Bob Mckay Making Radio Larger Than Life Country Radio Hall of Famer Bob Mckay May Be “Retiring” at the End of This Year, but Don’T Look for Him in the Bingo Parlor
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To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 3-23-2016 To Utopianize the Mundane: Sound and Image in Country Musicals Siyuan Ma Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, Film and Media Studies Commons, and the Music Commons Scholar Commons Citation Ma, Siyuan, "To Utopianize the Mundane: Sound and Image in Country Musicals" (2016). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6112 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. To Utopianize the Mundane: Sound and Image in Country Musicals by (Max) Siyuan Ma A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts with a concentration in Film and New Media Studies College of Arts and Sciences University of South Florida Major Professor: Andrew Berish, Ph.D. Amy Rust, Ph.D. Daniel Belgrad, Ph.D. Date of Approval: February 1, 2016 Keywords: country music, utopia, authenticity, community, country musical, Pure Country Copyright © 2016, (Max) Siyuan Ma Dedication To Judy Seale, Phil and Elisabeth Pearson, Eddie Heinzelman, and those who offered me thoughts and reflections on country music in music stores and banjo shops in Florida, New York, and Pennsylvania. Yo-Yo Ma, and those who care about music and culture and encourage humanistic thinking, feeling and expressing. Hao Lee, Bo Ma, and Jean Kuo. -
2005 ACI Awards Results
. Association for Conservation Information 2005 Awards Competition Summary Prepared by Chuck Schlueter, Awards Chairperson 64th Annual Conference Orlando, Florida July 15-20 “The Association shall conduct an annual awards program to promote craft improvement through competition and to give appropriate recognition to the efforts of member agencies in conservation education, information and public relations programs, and on the recommendations of member agencies, to honor individuals and organizations who have distinguished themselves in those fields.” Awards Program History Number of Entries by year, plus 2004 Gain/Decline Category 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 + / - Magazine, 4-Color 23 24 20 24 19 24 26 20 24 17 18 16 20 4 Magazine, Wildlife Article 32 33 23 28 30 34 32 21 32 24 31 27 32 5 Magazine, Fisheries Article 20 26 17 27 18 25 27 17 21 20 15 30 30 0 Magazine, Parks Article 11 13 8 11 14 20 15 12 15 14 13 16 24 8 Magazine, General Interest 31 43 23 30 29 37 33 26 29 25 22 31 34 3 1- to 3-Color Newsletter 7 10 11 14 8 11 9 6 6 8 2 Poster 16 23 14 12 12 15 15 8 10 15 10 -5 Calendar 13 13 13 17 11 13 13 11 13 19 16 -3 One-Time Publication, 4-Color Other 22 16 15 31 27 24 30 18 32 20 9 4 10 6 One-Time Publication, 4-Color Book 6 12 9 -3 One-Time Publication, 4-Color Brochure 16 13 14 1 One-Time Publication, 1- to 3-Color 17 12 14 14 12 9 7 10 13 7 2 5 7 2 Regulations Publications 13 5 10 13 7 8 6 6 12 18 15 17 2 Internal Communications 10 10 6 13 10 7 11 7 9 6 5 5 13 8 Print News 27 19 14 22 15 16 -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan. -
Agencies, Boards, & Commissions
Agencies, Boards, & Commissions 228 229 Profiles of Agencies, Boards, and Commissions For information about boards or board members, contact the administrator. In the case of subordinate entities, unless a separate address and phone number are given, contact the main agency for information. For governor’s task forces, for example, contact the governor’s office; for legislative committees, contact the Legislative Service Bureau (405/521–4144). If the entity is not listed, consult the index, as it may be listed alphabetically beneath a par- ent entity. Personnel figures are provided by the agency. Interagency Mail availability is indicated by (IA). 2–1–1 Oklahoma Coordinating Council (56 O.S. § 3021) Formerly named the 2–1–1 Advisory Collaborative, Oklahoma www.211oklahoma.org Abstractors Board, Oklahoma (1 O.S. § 22) Re-created until July 1, 2019 Agency Code 022 (IA) www.abstract.ok.gov 2401 NW 23 Street, Suite 60B, Oklahoma City 73107 405/522–5019, fax 405/522–5503 Mission Statement The Oklahoma Abstractors Board regulates the abstracting industry and issues abstractor licenses, certificates of authority, and permits to construct abstract plants. Administration Glynda Reppond, Executive Director Personnel 2 unclassified History and Function The board consists of nine members, six of whom are in the abstracting industry, one real estate representative, one banking representative, and one attorney. All members are appointed by the governor and serve staggered four year terms. The board is responsible for promulgating rules, setting forth guidelines for agency operations, and governing the professional practices of the licensees. The entity is self-supporting through fees. Accountancy Board, Oklahoma (59 O.S. -
The Southern California Radio Reference Guide 4/29/2020
The Southern California Radio Reference Guide 4/29/2020 Call letters Branding Dial position Ownership Nielsen Market Format Phone Website KATY 101.3fm The Mix 101.3 FM All Pro Broadcasting Riverside/San Bernardino Adult Contemporary (951) 506-1222 http://www.1013themix.com/ KHTI Hot 103.9 103.9 FM All Pro Broadcasting Riverside/San Bernardino Hot AC (909) 890-5904 http://www.x1039.com/ KKBB Groove 99-3 99.3 FM Alpha Media USA Bakersfield Rhythmic Oldies (661) 393-1900 https://www.groove993.com/ KLLY Energy 95.3 95.3 FM Alpha Media USA Bakersfield Hot AC (661) 393-1900 https://www.energy953.com/ KNZR 1560 & 97.7 FM KNZR 1560 AM Alpha Media USA Bakersfield News Talk (661) 393-1900 https://www.knzr.com/ KCLB 93.7 KCLB 93.7 FM Alphamedia Palm Springs Rock (760) 322-7890 https://www.937kclb.com/ KDES 98.5 The Bull 98.5 FM Alphamedia Palm Springs Country (760) 322-7891 https://www.985thebull.com/ KDGL The Eagle 106.9 106.9 FM Alphamedia Palm Springs Classic Rock (760) 322-7890 https://www.theeagle1069.com/ U-92.7 The Desert's KKUU 92.7 FM Alphamedia Palm Springs Dance CHR (760) 322-7890 https://www.u927.com/ Hottest Music KNWH / KNWQ / KNWZ K-News, The Voice of 1250 AM/1140 AM/970 Alphamedia Palm Springs Talk (760) 322-7890 https://www.knewsradio.com/ AM & FM The Valley AM/94.3 FM Mix 100.5 The Desert's KPSI FM 100.5 Alphamedia Palm Springs Hot AC (760) 322-7890 https://www.mix1005.fm/ Best Mix KCAL 96.7 K-CAL Rocks 96.7 FM Anaheim Broadcasting Corporation Riverside/San Bernardino Rock (909) 793-3554 https://www.kcalfm.com/ KOLA KOLA 99.9 99.9 FM Anaheim Broadcasting Corporation Riverside/San Bernardino Oldies (909) 793-3554 https://www.kolafm.com/ KCWR Real Country 107.1 FM Buck Owens Broadcasting Bakersfield Country (661) 326-1011 N/A KRJK 97.3 The Bull 97.3 FM Buck Owens Broadcasting Bakersfield Adult HIts (661) 326-1011 https://www.bull973.com/ KUZZ AM/FM (simulcast) KUZZ AM 55 ▪ FM 107.9 550 AM/107.9 FM Buck Owens Broadcasting Bakersfield Country (661) 326-1011 http://www.kuzzradio.com/ KWVE FM K-Wave 107.9 FM Calvary Chapel Church, Inc. -
Alan Jackson
COUNCIL FILE NO. /0~051-7 COUNCIL DISTRICT NO. 13 .,/ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1 075-S 1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s). _x} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* 1. Council Office of the District 2. Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ____J Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ___}Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office ofthe City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles > MAR 2 5 211111 Honorable Members: C. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
Commercial Broadcast Stations Biennial Ownership Report (FCC Form 323)
Approved by OMB (Office of Management and Budget) 3060-0010 September 2019 (REFERENCE COPY - Not for submission) Commercial Broadcast Stations Biennial Ownership Report (FCC Form 323) File Number: 0000102942 Submit Date: 2020-01-30 FRN: 0019721638 Purpose: Commercial Broadcast Stations Biennial Ownership Report Status: Received Status Date: 02/07/2020 Filing Status: Active Section I - General Information 1. Respondent FRN Entity Name 0019721638 Radio License Holding CBC, LLC Street City (and Country if State ("NA" if non- Zip Address non U.S. address) U.S. address) Code Phone Email 3280 Atlanta GA 30305 +1 (404) FCCLicenseManagement@cumulus. Peachtree 949-0700 com Road NW Suite 2200 2. Contact Name Organization Representative Mark Lipp, Esq. Fletcher Heald & Hildreth PLC Street Address City (and Country if non U.S. address) State Zip Code Phone Email 1300 N. 17th Arlington VA 22209 +1 (703) 812-0445 [email protected] Street Suite 1100 3. Application Question Response Filing Fee Is this application being submitted without a filing fee? No Fees Application Type Form Number Fee Code Quantity Fee Amount Subtotal Biennial Form 323 MAR 174 85 $12,180.00 Total $12,180.00 4. Nature of (a) Provide the following information about the Respondent: Respondent Relationship to stations/permits Licensee Nature of Respondent Limited liability company (b) Provide the following information about this report: Purpose Biennial "As of" date 10/01/2019 When filing a biennial ownership report or validating and resubmitting a prior biennial ownership report, this date must be Oct. 1 of the year in which this report is filed. 5. Licensee(s) and Station(s) Respondent is filing this report to cover the following Licensee(s) and station(s): Licensee/Permittee Name FRN Radio License Holding CBC, LLC 0019721638 Fac. -
National Association of Broadcasters” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 5, folder “6/18/75 - National Association of Broadcasters” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. WASHINGTON TO: Sheila Weidenfeld FROM: Margita E. White Assistant Press Secretary to the President It would be great if Mrs. Ford could join the President in greeting the NAB board members and their wives • . .---- Lv Digitized from Box 5 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library .... .. THE WHITE HOUSE WASHINGTON June 17, 1975 RECEPTION FOR NAB BOARD 'W"ednesday, June 18, 1975 5:00 p. m. (45 minutes} The State Dinirg Room From: Margita E. 'W"hite I. PURPOSE To give the board of directors and officers of the National Association of Broadcasters an opportunity to meet informally with the President during their meeting in 'W"ashington, D. C. II. BACKGROUND, PARTICIPANTS AND PRESS PLAN A. Background The NAB board is meeting in 'W"ashington June 16-20 to elect its top officers from among the board and to discuss issues of concern to broadcasters. -
Development of the Country Music Radio Format
Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/developmentofcouOOstoc THE DEVELOPMENT OF THE COUNTRY MUSIC RADIO FORMAT by RICHARD PRICE STOCKDELL B.S., Northwest Missouri State University, 1973 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF ARTS Radio and Television Department of Journalism and Mass Communication KANSAS STATE UNIVERSITY Manhattan,;tan, Kansas 1979 Approved by: Major Professor 31 TABLE OF CONTENTS Chapter One . INTRODUCTION 1 A Search of the Literature and the Contribution of this Thesis 2 Methodology » 5 Two . EARLY COUNTRY MUSIC ON RADIO 10 Barn Dances 12 National Barn Dance 13 The Grand Ole Opry 16 The WWVA Jamboree 19 Renf ro Valley Barn Dance 21 Other Barn Dances 22 Refinement of the Music and the Medium 25 Country Music on Records 25 Music Licensing 27 Country Music on Radio 28 Population Migration 29 Country Radio and the War 29 The Disc Jockey 31 Radio Formats Rather Than Programs 32 Three. THE BIRTH OF A FORMAT 34 Why Country Music? 35 Country Disc Jockeys Unite 37 The All-Country Radio Station Ifl David Pinkston and KDAV 47 The Day Country Music Nearly Died 50 Programming the Early Country Stations 55 The Country Music Association 59 ii iii Four. THE ACCEPTANCE AND SUCCESS OF THE FORMAT 63 Refinement of the Format 63 The Marriage of Country and Top /*0 66 Adoption of the Modern Country Format 71 Explosion of the Format „ 76 Advertiser Resistance 78 Bucking the Resistance 81 Audience Loyalty 86 The Final Step 87 Five. -
Towards a Historical View of Country Music Gender Roles
Georgia State University ScholarWorks @ Georgia State University Sociology Theses Department of Sociology 12-4-2006 Stand By Your Man, Redneck Woman: Towards a Historical View of Country Music Gender Roles Cenate Pruitt Follow this and additional works at: https://scholarworks.gsu.edu/sociology_theses Part of the Sociology Commons Recommended Citation Pruitt, Cenate, "Stand By Your Man, Redneck Woman: Towards a Historical View of Country Music Gender Roles." Thesis, Georgia State University, 2006. https://scholarworks.gsu.edu/sociology_theses/12 This Thesis is brought to you for free and open access by the Department of Sociology at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Sociology Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STAND BY YOUR MAN, REDNECK WOMAN: TOWARDS A HISTORICAL VIEW OF COUNTRY MUSIC GENDER ROLES by CENATE PRUITT Under the Direction of Wendy S. Simonds ABSTRACT Country music, considered a uniquely American musical genre, has been relatively under-researched compared to rock and rap music. This thesis proposes research into the topic of country music, specifically the ways which country music songs portray gender. The thesis uses Billboard chart data to determine commercially successful songs, and performs a content analysis on the lyrics of these songs. I will select songs from a fifty year period ranging from 1955 to 2005, so as to allow for a longitudinal study of potential changes in