Susaye Greene Interviewwith Preme for Women
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Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs
10 Surprising Facts About Oscar Winner Ruth E. Carter and Her Designs hollywoodreporter.com/lists/10-surprising-facts-oscar-winner-ruth-e-carter-her-designs-1191544 The Hollywood Reporter The Academy Award-winning costume designer for 'Black Panther' fashioned a headpiece out of a Pier 1 place mat, trimmed 150 blankets with a men's shaver, misspelled a word on Bill Nunn's famous 'Do the Right Thing' tee, was more convincing than Oprah and originally studied special education. Ruth E. Carter in an Oscars sweatshirt after her first nomination for "Malcolm X' and after her 2019 win for 'Black Panther.' Courtesy of Ruth E. Carter; Dan MacMedan/Getty Images Three-time best costume Oscar nominee Ruth E. Carter (whose career has spanned over 35 years and 40 films) brought in a well-deserved first win at the 91st Academy Awards on Feb. 24 for her Afrofuturistic designs in Ryan Coogler’s blockbuster film Black Panther. 1/10 Carter is the first black woman to win this award and was previously nominated for her work in Spike Lee’s Malcolm X (1992) and Steven Spielberg’s Amistad (1997). "I have gone through so much to get here!” Carter told The Hollywood Reporter by email. “At times the movie industry can be pretty unkind. But it is about sticking with it, keeping a faith and growing as an artist. This award is for resilience and I have to say that feels wonderful!" To create over 700 costumes for Black Panther, Carter oversaw teams in Atlanta and Los Angeles, as well as shoppers in Africa. -
Whitney Houston 1963—2012
The Legend Lives On Whitney Houston 1963—2012 Photo courtesy Resilient Media Entertainment via Creative Commons P A G E 24 F L O W S P R I N G 2 0 2 0 Whitney Houston’s undeniable talent, beauty and good works made her America’s sweetheart By Vanessa Gyamfi Houston was not only a talented artist, she was Standing on the stage shy and nervous with also a humanitarian she established the Whitney Hou- clenched hands, wearing a purple off-the-shoulder dress ston Foundation for Children, a nonprofit organization was a 20-year-old Whitney Houston making her first ever that funds projects to help needy children all over the national television debut on “The Merv Griffin Show.” world. Her undeniable talent, beauty, voice, charity work She sang her version of the song “Home” from the mov- and good girl image made her America’s sweetheart. ie, “The Wiz.” Her voice and performance were so beau- That's why it came as surprise to people when she mar- tiful and refreshing. This was the day the world wit- ried the overly provocative and bad boy of R&B, Bobby nessed a star in the making. Brown, in 1992. Houston received a lot of criticism, espe- The Queen of R&B was born August 9,1963, in cially from family members on her decision. But she Newark, N. J. She was blessed to be born into a musical loved Brown and refused to listen to her family members family, with her mother being Cissy Houston a gospel and the naysayers. -
Beautiful Family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble
SARAH BOCKEL (Carole King) is thrilled to be back on the road with her Beautiful family! Broadway/ First National Tour: Beautiful; Betty/ Ensemble. Regional: Million Dollar Quartet (Chicago); u/s Dyanne. Rocky Mountain Repertory Theatre- Les Mis; Madame Thenardier. Shrek; Dragon. Select Chicago credits: Bohemian Theatre Ensemble; Parade, Lucille (Non-eq Jeff nomination) The Hypocrites; Into the Woods, Cinderella/ Rapunzel. Haven Theatre; The Wedding Singer, Holly. Paramount Theatre; Fiddler on the Roof, ensemble. Illinois Wesleyan University SoTA Alum. Proudly represented by Stewart Talent Chicago. Many thanks to the Beautiful creative team and her superhero agents Jim and Sam. As always, for Mom and Dad. ANDREW BREWER (Gerry Goffin) Broadway/Tour: Beautiful (Swing/Ensemble u/s Gerry/Don) Off-Broadway: Sex Tips for Straight Women from a Gay Man, Cougar the Musical, Nymph Errant. Love to my amazing family, The Mine, the entire Beautiful team! SARAH GOEKE (Cynthia Weil) is elated to be joining the touring cast of Beautiful - The Carole King Musical. Originally from Cape Girardeau, Missouri, she has a BM in vocal performance from the UMKC Conservatory and an MFA in Acting from Michigan State University. Favorite roles include, Sally in Cabaret, Judy/Ginger in Ruthless! the Musical, and Svetlana in Chess. Special thanks to her vital and inspiring family, friends, and soon-to-be husband who make her life Beautiful. www.sarahgoeke.com JACOB HEIMER (Barry Mann) Theater: Soul Doctor (Off Broadway), Milk and Honey (York/MUFTI), Twelfth Night (Elm Shakespeare), Seminar (W.H.A.T.), Paloma (Kitchen Theatre), Next to Normal (Music Theatre CT), and a reading of THE VISITOR (Daniel Sullivan/The Public). -
To Download a Sample Song List
Please note this is a sample song list, designed to show the style and range of music the band typically performs. This is the most comprehensive list available at this time; however, the band is NOT LIMITED to the selections below. Please ask your event producer if you have a specific song request that is not listed. CURRENT HITS Frank Ocean Slide Thinking Bout You Amy Winehouse Rehab Gary Clark Jr. Valerie Things Are Changin' You Know I’m No Good Guordan Banks Ariana Grande Keep You in Mind Greedy Into You Janelle Monae One Last Time Q.U.E.E.N. Side to Side Tightrope Yoga Beyonce Crazy in Love John Legend Deja Vu All of Me Formation Darkness and Light Love on Top Green Light Rocket If You’re Out There Sorry Let’s Get Lifted Work it Out Ordinary People Overload Bruno Mars Tonight 24K Magic Calling All My Lovelies John Mayer Chunky Vultures Grenade Just the Way You Are Joss Stone Locked Out of Heaven Walk on By Marry You Perm Justin Timberlake Treasure Can’t Stop the Feeling! That’s What I Like Drink You Away Uptown Funk FutureSex/LoveSound Versace on the Floor LoveStoned My Love Chris Brown Pusher Love Girl Fine China Rock Your Body Take You Down Senorita Suit & Tie Summer Love Daft Punk That Girl Get Lucky Until the End of Time What Goes Around...Comes Around Donny Hathaway Jealous Guy Katy Perry Love, Love, Love Chained to the Rhythm Dark Horse Drake Firework Hotline Bling Hot N Cold One Dance Teenage Dream Passionfruit Leon Bridges Brian McKnight Better Man Back At One Coming Home Don’t Stop Maroon 5 Chaka Khan Makes Me Wonder Tell -
Legends of Motown: Celebrating the Supremes Opening June 25
Legends Of Motown: Celebrating The Supremes Opening June 25 New Exhibit Features Rare Artifacts from the Premier Motown Records Act Founding Supremes Member Ms. Mary Wilson to Appear at the GRAMMY Museum June 24 For Intimate Interview and Q&A LOS ANGELES (June 5, 2015) — The GRAMMY Museum will explore the enduring legacy and influence of Motown Records' premier recording artists with the unveiling of Legends Of Motown: Celebrating The Supremes on June 25, 2015. The exhibit will offer visitors a unique look at the life and career of one of the most successful American singing groups of the '60s, the Supremes, through rare artifacts from the private collection of founding member Ms. Mary Wilson. On display on the Museum's third floor through spring 2016, the exhibit will feature rare photographs from the personal collection of Mary Wilson; concert posters; tour books, fan memorabilia; and an assortment of performance gowns, including: "Primette Pristine" gowns worn in 1961, one of the earliest sets purchased by the Supremes when they were still known as the Primettes "White De Mink" outfit worn on ABC's "The Hollywood Palace" in 1966 "Turquoise Freeze" dresses worn during a 1967 appearance on "The Ed Sullivan Show" "Red Hot" gown worn by Mary Wilson on "The Ed Sullivan Show" in 1970 for the debut of the new Supremes lineup featuring Cindy Birdsong and Jean Terrell "We've been eager to feature an exhibit celebrating Motown since we honored Berry Gordy and Smokey Robinson at our inaugural benefit gala in 2013," said Bob Santelli, Executive Director of the GRAMMY Museum. -
Next 72 Hours
THURSDAY, AUGUST 16, 2012 A5 THE ADVOCATE-MESSENGER WWW.AMNEWS.COM NEXT 72 HOURS ‘There was never just one.’ ReBourne Popular series is rejuvenated with Renner in the lead THE BOURNE LEGACY (2012/A-/Directed by Tony Gilroy/Starring Jeremy Renner, Rachel Weisz, Edward Norton, Stacy Keach, Scott Glenn/Universal/Rated PG- 13/Action/135 minutes): he “Bourne” films have long challenged viewers to consider the ethical ramifications of constructing supersoldiers. In this Tfourth installment, the examination continues through the eyes of a new protagonist. He is Aaron Cross, a recent recruit for an off-the-books CIA ex- In the MOVIE THEATER periment known as Treadstone. Cross, played — REVIEW BY LISA MILLER — by Jeremy Renner, glistens with the rough pol- ish of a young Charles Bronson while making his bones on an Alaskan odyssey — an “Outward Bound” for spies. To accomplish feats such as overpowering a wolf using his bare hands, or leaping a 20-foot gap separating mountain ledges, Cross, like all of the latest generation of Treadstone ops, “chems” daily. His regimen of blue pills, green pills and fre- quent self-sampling of his blood is enough to make Alice’s head spin. Once he arrives at his mountain cabin destination, Cross briefly connects with another Treadstone spy. He wants to exchange information, but his coworker’s ex- treme paranoia prohibits doing so. at paranoia is justified because unbeknownst to both men, Treadstone’s supervisor, the Ret. Col. Eric Byer (Edward Norton), has learned Treadstone’s existence may be exposed. To protect him- self and his cronies, Byer orders the ter- mination of Treadstone’s five operatives and of the several scien- tists who routinely examine the spies to compile project data. -
Interview with Dr. Andre Lee Total Runtime: 58:29 [[00:00:00]] PG
Interview with Dr. Andre Lee Total Runtime: 58:29 [[00:00:00]] PG WATKINS: So… recording. Great! So, yeah, I’m here, I’m PG. I’m the director and co-founder of Black Bottom Archives, erm… here on this Zoom call on September 17 with Dr. Andre Lee, and really looking forward to our conversation. So, er… as I shared before our call last week, just, you know, these interviews are usually pretty informal for the most part, you know? Just an opportunity to share whatever stories you have that you wanted to share. I know you have a lot of family connections to Black Bottom, and so… really wanna just make space for whatever it is you’d like to offer, to share with us… erm… DR. ANDRE LEE: OK… PG WATKINS: To put down in our digital archive. But… DR. ANDRE LEE: OK… PG WATKINS: …let’s start off with the basic questions, you know what I mean? Just… if you wanna share… DR. ANDRE LEE: Mmm-hmm… PG WATKINS: …erm… your initial relationship with Black Bottom. If you lived there or had family that lived there. DR. ANDRE LEE: I grew up, lived there. I wasn’t born there, but, er… I lived there. I was born in Trinity Hospital, which is located at where Gratiot and 375 came together. OK? And, er… I grew up at Gratiot and Mack on Elmwood. OK? And I went to school in that area, and so… During the time I was there, there were a lotta… lotta gangs. It was all Black… and a lotta gangs. -
The Social and Cultural Changes That Affected the Music of Motown Records from 1959-1972
Columbus State University CSU ePress Theses and Dissertations Student Publications 2015 The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 Lindsey Baker Follow this and additional works at: https://csuepress.columbusstate.edu/theses_dissertations Part of the Music Commons Recommended Citation Baker, Lindsey, "The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972" (2015). Theses and Dissertations. 195. https://csuepress.columbusstate.edu/theses_dissertations/195 This Thesis is brought to you for free and open access by the Student Publications at CSU ePress. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of CSU ePress. The Social and Cultural Changes that Affected the Music of Motown Records From 1959-1972 by Lindsey Baker A Thesis Submitted in Partial Fulfillment of Requirements of the CSU Honors Program for Honors in the degree of Bachelor of Music in Performance Schwob School of Music Columbus State University Thesis Advisor Date Dr. Kevin Whalen Honors Committee Member ^ VM-AQ^A-- l(?Yy\JcuLuJ< Date 2,jbl\5 —x'Dr. Susan Tomkiewicz Dean of the Honors College ((3?7?fy/L-Asy/C/7^ ' Date Dr. Cindy Ticknor Motown Records produced many of the greatest musicians from the 1960s and 1970s. During this time, songs like "Dancing in the Street" and "What's Going On?" targeted social issues in America and created a voice for African-American people through their messages. Events like the Mississippi Freedom Summer and Bloody Thursday inspired the artists at Motown to create these songs. Influenced by the cultural and social circumstances of the Civil Rights Movement, the musical output of Motown Records between 1959 and 1972 evolved from a sole focus on entertainment in popular culture to a focus on motivating social change through music. -
Mark Summers Sunblock Sunburst Sundance
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red Total Hits : 1 Total Weeks : 11 indicates a Number 1, a line in blue indicate a Top 10 hit. SUNFREAKZ Belgian male producer (Tim Janssens) MARK SUMMERS 28 Jul 07 Counting Down The Days (Sunfreakz featuring Andrea Britton) 37 3 British male producer and record label executive. Formerly half of JT Playaz, he also had a hit a Souvlaki and recorded under numerous other pseudonyms Total Hits : 1 Total Weeks : 3 26 Jan 91 Summers Magic 27 6 SUNKIDS FEATURING CHANCE 15 Feb 97 Inferno (Souvlaki) 24 3 13 Nov 99 Rescue Me 50 2 08 Aug 98 My Time (Souvlaki) 63 1 Total Hits : 1 Total Weeks : 2 Total Hits : 3 Total Weeks : 10 SUNNY SUNBLOCK 30 Mar 74 Doctor's Orders 7 10 21 Jan 06 I'll Be Ready 4 11 Total Hits : 1 Total Weeks : 10 20 May 06 The First Time (Sunblock featuring Robin Beck) 9 9 28 Apr 07 Baby Baby (Sunblock featuring Sandy) 16 6 SUNSCREEM Total Hits : 3 Total Weeks : 26 29 Feb 92 Pressure 60 2 18 Jul 92 Love U More 23 6 SUNBURST See Matt Darey 17 Oct 92 Perfect Motion 18 5 09 Jan 93 Broken English 13 5 SUNDANCE 27 Mar 93 Pressure US 19 5 08 Nov 97 Sundance 33 2 A remake of "Pressure" 10 Jan 98 Welcome To The Future (Shimmon & Woolfson) 69 1 02 Sep 95 When 47 2 03 Oct 98 Sundance '98 37 2 18 Nov 95 Exodus 40 2 27 Feb 99 The Living Dream 56 1 20 Jan 96 White Skies 25 3 05 Feb 00 Won't Let This Feeling Go 40 2 23 Mar 96 Secrets 36 2 Total Hits : 5 Total Weeks : 8 06 Sep 97 Catch Me (I'm Falling) 55 1 20 Oct 01 Pleaase Save Me (Sunscreem -
Interview with MARY WILSON Was Conducted by the Library of Congress on April 2, 2018
This interview with MARY WILSON was conducted by the Library of Congress on April 2, 2018 Mary Wilson Photo credit: Alan Mercer Library of Congress: Can you tell me about the first time “Where Did Our Love Go?” was presented to you as a song to be recorded? Mary Wilson: We had already released five, or six, or seven singles and they had been received locally very well in Detroit, and the surrounding area, but we had never had a big, national chart hit and Berry Gordy was like, “We’ve got to get the girls a hit record.” That’s when he put us with his top writing team Holland, Dozier and Holland. HDH came up with “When the Lovelight Starts Shining Through His Eyes” and we thought we were on our way with a hit record. Motown then released “Run Run Run”—it never made the charts at all--but “Lovelight” made the charts and we thought, “We’re on the right track.” We kept on trying. One day HDH said they had just come up with some smashes; that’s what they used to say when they felt they had a hit! We were brought several songs to listen to as I recall. When we heard “Where Did Our Love Go?” none of us was really excited about it. I remembered saying to Eddie Holland that if we didn’t get a hit record our parents were going to make us go to college. He said, “Trust me, Mary, this song is going to be a hit.” The reason that we did not care for “Where Did Our Love Go” was that we wanted a song more like the other girl groups, with more R&B driven rhythm, like the Marvellettes and the Vandellas; after all we were the first girl group to sign with Motown. -
View Full Issue As
mid lake is mi waft Page 9 &PM%.• Ca Page 20 Vol.13 • No. 12 The Weekly Voice of Wisconsin's LGBT Community February 16 - 22, 2000 Treated Like Criminals! VICTIM VICTIM VICTIM VICTIM By Bill Meunier Victim Witness person or the bailiff" completely unprovoked. Mertens allegedly against Mertens. That law provides for Milwaukee - Cory Liebmann and Bob Liebmann said that there was no opportu- walked across Second Street . into the crowd increased penalties when the targets of a Wendorf entered Judge John McCormick's nity to inform the DA's office. Glass windows and began pushing and punching people crime are selected in part because of their courtroom on Thursday, February 10 expect- and a locked door separate the gallery from while making homophobic remarks. Wendorf race, religion, ancestry, ethnic origin or sexual ing to ask the Judge to give Jason Mertens a the courtroom. "Mr. Simpson was late for said that when he asked Mertens to stop, orientation. stiff sentence. They left feeling victimized' court. He rushed right by us, went into the Mertens yelled, "I'll kill you too, faggot" before "He should issue the charge now," said again. The physical assault they say Mertens court room and closed the door behind him." hitting him with enough force to puncture his Wendorf. "He was using it to get a guilty plea inflicted on them has now been joined by ver- he said. "No one from the Victim Witness left eardrum. Wendorf permanently lost some and now Mertens isn't pleading guilty. Even if bal abuse from a group of Mertens' church sup Program was there of his hearing in his left ear.