MY BEAUTIFUL BOY (Beautiful Boy)
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Mogwai – As the Love Continues
Mogwai – As The Love Continues (1:01:24, Digital, CD, Vinyl, Rock Action Records/[PIAS]/Rough Trade, 2021) Neun vollwertige Studioalben und diverse Live-Aufnahmen, Soundtracks und EPs haben uns Mogwai bisher in ihren 26 Jahren Bandgeschichte beschert und dabei den Sound des Post Rock- Genres so sehr geprägt wie kaum eine andere Band. „As The Love Continues“ ist nun das zehnte reguläre Album der Schotten und erscheint exakt ein Vierteljahrhundert nach deren Debütsingle ‚Turner’/’Lower‘ und nur wenige Monate nach dem Soundtrack für die Serie „ZeroZeroZero“. Und schon nach wenigen Takten ist „As The Love Continues“ eindeutig als Mogwai-Album identifizierbar. Sprich, auf dem neuen Album der Formation aus Glasgow ist (fast) alles beim Alten geblieben. Langweilig wird es dadurch allerdings nicht, denn auf „As The Love Continues“ spielen Stuart Braithwaite (Gitarre), Dominic Aitchison (E-Bass, Gitarre), Martin Bulloch (Schlagzeug) und Barry Burns (Keyboard, Flöte, Gitarre, Bass) noch immer Post Rock auf aller höchstem Niveau. „As The Love Continues“ beginnt in Form von ‚To The Bin My Friend, Tonight We Vacate Earth‘ mit sehr dezenten Tönen, sanftem Schlagzeugspiel und sparsamen Melodien. Ganz in Bandtradition legen die Schotten im Laufe dieses Stücks Soundschicht um Soundschicht übereinander, bevor der Einsatz verzerrter Gitarren und die so Mogwai-typische Laut-Leise- Dynamik das Stück in einer voluminösen, aber dennoch organischen Wall of Sound zu Ende gehen lassen. Das anschließende ‚Here We, Here We, Here We Go Forever‘ wird durch piepende Synthesizer-Sounds eingeleitet, welche stilistisch an die schottischen Landsleute vonBoards of Canada denken lassen. Die Melodieführung des Stückes ist so eingängig wie zuletzt vielleicht auf dem 2001er Album „Rock Action“, klingt jedoch so, als würden die Instrumente von einem Roboter gespielt werden. -
Teaching Social Issues with Film
Teaching Social Issues with Film Teaching Social Issues with Film William Benedict Russell III University of Central Florida INFORMATION AGE PUBLISHING, INC. Charlotte, NC • www.infoagepub.com Library of Congress Cataloging-in-Publication Data Russell, William B. Teaching social issues with film / William Benedict Russell. p. cm. Includes bibliographical references and index. ISBN 978-1-60752-116-7 (pbk.) -- ISBN 978-1-60752-117-4 (hardcover) 1. Social sciences--Study and teaching (Secondary)--Audio-visual aids. 2. Social sciences--Study and teaching (Secondary)--Research. 3. Motion pictures in education. I. Title. H62.2.R86 2009 361.0071’2--dc22 2009024393 Copyright © 2009 Information Age Publishing Inc. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, microfilming, recording or otherwise, without written permission from the publisher. Printed in the United States of America Contents Preface and Overview .......................................................................xiii Acknowledgments ............................................................................. xvii 1 Teaching with Film ................................................................................ 1 The Russell Model for Using Film ..................................................... 2 2 Legal Issues ............................................................................................ 7 3 Teaching Social Issues with Film -
RANDAL GROVES Production Designer Randalgroves.Com
RANDAL GROVES Production Designer randalgroves.com PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS LEVERAGE: REDEMPTION Various Directors AMAZON / IMDb TV/ Brandon Lambdin Pilot & Series Dean Devlin, John Rogers, Chris Downey MALIBU RESCUE 2 Savage Steve PACIFIC BAY ENT. / NETFLIX Feature Film Holland Amy Sydorick PARTY OF FIVE Michael Medico SONY PICTURES TV / FREEFORM Pilot & Series Maria Melograne, Amy Lippman RIPTYDE Savage Steve PACIFIC BAY ENT. / NETFLIX Series Holland Amy Sydorick THE LIBRARIANS Dean Devlin ELECTRIC ENTERTAINMENT / TNT Seasons 1 - 4 Erin Egan ANGIE TRIBECA Peter O’Fallon CAROUSEL TELEVISION / TBS Season 1 & 2 Rick Cleveland Paul Bernard, Steve Carell, Nancy Carell PEARL Pilot Jim Field Smith ABC / Andrew Reich, Michele Greco THE PLAYER Bharat Nalluri SONY / NBC Pilot 2015 Danielle Weinstock, John Fox, John Rogers LEGIT Peter O’Fallan FX Pilot & Series Rick Cleveland Jason Neese, James Scura, Paul Bernard BOUNTY HUNTER PROJECT Pilot Dean Devlin 3 ARTS ENTERTAINMENT / TNT LEVERAGE Season 5 Dean Devlin ELECTRIC ENT. / VOLTAGE / TNT ART DIRECTOR GONE Feature film Heitor Dhalia SUMMIT / LAKESHORE Add’l Photography Ted Gidlow, Andre Lamal, Bruce Toll Matt Berenson, Jim Tauber LEVERAGE Season 4 Dean Devlin ELECTRIC ENT. / VOLTAGE / TNT BRAIN TRUST Pilot Dean Devlin ELECTRIC ENT. / TBS / Rachel Olschan ADDITIONAL WORK LEVERAGE Season 3 Dean Devlin ELECTRIC ENT. / VOLTAGE / TNT Construction Coordinator Various Directors RESTLESS Gus Van Sant IMAGINE / SONY PICTURES CLASSICS Construction Coordinator Brian Grazer, Ron Howard -
What Did You Do for MLK Day?
Welcome back! What RUr goals this semester? Tweet us @RUTorch January 21, 2014 @RUTorch www.rutorch.com /RooseveltTorchNews Volume 70 Issue 16 What did you do for MLK Day? he Illinois Indiana Regional Organizing Network (IIRON) held Hope in the Age of Crisis Sunday to celebrate Martin Luther King Jr.’s legacy and Tcarry on his work of organizing for justice. Mass incarceration, environmental justice, corporate accountability and worker justice were discussed at the event. Roosevelt student Dylan Amlin, part of the IIRON Student Network, advocated for students to attend. Torch staff members and contributers attended the event. The multimedia and full story they gathered from the event can be found at: www.rutorch.com Roosevelt partners with Gardner Institute to study student experience By Samantha Reid increasing retention rates and and educational philosophies. It don’t have much of a say in cur- year’s budget. [email protected] building up the student body of is then up to the committees to riculum or student services, but The Gardner Institute’s work the university. study student surveys and data, these student surveys give them doesn’t end at the end of this Along with nine other uni- Foundations of Excellence fo- coming to conclusions and mak- the power to influence major year when the committees have versities nationwide, Roosevelt cuses on nine specific principles ing recommendations based off change. given their final reports, however. University has partnered with in determining the improvements of the available information. Part of analyzing the effective- Consultants from Foundations the John N. Gardner Institute to be made. -
Foxcatcher Directed by Bennett Miller
Sony Pictures Classics Presents An Annapurna Pictures Production Foxcatcher Directed by Bennett Miller Cannes Film Festival 2014 Telluride Film Festival 2014 Toronto International Film Festival 2014 New York Film Festival 2014 Winner - Best Director, Cannes Film Festival 2014 134 mins | Rated R | Opens 11/14/14 (NY/LA) East Coast Publicity West Coast Publicity Distributor 42West Block Korenbrot Sony Pictures Classics Scott Feinstein Max Buschman Carmelo Pirrone 220 West 42nd Street Blair Bender Maya Anand 12th floor 6100 Wilshire Blvd., 550 Madison Ave New York, NY 10036 Ste. 170 New York, NY 10022 212-277-7555 Los Angeles, CA 90048 212-833-8833 tel 323-634-7001 tel 212-833-8844 fax 323-634-7030 fax FOXCATCHER The Cast John du Pont STEVE CARELL Mark Schultz CHANNING TATUM Dave Schultz MARK RUFFALO Jean du Pont VANESSA REDGRAVE Nancy Schultz SIENNA MILLER Jack ANTHONY MICHAEL HALL Henry Beck GUY BOYD Documentary Filmmaker DAVE “DOC” BENNETT The Filmmakers Director BENNETT MILLER Written by E. MAX FRYE DAN FUTTERMAN Producers MEGAN ELLISON BENNETT MILLER JON KILIK ANTHONY BREGMAN Executive Producers CHELSEA BARNARD RON SCHMIDT MARK BAKSHI MICHAEL COLEMAN TOM HELLER JOHN P. GUIRA Co-Producer SCOTT ROBERTSON Director of Photography GREIG FRASER Production Designer JESS GONCHOR Editor STUART LEVY CONOR O’NEILL JAY CASSIDY Costume Designer KASIA MAIMONE WALICKA Music ROB SIMONSEN Additional Music WEST DYLAN THORDSON Valley Forge Theme MYCHAEL DANNA Casting Director JEANNE McCARTHY Makeup Designer BILL CORSO Hair Department Head KATHRINE GORDON Wrestling Coordinator JOHN GUIRA Wrestling Choreographer JESSE JANTZEN 2 FOXCATCHER Synopsis Based on true events, FOXCATCHER tells the dark and fascinating story of the unlikely and ultimately tragic relationship between an eccentric multi-millionaire and two champion wrestlers. -
Morgan Wallen's 'Dangerous' Spends Fourth Week at No. 1 on Billboard
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; ENTERTAINMENTBrett Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 8, 2021 Page 1 of 25 Leader; Travis Denning Makes History INSIDE Morgan Wallen’s ‘Dangerous’ Spends Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music GroupFourth Nashville), debuts at No. Week1 on Billboard’s lion at audience No. impressions, 1 upon 16%). Billboard Top Country• Olivia AlbumsRodrigo’s chart dated April 18. In its first week (ending April 9), it earned‘Drivers 46,000 License’ equivalent album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cordingLeads to Hot Nielsen 100 for Music/MRC 4th Data. 200 Albumsand total Country Airplay ChartNo. 1 as “Catch” (Big Machine Label Group) ascends SouthsideWeek, The marks Weeknd Hunt’s second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chart &and CJ fourth Hit Top top 10 10. It follows freshman LP BY KEITH CAULFIELD Young’s first of six chart entries, “Sleep With- Montevallo• Super ,Bowl which Synch arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You Report: Sony/ATV Morgan Wallen’s Dangerous: The Double Album holds demand streams of the album’s songs), album sales Montevallo has earned 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved Walking on Air at No. -
Jenkins Set to Retire Property Appraiser in His First Month Ment in Tallahassee
A3 SATURDAY/SUNDAY, JULY 18/19, 2020 | YOUR COMMUNITY NEWSPAPER SINCE 1874 | $2 WEEKEND EDITION Lake City Reporter LAKECITYREPORTER.COM >> ALL-DECADE COLLEGE SUNDAY + PLUS FOOTBALL Gerald Kvistad Is covid McCray, leads testing Arctic softball plan good 6B preacher team enough? Sean of the South Opinion/4A SEE 10A SEE 10A ‘Blessed’ Jenkins set to retire Property appraiser In his first month ment in Tallahassee. “I drive home, starting with has served Suwannee in office, the Florida couldn’t have gotten any the fact that he was not Department of Revenue madder had you slapped going to allow someone County for 48 years. was harassing Jenkins me in the face.” in Tallahassee to decide about raising assessments It was on the drive back that the assessments By JAMIE WACHTER in the county, ignoring his to Live Oak that the reali- were going to increase in [email protected] pleas to give him a year to zation hit Jenkins that he Suwannee County. LIVE OAK — Shortly get accustomed to the job. was likely going to be just Jenkins, who is not seek- after taking office in 1973, “They came back and a one-term tax assessor ing re-election this fall, will Lamar Jenkins was con- said that if you don’t do it, (now called the property instead be leaving office vinced he would have a we’ll come do it for you,” appraiser). at the end of the year after JAMIE WACHTER/Lake City Reporter brief stint as Suwannee Jenkins said of the fourth So, he made himself a Lamar Jenkins will retire at the end of the year after serv- County’s tax assessor. -
Cis Tv & Film Cv 2018-10
LANA VEENKER CSA & ERYN GOODMAN CSA SELECTED FILM CREDITS “Timmy Failure” Principal Casting (OR) Walt Disney Studios/Fayleure Prods | p. Jim Whitaker “Bad Samaritan” Principal Casting (OR) Electric Entertainment | d. Dean Devlin “Preserve” Principal Casting (OR) Preserve LLC/CineReach | d. Nicole Perlman “Wild” Principal Casting (OR) Fox Searchlight/Pacific Standard | d. Jean-Marc Vallée “Gone” Principal Casting (OR) Lakeshore Entertainment | d. Heitor Dhalia “Twilight” Principal Casting (OR & WA) Summit Entertainment | d. Catherine Hardwicke “Paranoid Park” Principal Casting MK2/Tsetse Fly Film Co. | d. Gus Van Sant “The Burning Plain” Principal Casting (OR) 2929 Productions | d. Guillermo Arriaga “Management” Principal Casting (OR) Sidney Kimmel Entertainment | d. Stephen Belber “The Heretic” Principal Casting (OR) Havoc Films | d. Tim Robbins “Chacun Son Cinéma: First Kiss” Principal Casting ARTE/Canal+/Elzevir | d. Gus Van Sant “Feast of Love” Principal Casting (OR & WA) Lakeshore Entertainment | d. Robert Benton “Into the Wild” Additional Casting (OR) Paramount Vantage | d. Sean Penn SELECTED TV CREDITS Trinkets (S1) Principal Casting (NW) Netflix/Awesomeness TV | e.p. Linda Gase American Vandal (S2) Principal Casting (NW) Netflix/CBS Studios/Funny or Die | d. Tony Yacenda Pretty Little Liars: The Perfectionists (S1) Principal Casting (NW) Warner Horizon/Freeform | d. Marlene King Staties (Pilot) Principal Casting (NW) ABC Studios/Maniac Productions | d. Rob Bowman Angie Tribeca (1 episode) Principal Casting (OR) TBS/Carousel Prods | e.p. Nancy Carell & Steve Carell “Here and Now” (S1) Principal Casting (OR) HBO/Perplexed Production Services | e.p. Alan Ball “The Show” (Pilot) Series Regulars (US Search) BLACKPILLS/Together Media/Vice | e.p. Luc Besson The Wonderland Murders (S1) Principal Casting (OR) American Chainsaws Ent./Baltic Tiger | d. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Check It Out: Angie Tribeca
shswavebreaker.com http://shswavebreaker.com/opinion/reviews-2/2016/02/01/check-it-out-angie-tribeca/ Check it out: Angie Tribeca On January 17-18, TBS released the 25 hour binge-a-thon marathon of the greatly anticipated Angie Tribeca. Starring Rashida Jones as LAPD detective Angie Tribeca and her partner Jay Geils played by Hayes MacArthur, the comedy follows the two detectives as they investigate murders, art thieves, and kidnappings in Los Angeles, California. Angie Tribeca’s style of comedy is entirely different than popular shows such as Parks and Recreation, which Jones also appeared in. The writing is similar to the 1980’s hits Airplane and The Naked Gun, meaning most of the jokes are based on puns. Despite sounding initially cheesey, the cast and creators Steve Carell and Nancy Carell make it work through smartly using set and props to enhance the viewer’s experience. Within the first ten minutes of watching, the audience is hooked and will be reaching for the remote to click on the next episode. While doing most things right, Angie Tribeca missed the mark on a few aspects. Some of the jokes are overused and underbaked, reminiscent of the uncle who tries too hard to be funny at Thanksgiving. There is a lack of episode to episode plot line, besides an underlying romantic tension between two characters that provides some humor and awkward situations. However, a continuous plot would seem out of place in this show, so Angie Tribeca is off the hook for that one. Overall, Angie Tribeca is a hilarious show with witty writing and a hard working cast, easily earning 4 out of 5 stars. -
Groundlings Red Light District Is Always Open for Business!
GROUNDLINGS RED LIGHT DISTRICT IS ALWAYS OPEN FOR BUSINESS! We do not take credit, just cold hard cash so don’t expect change after services are rendered. House Rules: Just look – no touching unless you are given permission Wear a condom No shirt, no shoes, no problem Drinking on the premises Wear a condom Tips welcome All animals allowed Wear a condom Food Wear a condom Please laugh as long as it is at our expense Wear a condom -The Management KAREN MARUYAMA is having a blast directing the Main show again. She is a Main company alum who enjoys teaching here and at the American Film Institute. She also directs the acclaimed show The Black Version at the Largo Theater. She appeared in the films THE CAMPAIGN, THE BUCKET LIST and PULP FICTION. Her television credits include 2 BROKE GIRLS, ARRESTED DEVELOPMENT, NIP/TUCK, GHOST WHISPERER and has lent her voice to THE SIMPSONS, FUTURAMA, Karen AMERICAN DAD and FAMILY GUY. Maruyama (Director) Scott Beehner’s television appearances include CASUAL, EXTANT, NCIS, MODERN FAMILY, WORKAHOLICS, IT’S ALWAYS SUNNY IN PHILADELPHIA, HART OF DIXIE, SUPER FUN NIGHT, UP ALL NIGHT, PERFECT COUPLES, MAD LOVE, WORST WEEK, ZEKE & LUTHER, THUNDERMANS and THE YOUNG AND THE RESTLESS. Film credits include GANGSTER SQUAD, Woody Allen’s SWEET AND LOWDOWN, Whit Stillman’s THE LAST DAYS OF DISCO and TOMCATS. Originally from Omaha, Nebraska, Scott is a graduate of Scott Fordham University in New York City and the Actors Studio MFA Program. Beehner Timothy played Jack Flynn the head of GM on MAD MEN. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.