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Horrible Histories? Vampire Television, Period Drama and Spectacle
This work has been submitted to NECTAR, the Northampton Electronic Collection of Theses and Research. Article Title: Horrible histories? Vampire television, period drama and spectacle Creator: Jowett, L. DOI: 10.1386/host.8.2.313_1 R Example citation: Jowett, L. (2017) Horrible histories? VAampire television, period drama and spectacle. Horror Studies. 8(2) 2040-3275. It is advisable to refer to the publisher's version ifT you intend to cite from this work. Version: Accepted version C Official URL: https://doi.orEg/10.1386/host.8.2.313_1 Nhttp://nectar.northampton.ac.uk/9743/ Horrible Histories? Vampire Television, Period Drama and Spectacle Lorna Jowett The University of Northampton ABSTRACT Vampires are essentially immortal and thus, while contemporary vampire television series are generally set in the present, the epic scale of a vampire’s existence affords vast potential for period drama via flashback. This paper examines the different ways vampire TV has accessed the spectacle of period drama, presenting an alternative version of its usual televisual self, and playing with a different set of genre conventions. Period flashbacks are designed to provide novelty and spectacle, and also afford the pleasure of seeing a different version of a well-known character appearing in a new context. Yet, this article argues that contemporary vampire television series, exemplified by Angel, The Vampire Diaries, True Blood and Being Human, tie this new perspective to recurring characters and ongoing thematic preoccupations, balancing novelty and the epic sweep of historical period with the familiarity and repetition characteristic of serial drama on television. Thus, vampire TV shows integrate elements and conventions of period drama but use them, sometimes subverting and disrupting them, to feed ongoing development of narrative, characters, themes and aesthetics common to many vampire representations. -
Siriusxm "Iconography" Series to Feature Academy® and Emmy®-Award Winning Writer/Producer/Director Alan Ball
SiriusXM "Iconography" Series to Feature Academy® and Emmy®-Award Winning Writer/Producer/Director Alan Ball An intimate look at the life and body of work of one of the most prolific and creative forces in Hollywood and American culture Companion special "The True Story of True Blood" offers listeners an unparalleled look inside the hit show NEW YORK, July 15, 2011 /PRNewswire/ -- Sirius XM Radio (NASDAQ: SIRI) today announced that Academy® and Emmy®- Award winning writer/producer/director Alan Ball will be the featured subject of the next installment of Iconography, the series that honors the life, career, and impact of iconic personalities on SiriusXM's 24/7 LGBT channel OutQ, ch.108. (Logo: http://photos.prnewswire.com/prnh/20101014/NY82093LOGO ) Ball has redefined storytelling with his seminal film and television works -- including American Beauty, Six Feet Under and True Blood -- peeling back the layers of dysfunctional families and their secrets and creating characters and storylines that leave an indelible impression on audiences around the world. OutQ is airing vignettes featuring Alan Ball through the month. Iconography: Alan Ball culminates with a one-hour in-depth interview conducted by OutQ hosts Derek Hartley and Romaine Patterson premiering July 23 at 1:00 pm ET on SiriusXM OutQ, ch.108. Encore presentations will air on OutQ on July 23 at 7:00 pm, July 24 at 12:00 pm and 7:00 pm, July 30 at 1:00 pm and 7:00 pm and July 31 at 12:00 pm and 7:00 pm (all times ET). Iconography: Alan Ball also features interviews with True Blood's Oscar-winning lead actress Anna Paquin (Sookie Stackhouse), actor Stephen Moyer (Bill Compton) and Tony® Award-winning actor Denis O'Hare (Russell Edington), Bruce Cohen and Dan Jinx -- the Academy Award-winning producers of American Beauty, HBO Entertainment President Sue Naegle, Ball's former writing agent and Charlaine Harris. -
Hboasia Schedules for August 2012 (GMT +8)
HBOAsia Schedules for August 2012 (GMT +8) Sun Mon Tue Wed Thu Fri Sat 29/07 30/07 31/07 01/08 02/08 03/08 04/08 00:00 True Blood 01:10 Girls S101: Pilot 00:00 Private Parts 00:05 Unknown S504: We'll 01:45 Enlightened 01:50 Girls S102: 01:55 Girls S103: All Meet Again S101: Pilot Vagina Panic Adventurous 01:00 Three To Tango 02:20 The Good Guy 02:15 Enlightened Women Do 02:35 The Holcroft 04:00 The Late Shift S102: Now Or 02:25 Enlightened Covenant 06:00 Speedy Singhs Never S103: Someone 04:30 Pay It Forward 08:00 Best Defense 02:45 Days Of Else's Life 06:30 Perfect 09:35 Cats & Dogs: Thunder 02:55 Facing Ali Romance The Revenge 04:30 HBO Central 04:35 Snow Day 08:00 Cinderella Of Kitty Galore 05:00 Magnolia 06:00 Tyler Perry's Story: Once 11:00 The Newsroom 08:00 Lost Souls Why Did I Get Upon A Song S101: We Just 09:35 HBO Central Married Too? 09:55 The Decided To 10:10 Nutty Professor 08:00 Connor Untouchables 12:15 Grown Ups II: The Klumps Undercover 12:00 Tomorrow 14:15 Moonraker 12:00 The Bourne S309: The Eye Never Dies 16:25 Shrek Forever Supremacy Of Cordoba 14:00 Identity After 13:45 Dumb And 08:30 Connor 15:30 HBO Central 18:00 HBO Central Dumberer: Undercover 16:05 Cats & Dogs: 18:30 The Grace Card When Harry S310: The Pod The Revenge 20:10 The Bourne Met Lloyd Couple Of Kitty Galore Supremacy 15:15 Baby Geniuses 09:00 Unknown 17:30 Grease 2 22:00 Game Of 16:45 Goldfinger 10:50 Justin Bieber: 19:25 Shrek Forever Thrones S209: 18:35 Honey I Blew Never Say After Blackwater Up The Kid Never 21:00 The Newsroom 23:00 Game Of 20:10 -
73 Appendix 1. Synopsis of American Beauty Film
73 APPENDIX 1. SYNOPSIS OF AMERICAN BEAUTY FILM American Beauty is a drama genre film that was released in 1999. Almost 20 years have passed since the release of this film, but American Beauty has not lost its popularity. This film can still be enjoyed today because of various problems that are still relevant to the social conditions that we experience in this era. American Beauty tells the story of two things, namely the gloom of life in a sub-urban environment full of competition and the mid-life crisis experienced by adults. American Beauty was written by Alan Ball and the film was directed by Sam Mendes. Apparently, American Beauty is one of their best works. Evidenced by the 5 Oscars won in 2000. American Beauty won the categories of Best Picture, Best Director, Best Actor (Kevin Spacey), Best Original Screenplay, and Best Cinematography. The main character in this film is named Lester Burnham (Kevin Spacey). The story of American Beauty is told by Lester himself through a narrative that we can see throughout the film. At the beginning of the story, Lester introduces his family, the environment he lives in, and also the fact that he is dead. Lester's death is not told at the beginning of the film, so we are curious about the cause of his death. Lester has a wife and a daughter. However, Lester felt that he had lost his authority as a father in his family. His wife, Carolyn (Annette Bening) is a perfectionist, workaholic, and ambitious figure. She always tries to be the perfect woman in front of other people. -
Breathers and Suckers: Sources of Queerness in True Blood
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Aleš Rumpel Breathers and Suckers: Sources of Queerness in True Blood Bachelor‘s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2011 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. Acknowledgement I would like to thank the thesis supervisor Jeffrey Alan Vanderziel, B.A., and Mgr. Kateřina Kolářová, PhD., for support and inspiration, and also to my friend Zuzana Bednářová and my husband Josef Rabara for introducing me to the world of True Blood. Table of Contents Introduction ................................................................................................................................. 1 Queer Reading ant the Heteronormative Text ....................................................................... 4 Contextualising True Blood ....................................................................................................... 8 Strangers to prime-time ......................................................................................................... 8 Erecting and penetrating: vampire as a metaphor for queer sexuality ........................ 17 ―We are not monsters. We are Americans‖ .......................................................................... 28 Deviant lifestyle ..................................................................................................................... 30 God hates -
Intersectionality, Sexuality, and the Exploration of Racialized Gender Identities in HBO's True Blood
PRIYA REHAL Intersectionality, Sexuality, and the Exploration of Racialized Gender Identities in HBO’s True Blood This paper considers the degree to which two recurring black queer characters on HBO’s True Blood series reflect the actual experiences of North American people of colour who are not heterosexual. Through a close reading of the program’s discourse, visual cues, and constructed environment, this paper will examine selected instances where accurate portrayal is achieved as well as where the series falls short of an accurate representation. Keywords: True Blood, queer representation, vampires, intersectionality, racialization, HBO HBO’s television series, True Blood, has been praised for its inclusion of queer and racialized characters. By employing a visual and textual content analysis, this paper will explore the contradictory representations of racialized gender identities while making reference to contemporary research on intersectionality and vampire culture. My research identifies the sexually progressive and successful ways in which the show disrupts certain stereotypes, but amplifies others. The process of appropriating multi-dimensional identities in popular culture is particularly challenging, and the challenge is magnified at the intersections of race and non-heteronormativity. My analysis focuses on two of the recurring characters, Lafayette Reynolds and his cousin Tara Mare Thornton. I also consider discourse in the show that is vocal about non- heteronormativity. Lafayette and Tara are the only two important non-white [passing] characters on the show. The tension surrounding vampire issues appears to be a metaphor for queer “issues,” and True Blood codes the fear of homosexuals as definitive homophobia. For example, creator, executive producer, and occasional writer of the show, Alan Ball, explains, “the police raid on the Shreveport vampire bar, Fangtasia, in the fourth episode of season 1 . -
I SOUTHERN MONSTERS in SOUTHERN SPACES
i SOUTHERN MONSTERS IN SOUTHERN SPACES: TRANSNATIONAL ENGAGEMENTS IN CONTEMPORARY TELEVISION by CHRISTEN ELIZABETH HAMMOCK (Under the Direction of JOHN LOWE) ABSTRACT Vampires, zombies, and other monsters have long been written about as a narrative space to work through collective anxieties, and the latest incarnation of these paranormal stories is no exception. What is remarkable is that many of these stories have adopted a Southern setting to explore Otherness. In this thesis, I seek to explore the role that Southern milieus plays in three television shows: The Walking Dead, True Blood, and Dexter. These shows are deeply invested in the culture and history of different “Souths,” ranging from the “Old South” of rural Georgia to a new, transnational South in Miami, Florida. I argue that this trend stems from the South’s hybrid existence as both colonizer and colonized, master and slave, and that a nuanced engagement with various Souths presents a narrative space of potential healing and rehabilitation. INDEX WORDS: Vampires; Zombies; Dexter; The Walking Dead; True Blood; Transnational; Southern literature; Television; U.S. South i SOUTHERN MONSTERS IN SOUTHERN SPACES: TRANSNATIONAL ENGAGEMENTS IN CONTEMPORARY TELEVISION by CHRISTEN ELIZABETH HAMMOCK A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2014 ii © 2014 Christen Elizabeth Hammock All Rights Reserved iii SOUTHERN MONSTERS IN SOUTHERN SPACES: TRANSNATIONAL ENGAGEMENTS -
True Blood Season 5 Final Season
True blood season 5 final season The fifth season of the HBO supernatural drama series True Blood premiered on June 10, .. Edit links. This page was last edited on 2 July , at No. of episodes: 'True Blood' Season 5 Finale Recap: Making A Bloody Mess in 'Save up for a hopefully mind-blowing (and probably final) season next year. As in the True Blood Season 5 written counterpart, Dead as a Doornail, Eric embarks on a final, desperate mission to overthrow the Authority – and save Bill Previous Season 4: next; Season 6. TVGuide has every full episode so you can stay-up-to-date and watch your favorite show True Blood anytime, anywhere. The last scene of true blood 5x Sookie and Eric try to reason with Bill. Bills resurrection. True Blood Season 5: Season Finale Preview . eric is sooo hot @ !!! that whole last scene of the. Subscribe to the True Blood: Tune into a new episode every Sunday at 9pm. Only on HBO. Critics Consensus: Its sheen may have worn off a bit, but True Blood's fifth season piles on the kooky storylines while maintaining its cheeky brand of Southern. HBO's popular True Blood has never been known as a slow-burn drama. (It is also the final season under the eye of showrunner Alan Ball. UPDATED True Blood Season 5 Finale Recap: Tales From the Dark Side DUMB & DUMBER | Remember last episode when Jason went. Season 5. Turn! Turn! Turn! S5, Ep1. 10 Jun. Turn! Turn! Turn! . SPOILER: As the supply of True Blood dries up, the number of vampire attacks on humans increases dramatically, something He also wants one last thing from Jessica. -
The International Journal of Research Into New Media Technologies
Convergence: The International Journal of Research into New Media Technologies http://con.sagepub.com/ Mapping commercial intertextuality: HBO's True Blood Jonathan Hardy Convergence 2011 17: 7 DOI: 10.1177/1354856510383359 The online version of this article can be found at: http://con.sagepub.com/content/17/1/7 Published by: http://www.sagepublications.com Additional services and information for Convergence: The International Journal of Research into New Media Technologies can be found at: Email Alerts: http://con.sagepub.com/cgi/alerts Subscriptions: http://con.sagepub.com/subscriptions Reprints: http://www.sagepub.com/journalsReprints.nav Permissions: http://www.sagepub.com/journalsPermissions.nav Citations: http://con.sagepub.com/content/17/1/7.refs.html >> Version of Record - Feb 18, 2011 What is This? Downloaded from con.sagepub.com at University of Sheffield on September 4, 2013 Articles Convergence: The International Journal of Research into Mapping commercial New Media Technologies 17(1) 7–17 ª The Author(s) 2011 intertextuality: HBO’s Reprints and permission: sagepub.co.uk/journalsPermissions.nav True Blood DOI: 10.1177/1354856510383359 con.sagepub.com Jonathan Hardy University of East London, UK Abstract Corporate synergy, cross-media promotion and transmedia storytelling are increasingly prevalent features of media production today, yet they generate highly divergent readings. Criticism of syner- gistic corporate control and commercialism in some political economic accounts contrasts with celebrations of fan/prosumer agency, active audiences and resistant readings in others. This debate reviews the different approaches taken by political economists and culturalists in their analyses of commercial intertextuality. Tracing influential studies, it considers the tensions and affinities between divergent readings, and grounds for synthesis. -
Alexander Skarsgård Är Tillbaka När True Blood Säsong Fem Släpps På Blu-Ray™ Och DVD
Alexander Skarsgård är tillbaka när True Blood säsong fem släpps på Blu-ray™ och DVD HBO®-serien True Blood är tillbaka – explosivare och blodigare än någonsin. 29 maj kommer femte säsongen av serien som tagit kritiker och tittare med storm. True Blood släpps i formaten Blu-ray™ samt DVD och är fullspäckad av exklusivt extramaterial. Vampyrserien True Blood, som kom 2008, har blivit en av de senaste årens mest populära serier världen över och har tilldelats en rad utmärkelser, bland annat en Golden Globe®, en Emmy® samt 17 andra vinster. I seriens femte säsong försöker servitrisen Sookie hantera att Tara har blivit skjuten och att hon själv har övernaturliga krafter. Bill och Eric blir inkallade till den så kallade vampyrmyndigheten medan Alcide slåss mot de nya varulvarna J.D. och Martha. Sam försöker hitta den som mördat skiftarna och Jason kämpar med sina känslor för Jessica. Det är laddat för ännu en blodig, explosiv och het säsong av storserien från HBO®. True Blood är skapad av Alan Ball, manusförfattaren till den Oscarsbelönade filmen American Beauty och Emmy®-belönade HBO®-serien Six Feet Under. Den femte säsongen har i internationell press lyfts fram som den bästa hittills – mer överraskande och chockerande än någonsin. Precis som tidigare är serien baserad på böckerna om Southern Vampire Mysteries av författaren Charlaine Harris, och i denna säsong håller sig handlingen mer till manuset i boken än vad tidigare säsonger gjort. Fullspäckat med extramaterial i Blu-ray™ versionen Blu-ray™ versionen är fullmatad med exklusivt extramaterial, -
Dead to the World: a True Blood Novel PDF Book
DEAD TO THE WORLD: A TRUE BLOOD NOVEL PDF, EPUB, EBOOK Charlaine Harris | 336 pages | 11 Feb 2010 | Orion Publishing Co | 9780575089426 | English | London, United Kingdom Dead To The World: A True Blood Novel PDF Book Martin's Griffin. Rating details. From Dead to Worse. I was feeling like my True Blood dreams were coming true. Fairies and a few powerful witches can block their minds from telepaths. I loved how their relationship grew from lust to more. Sookie's great-grandfather Niall is a fairy prince, and Claudine and Claude are Niall's grandchildren. It's a book about Eric. Community Reviews. Namespaces Article Talk. I really enjoyed this book. Fairies are portrayed in the series as beautiful, with pointed ears and glossy, thin skin. Sookie's investigation into what's going on leads her straight into a dangerous battle between witches, vampires and werewolves. From us come elves and brownies and angels and demons. After thoroughly enjoying Club Dead , this one fell short of my expectations. Book series. Sookie Stackhouse 4. Well, the not getting beat up part anyway. I'd always been leery of Eric, but I'd appreciated his mischief, his single-mindedness, and his flair. A division consists of multiple kingdoms, each controlled by a single lead vampire known as the King or Queen. Get your f-ing head checked, Sookie. There are several things going through my head right now in regards to this book: --Eric with amnesia is hot. And a scared Eric, because whoever took his memory now wants his life. By far one of my favorites of the series so far, mainly because Sookie and Eric finally get together. -
University of Southern Denmark Monstrous Appetites and Positive Emotions in True Blood, the Vampire Diaries and the Walking Dead
University of Southern Denmark Monstrous Appetites and Positive Emotions in True Blood, The Vampire Diaries and The Walking Dead Schubart, Rikke Published in: Projections: The Journal for Movies and Mind DOI: 10.3167/proj.2013.070105 Publication date: 2013 Document version: Submitted manuscript Citation for pulished version (APA): Schubart, R. (2013). Monstrous Appetites and Positive Emotions in True Blood, The Vampire Diaries and The Walking Dead. Projections: The Journal for Movies and Mind, 7(1), 43-62. https://doi.org/10.3167/proj.2013.070105 Go to publication entry in University of Southern Denmark's Research Portal Terms of use This work is brought to you by the University of Southern Denmark. Unless otherwise specified it has been shared according to the terms for self-archiving. If no other license is stated, these terms apply: • You may download this work for personal use only. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying this open access version If you believe that this document breaches copyright please contact us providing details and we will investigate your claim. Please direct all enquiries to [email protected] Download date: 07. Oct. 2021 s5_PROJ_070105 3/12/13 11:28 AM Page 43 Monstrous Appetites and Positive Emotions in True Blood, The Vampire Diaries, and The Walking Dead Rikke Schubart Abstract: Looking at television series True Blood (2008–), The Vampire Diaries (2009–), and The Walking Dead (2010–), this article analyzes positive emotions in horror: the sexual emotions, trust, and hope.