Decolonizing the Empathic Settler Mind: an Autoethnographic Inquiry
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About Endgame
IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate. -
Exposing Exoticism – the Near and the Far in the Exhibition Context
Exposing exoticism – the near and the far in the exhibition context Elisa de Souza MARTINEZ University of Brasilia, Brazil National Council for Scientific and Technological Development, Brazil This article analyzes a set of situations drawn from the exhibition La Triennale 2012 – Intense Proximité, held at the Palais de Tokyo in Paris, from April 20 to August 26, 2012. In this exhibition, the curatorial discourse is seen as playing a mediating role, making the vision possible, i.e. providing the context of the scopic relations to be descibed. Its role is to make the vision possible, i.e. it provides the context of the scopic relations to be described. In this case, the enunciator-curator defines the conditions in which the displayed objects are seen, and in which the visitors see. Thus, the analysis of situations (Landowski 1996) that constitute visibility regimes defines the scopic relations. La Triennale highlights the ethnographic image, which is seen as an art object, while at the same time art objects are seen as ethnographic documents. Displayed in a contemporary art event, ethnographic images express ethnographic content, and therefore play an ambiguous role. In any case, the function assigned to the image, whether artistic or ethnographic, allows one to consider, at the fundamental level of analysis, a semantic category that unfolds into two opposite terms: fictional and documental. The objects chosen by the addresser-curator, Okwui Enwezor, confront the addressee- visitor with a broader problem than the distinction between artistic or ethnographic function. Considering that these functions manifest themselves simultaneously to variable degrees in each element of the exhibition-text, one finds that the same image can have a dual function, hindering its classification in a single field of epistemological relations. -
Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South
Antoni Górny Appalling! Terrifying! Wonderful! Blaxploitation and the Cinematic Image of the South Abstract: The so-called blaxploitation genre – a brand of 1970s film-making designed to engage young Black urban viewers – has become synonymous with channeling the political energy of Black Power into larger-than-life Black characters beating “the [White] Man” in real-life urban settings. In spite of their urban focus, however, blaxploitation films repeatedly referenced an idea of the South whose origins lie in antebellum abolitionist propaganda. Developed across the history of American film, this idea became entangled in the post-war era with the Civil Rights struggle by way of the “race problem” film, which identified the South as “racist country,” the privileged site of “racial” injustice as social pathology.1 Recently revived in the widely acclaimed works of Quentin Tarantino (Django Unchained) and Steve McQueen (12 Years a Slave), the two modes of depicting the South put forth in blaxploitation and the “race problem” film continue to hold sway to this day. Yet, while the latter remains indelibly linked, even in this revised perspective, to the abolitionist vision of emancipation as the result of a struggle between idealized, plaintive Blacks and pathological, racist Whites, blaxploitation’s troping of the South as the fulfillment of grotesque White “racial” fantasies offers a more powerful and transformative means of addressing America’s “race problem.” Keywords: blaxploitation, American film, race and racism, slavery, abolitionism The year 2013 was a momentous one for “racial” imagery in Hollywood films. Around the turn of the year, Quentin Tarantino released Django Unchained, a sardonic action- film fantasy about an African slave winning back freedom – and his wife – from the hands of White slave-owners in the antebellum Deep South. -
{PDF} Godless Kindle
GODLESS PDF, EPUB, EBOOK Pete Hautman | 198 pages | 01 Nov 2005 | SIMON & SCHUSTER | 9781416908166 | English | New York, NY, United States Godless PDF Book It fully launched my interest in westerns … Expand. Bill goes off in search of Frank, leaving his deputy Whitey Winn in charge of Roy. Lila 1 episode, Jake Dashnaw Share this page:. Ben Broome 1 episode, John C. Season 1 Review: Godless represents a near-perfect melding of both forms [movie and TV series], making good on the boundless promises of the streaming frontier. Olagrande Townsman uncredited 1 episode, June Hobbs 3 episodes, The awkward case of 'his or her'. Melissa Chambers. Chief Narrienta 2 episodes, It was the evil in Griffin that made it so. Grigg ensures Frank stays in the know. Pastor Moore 1 episode, Tabatha Shaun Or something like that. Name that government! More From Metacritic. Watch Now. Current series template Original ended series onwards Continuation series template Specials template Upcoming series template. Hank Stuever Nov 22, Victim uncredited 1 episode, Scott Frank did a fantastic job here; the story is very intriguing and one of the best character building in recent westerns. Get Word of the Day daily email! Emily Green. When an injured outlaw shows up at her ranch, a headstrong widow sees that her life -- and the lives of those close to her -- will never be the same. March 1, To be fair, it is also gorgeous to look at; despite of few cringe worthy images, lately it looks like, these artists are working aplenty in details, just for the authenticity. -
Jihadism in Africa Local Causes, Regional Expansion, International Alliances
SWP Research Paper Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Guido Steinberg and Annette Weber (Eds.) Jihadism in Africa Local Causes, Regional Expansion, International Alliances RP 5 June 2015 Berlin All rights reserved. © Stiftung Wissenschaft und Politik, 2015 SWP Research Papers are peer reviewed by senior researchers and the execu- tive board of the Institute. They express exclusively the personal views of the authors. SWP Stiftung Wissenschaft und Politik German Institute for International and Security Affairs Ludwigkirchplatz 34 10719 Berlin Germany Phone +49 30 880 07-0 Fax +49 30 880 07-100 www.swp-berlin.org [email protected] ISSN 1863-1053 Translation by Meredith Dale (Updated English version of SWP-Studie 7/2015) Table of Contents 5 Problems and Recommendations 7 Jihadism in Africa: An Introduction Guido Steinberg and Annette Weber 13 Al-Shabaab: Youth without God Annette Weber 31 Libya: A Jihadist Growth Market Wolfram Lacher 51 Going “Glocal”: Jihadism in Algeria and Tunisia Isabelle Werenfels 69 Spreading Local Roots: AQIM and Its Offshoots in the Sahara Wolfram Lacher and Guido Steinberg 85 Boko Haram: Threat to Nigeria and Its Northern Neighbours Moritz Hütte, Guido Steinberg and Annette Weber 99 Conclusions and Recommendations Guido Steinberg and Annette Weber 103 Appendix 103 Abbreviations 104 The Authors Problems and Recommendations Jihadism in Africa: Local Causes, Regional Expansion, International Alliances The transnational terrorism of the twenty-first century feeds on local and regional conflicts, without which most terrorist groups would never have appeared in the first place. That is the case in Afghanistan and Pakistan, Syria and Iraq, as well as in North and West Africa and the Horn of Africa. -
Arcadia Disjointed: Confrontations with Texts, Polemical, Utopian, and Picaresque
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1991 Arcadia Disjointed: Confrontations With Texts, Polemical, Utopian, and Picaresque. Deborah Ann Jacobs Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Jacobs, Deborah Ann, "Arcadia Disjointed: Confrontations With Texts, Polemical, Utopian, and Picaresque." (1991). LSU Historical Dissertations and Theses. 5126. https://digitalcommons.lsu.edu/gradschool_disstheses/5126 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Racial Discrimination Against Indigenous Peoples in Canada: Summary
REPORT ON RACIAL DISCRIMINATION AGAINST INDIGENOUS PEOPLES IN CANADA: SUMMARY To: United Nations Committee on the Elimination of Racial Discrimination Re: Canada’s Violations of the International Convention on the Elimination of All Forms of Racial Discrimination (CERD) affecting Aboriginal Peoples in Canada Date: July 30, 2002 SUBMITTERS: CONTACT INFORMATION: Turtle Island Support Group CERD Report Ad Hoc National Network Coalition for a Public Inquiry into Ipperwash c/o PO Box 111 Friends of the Lubicon Postal Station C Skwelkwek’welt Protection Centre Toronto, Ontario Sutikalh Camp Canada, M6J 3M7 House of Smayusta, Nuxalk Nation [email protected] This report has been prepared by an ad hoc group of community-based Indigenous Peoples and Canadian human rights organizations that share a common concern about the ongoing racial discrimination experienced by Indigenous Peoples in Canada. It demonstrates that Indigenous Peoples in Canada experience racism in all aspects of their lives, first and foremost as a result of their dispossession from their land and resources. In so doing, this report connects matters already well known to your committee and to other UN treaty bodies—such as the “fourth” world economic, social and cultural realities of Indigenous Peoples within Canada—with the repressive and oppressive treatment of Indigenous persons by state authorities and institutions. Canada’s failure to “recognize and protect the rights of indigenous peoples to own, develop, control, and use their communal lands, territories, and resources” contravenes the Convention’s General Recommendation #23. Overall, the report makes the argument that racial tension and conflict between Indigenous Peoples, governments, and settlers in Canada arise from the state-party’s systemic and institutional discrimination against Indigenous proprietary interests in land and resources. -
European Journal of American Studies, 5-4 | 2010 “Don’T Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early A
European journal of American studies 5-4 | 2010 Special Issue: Film “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema Ian Scott Electronic version URL: https://journals.openedition.org/ejas/8751 DOI: 10.4000/ejas.8751 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Ian Scott, ““Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema”, European journal of American studies [Online], 5-4 | 2010, document 5, Online since 15 November 2010, connection on 08 July 2021. URL: http://journals.openedition.org/ejas/8751 ; DOI: https://doi.org/10.4000/ejas.8751 This text was automatically generated on 8 July 2021. Creative Commons License “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early A... 1 “Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema Ian Scott 1 “Don't be frightened, dear – this – this – is Hollywood.” 2 Noël Coward recited these words of encouragement told to him by the actress Laura Hope-Crews on a Christmas visit to Hollywood in 1929. In typically acerbic fashion, he retrospectively judged his experiences in Los Angeles to be “unreal and inconclusive, almost as though they hadn't happened at all.” Coward described his festive jaunt through Hollywood’s social merry-go-round as like careering “through the side-shows of some gigantic pleasure park at breakneck speed” accompanied by “blue-ridged cardboard mountains, painted skies [and] elaborate grottoes peopled with several familiar figures.”1 3 Coward’s first visit persuaded him that California was not the place to settle and he for one only ever made fleeting visits to the movie colony, but the description he offered, and the delicious dismissal of Hollywood’s “fabricated” community, became common currency if one examines other British accounts of life on the west coast at this time. -
Appendix I War of 1812 Chronology
THE WAR OF 1812 MAGAZINE ISSUE 26 December 2016 Appendix I War of 1812 Chronology Compiled by Ralph Eshelman and Donald Hickey Introduction This War of 1812 Chronology includes all the major events related to the conflict beginning with the 1797 Jay Treaty of amity, commerce, and navigation between the United Kingdom and the United States of America and ending with the United States, Weas and Kickapoos signing of a peace treaty at Fort Harrison, Indiana, June 4, 1816. While the chronology includes items such as treaties, embargos and political events, the focus is on military engagements, both land and sea. It is believed this chronology is the most holistic inventory of War of 1812 military engagements ever assembled into a chronological listing. Don Hickey, in his War of 1812 Chronology, comments that chronologies are marred by errors partly because they draw on faulty sources and because secondary and even primary sources are not always dependable.1 For example, opposing commanders might give different dates for a military action, and occasionally the same commander might even present conflicting data. Jerry Roberts in his book on the British raid on Essex, Connecticut, points out that in a copy of Captain Coot’s report in the Admiralty and Secretariat Papers the date given for the raid is off by one day.2 Similarly, during the bombardment of Fort McHenry a British bomb vessel's log entry date is off by one day.3 Hickey points out that reports compiled by officers at sea or in remote parts of the theaters of war seem to be especially prone to ambiguity and error. -
Fullerton Breaks out the Brooms Against CSUN
Monday April 4, 2016 The Student Voice of California State University, Fullerton Volume 99 Issue 30 FB.COM/THEDAILYTITAN WWW.DAILY TITAN.COM INSTAGRAM & TWITTER @THEDAILYTITAN CFA strike now legal Fullerton breaks out the in light of brooms against CSUN new report Mediator releases findings from salary proposal VERONICA MARQUEZ-ESHELBY Daily Titan The fact-finding stage of the proposed salary increase by the California Faculty Associ- ation has confirmed that Cal- ifornia State University facul- ty salaries lag behind market comparators, giving the CFA the legal right to strike this month. Fact-finder Bonnie Castrey published her report Monday, March 28, on the stalled nego- tiations over CSU faculty pay, now in the second year of the contract. The report offered four ma- jor recommendations: -“Increase faculty compen- sation with a General Salary Increase of 5 percent.” -“Provide Service Step In- creases to the approximately PATRICK DO / DAILY TITAN 43 percent of faculty eligible.” Cal State Fullerton baseball began Big West Conference play on a high note as it took all three games against the Cal State Northridge Matadors this past weekend. The -“Continue to study the fac- Titans improved their overall record to 16-11. ulty salary issue. Develop a list, agreeable to both sides, of Baseball sweeps 16-11 record overall. On the mound, starter bases. He went on to strike relief this season, the Titans comparable universities that Despite the triumph, the Blake Quinn struck out seven out RBI leader Branden Ber- kept Northridge at just one award bachelor’s and master’s Matadors in first dramatic series was anything through 4.1 innings, contrib- ry and the following Matador run. -
The Identity Illusion: the Impact of Heterosexist Microaggressions on the Identity Formation of Teachers
The Identity Illusion: The Impact of Heterosexist Microaggressions on the Identity Formation of Teachers By Bradley Jolliffe A Thesis submitted to the School of Graduate Studies in partial fulfillment of the requirements for the degree of Master of Education (Curriculum, Teaching, and Learning) Memorial University of Newfoundland January 31, 2021 St. John’s, Newfoundland and Labrador Abstract This study focuses on identity formation as it relates to teachers and the heterosexist microaggressions that can be experienced. Using critical autoethnography, I reflect on, write, and analyze narratives written based upon both my own and my colleagues’ experiences. Critical qualitative research on the experiences of queer individuals in education has grown in the past decade, however, more first-hand experiences need to be shared to expose the need for all individuals to examine their behavior and beliefs and how they may be attributing to microaggressions. Through my personal voice as a research participant (teacher) and analytical voice as a researcher, this thesis purposely incites chaos, disruption, and entangles perspectives and biases that are usually kept separate. Heterosexist microaggressions enliven the belief that heterosexuality is the norm and benchmark for society, othering those who fall outside of this measurement and shape their identity through different means. When this belief is unchallenged it threatens authenticity and inclusion for the genuine identity development of individuals to occur. As a result of this critical autoethnography, considerations for future research are offered in the hopes of encouraging those living unspoken narratives to make themselves visible and heard in an educational context to promote future fluidity and transformation. -
Eating the Other. a Semiotic Approach to the Translation of the Culinary Code
UNIVERSITÀ DEGLI STUDI DI TORINO (UNITO) UNIVERSITÀ DELLA SVIZZERA ITALIANA (USI) Dipartimento di Studi Umanistici (UNITO) / Faculty of Communication Sciences (USI) DOTTORATO DI RICERCA (IN CO-TUTELA) IN: Scienze del Linguaggio e della Comunicazione (UNITO) / Scienze della Comunicazione (USI) CICLO: XXVI (UNITO) TITOLO DELLA TESI: Eating the Other. A Semiotic Approach to the Translation of the Culinary Code TESI PRESENTATA DA: Simona Stano TUTORS: prof. Ugo Volli (UNITO) prof. Andrea Rocci (USI) prof. Marcel Danesi (UofT, Canada e USI, Svizzera) COORDINATORI DEL DOTTORATO: prof. Tullio Telmon (UNITO) prof. Michael Gilbert (USI) ANNI ACCADEMICI: 2011 – 2013 SETTORE SCIENTIFICO-DISCIPLINARE DI AFFERENZA: M-FIL/05 EATING THE OTHER A Semiotic Approach to the Translation of the Culinary Code A dissertation presented by Simona Stano Supervised by Prof. Ugo Volli (UNITO, Italy) Prof. Andrea Rocci (USI, Switzerland) Prof. Marcel Danesi (UofT, Canada and USI, Switzerland) Submitted to the Faculty of Communication Sciences Università della Svizzera Italiana Scuola di Dottorato in Studi Umanistici Università degli Studi di Torino (Co-tutorship of Thesis / Thèse en Co-tutelle) for the degree of Ph.D. in Communication Sciences (USI) Dottorato in Scienze del Linguaggio e della Comunicazione (UNITO) May, 2014 BOARD / MEMBRI DELLA GIURIA: Prof. Ugo Volli (UNITO, Italy) Prof. Andrea Rocci (USI, Switzerland) Prof. Marcel Danesi (UofT, Canada and USI, Switzerland) Prof. Gianfranco Marrone (UNIPA, Italy) PLACES OF THE RESEARCH / LUOGHI IN CUI SI È SVOLTA LA RICERCA: Italy (Turin) Switzerland (Lugano, Geneva, Zurich) Canada (Toronto) DEFENSE / DISCUSSIONE: Turin, May 8, 2014 / Torino, 8 maggio 2014 ABSTRACT [English] Eating the Other. A Semiotic Approach to the Translation of the Culinary Code Eating and food are often compared to language and communication: anthropologically speaking, food is undoubtedly the primary need.