EMERGING TECHNOLOGIES Real-Time Audio and Video Playback on the Web
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Acoustica-Mp3-Audio-Mixer-Manual.Pdf
Acoustica Registration Overview Quick Start Version History Using MP3 Audio Mixer Working with Sounds Working with Sound Groups Main Window Exporting to MP3, WMA, WAV, or Realaudio™ Preferences Troubleshooting Menu Reference File Edit Sound Group Sound Menu Toolbar Copyright and Ownership Notices MP3 Audio Mixer © Copyright 1998-2002 Acoustica. All Rights Reserved. Includes Xaudio software Copyright © 1996-2002 Xaudio Corporation. All Rights Reserved. RealAudio® encoding components © 1996-2002 by Real Networks, Inc. Windows Media Format © 2000-2002 Microsoft Corporation. All rights reserved. Quick Start So you want to get started in a hurry? Follow "SoundWarrior" through the steps to MP3 Audio Mixer mastery! 1. Start MP3 Audio Mixer SoundWarrior double clicks the MP3 Audio Mixer icon on his desktop. Okay, we could have left this step out. J 2. Drag in some sounds. SoundWarrior has a good sound of a cave-woman scream called arghhh1.wav. The sound is located in "c:\cavescreams\", which he finds, and then drags the sound’s icon onto the MP3 Audio Mixer window. See working with sounds. 3. Drag in some more sounds. SoundWarrior also drags in stampede.wav, the sound of a herd of Mastodons stampeding by his cave. Finally, he drags in an MP3 called "rockrolls.mp3", some of the latest music from "The Stoners" 4. Make a recording if you want. SoundWarrior hits the record button and the record dialog comes up. He punches the record button on the dialog and screams into his microphone "You make fire now! I make fire yesterday!" He then hits the stop button, previews the sound and saves it as "me_talk1.wav". -
Realaudio and Realvideo Content Creation Guide
RealAudioâ and RealVideoâ Content Creation Guide Version 5.0 RealNetworks, Inc. Contents Contents Introduction......................................................................................................................... 1 Streaming and Real-Time Delivery................................................................................... 1 Performance Range .......................................................................................................... 1 Content Sources ............................................................................................................... 2 Web Page Creation and Publishing................................................................................... 2 Basic Steps to Adding Streaming Media to Your Web Site ............................................... 3 Using this Guide .............................................................................................................. 4 Overview ............................................................................................................................. 6 RealAudio and RealVideo Clips ....................................................................................... 6 Components of RealSystem 5.0 ........................................................................................ 6 RealAudio and RealVideo Files and Metafiles .................................................................. 8 Delivering a RealAudio or RealVideo Clip ...................................................................... -
Ogg Audio Codec Download
Ogg audio codec download click here to download To obtain the source code, please see the xiph download page. To get set up to listen to Ogg Vorbis music, begin by selecting your operating system above. Check out the latest royalty-free audio codec from Xiph. To obtain the source code, please see the xiph download page. Ogg Vorbis is Vorbis is everywhere! Download music Music sites Donate today. Get Set Up To Listen: Windows. Playback: These DirectShow filters will let you play your Ogg Vorbis files in Windows Media Player, and other OggDropXPd: A graphical encoder for Vorbis. Download Ogg Vorbis Ogg Vorbis is a lossy audio codec which allows you to create and play Ogg Vorbis files using the command-line. The following end-user download links are provided for convenience: The www.doorway.ru DirectShow filters support playing of files encoded with Vorbis, Speex, Ogg Codecs for Windows, version , ; project page - for other. Vorbis Banner Xiph Banner. In our effort to bring Ogg: Media container. This is our native format and the recommended container for all Xiph codecs. Easy, fast, no torrents, no waiting, no surveys, % free, working www.doorway.ru Free Download Ogg Vorbis ACM Codec - A new audio compression codec. Ogg Codecs is a set of encoders and deocoders for Ogg Vorbis, Speex, Theora and FLAC. Once installed you will be able to play Vorbis. Ogg Vorbis MSACM Codec was added to www.doorway.ru by Bjarne (). Type: Freeware. Updated: Audiotags: , 0x Used to play digital music, such as MP3, VQF, AAC, and other digital audio formats. -
His New Effect on Broadcasting Industry-P. 21
40c a copy and $8 a year, 2 DECEMBER 1963 Lyndon Johnson: his new effect on broadcasting industry-p. 21 ....• THE WEEKLY MAGAZINE RADIO/TV ADVERTlSERS USE CONTENTS see p. 6 ~:i.i<'.~f1$ts ;¡ao:r .rttl'd··.M:f~'tl.Í®'a'n.TV' b,uy ra:r '.ff;l!Jt,g;iii:o.~' :r<e:a:Sft:tt'ls: 11t~i~'t:r\i~1:llt(1'rt:of ~. !Q:t>.llii'.t:1a,!t1~1!i lbt~ S£é!;u;fh:ern bzaff clr:C,o• ·1 ¥'·. .·(L··· .. , •..... , ... ,.J •.•.,, ,..,.,.íi ·.~·,li~Ji\.·..,~r:tl'lffg'. .l!:fl.w &Q"';~11,, ~. .f?'u':t'S'.:,maliDa.dfviSrl"'tl5'í·n1 pre·S'~ure·~her.e [f1$(:¡j;é;~di~~.mas:t. l~.~f~$!:YJI!!!1!\ílijif!il 'c;&mp:l¡ip~g:co~'"é1ra:ge:•W:i~h Í:~, OYBJl'l'Bp:. .... bt'.'11 i't ,¡1;ff1.(p,if~IáJl°'U bav~ 'Fff,f\::&llMUM •:om~~;,~¡111 rin~ 1.M·!.J.lft. :~1tr~Ji·c,a~'ion.• Ji;rou ba.vrm'c:l'l:~.m:~~·~twr~Ji ~e: :e;.l:tr:~rrtét- . · ¡a'S:~:&b:e:ot •o;ur:· s p;ectra·cula r 'c.ill~i.o,fl b:illl'!>'!i>ard !a.do:Wnfo.w.o ~ª:l'JT'\!Ul''.~tlele~·¡~lo:nCorp.., or~wrile. 3· Larn;s~'m,g.l~a.~t~·fíf'g',a''l't. .f>("'.r·AiJ \A~ot'A''9i':,~·-, 'IUUifA:lf ·~1.-.~--·_ :w· ·.····:.:7·1······.~·1,· ·· ·1·:·:;v··'· ~w·· ·tn··· ·······e,········o·· .. ··.. ""M'····· ··:···¡··"·.·'·'. ....•........: •..•·•··.·.·· • '.. • ·.·.;..A~SlNG'<.•..··.·..·..' ,·.·,·.·º··· ·.··.·'.' .. ' •,'•,· • \, "··.··· ' ..j.·.,···..••.·.·•.. -
Audio and Video Standards for Online Learning Kevin Reeve, Utah State University
... from the Dr. C Library Audio and Video Standards for Online Learning Kevin Reeve, Utah State University Introduction Digital media is a powerful tool that can enhance your online course. Recent devel- opments and market trends have changed the rules and media formats that need to be considered when creating media for your course. Choosing the correct video and audio format is the first step to insuring a successful experience for both instructor and student. Podcasts, a form of digital media meant for downloading to a portable media device are included in this discussion. Video and Audio Formats Popular media formats for audio and video include RealAudio® and RealVideo®, Win- dows Media®, MPEG 3, and MPEG 4. Each requires software that will encode video/ audio to that format, and also a player that will decode the video/audio for playback. All these formats are currently being used in e-learning with great success. The latest market trends are now suggesting that MPEG 4 for video and audio and MPEG 3 for audio only are “the” standards for digital media. Why MPEG 4 and MPEG 3? MPEG 4 and MPEG 3 are the standard because of consumer response. Apple ad- opted MPEG 4 early on as the video format for playback on their iPod®s that support video. Apple and YouTube worked together to allow YouTube video to be accessed by an Apple TV®, iPhones®, and the iPod® Touch. YouTube moved from Flash Video to MPEG 4 to accommodate these devices, and Adobe soon followed by updating its Flash Player to play MPEG 4 video and audio. -
Preparing Audio for the Internet Part 6
Preparing Audio for the Internet In Part VI of our ongoing series, Scott Christie demystifies MPEG compression. n this tutorial it’s time to look at MPEG. The arrival of MPEG sampling rates were 32k, 44.1k, or 48k. audio onto the web almost single-handedly heralded the birth of An addition to the MPEG-1 standard was developed later which Ithe web-music mania that has pervaded the Internet over the last introduced, among other things, multichannel sound and, more inter- couple of years. While RealAudio, Shockwave and Quicktime are estingly for web audio, the use of lower sampling rates. This became frequently used in the promotion and marketing of on-line music – known informally as MPEG-2. MPEG-2 now provided encoding of in the form of streamed excerpts or on-line radio stations – MPEG source files with 16k, 22.05k, and 24k sampling frequencies. is usually the technology of choice for delivering high quality audio Unfortunately the development of MPEG-2 created the great files. The reasons for MPEG audio’s popularity on the Internet are dilemma of MPEG audio file naming conventions: does .mp2 mean a essentially its impressive audio quality capability at relatively low MPEG-1 audio file with Layer II encoding, or just a MPEG-2 file with bit rates, and the broad range of free shareware or low cost an unspecified Layer number? Furthermore, some assumed .mp3 files encoding/decoding applications available. The complete lack of a meant a new MPEG-3 audio standard – which doesn’t and won’t ever copyright facility in the MPEG specification has also gone along exist since the next MPEG standard is MPEG-4! way to making it a web favourite. -
Broadcast Edition
CYANGATE PLAYOUTBROADCAST AUTOMATION EDITION AND PROCESSING PLATFORM MODULAR PLAYOUT AUTOMATION AND VIDEO ENGINE SOLUTION FOR MULTIPLATFORM DELIVERY Stream Circle CYANGATE is a multipurpose and multiplatform video playout automation and processing hardware and software platform. Broadcasters may use its complete solution to manage linear channels from material ingest and planning to playout, graphics automation and multiplatform delivery. Its modular software architecture supports seamless scaling from a single channel up to multi-channel redundant operations with integrated IP and SDI interfaces, graphics, DVE effects and live switching. KEY FEATURES Linear channel multiformat playout Channel playout automation Multi frame-rate video processing Channel planning and reporting Channel branding Media management Integrated HTML5 graphics and DVEs HTML5 end-user application Live switching and autoingest www.streamcircle.com CYANGATE PLAYOUT AUTOMATION AND PROCESSING PLATFORM Content management features Delivery formats and platforms Media file upload via application MPEG-2, H.264/265, AAC codecs (VBR/VBC) Network media delivery MPEG-TS unicast/multicast Low-resolution proxy preview IP based live feeds (RTMP, RTSP, UDP) Full resolution clip preview using SDI or NDI Up to 4 SDI signal outputs Segmentation and trimming NDI feeds Rule-base media ingest workflow Open subtitles Schedule driven media ingest workflow DVB-T bitmap subtitles Remote storage content indexing EPG metadata Graphics timelines Integrations and APIs Public API Planning features -
Appel Aux Programmes
Prix international du documentaire et du reportage méditerranéen – 10ème Edition International Prize for Mediterranean Documentary & Reportage – 10th Edition Premio internazionale del documentario e del reportage mediterraneo – X Edizione CMCA, Mediterranean Centre for Audiovisual Communication, organizes in conjunction with RAI and with the co-operation of a Host City in Italy, the CMCA 96, La Canebière F13001 Marseille – FRANCE Tel: 33(0)4 91 42 03 02 – Fax: 33(0)4 91 42 01 83 [email protected] http://www.cmca-med.org http://www.prixcmca.org The International Prize of Mediterranean Prize-Winners (1994-2004) Documentary and Reportage is organized by the Mediterranean Centre of Audiovisual MARCO AMENTA, OMAR AMIRALAY, DAOUD Communication (CMCA). AOULAD SYAD, DANIELLE ARBID, MONTSE ARMENGIOU, MOHAMED BAKRI, PATRICE The CMCA is a non-governmental BARRAT, RICARD BELLIS, MATTEO BELLIZZI, organization grouping the organizations of DAVID BENCHETRIT, MALEK BENSMAIL, televisions, producers and actors of the SIMONE BITTON, MARCELLO BIVONA, LISE Mediterranean basin in a wider sense. BRANCHET ET DANIEL BROSSET, EMMANUEL CHOURAQUI, MARIE COLONNA, Started in 1994, the Prize was created to SALVATORE CUSIMANO, ANTONIETTA DE give a better visibility to audiovisual works LILLO, LEONARDO DI CONSTANZO, ALI (documentaries and reportage) dealing with ESSAFI, IRIT GAL, SERGIO GIANFALLA, topics regarding the Mediterranean. The ARLETTE GIRARDOT ET PHILIPPE BAQUE, awarded prizes define the topics to which KUTJIM GJONAJ, RAMON GUTTIEREZ, this selection chose to deal with. BELKACEM HADJADJ, MUSTAPHA HASNAOUI, BAHIJ HOJEIJ, DALIA KARPEL, The International Prize of Mediterranean JAMES KENT, TIMMON KOULMASIS, ANNE Documentary and Reportage aims to LAINE, ANNE LANCOL, THIERRY LECLERE, privilege quality and creativity in the contents KARINE LUNARDI, ROBERT MANTHOULIS, and in the artistic forms of the various RASHID MASHRAWI ET DUKI DROR, MAI competing programmes. -
Input Formats & Codecs
Input Formats & Codecs Pivotshare offers upload support to over 99.9% of codecs and container formats. Please note that video container formats are independent codec support. Input Video Container Formats (Independent of codec) 3GP/3GP2 ASF (Windows Media) AVI DNxHD (SMPTE VC-3) DV video Flash Video Matroska MOV (Quicktime) MP4 MPEG-2 TS, MPEG-2 PS, MPEG-1 Ogg PCM VOB (Video Object) WebM Many more... Unsupported Video Codecs Apple Intermediate ProRes 4444 (ProRes 422 Supported) HDV 720p60 Go2Meeting3 (G2M3) Go2Meeting4 (G2M4) ER AAC LD (Error Resiliant, Low-Delay variant of AAC) REDCODE Supported Video Codecs 3ivx 4X Movie Alaris VideoGramPiX Alparysoft lossless codec American Laser Games MM Video AMV Video Apple QuickDraw ASUS V1 ASUS V2 ATI VCR-2 ATI VCR1 Auravision AURA Auravision Aura 2 Autodesk Animator Flic video Autodesk RLE Avid Meridien Uncompressed AVImszh AVIzlib AVS (Audio Video Standard) video Beam Software VB Bethesda VID video Bink video Blackmagic 10-bit Broadway MPEG Capture Codec Brooktree 411 codec Brute Force & Ignorance CamStudio Camtasia Screen Codec Canopus HQ Codec Canopus Lossless Codec CD Graphics video Chinese AVS video (AVS1-P2, JiZhun profile) Cinepak Cirrus Logic AccuPak Creative Labs Video Blaster Webcam Creative YUV (CYUV) Delphine Software International CIN video Deluxe Paint Animation DivX ;-) (MPEG-4) DNxHD (VC3) DV (Digital Video) Feeble Files/ScummVM DXA FFmpeg video codec #1 Flash Screen Video Flash Video (FLV) / Sorenson Spark / Sorenson H.263 Forward Uncompressed Video Codec fox motion video FRAPS: -
English Version N. 98 – August and September 2011
N°98 August-September 2011 One season chases another... As the Arab Spring moves into the Arab Summer, the revolutions, especially inside broadcasting, are having difficulty shedding their old habits and moving towards less State and greater (public) service. They're making progress, but at different speeds, depending on whether we are talking Egypt or Tunisia. It is more and more urgent for the international broadcasting community to make a concerted effort and come up with equipment and know-how. In the autumn – in other words tomorrow – Tunisia's October elections are a huge challenge, and to provide proper television coverage of the campaigns a daring bet. Solidarity is the key, for everyone in broadcasting. That's why, at the end of the year, we shall have to judge the situation on actions and real achievements, not on promises and good intentions. Where will the revolutions be when winter comes ? Make no mistake, we shall there be taking note, giving international cooperation its true meaning. There is a time for each of the seasons. Meanwhile, waiting for you in this summer issue of the Newsletter, life in the channels and novelties in the Mediterranean broadcasting, with special focus on the programme schedules for Ramadan 2011; this month's Festival, Mediterranean Nights, which will be held in Corsica at the end of September; this month's web-site; Blogs&Docs, an on-line magazine entirely given over to documentaries and non-fiction works; plus of course all our usual items.. Happy reading, and above all have a good summer ! François Jacquel Managing Director of the CMCA Méditerranée Audiovisuelle-La Lettre. -
Supported Codecs and Formats Codecs
Supported Codecs and Formats Codecs: D..... = Decoding supported .E.... = Encoding supported ..V... = Video codec ..A... = Audio codec ..S... = Subtitle codec ...I.. = Intra frame-only codec ....L. = Lossy compression .....S = Lossless compression ------- D.VI.. 012v Uncompressed 4:2:2 10-bit D.V.L. 4xm 4X Movie D.VI.S 8bps QuickTime 8BPS video .EVIL. a64_multi Multicolor charset for Commodore 64 (encoders: a64multi ) .EVIL. a64_multi5 Multicolor charset for Commodore 64, extended with 5th color (colram) (encoders: a64multi5 ) D.V..S aasc Autodesk RLE D.VIL. aic Apple Intermediate Codec DEVIL. amv AMV Video D.V.L. anm Deluxe Paint Animation D.V.L. ansi ASCII/ANSI art DEVIL. asv1 ASUS V1 DEVIL. asv2 ASUS V2 D.VIL. aura Auravision AURA D.VIL. aura2 Auravision Aura 2 D.V... avrn Avid AVI Codec DEVI.. avrp Avid 1:1 10-bit RGB Packer D.V.L. avs AVS (Audio Video Standard) video DEVI.. avui Avid Meridien Uncompressed DEVI.. ayuv Uncompressed packed MS 4:4:4:4 D.V.L. bethsoftvid Bethesda VID video D.V.L. bfi Brute Force & Ignorance D.V.L. binkvideo Bink video D.VI.. bintext Binary text DEVI.S bmp BMP (Windows and OS/2 bitmap) D.V..S bmv_video Discworld II BMV video D.VI.S brender_pix BRender PIX image D.V.L. c93 Interplay C93 D.V.L. cavs Chinese AVS (Audio Video Standard) (AVS1-P2, JiZhun profile) D.V.L. cdgraphics CD Graphics video D.VIL. cdxl Commodore CDXL video D.V.L. cinepak Cinepak DEVIL. cljr Cirrus Logic AccuPak D.VI.S cllc Canopus Lossless Codec D.V.L. -
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