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Esmonde Higgins and James Rawling As Labour Intellectuals
Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History Volume 11 Issue 1 Illawarra Unity Article 2 2012 Modernity’s Discontents: Esmonde Higgins and James Rawling as Labour Intellectuals Terry Irving [email protected] Follow this and additional works at: https://ro.uow.edu.au/unity Recommended Citation Irving, Terry, Modernity’s Discontents: Esmonde Higgins and James Rawling as Labour Intellectuals, Illawarra Unity - Journal of the Illawarra Branch of the Australian Society for the Study of Labour History, 11(1), 2012. Available at:https://ro.uow.edu.au/unity/vol11/iss1/2 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Modernity’s Discontents: Esmonde Higgins and James Rawling as Labour Intellectuals Abstract In the first half of the twentieth century, two young men from different backgrounds broke with the ruling culture in Australia and became labour intellectuals.2 Why did this happen? Was there some disruptive element in their early engaement with ruling ideas – perhaps in their family life – that made their defection possible? And how did the break occur? Was it due perhaps to a moment of intellectual enlightenment, in which powerful new ideas captured the mind, or did it also involve a coming together of history and biography, a moment of concentrated exposure to modernity’s discontents at the same time as disorienting personal crises? Further, in their commitment -
Book History in Australia Since 1950 Katherine Bode Preprint: Chapter 1
Book History in Australia since 1950 Katherine Bode Preprint: Chapter 1, Oxford History of the Novel in English: The Novel in Australia, Canada, New Zealand and the South Pacific since 1950. Edited by Coral Howells, Paul Sharrad and Gerry Turcotte. Oxford: Oxford University Press, 2017. Publication of Australian novels and discussion of this phenomenon have long been sites for the expression of wider tensions between national identity and overseas influence characteristic of postcolonial societies. Australian novel publishing since 1950 can be roughly divided into three periods, characterized by the specific, and changing, relationship between national and non-national influences. In the first, the 1950s and 1960s, British companies dominated the publication of Australian novels, and publishing decisions were predominantly made overseas. Yet a local industry also emerged, driven by often contradictory impulses of national sentiment, and demand for American-style pulp fiction. In the second period, the 1970s and 1980s, cultural nationalist policies and broad social changes supported the growth of a vibrant local publishing industry. At the same time, the significant economic and logistical challenges of local publishing led to closures and mergers, and—along with the increasing globalization of publishing—enabled the entry of large, multinational enterprises into the market. This latter trend, and the processes of globalization and deregulation, continued in the final period, since the 1990s. Nevertheless, these decades have also witnessed the ongoing development and consolidation of local publishing of Australian novels— including in new forms of e-publishing and self-publishing—as well as continued government and social support for this activity, and for Australian literature more broadly. -
JASAL 8 2008.Indd
THE COURTSHIP LETTERS OF VANCE AND NETTIE PALMER 75 ‘All that my love and I/ Strive till after we die’: The Courtship Letters of Vance and Nettie Palmer, 1909-1914 DEBORAH JORDAN The University of Queensland Edward Vivian (Vance) Palmer (1885-1959) and Janet Gertrude (Nettie) née Higgins (1885-1964) formed one of the most important Australian literary and creative partnerships of the last century. Nettie’s reputation as the most important non-academic Australian critic working in the inter-war period is established both here and overseas. Vivian Smith describes Vance as ‘the foremost man of letters of his day’ and ‘one of the most representative figures of his time’ (263). Ongoing research continues to reveal their historical significance and the extraordinary range of their literary interests.1 Yet the nature of their contribution to Australian Letters, their collaboration and especially their relationship is often still misrepresented as either repressive or sacrificial. Nettie never wrote about her husband’s work and life publicly, and H. P. Heseltine’s compilation of Vance’s autobiographical writings makes no mention of his relationship with his wife. Vivian Smith’s selection Letters of Vance and Nettie Palmer 1915-1963 does not include any of their letters to each other before their marriage. Yet the Palmers’ passionate and extended epistolary courtship has been preserved. It is vital in understanding the conceptual basis of the creative work of Vance and Nettie Palmer and provides insight into the emotional and spiritual dimensions of Vance’s novels.2 Because of the Palmers’ significance as writers, their correspondence must be considered foremost as an extension of their literary production. -
With Fond Regards
With Fond Regards PRIVATE LIVES THROUGH LETTERS Edited and Introduced by ELIZABETH RIDDELL ith Fond Regards W holds many- secrets. Some are exposed, others remain inviolate. The letters which comprise this intimate book allow us passage into a private world, a world of love letters in locked drawers and postmarks from afar. Edited by noted writer Elizabeth Riddell, and drawn exclusively from the National Library's Manuscript collection, With Fond Regards includes letters from famous, as well as ordinary, Australians. Some letters are sad, others inspiring, many are humorous—but all provide a unique and intimate insight into Australia's past. WITH FOND REGARDS PRIVATE LIVES THROUGH LETTERS Edited and Introduced by Elizabeth Riddell Compiled by Yvonne Cramer National Library of Australia Canberra 1995 Published by the National Library of Australia Canberra ACT 2600 © National Library of Australia 1995 Every reasonable endeavour has been made to contact relevant copyright holders. Where this has not proved possible, the copyright holders are invited to contact the publishers. National Library of Australia Cataloguing-in-Publication entry With fond regards: private lives through letters. ISBN 0 642 10656 8. 1. Australian letters. 2. Australia—Social conditions—1788-1900. 3. Australia—Social conditions—20th century. 4. Australia—Social life and customs—1788-1900. 5. Australia—Social life and customs— 20th century. I. Riddell, Elizabeth. II. Cramer, Yvonne. III. National Library of Australia. A826.008 Designer: Andrew Rankine Editor: Susan -
Judith Wright and Elizabeth Bishop 53 CHRIS WALLACE-CRABBE Newspapers and Literature in Western Australia, 1829-1859 65 W
registered at gpo perth for transmiss ion by post as a periodical category B Ne,vspapers an~l Literature in S,.,~.n River Colony Judith Wright and ElifZ,.beth Bishop Vance Palnaer-A Profile UNIVERSITY OF WESTERN AUSTRALIA PRESS Giving the widest representation to Western Australian writers E. J. STORMON: The Salvado Memoirs $13.95 MARY ALBERTUS BAIN: Ancient Landmarks: A Social and Economic History of the Victoria District of Western Australia 1839-1894 $12.00 G. C. BoLTON: A Fine Country to Starve In $11.00 MERLE BIGNELL: The Fruit of the Country: A History of the Shire of Gnowangerup, Western Australia $12.50 R. A. FORSYTH: The Lost Pattern: Essays on the Emergent City Sensibility in Victorian England $13.60 L. BURROWS: Browning the Poet: An Introductory Study $8.25 T. GIBBONS: Rooms in the Darwin Hotel: Studies in English Literary Criticism and Ideas 1880-1920 $8.95 DoROTHY HEWETT, ED.: Sandgropers: A Western Australian Anthology $6.25 ALEC KING: The Unprosaic Imagination: Essays and Lectures on the Study of Literature $8.95 AVAILABLE ALL GOOD BOOKSELLERS Forthcoming Publications Will Include: MERAB TAUMAN: The Chief: Charles Yelverton O'Connor IAN ELLIOT: Moondyne loe: The Man and the Myth J. E. THOMAS & Imprisonment in Western Australia: Evolution, Theory A. STEWART: and Practice The prices set out are recommended prices only. Eastern States Agents: Melbourne University Press, P.O. Box 278, Carlton South, Victoria, 3053. WESTERLY a quarterly review EDITORS: Bruce Bennett and Peter Cowan EDITORIAL ADVISORS: Margot Luke, Fay Zwicky CONSULTANTS: Alan Alexander, Swami Anand Harid.as (Harry Aveling) Westerly is published quarterly by the English Department, University of Western Australia, with assistance from the Literature Board of' the Australia Council and the Western Australian Literary Fund. -
THE NEW OXFORD BOOK of AUSTRALIAN VERSE Chosen by Les a Murray
THE NEW OXFORD BOOK OF AUSTRALIAN VERSE Chosen by Les A Murray Melbourne Oxford University Press Oxford Auckland New York CONTENTS Foreword xxi Sam Woolagoodjah Lalai (Dreamtime) 1 Barron Field (1786-1846) The Kangaroo 6 Richard Whately (1787-1863) There is a Place in Distant Seas 7 Anonymous A Hot Day in Sydney 8 The Exile of Erin 11 Hey Boys' Up Go We' 12 The Lime juice Tub 13 John Dunmore Lang (1799-1878) Colonial Nomenclature 14 Anonymous Van Diemen s Land 15 The Convicts Rum Song 16 Hail South A ustraha' 16 The Female Transport 17 The Lass m the Female Factory 18 Francis MacNamara (Frank the Poet) (b 181P) A petition from the chain gang 19 For the Company underground 22 A Convict s Tour to Hell 23 Robert Lowe (1811-1892) Songs of the Squatters I and II 28 Charles Harpur (1813-1868) A Basket of Summer Fruit 31 Wellington 32 A Flight of Wild Ducks 33 Anonymous The Song of the Transportationist 34 Children s Ball bouncing Song 35 Louisa Meredith (1812-1895) Tasmanian Scenes 36 Aboriginal Songs from the 1850s Kilaben Bay song (Awabakal) 36 Women s rondo (Awabakal) 37 CONTENTS Two tongue pointing (satirical) songs (Kamilarot) 38 The drunk man (Wolaroi) 38 Anonymous Whaler s Rhyme 38 The Diggms oh 39 WilhamW Coxon (') The Flash Colonial Barman 41 Charles R Thatcher (1831-1882) Dick Bnggs from Australia 42 Taking the Census 45 Moggy s Wedding 46 Anonymous The Banks of the Condamme 48 The Stnngybark Cockatoo 49 Henry Kendall (1839-1882) Bell birds 50 Beyond Kerguelen 51 Anonymous John Gilbert was a Bushranger 53 Jack McGuire (>) The Streets -
Agrégation 2021 Alexis Wright, Carpentaria
Agrégation 2021 Alexis Wright, Carpentaria Pistes de réflexion et bibliographie proposées par Marilyne Brun (Université de Lorraine) et Estelle Castro-Koshy (James Cook University) Née en 1950, Alexis Wright est une écrivaine aborigène originaire du golfe de Carpentarie (situé au nord-ouest du Queensland et nord-est du Territoire du Nord) en Australie. Elle a écrit trois romans (Plains of Promise (1997), Carpentaria (Giramondo, 2006) et The Swan Book (2013)), un recueil de nouvelles (Le Pacte du serpent arc-en-ciel (2002)), et quatre ouvrages de non-fiction (Grog War (1997), Take Power (1998), Croire en l’incroyable (2000), Tracker (2017)). Deux de ses ouvrages n’ont été publiés qu’en français : Le Pacte du serpent arc-en-ciel et Croire en l’incroyable. Wright fait partie du peuple waanyi et est connue pour sa défense active des droits, notamment fonciers, des Aborigènes en Australie, ainsi que pour ses dénonciations de certaines politiques envers les Aborigènes, telle que la Northern Territory Intervention – une série de mesures discriminantes ciblant les Aborigènes dans le Territoire du Nord qui a restreint leurs droits civiques et obligé des communautés aborigènes à céder leurs terres pour des périodes déterminées – officiellement présentée comme une réponse à une situation de crise sociale et sanitaire, mise en place par le gouvernement du Premier Ministre John Howard en 2007, et annoncée le jour où Carpentaria reçut le Miles Franklin Award, prestigieux prix littéraire de fiction. Alexis Wright détient la chaire Boisbouvier de littérature australienne à l’Université de Melbourne. Elle est membre du projet « Other Worlds - Forms of World Literature » financé par le Australian Research Council. -
A Century of Oz Lit in China: a Critical Overview (1906-2008)
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 2011 A century of Oz lit in China: A critical overview (1906-2008) Yu Ouyang University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Ouyang, Yu, A century of Oz lit in China: A critical overview (1906-2008) 2011. https://ro.uow.edu.au/artspapers/1870 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A Century of Oz Lit in China: A Critical Overview (1906–2008) OUYANG YU University of Wollongong HIS papER SEEKS TO EXAMINE THE DISSEMINATION, RECEPTION AUSTRALIAN LITERATURE: paRT OF THE LITERATURE FROM “THE and perception of Australian literature in China from WEAK AND SMALL NATIONS” (THE 1920S AND 1930S) T1906 to 2008 by providing a historical background for its first arrival in China as a literature undistinguished Apart from the three Australian poets translated into Chinese from English or American literature, then as part of a ruoxiao in 1921, whom Nicholas Jose mentioned in his paper, another minzu wenxue (weak and small nation literature) in the early poet who found his way to China was Adam Lindsay Gordon, 1930s, its rise as interest grew in Communist and proletarian as Yu Dafu noted in his diary on 18 August 1927.11 So, too, writings in the 1950s and 1960s, and its spread and growth did A. -
Biographical Information
BIOGRAPHICAL INFORMATION ADAMS, Glenda (1940- ) b Sydney, moved to New York to write and study 1964; 2 vols short fiction, 2 novels including Hottest Night of the Century (1979) and Dancing on Coral (1986); Miles Franklin Award 1988. ADAMSON, Robert (1943- ) spent several periods of youth in gaols; 8 vols poetry; leading figure in 'New Australian Poetry' movement, editor New Poetry in early 1970s. ANDERSON, Ethel (1883-1958) b England, educated Sydney, lived in India; 2 vols poetry, 2 essay collections, 3 vols short fiction, including At Parramatta (1956). ANDERSON, Jessica (1925- ) 5 novels, including Tirra Lirra by the River (1978), 2 vols short fiction, including Stories from the Warm Zone and Sydney Stories (1987); Miles Franklin Award 1978, 1980, NSW Premier's Award 1980. AsTLEY, Thea (1925- ) teacher, novelist, writer of short fiction, editor; 10 novels, including A Kindness Cup (1974), 2 vols short fiction, including It's Raining in Mango (1987); 3 times winner Miles Franklin Award, Steele Rudd Award 1988. ATKINSON, Caroline (1834-72) first Australian-born woman novelist; 2 novels, including Gertrude the Emigrant (1857). BAIL, Murray (1941- ) 1 vol. short fiction, 2 novels, Homesickness (1980) and Holden's Performance (1987); National Book Council Award, Age Book of the Year Award 1980, Victorian Premier's Award 1988. BANDLER, Faith (1918- ) b Murwillumbah, father a Vanuatuan; 2 semi autobiographical novels, Wacvie (1977) and Welou My Brother (1984); strongly identified with struggle for Aboriginal rights. BAYNTON, Barbara (1857-1929) b Scone, NSW; 1 vol. short fiction, Bush Studies (1902), 1 novel; after 1904 alternated residence between Australia and England. -
Victorian Australian Women Poets of World War
Many Such as She: Victorian Australian Women Poets of World War One © Copyright 2018 Michael Sharkey Published by Walleah Press PO Box 368 North Hobart Tasmania 7002 Australia http://walleahpress.com.au [email protected] This book is copyright. Apart from any fair dealing for the purposes of study and research, criticism, review, or as otherwise permitted under the Copyright Act, no part may be reproduced in any manner without first gaining ©written Copyright permission 2012 from theDael author. Allison All poems included here are copyright to the author and no copies may be madeISBN in any978-1-877010-87-3 manner whatsoever without first gaining written permission through the publisher. Walleah Press PO Box 368 North Hobart Tasmania 7002 Australia [email protected] Cover image: © Annika Dean and Dael Allison Cover design: Annika Dean ISBN: 978-1-877010-21-7 Many Such as She: Victorian Australian Women Poets of World War One An anthology edited by Michael Sharkey CONTENTS Introduction and Acknowledgements 1 Margery Ruth Betts [1892 UK—c. 1950 UK] 11 The Laggard 17 The Dreamers 19 Called 21 The Fulfilment 24 Liebknecht 25 The Maimed 26 Busy as Newtown 27 The Ghost 29 The Reckoning 30 Beatrice Vale Bevan [1876 Vic—1945 31 Melbourne] Previously Reported Dead 39 Passed—With Honour! 41 The Worn-Out Sentry: A Vision’ 42 Untitled [‘Lord God of Empires, now we raise’] 44 Untitled [‘I wonder are there many (such)’] 45 Marion Bray [c. 1885 Vic—1947 Rosanna, 47 Vic] Peace 50 Socks 51 Mary Bright [1869 Bendigo —1942 Bendigo] 52 Blinded by a Shell 59 The Song of the Women 60 Pozières 61 Credo 62 Muriel Beverley Cole [1882 Armadale, 63 Vic —1947 Melbourne] The Allied Dead 68 In Memory. -
Leonard Mann's Flesh in Armour and Australia's Memory of the First World War
A Portable Monument?: Leonard Mann's Flesh in Armour and Australia's Memory of the First World War Christina Spittel Book History, Volume 14, 2011, pp. 187-220 (Article) Published by The Johns Hopkins University Press DOI: 10.1353/bh.2011.0002 For additional information about this article http://muse.jhu.edu/journals/bh/summary/v014/14.spittel.html Access provided by UNSW Library (3 Nov 2013 03:10 GMT) A Portable Monument? Leonard Mann’s Flesh in Armour and Australia’s Memory of the First World War Christina Spittel Leonard Mann’s Flesh in Armour (1932) has been called Australia’s best- known and finest novel about the Great War, “le grand classique du ro- man de guerre Australien.”1 One of its most recent readers, the Australian historian Peter Stanley, commends it as “perhaps the most insightful and honest of Australia’s Great War novels.”2 He was struck that a returned serviceman should be so outspoken about the prostitutes in London, about mutiny, even about suicide—aspects that Charles Bean, Australia’s official war historian, had passed over, and which have since been sidelined by a commemorative community that regards the Great War’s battlefields as the place where their nation came of age. The war was a landmark in Austra- lian history, the first international crisis to face the newly federated Com- monwealth. Of the 300,000 Australians who served overseas, at Gallipoli, in the Middle East, and on the western front, 60,000 died fighting, as many as in the American Expeditionary Force—but from a population of only 4 million.3 Two of the war’s key dates are still of national significance today: on Remembrance Day Australians commemorate the end of hostilities on November 11, 1918; on Anzac Day they mark their first major engagement in that conflict, the landings on the Gallipoli Peninsula in the early morning hours of April 25, 1915. -
Desire, Mateship and the 'National Type': Vance Palmer's Legend for Sanderson
University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Arts, Social Sciences & Humanities 1998 Desire, mateship and the 'national type': Vance Palmer's Legend for Sanderson Antonio Simoes da Silva University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/lhapapers Part of the Arts and Humanities Commons, and the Law Commons Recommended Citation Simoes da Silva, Antonio, "Desire, mateship and the 'national type': Vance Palmer's Legend for Sanderson" (1998). Faculty of Law, Humanities and the Arts - Papers. 1477. https://ro.uow.edu.au/lhapapers/1477 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Desire, mateship and the 'national type': Vance Palmer's Legend for Sanderson Abstract If we are to believe his critics Vance Palmer's Legend for Sanderson was not his most successful novel. Indeed Vivian Smith, one of Palmer's most perceptive, persistent and patient critics, has gone so far as to suggest that it 'is a tired book'. lt is also generally left out of discussions of Palmer's work in literary histories of Australian writing. Thus it is, for example, the only one of Palmer's major works not discussed by Ken Goodwin in his A History of Australian Literature. And, although they mention it, neither Peter Pierce in 'Literary Forms in Australian Literature' nor Geoffrey Dutton in The Literature of Australia devote any real time to it. There are of course exceptions; Harry Heseltine, for example, regards Legend for Sanderson as the novel where 'Palmer achieved some of his most memorable characterisations' , but even Heseltine's discussion of the novel is brief.