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Stall Song.Mus Stall Song for oboe and two guitars "Practice Saves" Eric C. Honour, Jr. Program Notes Stall Song began as a piece for soprano and two guitars, on texts copied from a bathroom stall in the Utt Music Building on Central Missouri State University's campus. The text was not risqué; instead, it consisted of a rather amusing argument about religion and music practice schedules. It began with the words "Practice Saves," which apparently offended another person, who responded "Jesus Saves." A well-reasoned discussion ensued, covering most of the walls of the toilet stall. As the piece developed, the melodic line began to be difficult to sing. Rather than abandon the line – I was quite fond of it – I decided to abandon the soprano and the text, and they were replaced with an oboe. The singing, lyrical nature of the piece is retained and the rhythmic stresses in the oboe recitative near the beginning of the work come from the stress patterns of the original text. The text and the soprano will appear in Stall Song II. ERIC HONOUR is director of music technology at Central Missouri State University. He holds degrees in saxophone performance and composition from the University of Florida and Northwestern University. He studied composition with Jay Alan Yim, Stephen Syverud, M. William Karlins, Alan Stout, and Budd Udell. His music has been performed in concerts, festivals, and conferences throughout the United States and in Europe. His work as an audio engineer is in demand, with credits on albums released by artists based in Kansas City, London, New York and Virginia Beach. The composer maintains a web site at http://www.erichonour.com, which contains scores, recordings, and other information. Stall Song Eric C. Honour, Jr. q»•• Oboe & 4 87 4 j q»•• b œ j œ œ œ ˙ bœ Guitar 1 ˙. #˙. œ & 4 Œ Œ Œ 87 Ó J 4 P q»•• Guitar 2 & 4 w w bw 87 ˙ œ. 4 P 5 rit. A Tempo Ob. 6 4 & 4 8 4 rit. A Tempo 5 U j œ b œ j Gtr. 1 4 œ #œ ˙ ˙. œ #˙. œ œ ˙ 6 bœ œ 4 & 4 Œ Œ Œ 8 Œ. J 4 rit. A Tempo Gtr. 2 4 . 6 4 & 4 ˙ #uœ nw w bw 8 ˙. 4 © 2002 Eric C. Honour, Jr. (BMI) • All Rights Reserved 4 - Stall Song 10 rit. q»¶™ Quasi-recitative Ob. U & 4 ‰ œ œ ‰ #œ- œlegatoœ- œ œ- œ œ- #œ œ- œ- œ œ- œ œ- œ- #œ- nœ #œ- p p 10 rit. q»¶™ Gtr. 1 . U & 4 ˙ œ Œ‰œ ˙ P rit. q»¶™ Gtr. 2 4 Œ‰ & 4 w œ ˙ u P A 14 qk»¶™ Ob. j 7 j 12 Œ œ j œ œ & #œ œ- œ œ- œ- œ œ- œ- 8 #œ- œ ˙ 8 - #œ œ - œ- œ P A 14 qk»¶™ œ œ œ Gtr. 1 7 12 & 8 Œ. ˙ 8 bœ œ œ œ œ œ p œ œ œ A qk»¶™œ œ œ œ Gtr. 2 7 Œ. 12 bœ œ œ œ & 8 ˙ 8 œ œ œ œ p 17 Ob. j 9 12 & Œ. Œ œ 8 œ 8 #˙-. - #œ-. œ-. œ- œ 17 Gtr. 1 œ œ œ œ œ œ & bœ œ œ 89 bœ œ 128 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Gtr. 2 bœ œ œ œ 9 bœ œ œ 12 & œ œ œ œ 8 œ œ œ 8 Stall Song - 5 19 Ob. 12 10 & 8 Œ. #œ-. #œ œ œ #œ- œ 8 #˙. - #œ- - F 19 œ œ œ œ œ œ œ œ Gtr. 1 12 10 & 8 œ œ œ œ œ œ œ œ 8 P œ œ œ œ œ œ œ œ Gtr. 2 œ œ œ œ œ œ & 128 œ œ œ œ œ œ 108 œ #œ œ œ œ œ œ #œ œ œ œ œ P 21 Ob. 10 12 & 8 #œ ‰ #œ œ œ œ 8 #œ ‰ œ. œ. œ œ - #œ > œ . œ f > 21 œ œ œ œ œ œ Gtr. 1 10 12 & 8 œ œ œ œ 8 #œ œ œ œ œ œ œ œ œ #œ œ œ F œ œ Gtr. 2 10 12 & 8 œ #œ œ œ œ 8 #œ œ œ œ œ œ œ œ œ œ œ #œ œ œ œ F 23 Ob. > œ 11 œ œ j œ 12 & #œ œ œ œ œ œ œ œ 8 œ #œ œ œ œ œ œ 8 - - > - > - - > > 23 œ œ œ œ œ œ Gtr. 1 11 12 & #œ œ œ œ œ œ 8 #œ œ œ œ œ 8 #œ œ œ #œ œ œ Gtr. 2 11 12 & #œ œ œ œ œ œ œ œ 8 #œ œ œ œ œ œ œ 8 #œ œ œ œ #œ œ œ œ 6 - Stall Song 25 Ob. & 128 ‰ œ. ‰ œ ‰ #œ œ. œ. #œ œ œ œ ƒ 25 œ œ œ œ œ œ œ œ Gtr. 1 12 & 8 #œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ f œ œ œ œ œ œ Gtr. 2 12 œ œ œ œ œ œ & 8 #œ œ œ #œ œ œ œ œ œ œ œ œ f B Tempo I 27 q»•• Ob. œ œ œ œ 4 5 & #œ œ œ œœœœœ 4 8 B Tempo I 27 œ œ œ œ q»•• Gtr. 1 4 5 & 4 w 8 #œ œ œ œ sub. #w Nw œ œ œ œ P B Tempo I j q»•• œ œ œ n œ j Gtr. 2 œ œ œ 4 ˙. b œ ˙. 5 & #œ œ œ 4 Œ Œ Œ œ œ ˙ 8 œ œ œ P rit. Quasi-recitative 31 q»¶™ Ob. 5 4 U - - - - - - - - - & 8 4 ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ p rit. 31 q»¶™ Gtr. 1 5 4 & 8 . 4 . œ œ b˙ uœ rit. q»¶™ Gtr. 2 5 Œ. bœ œ 4 œ . & 8 4 œ bu˙ Stall Song - 7 35 Ob. > œ- œ œ œ ‰ œ- œ œ- œ œ- œ- œ œ- œ- 7 œ- bœ ˙ 12 & 8 J 8 p 35 Gtr. 1 Œ‰ 7 Œ. 12 & œ ˙ 8 ˙ 8 p p Gtr. 2 7 12 & Œ‰#œ ˙ 8 Œ. #˙ 8 p p C 38 qk»¶™ Ob. 12 Œ bœ- œ bœ œ- œ- œ œ ˙-. Œ. Œ bœ- 13 & 8 J J J 8 P C 38 qk»¶™ Gtr. 1 12 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ 13 & 8 #œ œ œ œ #œ œ œ œ 8 p C qk»¶™ Gtr. 2 12 œ œ œ œ œ œ œ œ œ œ œ œ 13 & 8 #œ œ œ œ œ œ #œ œ œ œ œ œ 8 p 40 Ob. 13 œ. œ bœ œ. œ- œ 12 n˙. & 8 J J bœ J 8 Œ œ-. F 40 Gtr. 1 13 œ œ œ œ œ œ œ œ 12 œ œ œ & 8 #œ œ œ œ œ 8 œ bœ œ œ œ œ œ œ œ P Gtr. 2 13 œ œ œ œ œ œ œ 12 œ œ œ œ & 8 #œ œ œ œ œ œ 8 œ œ œ œ œ œ œ œ P 8 - Stall Song 42 Ob. - . œ- œ œ œ œ 14 œ. œ j œ. œ. œ 12 & œ- 8 ‰ œ J œ- J 8 42 Gtr. 1 œ œ œ 14 œ œ œ œ 12 & œ bœ œ œ œ œ œ œ œ 8 œ bœ œ œ œ œ œ œ œ œ 8 Gtr. 2 œ œ œ œ 14 œ œ œ œ 12 & œ œ œ œ œ œ œ œ 8 œ œ œ œ œ œ œ œ œ œ 8 44 Ob. œ œ - - > - - 15 & 128 œ ‰ œ. œ. œ. œ œ œ œ œ œ œ œ œ 8 f 44 Gtr. 1 12 bœ œ œ œ bœ œ œ œ 15 & 8 œ bœ œ œ œ œ œ œ œ bœ œ œ œ œ œ œ 8 F Gtr. 2 12 bœ œ œ bœ œ œ 15 & 8 bœ œ nœ bœ œ nœ bœ œ nœ bœ œ nœ bœ œ nœ bœ œ nœ 8 F 46 Ob. œ > > œ- œ #œ. 15 œ- œ œ. œ j 12 œ ‰ œ. & 8 œ œ- œ. 8 #œ. ƒ 46 Gtr. 1 15 bœ œ œ œ œ 12 #œ œ œ & 8 œ bœ œ œ œ œ œ œ œ œ 8 œ œ œ œ œ œ œ œ œ f Gtr. 2 15 bœ œ œ œ 12 #œ œ œ œ & 8 bœ œ nœ bœ œ nœ bœ œ nœ bœ œ 8 œ œ œ œ œ œ œ œ f Stall Song - 9 48 Ob. #œ 16 #œ œ œ œ 4 & œ ‰ #œ œ œ ‰ 8 #œ œ œ œ œ œ œ œ œ œ œ 4 48 Gtr. 1 #œ œ œ 16 #œ œ œ œ 4 & œ œ œ œ œ œ œ œ œ 8 œ œ œ œ œ œ œ œ œ œ œ œ 4 Gtr. 2 #œ œ œ œ 16 #œ œ œ œ œ œ 4 & œ œ œ œ œ œ œ œ 8 œ œ œ œ œ œ œ œ œ œ 4 D Suddenly slower 50 q»¢• Ob.
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