by Liz Schafer The guest of honour at the 2018 Vic-Wells Association’s Shakespeare’s birthday party was Claire Bloom and it was particularly appropriate that the party was held in the rehearsal room where Claire rehearsed during her time at the Old Vic. She hadn’t enjoyed studying at the Central School of Speech and Drama, but here at the Vic she had revelled in working on the rôles of Juliet, (with Alan Badel as Romeo and Peter Finch as Mercutio), Ophelia (to Richard Burton’s Hamlet). She also played Viola in a Twelfth Night that included John Neville as Orsino, Paul Daneman as Feste, Richard Burton almost unrecognisable as a bewhiskered Sir Toby Belch and Michael Hordern as Malvolio. Meanwhile Viola’s twin Sebastian was played by Robert Hardy (How could Claire Bloom ever be mistaken for Robert Hardy?). Our President, Nickolas Grace, introduced Claire and pointed out how early her career took off – she was only 21 when she was picked out by Charlie Chaplin to star in Limelight: a daunting prospect, but Chaplin was totally supportive. Nickolas then reminisced about time spent working with Claire on Brideshead Claire Bloom as Thereza in Limelight Revisited when Nickolas played the outrageous Anthony Blanche and Claire played Lady Marchmain. Claire commented that although the cast was stellar, it was producer Derek Granger who was crucial in convincing her to do the series. Claire’s speech was the first try out of the Vic-Wells microphone, purchased so that speakers at parties can be heard more easily. -
This Is London Magazine Limited World of the Baroque Royal Court (Until 30 September)
Celebrates the with an evening of coronation anthems, including Elgar’s Coronation Ode and the premiere of Ronald Corp’s This Sceptr’d Isle Saturday 9 June 2012 7.30pm Barbican Centre Silk Street London EC2Y 8DS With Geraldine McGreevy – soprano Frances McCafferty – alto 3KLOLS6KHIƄHOGtWHQRU Mark Stone – bass Ronald Corp – conductor New London Orchestra Free pre-concert talk in the auditorium at 6.50pm by Ronald Corp Tickets: £36 - £12 The City of London 020 7638 8891 Box office Corporation is the founder Reduced booking fee online and principal funder of the barbican.org.uk Barbican Centre Welcome to London CONTENTS This is a wonderful time to visit our capital city and enjoy the spectacular celebrations for Events 4 Her Majesty The Queen’s Diamond Jubilee and Regent Street Union Flags the London Olympics. At Historic Royal The Go!Go!Go! Show Palaces, we are delighted to offer an inspiring Music 8 programme of exhibitions, events and activities Wah Wah Girls at the Peacock in this very special year. Top Hat At the Tower of London, a major re-presentation of the Crown Jewels has Exhibitions 14 been unveiled with new displays showing the regalia as never before. A new Royal River at Greenwich introductory exhibition enables visitors to explore the importance of the Animal Art Fair Crown Jewels to the British Monarchy and the fascinating history of Theatre 18 coronations in England. Making Noise Quietly Kensington Palace has recently undergone a £12 million transformation Love, Love, Love with new exhibitions and displays bringing the stories of the palace and its former royal residents to life.