No. 8 April 21 Tiger's Tale
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Event RECAP July 21-23 Wired Café San Diego, CA July 21-23 July 21-23 2011 WIRED Café
EVENT RECAP JULY 21-23 WIRED CAFÉ SAN DIEGO, CA JULY 21-23 JULY 21-23 2011 WIRED CAFÉ From July 21-23, 2011, WIRED hosted the 3rd Annual WIRED Café @ Comic-Con. Throughout the weekend, over 3,000 guests received invitation-only access to WIRED’s full-service Café, which provided a media preview lounge, gadget lab, cuisine, cocktails, and a host of activities and interactive demos from WIRED partners, including HBO, Microsoft, History Channel, MGM Casinos, Budweiser Select, and Pringles. An all-star cast of celebs stopped by to sample the food, drinks, and gear, including Justin Timberlake, Amanda Seyfried, Jon Favreau, Rose McGowan, Natasha Henstridge, Olivia Munn, John Landis, Adam West, Billy Dee Williams, Kevin Smith, Nikki Reed, Kellan Lutz, and the entire cast of HBO’s True Blood. All of these celebs were captured by the WIRED.com video crew and featured on WIRED.com. Both Access Hollywood and CNN camped out all day to interview the stars of True Blood. PRESENTED BY SPONSORED BY WIRED CAFÉ SAN DIEGO, CA JULY 21-23 SAN DIEGO, CA JULY 21-23 WIRED CAFÉ 5 “I love the WIRED Café, it’s one of my favorite spots at Comic-Con.” —Kellan Lutz KellanWIRED Lutz CAF/ TwilightÉ SAN DIEGO, CA JULY 21-23 SAN DIEGO, CA JULY 21-23 WIRED CAFÉ 7 Lucy LawlessWIRED CAF /É SpartacusSAN DIEGO, CA JULY 21-23 JULY 21-23 CELEBRITY ATTENDEES 6 / 7 / 8 / 1 / 9 / 10 / 2 / 3 / 4 / 5 / 11 / 12 / 1 / Justin Timberlake and Amanda Seyfried, In Time 2 / Rose McGowan, Conan the Barbarian 3 / Rutina Wesley, True Blood 6 / Eric Balfour, Haven 7 / Aisha Tyler, Archer 8 / Nikki Reed, Twilight 9 / Jon Favreau, Cowboys and Aliens 4 / Skyler Samuels, The Nine Lives of Chloe King 5 / Tony Hale, Alan Tudyk, Adam Brody, and Jake Busey, Good Vibes 10 / Dominic Monaghan, X-Men Origins: Wolverine 11 / Kristin Bauer and Alexander Skarsgard, True Blood 12 / Kevin Smith, 4.3.2.1. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo by Victoria Lynn Kearley Thesis for the degree of Doctor of Philosophy May 2014 UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Thesis for the degree of Doctor of Philosophy ABSTRACT The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo Victoria Lynn Kearley This thesis examines how the conventions of four distinct genres, the star personas of two key Hispanic male stars and conceptions of Hispanic men as 'macho' intersected in constructing images of Hispanic masculinity in Hollywood between the years 1998 and 2008. The work makes an original contribution to knowledge as the first extensive study of Hispanic masculinity in contemporary Hollywood and affording new insights into the way in which genre conventions and star personas contributed to these representations. -
Network Telivision
NETWORK TELIVISION NETWORK SHOWS: ABC AMERICAN HOUSEWIFE Comedy ABC Studios Kapital Entertainment Wednesdays, 9:30 - 10:00 p.m., returns Sept. 27 Cast: Katy Mixon as Katie Otto, Meg Donnelly as Taylor Otto, Diedrich Bader as Jeff Otto, Ali Wong as Doris, Julia Butters as Anna-Kat Otto, Daniel DiMaggio as Harrison Otto, Carly Hughes as Angela Executive producers: Sarah Dunn, Aaron Kaplan, Rick Weiner, Kenny Schwartz, Ruben Fleischer Casting: Brett Greenstein, Collin Daniel, Greenstein/Daniel Casting, 1030 Cole Ave., Los Angeles, CA 90038 Shoots in Los Angeles. BLACK-ISH Comedy ABC Studios Tuesdays, 9:00 - 9:30 p.m., returns Oct. 3 Cast: Anthony Anderson as Andre “Dre” Johnson, Tracee Ellis Ross as Rainbow Johnson, Yara Shahidi as Zoey Johnson, Marcus Scribner as Andre Johnson, Jr., Miles Brown as Jack Johnson, Marsai Martin as Diane Johnson, Laurence Fishburne as Pops, and Peter Mackenzie as Mr. Stevens Executive producers: Kenya Barris, Stacy Traub, Anthony Anderson, Laurence Fishburne, Helen Sugland, E. Brian Dobbins, Corey Nickerson Casting: Alexis Frank Koczaraand Christine Smith Shevchenko, Koczara/Shevchenko Casting, Disney Lot, 500 S. Buena Vista St., Shorts Bldg. 147, Burbank, CA 91521 Shoots in Los Angeles DESIGNATED SURVIVOR Drama ABC Studios The Mark Gordon Company Wednesdays, 10:00 - 11:00 p.m., returns Sept. 27 Cast: Kiefer Sutherland as Tom Kirkman, Natascha McElhone as Alex Kirkman, Adan Canto as Aaron Shore, Italia Ricci as Emily Rhodes, LaMonica Garrett as Mike Ritter, Kal Pennas Seth Wright, Maggie Q as Hannah Wells, Zoe McLellan as Kendra Daynes, Ben Lawson as Damian Rennett, and Paulo Costanzo as Lyor Boone Executive producers: David Guggenheim, Simon Kinberg, Mark Gordon, Keith Eisner, Jeff Melvoin, Nick Pepper, Suzan Bymel, Aditya Sood, Kiefer Sutherland Casting: Liz Dean, Ulrich/Dawson/Kritzer Casting, 4705 Laurel Canyon Blvd., Ste. -
2021 Primetime Emmy® Awards Ballot
2021 Primetime Emmy® Awards Ballot Outstanding Lead Actor In A Comedy Series Tim Allen as Mike Baxter Last Man Standing Brian Jordan Alvarez as Marco Social Distance Anthony Anderson as Andre "Dre" Johnson black-ish Joseph Lee Anderson as Rocky Johnson Young Rock Fred Armisen as Skip Moonbase 8 Iain Armitage as Sheldon Young Sheldon Dylan Baker as Neil Currier Social Distance Asante Blackk as Corey Social Distance Cedric The Entertainer as Calvin Butler The Neighborhood Michael Che as Che That Damn Michael Che Eddie Cibrian as Beau Country Comfort Michael Cimino as Victor Salazar Love, Victor Mike Colter as Ike Social Distance Ted Danson as Mayor Neil Bremer Mr. Mayor Michael Douglas as Sandy Kominsky The Kominsky Method Mike Epps as Bennie Upshaw The Upshaws Ben Feldman as Jonah Superstore Jamie Foxx as Brian Dixon Dad Stop Embarrassing Me! Martin Freeman as Paul Breeders Billy Gardell as Bob Wheeler Bob Hearts Abishola Jeff Garlin as Murray Goldberg The Goldbergs Brian Gleeson as Frank Frank Of Ireland Walton Goggins as Wade The Unicorn John Goodman as Dan Conner The Conners Topher Grace as Tom Hayworth Home Economics Max Greenfield as Dave Johnson The Neighborhood Kadeem Hardison as Bowser Jenkins Teenage Bounty Hunters Kevin Heffernan as Chief Terry McConky Tacoma FD Tim Heidecker as Rook Moonbase 8 Ed Helms as Nathan Rutherford Rutherford Falls Glenn Howerton as Jack Griffin A.P. Bio Gabriel "Fluffy" Iglesias as Gabe Iglesias Mr. Iglesias Cheyenne Jackson as Max Call Me Kat Trevor Jackson as Aaron Jackson grown-ish Kevin James as Kevin Gibson The Crew Adhir Kalyan as Al United States Of Al Steve Lemme as Captain Eddie Penisi Tacoma FD Ron Livingston as Sam Loudermilk Loudermilk Ralph Macchio as Daniel LaRusso Cobra Kai William H. -
Hollywood's Ą Deadly Latino Sins
ENTERTAINMENT BY FELIX SANCHEZ and William Levy in Univision’s Triunfo del Amor. Fortunately, there are new projects on the horizon that bring balance more character development opportunities, we’d see them nominated Sixth: Fuzzy Math. Hollywood rarely visualizes Latinos in the and well-thought-out entertainment. Seth McFarlane’s animated Fox for Emmys in the Best Supporting Actor categories; but because they are future or in locations like Los Angeles or New York, which often comedy series Bordertown has hired brilliantly funny writers like Lalo Hollywood’s cast in truncated roles, they never receive the industry recognition they serve as a backdrop for blockbuster films. A perfect example is NBC’s Alcaraz. ABC’s comedy Cristela, starring South Texan Cristela Alonzo deserve. The Night Shift, which (although the show looks like it was filmed and CW’s Jane the Virgin, headlined by Gina Rodriguez have garnered Third: Se Habla Español—Kinda. The use of interspersed Spanish- in Lubbock) is set in San Antonio, Texas. Although 56 percent of industry kudos and a strong social ą(IEHP] language dialogue has been increasing on TV and the big screen since San Antonio’s population is Mexican American, not one Mexican media fan base in advance of their fall its successful use in Universal Pictures’ Fast and Furious franchise films. American actor was cast as a series regular. premiere dates. If Cristela succeeds, Over the last two summers, FOX’s The Bridge and Gang Related and Paramount’s recent Star Trek sequels present a more complicated and I believe it will, perhaps it will FX’s The Strain advanced the use of Spanish dialogue with English racial/ethnic issue. -
2019 Television Directorial Award Entries Comedy Series 1. American
2020 Directorial Award Entries for All Television Categories 2020 Television Directorial Award Entries Comedy Series 1. #BlackAF 7. Assisted Living i know you may not get this but the reason we deserve a A Dangerous Situation vacation is... because of slavery Derrick Doose Brennan Shroff 1/6/2021 BET 4/17/2020 Netflix Cora tries to convince Mr. Brown to pay Jeremy's bail, Vinny alludes to the As Joya takes time to focus on herself before her event, Drea tries to bond sheriff's shady past, and Sandra reveals a secret about Lindor. with Chloe, Pops handles an incident, and Kenya switches up his behavior. 8. Awkwafina is Nora From Queens 2. #BlackAF Not Today still...because of slavery Steven Tsuchida Rashida Jones 2/19/2020 Comedy Central 4/17/2020 Netflix Nora impulsively dyes her hair after a fight with her dad; Wally goes to a Ahead of the family's Juneteenth party, Joya struggles to confront Izzy about single parent support group meeting. her dance video as Kenya stresses the importance of hygiene to his sons. 9. B Positive 3. A.P. Bio Pilot Aces Wild James Burrows Oz Rodriguez 11/5/2020 CBS 9/3/2020 Peacock Drew, a recently divorced father, discovers he needs a kidney and finds his Principal Durbin and Helen sweep lockers; Jack discovers that Anthony has a donor in the last person he ever would've imagined. secret life as janitor Dale’s apprentice in the wrestling ring; the search for Stef's baby donor intensifies. 10. Beer Pong Coach 4. -
To Download the Press
Sometimes the most powerful words are the ones you’re still searching for. KAIROS PRODUCTIONS PRESENTS Language Arts Run Time: 127 min Genre: Family Drama Year: 2020 Language: English Country of Origin: United States Format: 4K, aspect ratio 1:1.78 SALES: Larry Estes, (206) 686-1572, larry@welbfilm.com MEDIA: Carol Roscoe, (206) 769-6148, [email protected] Language Arts Poster Files Trailer Website IMDB: Language Arts Press Images available here All photos credited to Annabel Clark Synopsis Logline: When a student proposes a project involving autistic youth and senior dementia patients, high school English teacher Charles Marlow must confront the indelible mark that autism has made on the story of his life. Short: It’s 1993, and high school English teacher Charles Marlow, (Ashley Zukerman) has spent decades shrinking from life, hiding away from the disappointments that have trailed him. When his student/protegé Romy (Aishe Keita) proposes a photojournalism project documenting collaborations between autistic youth and senior dementia patients, Charles tailspins into his past, through a series of interlocking timelines, confronting the errors of his youth. In a 1962 Seattle classroom, young Charles (Elliott Smith) befriends an autistic child, Dana (Lincoln Lambert), with shocking consequences. In the 1980s, Charles and his wife Alison (Sarah Shahi) struggle to comprehend their own child’s autism, resulting in the destruction of their marriage. Now, as his student confronts, head-on, the challenges of working with neuro-diverse individuals, Charles determines to deal with his haunting failures. Awkwardly, with many revisions, he sets about repairing his own story. Inspired by his student’s art, Charles learns to see the world around him anew, make peace with the errors of the past, and incorporate new ways of listening and connecting with the people he loves. -
American Exceptionalism in Television Spy Dramas: Mainstreaming America with I Spy, Sleeper Cell, and 24?
AMERICAN EXCEPTIONALISM IN TELEVISION SPY DRAMAS: MAINSTREAMING AMERICA WITH I SPY, SLEEPER CELL, AND 24? A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in Communication, Culture and Technology By Stephen Laurence Keane, B.A. Washington, DC April 24, 2007 AMERICAN EXCEPTIONALISM IN TELEVISION SPY DRAMAS: MAINSTREAMING AMERICA WITH I SPY, SLEEPER CELL, AND 24? Stephen Laurence Keane, B.A. Thesis Advisor: Michael Coventry, PhD Reader: Thomas Mascaro, PhD ABSTRACT This thesis explores the potential for American television spy dramas to mainstream their viewers to see America as exceptional, thereby seeing America as superior and in a unique position of power to inflict its beliefs on the rest of the world. This notion of American exceptionalism has existed since the founding of the United States and has often been a source of pride for the country. However, in the post-9/11 world, this component of American nationalism continues to contribute to the disdain terrorists feel in response to the Western world and American ideology. TV spy shows, through their established conventions and norms, potentially perpetuate the American characteristics that fuel terrorism aimed toward the West and the United States. As such, America was engaged in some historic events during the 1960s. The civil rights movement, being among them, had a tremendous impact on the makeup and ideology of the country. Accordingly, the television also played a role. By using ii media, cultural, and psychological theories, three American spy shows and their potential effects they had on viewers will be explored. -
WEST of REDEMPTION Production Notes
A Kairos Production In association with North by Northwest Entertainment WEST OF REDEMPTION Production Notes April 2015 West of Redemption press information The Filmmakers Directed by CORNELIA DURYÉE MOORE Written by MEAGAN DAINE Produced by LARRY ESTES, p.g.a. Producer TONY BECERRA Executive Producers RICH COWAN TERRY EDWARD MOORE Line Producer MARC DAHLSTROM Director of Photography T.J. WILLIAMS, JR. Editor DENISE BURDETTE Music by BC SMITH Production Designer VINCENT DEFELICE Casting KERRY BARDEN AND PAUL SCHNEE Costume Designer CRITTER PIERCE West of Redemption press information The Cast Hank Keller BILLY ZANE Rick Youngblood KEVIN ALEJANDRO Becky MARIANA KLAVENO Pollister CHARLES LEGGETT Mabel CAROL ROSCOE Joe RICHARD ZIMAN Rita SUZY HUNT Travis HANS ALTWEIS Stunt Coordinator ALEX TERZIEFF West of Redemption press information Synopsis September 1989. Hank Keller (Billy Zane) and his young wife Becky (Mariana Klaveno) live on a farmhouse, several miles outside of the tiny rural town of Redemption, where Becky works as a waitress at the local diner. Hank struggles to make a living restoring cars, working out of a shed on the farm. A long-overdue rainstorm gathers in the distance as Becky arrives home from work on her bicycle. Before the couple can finish dinner, the rain arrives, bringing welcome relief to the muggy farmhouse. Hank whispers tenderly to Becky, as he unbuttons her waitress uniform, that he doesn’t want her to worry any more about money; things are about to get better for them. They move to the bedroom and slowly start to make love, but an alarming knock at the back door interrupts their private moment, and Hank heads for the door, gun in hand, where he finds a wet, disheveled young man, who asks to borrow the phone.