Fall 2015 September 2015 – January 2016 OVERVIEW All Year, Fall 2015 at All Free the Power Plant

exhibitions / programs / events 1

Fall 2015 September 2015 – January 2016 OVERVIEW all year, Fall 2015 at all free The Power Plant

on three new films shot on location in Toronto that As we enter the The Power Plant’s final For our Fall 2015 season, The Power Plant is pleased to present three address the changing nature of the city’s urban core exhibition season of 2015, we pause as well as the origins and experience of the moving major solo exhibitions by renowned to acknowledge the importance of the image itself. ALL YEAR, ALL FREE program. artists Carlos Amorales, Dora García Our Public Programs this season provide and Mark Lewis. opportunities to hear each guest curator reflect on Thanks to the support of BMO Financial Group, the exhibitions produced for The Power Plant. the gallery is able to eliminate admission fees, Each project has been organized by Canadian guest Chantal Pontbriand will engage in conversation with enabling all visitors, young and old, to access curators who bring their unique perspective to The Spanish artist Dora García, Barbara Fischer will our exhibitions. Power Plant exhibition program. lecture on Canadian Mark Lewis’ installations and Join us again this Fall and all year long at I SEE WORDS, I HEAR VOICES is an exhibition of Christine Shaw will present a Sunday Scene gallery The Power Plant, where admission is always FREE. works by Dora García Guest Curated by Chantal talk and introduce a screening of Mexican artist Presented By Pontbriand. It takes up numerous facets of artistic Carlos Amorales’ recent film works. Amorales himself experience, language, perception and literature will speak as part of our Power Talks series, as will through a constellation of projects that become Sofía Hernández Chong Cuy and Elisabeth Vollert, indices of actions, past or future. their presentations reflecting Art Toronto’s focus Carlos Amorales’ Black Cloud launches our on the art of Latin America. Acclaimed Chilean-born brand new Fleck Clerestory Commission Program. artist Alfredo Jaar will take part in our International Guest Curated by Christine Shaw and presented in Lecture Series, presented in partnership this partnership with Scotiabank Nuit Blanche, this work season with Scotiabank Nuit Blanche, where his work is at once a beautiful and unnerving installation of will be exhibited. Fall 2015 also sees the return of thousands of black paper moths. Its reference to the our annual student event, featuring performances Industrial Revolution fittingly recalls The Power by Toronto-based artists Guy Mountain, Heretical Plant’s history as a storage space for coal, and the Objects Cooperative and DOOMSQUAD. gradual shift of Toronto’s waterfront from a space of industry to one of culture and tourism. Come in and explore all of The Power Plant’s Invention, Guest Curated by Barbara Fischer and programming this fall. presented in partnership with the Justina M. Barnicke Gallery / University of Toronto Art Centre, is an Gaëtane Verna, Director ambitious exhibition of Mark Lewis’ work. It centres exhibition #PPDoraGarcia #PPDoraGarcia 3

Several universes cross Mad Marginal as García Dora García (born in Valladolid, Dora García investigates and stages the works of authors Spain, 1965) lives and works in Finnegans Wake Workshop with I SEE WORDs, I HEAR VOICES James Joyce, Jacques Lacan and Samuel Beckett, Barcelona and Oslo. She currently Collective Reading Kevin Healey to name just a few of the literary references that teaches at the Oslo National 26 September 2015 – 3 January 2016 nourish her thought. Since 2012, García has been Academy of the Arts, Norway Sunday, 27 September, 4 pm Monday, 2 November, 10 am – 12:30 pm Opening: 25 September 2015, 8 – 11 PM exploring deviant literature, exploded language and HEAD, Geneva. She is The Power Plant and the unconscious — especially through the figures Co-Director for Les Laboratoires free The Power Plant GUEST CURATOR: CHANTAL PONTBRIAND of James Joyce and Robert Walser — as well as the d’Aubervilliers, Paris. Her work free Space is limited. Call 416.973.4949 state of exile and its relation to artistic practice. is largely performative and deals SUPPORT DONORS or email [email protected] for Space is limited. Call 416.973.4949 These dimensions of her practice manifest in Exile with issues related to community advance registration. or email [email protected] for (2012 – ), an ongoing interactive and archival project, and individuality in contemporary advance registration. as well as in her acclaimed film The Joycean Society society, exploring the political Echoing the film The Joycean Society (2013) Dora García will lead Kevin Healey, member of the Since 2009, Spanish multi-disciplinary artist (2013), both on view in this exhibition. potential of marginal positions a collective reading of Finnegans Hearing Voices Network and Dora García has been carrying out the Mad Marginal In her more recent works, García has shifted and paying homage to eccentric Wake by James Joyce, delving into recovery network: Toronto, will lead project, major stages of which were shown at her focus to compulsive writing, collective reading, characters and anti-heroes. issues presented by Joyce’s a workshop exploring the ways dOCUMENTA 13 (2012) and the 54th Venice Biennale endless or circular books, graphomania and the She has exhibited her work at jubilatory writing such as identity, in which language both enables and limits our understanding of (2011). Her work examines the wellsprings of parallels and intersections between reading and numerous international events migration, politics, madness and psychiatry. Participants are invited experiences not easily explained artistic experience, altering the traditional relation- writing, as the works Exhausted Books II (2013) such as the 54th, 55th and to bring their own copy of this by a simple understanding of ships between artist, work and viewer, as well as and Mad Marginal Charts (2014) reveal. Her explora- 56th Venice Biennale (2011, 2013 seminal novel for discussion. perception and the five senses. those of the individual, whose daily behaviour she tions of compulsive writing and graphomania also and 2015), dOCUMENTA(13) Inspired by and responding to ideas Co-presented with questions through performance, film and discussion. opened up new areas of interest as García began (2012), the 29th São Paulo Biennale addressed in Dora García’s exhibition I SEE WORDS, I HEAR This ongoing project continues at The Power Plant investigating the notion of voice-hearing and (2010), the 16th Sydney Biennale VOICES, participants will join in during our Fall 2015 season. other extrasensory perceptions, and their relation (2008) and the Münster Sculpture a morning of dialogue, share their to creativity and visionary world-making, even Projects (2007). own experiences of what they prophecy. ESP (2015) and Imposed Words/Palabras Saturday Encounters: see, hear, feel or otherwise sense both described in words of their Impuestas (2015) betray a Lacanian accent of cover Dora García, 1. Dora Garcia, still Sharing a diversity of detail from Exile, from The Joycean own choosing and expressed language as something that is imposed upon us, and 2012. Courtesy the Society, 2013. Video, experience, perception as works on paper. We will then sit another more Proustian accent of literature as artist and Gallery 52 min. Installation Juana de Aizpuru, view: PunktØ, Moss. and language together in a listening circle, “always written in a foreign language”. All of the Madrid. Photo: Courtesy the artist making space for images, sounds Vegard Kleven. and Auguste Orts, and utterances. works have a performative character and act as Brussels. Photo: Saturdays, 2 pm indices of an action, past or future. Maintaining traces Vegard Kleven. 26 September, 2015 – For as long as he can remember 2 January, 2016 Kevin Healey has been hearing, of continuous and lifelong activity, a strong seeing and otherwise sensing things archival impulse also emerges from these works. The Power Plant that others do not and has become A four-hundred page reader by Dora García free an activist and leader in the Hearing and edited by Chantal Pontbriand accompanies the Voices Movement and his work Each Saturday experts by experience exhibition. The Mad Marginal Cahier #4: I SEE has been profiled in both Toronto will describe in words of their Star and The Globe and Mail. As WORDS, I HEAR VOICES brings together major choosing a part of what they see, a trainer, facilitator and workshop essays by international authors who delve into hear or otherwise sense and leader Healey is interested in different threads in Garcia’s research. The publica- perceive. In that way we will share working with approaches that are tion has been co-published by Academy of Fine personal insights into living with liberating and invites you to join experiences that may seem extraor- Art /Oslo National Academy of the Arts, Fonderie a conversation about how we might dinary and therefore not easily come to understand and accept our Darling / Darling Foundry, Punkt Ø, The Power conveyed to others. diverse experiences. 1 Plant and Sternberg Press. exhibition #PPBlackCloud #PPBlackCloud 5

Since 1998, Amorales has been building his storage space and points to the “lightening” of Archivo Líquido (Liquid Archive), a digital archive Toronto’s Waterfront amidst the recent transforma- of vector images — birds, spiders, trees, wolves tion of sites of industry into post-industrial centres — taken from books and magazines, downloaded of creativity, tourism and commercial enterprise. from the internet or shot by the artist himself Black Cloud stands as a poetic allegory should the and transformed into black silhouettes modified concatenation of industrial metabolism, urbanization, through processes of hybridization. With Black climate change and the extinction of species Cloud, Amorales translates Liquid Archive into three continue unabated. dimensions. The artist replicates thirty-six types Black Cloud will be featured in the exhibition The of moths — all culled from his archive — in thousands Work of Wind, Curated by Christine Shaw for of life-size, black paper cut-outs that are individually Scotiabank Nuit Blanche from 3 – 4 October 2015. hand-glued to the walls and ceiling of the space. Here, two swarms will converge: human and Multiplied to create a dense mass with both won- non-human. This convergence begs the question: drous and threatening qualities, Black Cloud have we not reached a tipping point? becomes a surreal yet sublime gathering of insects delicately poised in sculptural formation, a Carlos Amorales (born in Mexico City, 1970) phenomenon that suggests the potential for harm, continues to live and work in Mexico. His work makes destruction and irreversible doom. use of different media including drawing, animation, Black Cloud can be understood as a cautionary installation, performance, video and painting. Recent tale if we go back to the years of the Industrial solo exhibitions have been held at kurimanzutto, Revolution in the mid-nineteenth century, when the Mexico City (2013), and Centre Georges Pompidou, grizzly environment, tinged by coal combustion, Paris (2013). He has also exhibited his work at originated a natural selection of black moths in the numerous biennials including the 10th and 12th La cities. The typical moth in England prior to the Habana (2009, 2015), the 10th Shanghai Biennale 1 Industrial Revolution was the dominant light-coloured (2014), the 2nd and 8th Berlin Biennale (2001, 2014), form which made it very difficult for birds and Sharjah Biennial 11 (2013), Manifesta 9 (2012), the Mexican artist Carlos Amorales’ Black Cloud other predators to see it against light-coloured trees Belgium Biennial (2012), Performa (2007) and the 50th Carlos Amorales (2007 / 2015) immerses spectators in a swarm of and clean walls. The coal that was burned as Venice Biennale (2003). Black Cloud 30,000 delicate black moths whose frailty and stilled industry spread throughout the north of England flight contrasts with the sordidness of their forceful blanketed the countryside with black soot and a new dark form of moth emerged. It appeared Special Opening Hours 26 September 2015 – 23 May 2016 infestation of The Power Plant’s Clerestory. The suddenly, came to dominate the population in For Nuit Blanche Opening: 25 September 2015, 8 – 11 PM first iteration of The Power Plant’s Fleck Clerestory Commission Program, this site-specific installation industrial areas, and then declined just as sharply following the closure of coal mines and many Saturday, 3 October, 5 pm – Sunday, 4 October, 7 am GUEST CURATOR: CHRISTINE SHAW envelopes spectators in a territory that fluctuates industrial centres. The sootiness that prevailed In Partnership with between the obscure and the optimistic, the macabre Join us for special overnight hours during Nuit and the alluring, distilling a kind of claustrophobic during the nineteenth century disappeared Blanche, in addition to our regular gallery hours. sensuality. Black Cloud signals Amorales’ propensity from the cities. Dramatically, as the cleaner, lighter conditions returned, so did the lighter form of Lead Donors toward ambiguous scenarios where the boundaries 1. Carlos Amorales, Black Cloud, 2007/2015. Installation view: Centre de the moth. Some biologists suggest that the dark Cultura Contemporania de Barcelona, 2015. Courtesy the Diane and Bruce between beauty and awe, good and evil, calm and Halle Collection. Photo: La Fotogràfica. calamity are constantly blurred and where imagi- moths will soon be extinct. Appearing to have entered the The Power Plant SUPPORT Donors nation is called upon to mediate between multiple interpretations of the work. through the smoke stack, the swarm of black moths calls upon the history of the clerestory as a coal exhibition #PPInvention #PPInvention 7

Mark Lewis Forming part of his most ambitious project to what did it feel like to begin this journey of a the glass and mirrors of modern architecture — as it date, Canadian-born, UK-based artist Mark Lewis’ revolutionary change of consciousness? And after reflects, distorts and separates the body and its Invention solo exhibition at The Power Plant centres on more than 100 years of film history, what are the image in random and surprising ways. Creating the three new films shot on location in Toronto in 2015. implications of this as film rapidly disappears and conditions for manipulating self-reflection, the 26 September 2015 – 3 January 2016 Offering an unusual perspective on the city’s 1960s new material forms and new ways of looking at spectator’s self-conscious self-composition becomes 1 Opening: 25 September 2015, 8 – 11 PM modernist aspirations, the new works are as much and experiencing moving images emerge? manifest as a cinematic effect. concerned with the current transformation and Focusing on the urban landscape, Lewis explores Together, the elements that make up Mark Lewis’ GUEST CURATOR: BARBARA FISCHER restructuring of the urban core as they are part of the way in which the cinematic experience is films culminate in a body of work that is as astute In Partnership With Lewis’ ongoing inquiry into the nature of the moving embedded in the unique multiplicity of urban flux: as it is elegiac in its contemplation of the quotidian, Justina M. Barnicke Gallery/University of Toronto Art Centre image. Constituting a rare subject in the history the pulsating staccato of pedestrians at morning offering an experience of the flux of time that is of film and visual art in Toronto, Lewis’ films reflect rush hour, the bustling density of downtown intersec- as elating in its duration as it is haunting for its sense Lead Donor upon the nature of cinema through the means of tions, the languid motion of automobiles and of passing. It offers repose within the realm of urban architectural perception. public transport vehicles coursing the streets as the moving image at a time when images proliferate Invention, which is the title of both the exhibition seen from afar. across hand-held devices, within a multitude of digital Support Donors and Lewis’ recent and ongoing project, engages with Marked by a profound absence of commodified interfaces and not least of all, in the liquidity of Margaret C. McNee moving images such as the cinema, television visual messaging across architectural and advertising Samara Walbohm and Joe Shlesinger the ways in which the emergence of cinema revolutionized consciousness, setting into play the or Mpegs, and returning instead to still images screens that capitalize the city’s urban core. possibilities not only of seeing a picture move, but that reference painting and printed books, also seeing the moving representation of the random Lewis’ attention is specifically drawn to modernist Mark Lewis (born in Hamilton, ON, 1958) currently and contingent nature of the quotidian world and architecture — Mies van der Rohe’s Toronto lives and works in London, UK. Lewis attended imagining oneself as a moving picture. Speculating Dominion complex of towers, the University of Harrow College of Art in London and the Polytechnic on the moment of film’s emergence, Lewis asks: Toronto’s Robarts Library — as a liminal surface, one of Central London, and began his career as a that functions both literally and metaphorically photographer before moving into film. He has had as an interface between the world and its uncanny numerous solo exhibitions in museums around the 1. Mark Lewis, still from Pavilion, 2015. 6k but natural structuring as cinematic. Walls and world, including le Bal, Paris (2015), the Van digital cinema, 11 min. pavement become surfaces for a spectacle of shadow Abbemuseum, Eindhoven (2013), Vancouver Art A Mark Lewis studio production, in plays; the repetition of windows of the modernist Gallery (2013), Art Gallery of Ontario, Toronto (2009), association with Soda Film + Art and in glass curtain — windows, beams and trusses — are the BFI Southbank, London (2007) and the Musee co-production with the National Film optical equivalent of the frames of analogue film as d’art Moderne Grand-Duc Jean, Luxembourg (2005). Board of Canada. well as the interface of still and moving image In 2009, Lewis represented Canada in the 53rd Courtesy the artist and Daniel Faria animations; and the movement through urban space, Venice Biennale (2009), Curated by Barbara Fischer. Gallery, Toronto. with its blocks and channels, cuts up perspectives The first iteration of Invention was presented in a and vistas, evoke the way montage edits temporal solo exhibition at The Louvre, Paris (2014), and in the and spatial flow. Coupled with uniquely cinematic form of a large-scale installation at the 31st São types of movement — the actions of the zooming Paulo Biennial (2014). Lewis teaches at Central Saint lens; the panning, tilting, lifting and lowering of the Martins, University of the Arts London, UK, and camera; and the recording, editing and playback is Co-Founder, together with Charles Esche, of the of analogue or digital film — Lewis underscores the journal Afterall. way in which the camera extends the human footnote gaze, physically, haptically and psychically in the 1. Mark Lewis, Invention (London: University of the Arts London Professorial experience of space. Platform, 2014), n.p. Critical in Lewis’ conception of the emergence of 1 cinema is the presence of reflective surfaces — of Fall programs and events 9

Calendar October 2015 November 2015 December 2015 Friday, October 2, 7 PM Saturday, 17 October, 3 PM Sunday, 1 November, 2 PM Saturday, 21 November, 3 PM Saturday, 5 December, 2 PM at a Glance INTERNATIONAL LECTURE SERIES POWER TOUR (PG 17) SUNDAY SCENE POWER TOUR (PG 17) Saturday Encounters (PG 3) Alfredo Jarr Ed Pien (PG 10) It is Difficult Sunday, 18 October, 2 PM Sunday, 22 November, 2 PM Saturday, 5 December, 3 PM Programs and events at The artist will discuss a selection of LECTURE Monday, 2 November, 3 PM SUNDAY SCENE POWER TOUR (PG 17) The Power Plant are made recent public interventions realized W. Bruce C. Bailey Workshop with Kevin Healey Daniel Faria (PG 11) Sunday, 6 December, 3 – 5 PM possible by our Primary around the world. (PG 15) The Art of Art Collecting Kevin Healey will lead a workshop Tuesday, 24 November, 5:30 – 7 PM Education Sponsor With an introduction from Mary-Dailey exploring the ways in which POWER KIDS Saturday, 3 October, 5 pM – Desmarais, W. Bruce C. Bailey will language both enables and limits MEMBERS-ONLY EXHIBITION Inner Voice (PG 14) Sunday, 4 October, 7 aM speak about art collecting for both the our understanding of the five VIEWING Saturday, 12 December, 2 PM SPECIAL OPENING HOURS novice and the experienced art senses. (PG 3) Meet fellow Members and view the Saturday Encounters (PG 3) FOR NUIT BLANCHE (PG 5) collector. (PG 16) exhibition after regular hours. (PG 12) Saturday, 7 November, 2 PM Saturday, 12 December, 3 PM Saturday, 3 October, 2 PM Friday, 23 October, 4 PM Saturday Encounters (PG 3) Saturday, 28 November, 2 PM POWER TALK Saturday Encounters (PG 3) POWER TOUR (PG 17) September 2015 Saturday Encounters (PG 3) Sofía Hernández Chong Cuy Saturday, 7 November, 3 PM Saturday, 28 November, 3 PM Sunday, 13 December, 2 PM Saturday, 26 September, 2 PM Saturday, 3 October, 3 PM Field Work in Latin America (PG 18) POWER TOUR (PG 17) POWER TOUR (PG 17) SUNDAY SCENE Saturday Encounters (PG 3) POWER TOUR (PG 17) Saturday, 24 October, 2 PM Sunday, 8 November, 2 PM George Baird (PG 11) Sunday, 29 November, 2 PM Sunday, 27 September, 2 PM Sunday, 4 October, 3 – 5 PM Saturday Encounters (PG 3) SUNDAY SCENE Jacqueline Valencia (PG 10) SUNDAY SCENE Saturday, 19 December, 2 PM SUNDAY SCENE POWER KIDS Saturday, 24 October, 3 PM David Dorenbaum (PG 11) Saturday Encounters (PG 3) Christine Shaw (PG 10) Our City (PG 14) POWER TOUR (PG 17) Saturday, 14 November, 2 PM Saturday, 19 December, 3 PM Tuesday, 6 October, 8 – 11 PM Saturday Encounters (PG 3) Sunday, 27 September, 4 PM POWER TOUR (PG 17) Finnegans Wake Collective Reading ISO: Student Night @ Saturday, 24 October, 4 PM The Power Plant POWER TALK Saturday, 14 November, 3 PM Dora García will lead a collective Sunday, 20 December, 2 PM This event is for post-secondary Carlos Amorales POWER TOUR (PG 17) reading of Finnegans Wake by SUNDAY SCENE students seeking professional Black Cloud (PG 19) James Joyce. (PG 3) Sunday, 15 November, 2 PM Alex Josephson & Nicola Spunt (PG 11) development and networking Sunday, 25 October, 3 PM SUNDAY SCENE Sunday, 27 September, 6 PM opportunities in the field of Saturday, 26 December, 2 PM contemporary art. (PG 16) POWER TALK Jacob Korczynski (PG 10) DUAL BOOK LAUNCH Saturday Encounters (PG 3) Elizabeth Vollert Mad Marginal Cahier #4: I SEE Sunday, 15 November, 3 – 5 PM Saturday, 10 October, 2 PM La Otra Bienal, Bogotá: Contemporary WORDS, I HEAR VOICES and Notes POWER KIDS Saturday, 26 December, 3 PM Saturday Encounters (PG 3) Art Practice as Social, Environmental on Obsolescence Myriad of Mobiles (PG 14) POWER TOUR (PG 17) Celebrate the release of new books and Urban Integration. (PG 19) Saturday, 10 October, 3 PM January 2016 by Dora García and Shelagh Keeley. Thursday, 19 November, 7 PM POWER TOUR (PG 17) Wednesday, 28 October, 7 PM (PG 12) LECTURE Saturday, 2 January, 2 PM FILM Sunday, 11 October, 2 PM Barbara Fischer Saturday Encounters (PG 3) Monday, 28 September, 7 PM Carlos Amorales: A Flim Trilogy (PG 13) SUNDAY SCENE Fischer will discuss Mark Lewis’s film IN COVERSATION Saturday, 2 January, 3 PM David Sugarman (PG 10) Saturday, 31 October, 2 PM works that are set in Toronto. (PG 17) Dora García & Chantal Pontbriand POWER TOUR (PG 17) Saturday Encounters (PG 3) Dora García will discuss her Mad Saturday, 17 October, 2 PM Saturday, 21 November, 2 PM Sunday, 3 January, 2 PM Marginal project with Guest Curator Saturday Encounters (PG 3) Saturday, 31 October, 3 PM Saturday Encounters (PG 3) SUNDAY SCENE Chantal Pontbriand. (PG 12) POWER TOUR. (PG 17) Power Kids Adrienne Costantino (PG 11)

Sunday Scene International lecture Series FILM Power Tours LECTURES POWER TALKS FREE speakers from the world of art A series of lectures from Curated screenings and special film FREE guided tour of the current Guest speakers present on their own Since 2006, Power Talks has and beyond offer their responses to international artists, curators premieres spotlight new and exhibitions that offers individuals the work and on salient topics in partnered with Art Toronto to present the current exhibition. and cultural commentators. noteworthy moving images by artists. opportunity to engage in dialogue contemporary art and culture, which influential art-world figures who about art and ideas. are often linked to the current discuss their projects, preoccupations Power kids SATURDAY ENCOUNTERS exhibitions. and ideas in the context of the city’s FREE multigenerational studio FREE experts by experience share largest art fair. activities with a guided gallery tour. insights into living with experiences that may seem extraordinary. fall programs and events #SundayScene Primary Education Sponsor #SundayScene 11

October 2015 Daniel Faria December 2015 producer, writer and award-winning Sunday Scene literary scholar and is currently David Sugarman Sunday, 22 November, 2 PM the Director of Content and Culture The Power Plant at PARTISANS. Spunt was also Sunday, 11 October, 2 PM Daniel Faria received a BFA from free the Toronto Production Manager the University of Waterloo in 1999 and David Sugarman is a Senior on Mark Lewis’ Invention, and Speakers from the world of art and an MA in Art History from York Researcher at the Ontario Science together they speak to the artist’s beyond offer their responses to the University in 2003. He has worked at Centre, where he has worked work within the context of his current exhibitions. Whether focusing the Kitchener Waterloo Art Gallery for 34 years in program and exhibit current exhibition Invention. on a single work, a specific artist or and interned at Mercer Union before development. His varied interests on multiple exhibitions, guest pres- going on to become Director of Monte and expertise have translated into enters draw provocative connections Clark Gallery, Toronto, for several numerous media appearances, between our programs and broader years. In October 2011, he opened covering many areas of science. He cultural and intellectual debates. Daniel Faria Gallery. Faria will discuss holds degrees in Biology and Jacqueline Valencia Mark Lewis’ exhibition Invention. Education from the University of Invention. Toronto. Sugarman will discuss Carlos Jacqueline Valencia Amorales’ exhibition Black Cloud. September 2015 Sunday, 8 November, 2 PM

Jacqueline Valencia is a Toronto- Alex Josephson November 2015 George Baird based writer, poet and critic. Her contributions can be found in George Baird various publications across Canada. She is a CWILA board member Sunday, 13 December, 2 PM and a part of the Meet The Presses collective. Valencia will discuss George Baird is the former Dean Dora García’s exhibition I SEE WORDS, (2004 – 09) of the John H. Daniels I HEAR VOICES. Faculty of Architecture, Landscape and Design, and is a partner in the Toronto-based architecture and Jacob Korczynski urban design firm Baird Sampson Nicola Spunt Neuert Architects. Prior to becoming Sunday, 15 November, 2 PM David Dorenbaum Dean at the University of Toronto, Jacob Korczynski is an independent Baird was the G. Ware Travelstead January 2016 Christine Shaw David Dorenbaum curator based in Toronto. He Professor of Architecture at the Sunday, 29 November, 2 PM Adrienne Costantino Christine Shaw has curated projects for the Stedelijk Graduate School of Design, Harvard Museum, If I Can’t Dance, I Don’t University. Baird will discuss Mark Sunday, 3 January, 2 PM Ed Pien David Dorenbaum is a psychoanalyst Sunday, 27 September, 2 PM Want to Be Part of Your Revolution, Lewis’ exhibition Invention. in private practice in Toronto, Canada. Ed Pien Gallery TPW and the Badischer Adrienne Costantino is a printmaker Christine Shaw is Director/Curator of Kunstverein. His writing has appeared He is a member of the International Alex Josephson and educator who is passionate about Psychoanalytic Association, Assistant the Blackwood Gallery and Assistant Sunday, 1 November, 2 PM in C Magazine, Fillip, Girls Like Us & Nicola Spunt engaging audiences with contempo- Professor, Teaching Stream in the and Little Joe. Korczynski will discuss Professor in the Department of rary art. She currently is the TD Department of Visual Studies at the Ed Pien, born in Taipei, Taiwan, is a Mark Lewis’ exhibition Invention. Psychiatry at The University of Toronto Sunday, 20 December, 2 PM Curator of Education and Outreach University of Toronto Mississauga. Canadian artist based in Toronto. He and a member of the Lacan Clinical Fellow at The Power Plant, where she Shaw is the Curator of Carlos has been drawing for nearly 30 years Forum in Stockbridge, Massachusetts. Alex Josephson co-founded the is committed to providing opportuni- Amorales’ exhibition Black Cloud, and and has exhibited his work nationally His interest in the points of conflu- architecture firm PARTISANS in 2012 ties for learning through accessible will discuss his work within the context and internationally including at the ence between psychoanalysis and the after studying architecture at the programs for all ages. Costantino will of the exhibition The Work of Wind, Moscow Biennale (2013), the Sydney arts has led to various collaborations University of Waterloo and the discuss Carlos Amorales’ exhibition Scotiabank Nuit Blanche, 2015. Biennale (2012) and Oh Canada at with artists of different disciplines. University of Rome, where he also Black Cloud. MASS MoCA (2013). He currently Dorenbaum will discuss Dora García’s worked for Massimiliano Fuksas. Christine Shaw photo: Richard Rhodes Presented in partnership with teaches part-time at the University of exhibition I SEE WORDS, I HEAR Josephson lectures at the University Jacqueline Valencia photo: Richard McDonough Toronto. Pien will discuss Carlos VOICES. of Toronto’s Daniels Faculty David Dorenbaum photo: Frances Dorenbaum Alex Josephson photo: George Pimentel Amorales’ exhibition Black Cloud. of Architecture. Nicola Spunt is a Nicola Spunt photo: Ben Lichty fall programs and events Primary Education Sponsor 13

In Conversation Film Laddaga. Based on extensive addict, the final film revisits an Inuit Members-Only Dora García & Carlos Amorales: research, the film mobilizes the use myth in which the protagonist has of non-semantic language. The become invisible to the European Exhibition Viewing Chantal Pontbriand A Film Trilogy obstruction of intelligible language traders with whom he tries to trade permitted the actors and the director goods. The narrative is intermixed Tuesday, 24 November, Monday, 28 September, 7 pm Wednesday, 28 October, 7 pm to improvise when shooting the with a rich variety of sources: 5:30 – 7 pm scenes. As spoken language and text paintings, costumes and set designs The Power Plant TIFF Bell Lightbox, Reitman become more abstracted through the by Russian Suprematist artist Kazimir Square, 350 King Street West Members have the opportunity FREE Members / $12 Non-Members filming process, the actors’ physical Malevich; strains of pedagogical FREE Members / $12 Non-Members to view the exhibition after expression becomes the predomi- and political theory articulated by Visit thepowerplant.org or call the regular gallery hours. nant form of communication. Under Joseph Beuys; and controversial texts Harbourfront Centre Box Office at Tickets on sale beginning Monday, 28 416.973.4000 to purchase tickets. Please September 2015 at the TIFF Bell these working premises, the act of by Chilean writer Manuel Serrano. Dual Book Launch note that if the event is sold out, reserved Lighbox Box Office in-person or over filmmaking allows for the creation of Collage permeates the entire project Members’ tickets that are not picked up by the phone, 416.599.8433. Members’ an experience of a “state of exception” — the actors themselves used collage Dora García’s Mad 6:55 PM will be released. tickets also available by contacting comparable to a moment of social cut-outs as props and scenic back- [email protected]. 2 anarchy. drops as they developed a symbolic Marginal Cahier #4: Non-Members’ tickets also available In conjunction with the exhibition at thepowerplant.org. The Man Who Did All Things language of their own, opening new I SEE WORDS, I HEAR I SEE WORDS, I HEAR VOICES, artist Chantal Pontbriand is a contempo- Forbidden (2014) is inspired by the associative and narrative possibilities. VOICES and Shelagh Dora García will discuss her Mad rary art curator and critic whose In tandem with the exhibition Black novel Estrella Distante by Chilean The films will be introduced by Marginal project with Guest Curator work is based on the exploration of Cloud, The Power Plant is pleased to author Roberto Bolaño. It departs Christine Shaw, Guest Curator of Keeley’s Notes Chantal Pontbriand, including questions of globalization and present the Canadian premiere of from historical research about Carlos Amorales: Black Cloud, and on Obsolescence her interest in voice-hearing, James artistic heterogeneity. She founded Carlos Amorales’ recently completed the political radicalization of Chilean will be followed by a Q & A. The Joyce and life in exile. PARACHUTE magazine in 1975 and film trilogy. Amorales’ films begin with poetry after the 1973 coup d’état, artist will be present. Sunday, 27 September, 6 pm García’s work is largely performa- acted as Publisher / Editor until 2007. a rigorous research process, which, with the posterior introduction of a tive and deals with issues related to From 1982 to 2003, she was President in addition to infusing the works with neoliberal economy in that country. program community and individuality in Amsterdam (2013, 21 min.) The Power Plant and Director of FIND (Festival life and substance, places each Amorales’ film explores Bolaño’s The Man Who Did All Things Forbidden free contemporary society. Exploring International de Nouvelle Danse), project within a particular historical views of the Chilean avant-garde and (2014, 40 min.) The Eye Me Not (2015, 50 min.) the political potential of marginal Montreal. She was appointed and political narrative. revels in the surreal imagery and Celebrate the release of Dora positions, she pays homage to Head of Exhibition Research and Amsterdam (2013) is a fictional poetic rhythms of his writings. García’s new book, edited by eccentric characters and antiheroes. IN PARTNERSHIP WITH Development at Tate Modern in film adapted from a screenplay The Eye Me Not (2015) articulates Chantal Pontbriand, as well as Since 2009, she has been carrying London in 2010 and more recently Amorales wrote in collaboration the idea of a cinematic collage. Shelagh Keeley’s artist book Notes out a project entitled Mad Marginal, founded PONTBRIAND W.O.R.K.S with Argentinean author Reinaldo Through the dream of an opium on Obsolescence, with a text from in which she investigates the [We_Others and myself_Research_ T’ai Smith, featuring work from her very complex relations between Knowledge_Systems]. In 2013, recent exhibition at The Power Plant art, politics, psychiatry and she received the Governor General in 2014 – 2015. psychoanalysis. This research has of Canada Award for Outstanding been documented in her series Contribution in the Visual and Media of books Mad Marginal Cahiers. Arts, and in 2014, an Honoris Causa Doctorate from Concordia University and the title of Officer of the Ordre des Arts et Lettres in France. Recent exhibitions include PER/FORM: How To Do Things with[out] Words, CA2M, Madrid (2014) and Dora Garcia: Of Crimes and Dreams, Darling Foundry, Montreal (2014). Pontbriand curated the current exhibition I SEE WORDS, I HEAR VOICES. Recent publications include The Contemporary, the Common: Art in a Globalizing World, Sternberg 1 Press, Berlin (2013). 3 fall programs and events Primary Education Sponsor 15

2015 – 16 lead Donor Space is limited. Visit thepowerplant.org Power Kids International Nancy McCain and Bill Morneau or call 416.973.4949 to reserve tickets. Please note that if the event is sold out, The Power Plant Lecture Series Studio Theatre, reserved tickets that are not picked up by free Harbourfront Centre 6:55 PM will be released. FREE Visit thepowerplant.org or call 416.973.4949 to reserve a spot. Caregivers are expected to join their children in all activities.

Tours and workshops are led by artist- educator Anna Bouzina and assisted by Adrienne Costantino, TD Curator of Education and Outreach Fellow.

For children ages 8–12 and their younger siblings and adult companions.

Our City Myriad of Mobiles Inner Voice 5 Sunday, 4 October, 3 – 5 pm Sunday, 15 November, 3 – 5 pm Sunday, 6 December, 3 – 5 pm Alfredo Jaar York; Whitechapel, London; and Helsinki and others. He will also Artist Mark Lewis explores the use of Drawing inspiration from Carlos Inspired by Dora García’s exhibition The Museum of Contemporary Art, present a selection of his canonical space, architecture and the urban Amorales’ exhibition Black Cloud, I SEE WORDS, I HEAR VOICES, this It is Difficult Rome. He has realized more than works, including A Logo for America landscape of Toronto in his exhibition participants will learn the art of workshop will examine the idea of the 60 public interventions around the (1987), a seminal intervention realized Invention. For this workshop, paper cutting as well as sculptural inner voice and how we interact Friday, 2 October, 7 pm world. Over 50 monographic in New York’s Times Square and participants will investigate how cities building techniques to construct with our inner selves. To explore this publications have been published other interventions that focus on the are structured and the ways in which large mobiles of swarming insects concept, participants will use their Alfredo Jaar is a Chilean born artist, about his work. He was awarded a complex relationship between citizens interact with their urban out of paper. Participants will be imagination to write a detailed architect and filmmaker who lives Guggenheim Fellowship in 1985 and North and South America. environment. Using a variety of media encouraged to collaborate by description and sketch out a visual and works in New York. His work has a MacArthur “Genius” Grant in 2000. Curator and Artistic Director of including paint, pastels, tape and trading insects and displaying their representation of their inner selves. been shown extensively around Jaar is presenting (Music) Everything Museo de Arte Latinoamericano markers, participants will work both mobiles together in a coordinated Participants will then collaborate to the world. He has participated in the I know I learned the day my son was de Buenos Aires Agustín Pérez Rubio individually and collaboratively hanging installation. At the end create a large wall drawing, complete 42nd, 52nd, 53rd and 55th Venice born (2013) in the Scotiabank Nuit will respond to Jaar’s presentation to create a large-scale model of a of the workshop, kids will take their with narrative inscriptions and Biennale (1986, 2007, 2009 and 2013), Blanche exhibition HTOUS / HTRON: and facilitate questions. cityscape. Each participant will then creations home. relevant images taken from their initial the 19th, 21st and 29th São Paulo The New Coordinates of the Americas, further transform the cityscape by sketches. At the end of the workshop Biennial (1987, 1989 and 2010) as well curated by Agustín Pérez Rubio. Co-presented with creating life-sized silhouettes that the drawing will be separated and as Documenta 8 and 11 (1987 and The artist will discuss a selection will be placed within the mural. At the each child can take a section home. 2002). Important individual projects of recent public interventions end of the workshop participants can include exhibitions at The New realized around the world, including take their silhouettes home. Museum of Contemporary Art, New Fukushima, Berlin, Torino, Miami, fall programs and events Primary Education Sponsor 17

ISO: Student Night @ Guided Gallery Tours The Power Plant Power Tours

Tuesday, 6 October 8 – 11 pm Saturdays, 3 PM 3 October 2015 – 2 January 2016 The Power Plant free Students with ID, $12 Non-Students The Power Plant Cash Bar Free

Attention all post-secondary students: Learn more about contemporary What are you In Search Of? Our art on a guided tour. The gallery third annual Student Night is for those offers individuals the opportunity 6 seeking professional development to engage in dialogue about art opportunities, a chance to network and ideas. Join us for a 30-minute guided tour of current exhibi- Lecture and Patron. As an adjunct to his art with established artists and other activities, Bailey has acted as an artist professionals. Enjoy good times with tions led by one of the gallery W. Bruce C. Bailey advisor to international and Canadian art, music, food and performances attendants at The Power Plant. The Art of Art artists and as an art curator and art by Tough Guy Mountain and historian. He is currently curating an Heretical Objects Cooperative and Group Tour Collecting exhibition featuring the work of DOOMSQUAD. Throughout the Canadian artist Tyler Bright Hilton at evening there will be unique oppor- Daily Sunday, 18 October 2 pm Macaulay Fine Arts, Vancouver, in tunities for cross-disciplinary skills 3 October 2015 – 3 January 2016 November 2015. exchange with established cultural Brigantine Room, With an introduction by Mary-Dailey producers. Interested in presenting The Power Plant Harbourfront Centre $2.50 per person free Desmarais, this talk will provide your work at our Show and Tell? insight into art collecting for both Visit our website for more details on 8 Call 416.973.4949 to schedule a Space is limited. Email the novice and the experienced how to apply. Be one of the first group tour [email protected] or call art collector, illustrated with Bailey’s 100 post-secondary students through Lectures Fischer’s curatorial work focuses 416.973.4949 to reserve tickets. Please personal experiences in the art world. the door and you will receive a on contemporary art and its histories, note that if the event is fully booked, Barbara Fischer Regardless of your age or Following the lecture, Desmarais special complimentary one-year encompassing the international reserved tickets that are not picked up knowledge, The Power Plant can and Bailey will engage in conversation Membership to the gallery courtesy circulating exhibition General Idea by 1:55 PM will be released. The lecture Thursday, 19 November, 7 pm tailor a tour to match your needs. will be followed by reception with cash about their mutual experiences of the new W. Bruce C. Bailey Student Editions 1967 – 1995 (2003), Projections Tours can be arranged for bar at The Power Plant from 3 – 4 PM. in collecting contemporary art. The Membership Program. Studio Theatre, (2007) and the multi-partnered survey educators and their students, lecture will be followed by a reception Harbourfront Centre of conceptual art in Canada Traffic: parents and their families, FREE Members / $12 Non-Members W. Bruce C. Bailey is a Canadian co-hosted by Desmarais and Bailey Conceptual Art in Canada 1965 – 1980 or corporate, tourist and other investment banker, lawyer, farmer, art at The Power Plant. (2010) which toured nationally and Visit thepowerplant.org or call the organized groups. Mary-Dailey Desmarais is a curator, internationally. She received the 2008 collector and arts patron. Bailey has Harbourfront Centre Box Office at art historian and collector. She Hnatyshyn Award for Curatorial collected Canadian and international 416.973.4000 to purchase tickets. Please La Power Plant Art Gallery received her PhD from Yale in 2015 Excellence in Contemporary Art and contemporary art in all media note that if the event is sold out, reserved offre des visites personnalisées and now works as a guest curator Members’ tickets that are not picked up by curated Mark Lewis’ Cold Morning and genres for the past 30 years. He pour tous les groupes d’âges at the Montreal Museum of Fine Arts. 6:55 PM will be released. for the 53rd Venice Biennale (2009). founded the first arts incubator selon intérêts et conaissances. She is a member of the Board Fischer curated the current in Canada (2000 – 10) dedicated to Des visites guidées franco- of Directors and President of the Barbara Fischer is the Executive exhibition Invention. launching Canadian art careers phones peuvent être organisées Programming Committee of Director / Chief Curator of the Canadian-born and UK-based artist as well as initiating the first Canadian à des fins éducatrices pour the Musée d’Art Contemporain de Justina M. Barnicke Gallery and the Mark Lewis has made films in cities exhibitions for international artists les écoles, entreprises, familles, Montréal and she also sits on the University of Toronto Art Centre, all over the world. This lecture focuses Jake and Dinos Chapman, Peter Doig touristes, et toutes autres Directors Council of the Clark as well as Director of the Master of on the film works that are set in and Tony Matelli. In 2010, Bailey organisations communautaires. joined the art acquisition committee Art Institute. Visual Studies Curatorial Studies in Toronto, examined in the context of for international art after 1900 at the John H. Daniels Faculty of his interests in the intermixing of the Montreal Museum of Fine Arts Architecture, Landscape and Design cinematic tropes, architecture, urban 7 where he is also a Major Benefactor at the University of Toronto. settings, time and duration. fall programs and events Primary Education Sponsor 19

Carlos Amorales Artist Carlos Amorales was born are in the public collections of Power Talks in Mexico City in 1970 where he lives Tate Modern, London; Museum of Black Cloud and works today. His recent work Modern Art, New York; Daros- 23 – 25 October combines sound, sculpture and live Latinoamerica, Zurich; Walker Art Saturday, 24 October, 4 pm performance, encouraging interac- Center of Minneapolis; Museum Main Stage tions between objects and individuals. Boijmaans van Beunigen, Rotterdam; Metro Toronto Convention Centre FREE admission to Power Talks is He has exhibited at Tate Modern, and the Fundacion/Coleccion included with daily Art Toronto London; the Philadelphia Art Museum; Jumex in Mexico. Admission Daros-Latinoamerica, Zurich; Amorales’ large scale installation 3-day power talks pass $45 Museum of Latin American Art of Black Cloud, currently on view at Buenos Aires; and the San Francisco The Power Plant, consists of 30,000 For the 10th year running, Power Talks presents influential art-world figures Museum of Modern Art. His black moths cut out of paper. speaking in the context of Art Toronto 2015. performances have been presented Amorales will address Black Cloud Visit arttoronto.ca for more information. at the Museum of Contemporary Art, within the context of his artistic Chicago; de Appel Centre for practice including his Liquid Archive, Co-presented with Contemporary Art, Amsterdam; and a digital database of images he has the Centre George Pompidou, Paris, been building since 1998. among many other venues. He took part in the 10th Havana Biennale IN PARTNERSHIP WITH (2009), Performa 07 (2007), the 50th Venice Biennale (2003) and the FOCUS: Latin America 10 2nd Berlin Biennale (2001). His works

Friday, 23 October at 3 PM

Join us for a special tour of FOCUS: Latin America with curator Abaseh Elisabeth Vollert Mirvali. This event is open to The Power Plant’s Circle of Supporters (Silver, La Otra Bienal, Bogotá: Gold and Platinum Circle Members). Please reserve your spot by emailing Contemporary Art [email protected] or phoning 416.973.4926. Space is limited. Practice as Social, 9 Environmental and Sofía Hernández for Kadist Art Foundation, Paris; Urban Integration. the Museum of Latin American Art of Chong Cuy Buenos Aires; and the Center for Sunday, 25 October, 3 pm Field Work in Contemporary Art in Vilnius, Lithuania, among other places. She has worked Elisabeth Vollert is a curator and Latin America closely on projects with a number cultural producer of contemporary of artists including Allora & Calzadilla, art projects developed in site- Friday, 23 October, 4 pm Alejandro Cesarco, Mario García specific and social contexts. Based Torres, Andrea Geyer, Sharon Hayes in Bogota, Colombia, she is the Sofía Hernández Chong Cuy is Curator and Judi Werthein. Originally from Co-Founder and Artistic Director of of Contemporary Art at the Colección Mexico, she graduated from the La Otra, arte contemporaneo, Patricia Phelps de Cisneros, New Center for Curatorial Studies at Bard founded in 2007 as a platform to 11 York. Previously she served as Director College in 2000. promote interdisciplinary practices, of Museo Tamayo, Mexico City, and Hernández Chong Cuy will speak to experimentation and investigation. has contributed to the revival of as a vital platform for contemporary was Artistic Director and Chief her role in building the contempo- Since its inception, La Otra has architectural icons and neighbour- art of Latin America and will consider Curator of the 9th Bienal do Mercosul, rary holdings of the Colección Patricia inhabited distinct locations of the city hoods, brought art and audiences art within the public sphere as Porto Alegre, Brazil (2013). She has Phelps de Cisneros, one of the with the goal of dismantling the to unconventional places and enabled an interactive meeting point in the held curatorial positions in New York world’s foremost collections of art territorial, socio-political, economic public interaction with contemporary urban imaginary by means of at Art in General and Americas from Latin America. and cultural barriers linked to civil artistic practices. re-signification, appropriation and Society, and has curated exhibitions life in these communities. As such, it Vollert will discuss La Otra Bienal recuperation. 21 Join The Power Plant Harbourfront Members of The Power Plant form an amazing community of artists, curators, collectors and art enthusiasts. Join this passionate network of supporters and become an insider. As Canada’s leading contemporary art gallery, The Power Plant provides you with excep- Centre tional opportunities to access, engage with and exchange ideas around the best artwork of our time by world-renowned artists. Your Membership directly supports artists and the opportunities they have to develop and present new work to engaged audiences.

Become a Member FREE FREE Access to a range of local, Publications delivered straight of The Power Plant national and international art to your door and receive: galleries and museums through Reciprocal Admission offerings DISCOUNTS EXCLUSIVE On tickets, merchandise and more Artist-designed Membership card FREE Weekend Weekly Caribbean Sailing with Tickets to the International Festivals Harbourfront Centre FREE Lecture Series and to a number of Activities 30 January – 13 February We’re Members-only exhibition other public programming events IFOA Weekly The World on the Street The Harbourfront viewings September – June 27 September Centre Shop glad Open Daily DJ Skate Nights HarbourKIDS: Rites 12 October Natrel Rink Sailing and Powerboating Saturdays from Open Monday – Friday, you’re The Power Plant is very grateful to the following Institutional Supporters: International Festival of 12 December – some weekends Authors 20 February 22 October – 1 November Craft & Design Studio Our Craft & Design here. GOVERNMENT FUNDERS ALL YEAR, ALL FREE Power Players Experience Day of the Dead Studio gives the public a Events are now online Presented by Scotiabank More rare opportunity to watch harbourfrontcentre.com 7 – 8 November our Artists-in-Residence 416.973.4000 NextSteps, the best of work with textiles, glass, Power Youth FUNDERS Craft & Design: Making Canada’s dance metal and ceramics in a and Thinking Symposium 23 September – 28 May fully-equipped facility. If Volunteer program Sponsor 14 November you’re feeling inspired, Visual Arts at come try a class! SWEA Christmas Festival Harbourfront Centre 21 – 22 November Primary Education Sponsor RBC Curatorial Fellow supported by Food for Thought Kuumba 26 September – Presented by TD Bank 24 December Group international lecture series 5 – 7 February Deliberately Ambiguous 2015 – 16 lead Donor STUDENT MEMBERSHIP PROGRAM DONOR TD CURATOR OF EDUCATION AND OUTREACH 30 January 2016 – FELLOW SUPPORTED BY Nancy McCain and Bill Morneau W. Bruce C. Bailey HarbourKIDS: Snowglobe 19 June 2016 Festival Presented by RBC Learn Learn to Skate Generously Supported by image credits to Play Project 1. Dora García: Miguel Balbuena 4. Power Kids, 2014 8. Barbara Fischer: Michel Mersereau (2011) 15 February RBC Learn to Play Project 2. Chantal Pontbriand: Richard-Max Tremblay 5. Alfredo Jaar: Self Portrait courtesy of the Artist 9. Sofía Hernández Cong Cuy: Fran Parente 24 November – 13 March 3. Carlos Amorales, The Eye Me Not, 2015, 6. W. Bruce C. Bailey: Erin Simkin 10. Carlos Amorales: Lake Verea LUNARFEST digital film, colour, 50 min. Courtesy the artist. 7. Student Night: Henry Chan (2014) 11. Elisabeth Vollert: Andrea Muñoz 20 – 21 February all year, all free presented by

gallery hours LOCATION Tuesday – Sunday 10 – 5 PM 231 Queens Quay West Thursday 10 – 8 PM Toronto, Ontario, Canada Open holiday Mondays M5J 2G8

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