Press Release Monday 16 October 2017 Royal Court
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Advance Program Notes the TEAM National Theatre of Scotland Anything That Gives Off Light Friday, March 1, and Saturday, March 2, 2019, 7:30 PM
Advance Program Notes The TEAM National Theatre of Scotland Anything That Gives Off Light Friday, March 1, and Saturday, March 2, 2019, 7:30 PM These Advance Program Notes are provided online for our patrons who like to read about performances ahead of time. Printed programs will be provided to patrons at the performances. Programs are subject to change. The TEAM National Theatre of Scotland Anything That Gives Off Light North American Premiere A co-production by the TEAM, the National Theatre of Scotland, and Edinburgh International Festival Written by Jessica Almasy, Davey Anderson, Fraser Ayres, Rachel Chavkin, Brian Ferguson, and Sandy Grierson Created in collaboration with Matt Hubbs, Nick Vaughan, Brian Hastert, and Libby King Music and lyrics by the Bengsons Directed by Rachel Chavkin with Associate Director Davey Anderson Cast Red: Jessica Almasy* Brian: Reuben Joseph* Iain: Martin Donaghy* Musicians Jessie Linden* Maya Sharpe* Katrina Yaukey* Director: Rachel Chavkin Associate Director: Davey Anderson Composers: Shaun Bengson and Abigail Nessen-Bengson Designer: Nick Vaughan Lighting Designer: Ted Boyce-Smith Sound Designer and Technical Director: Matt Hubbs Music Director: Ellen Winter Costume Associate: Heather McDevitt Barton Casting Director: Laura Donnelly, CDG Production Stage Manager: Ben Freedman* TEAM Producing Director: Alexandra Lalonde Production Assistant: Ema Zivkovic Music Assistant: Jessica Mqllquham This production of Anything That Gives Off Light is dedicated to our original lighting designer, Chahine Yavroyan, who passed away in November, 2018. Chahine, we carry the flame of your elegance, your good grace, and your beautiful eye in our hearts on this stage every evening. Thank you for your light. -
Sundowning by Nessah Muthy
Sundowning by Nessah Muthy Betty . .Hazel Maycock Intrepid plays by fearless women since 1991 Teresa . Nadia Nadif Alyssa . Aasiya Shah Kali Theatre develops and tours ground breaking, Director . .Helena Bell thought provoking, contemporary theatre by women Writer . Nessah Muthy writers of South Asian descent. Designer . .Rajha Shakiry Lighting Designer . Pablo Fernandez Baz We seek out and nurture talented writers, bringing their experience and stories to audiences from all backgrounds to transform the theatre Sound Designer . .Dinah Mullen landscape and better reflect modern Britain. Video Designer . .Daniel Denton Sundowning Choreographer . Yarit Dor We have been championing women writers from a South Asian background for over twenty five years. We actively encourage our Production Manager . .Kate Jones by Nessah Muthy writers to reinvent the theatrical agenda and have gained a reputation Company Stage Manager . Charlotte R L Cooper for staging inspiring and provocative new theatre. Wardrobe Support . Alex Horner Our new Discovery and Festival Writer Development Programmes Kali Theatre encourage and support the creation of new work through writing Artistic Director . Helena Bell workshops, dramaturgical support and public readings. Executive Director . .Christopher Corner Administrator. Samia Djilli Publicist . Nancy Poole Find our more and join our mailing list at kalitheatre.co.uk Marketing . Reshmi Mayer Email us [email protected] Thanks to the staff of Plymouth Theatre Royal for all their support in creating this Like us facebook.com/kalitheatureUK production of Sundowning. Follow us @KaliTheatreUK Thanks to Pursued by a Bear who first commissioned Sundowning when under previous AD Helena Bell and in particular Julia Tymukas, Thomas Kell, Katharine Ives and Cathy Westbrooke who helped support early sharings. -
THE TRACKERS of OXYRHYNCHUS by Tony Harrison
Press Information ! ! VIBRANT NEW WRITING | UNIQUE REDISCOVERIES Winter Season 2016-17 | October 2016 – January 2017 at the Finborough Theatre The first London production in nearly 30 years THE TRACKERS OF OXYRHYNCHUS by Tony Harrison. Directed by Jimmy Walters. Designed by Philip Lindley. Lighting by Rob Mills. Music by Piers Sherwood Roberts. Choreography by Amy Lawrence. Presented by Proud Haddock in association with Neil McPherson for the Finborough Theatre. Cast: Peta Cornish. Nik Drake. Richard Glaves. Sacha Mandel. Dylan Mason. Tom Purbeck. Dannie Pye. James Rigby. Adam Small. “I'm a God, Apollo, but I was tipped On a rubbish tip inside this manuscript. I’ve spent two thousand years asleep On an Oxyrhynchus rubbish heap." In a new production commissioned by the Finborough Theatre, the rediscovery of Tony Harrison’s The Trackers of Oxyrhynchus in its first London production for nearly 30 years opens at the Finborough Theatre for a four week limited season on Tuesday, 3 January 2017 (Press Nights: Thursday, 5 January and Friday, 6 January 2017 at 7.30pm). Egypt, 1907. Two archaeologists, Bernard Grenfell and Arthur Hunt, are searching for ancient fragments of poetry and plays, next to an old rubbish heap. Until the Greek God, Apollo, descends from the skies... Apollo is furious that they have failed to unearth the fragmentary text of a lost Satyr play by Sophocles. As he forces the two papyrologists to find the lost play, Grenfell and Hunt become part of the story they have discovered. Multi-award-winning poet and playwright Tony Harrison remakes the ancient Greek original into a play for our times – and rediscovers the satyr play. -
June 17 – Jan 18 How to Book the Plays
June 17 – Jan 18 How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm Saint George and Network Pinocchio for the following week’s performances. the Dragon 4 Nov – 24 Mar 1 Dec – 7 Apr Day Tickets 4 Oct – 2 Dec £18 / £15 tickets available in person on the day of the performance. No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Access symbols used in this brochure CAP Captioned AD Audio-Described TT Touch Tour Relaxed Performance Beginning Follies Jane Eyre 5 Oct – 14 Nov 22 Aug – 3 Jan 26 Sep – 21 Oct TRAVELEX £15 TICKETS The National Theatre Partner for Innovation Partner for Learning Sponsored by in partnership with Partner for Connectivity Outdoor Media Partner Official Airline Official Hotel Partner Oslo Common The Majority 5 – 23 Sep 30 May – 5 Aug 11 – 28 Aug Workshops Partner The National Theatre’s Supporter for new writing Pouring Partner International Hotel Partner Image Partner for Lighting and Energy Sponsor of NT Live in the UK TBC Angels in America Mosquitoes Amadeus Playing until 19 Aug 18 July – 28 Sep Playing from 11 Jan 2 3 OCTOBER Wed 4 7.30 Thu 5 7.30 Fri 6 7.30 A folk tale for an Sat 7 7.30 Saint George and Mon 9 7.30 uneasy nation. -
Council Leader Jack Hopkins Has Written To
From: The Leader of Lambeth Council Our Ref: Leader 2020 03 20 Your Ref: Rt Hon Rishi Sunak Chancellor of the Exchequer House of Commons London SW1A 0AA Sent by email: [email protected] CC: [email protected] Tuesday, 24 March 2020 RESILIENCE OF LAMBETH’S CULTURAL SECTOR AND ITS SELF-EMPLOYED WORKERS Dear Chancellor We write with concern about the impact Covid-19 will have on our borough’s cultural sector and its self-employed workers. Lambeth is rich with culture and the borough’s creative and digital industries provide 22,000 jobs, generating £1.8bn GVA to the economy. The borough is home to 20 Arts Council England National Portfolio Organisations, including the National Theatre, BFI, Rambert and the Southbank Centre. Organisations that play a key part in ensuring the diversity and accessibility of London’s cultural sector are located throughout our borough, including the Black Cultural Archives, The Old Vic, Young Vic, Extant, Corali, Ovalhouse Theatre and Streatham Space Project. VCS organisations such as Iconic Steps, Creative Sparkworks and Spiral Skills join the afore mentioned organisations, and many more, in partnership led initiatives spearheaded by the council and backed by the GLA. Designed to strengthen the sector and achieve inclusive growth, these initiatives and the very viability of organisations are now under threat. In order to protect the resilience of the sector, Lambeth Council is calling for further mitigating measures from government. While measures such as the job retention scheme are welcomed, urgent clarification is needed over the groups of workers covered (e.g. -
Spectral Latinidad: the Work of Latinx Migrants and Small Charities in London
The London School of Economics and Political Science Spectral Latinidad: the work of Latinx migrants and small charities in London Ulises Moreno-Tabarez A thesis submitted to the Department of Geography and Environment of the London School of Economics for the degree of Doctor of Philosophy, London, December 2018 Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 93,762 words. Page 2 of 255 Abstract This thesis asks: what is the relationship between Latina/o/xs and small-scale charities in London? I find that their relationship is intersectional and performative in the sense that political action is induced through their interactions. This enquiry is theoretically guided by Derrida's metaphor of spectrality and Massey's understanding of space. Derrida’s spectres allow for an understanding of space as spectral, and Massey’s space allows for spectres to be understood in the context of spatial politics. -
Lambeth's Creative & Digital Industries Strategy for Growth
Creative ways to grow. Lambeth’s Creative & Digital Industries Strategy for Growth Contents Foreword 3 Our vision 4 Our strategy 7 Building on our strengths 19 Meeting the challenges 31 Making it happen 56 Working in partnership 69 ActionSpace Lambeth’s Creative & Digital Industries Strategy for Growth 1 Foreword For the first time the council has taken a look at the current performance and future potential of Lambeth as a creative and digital hub. Our strategy identifies the opportunities and threats; the benefits of growth for our our residents, businesses and places; and how we can encourage and support this dynamic sector. It is the result of truly co-productive work. Over many months we have brought together creative and digital businesses, education providers, trade bodies, young residents, thought leaders and social entrepreneurs. We have explored individual and collective ambitions. We have recognised the challenges and how we might achieve success. Now we have the foundation and commitment to make Lambeth the next destination and, in time, leader for London’s creative and digital economy. Lambeth Council has a pivotal role to play in growing the sector. It has a unique opportunity. We welcome, encourage and work in partnership with businesses and we expect that collaboration to benefit our community. Lambeth has all the right elements to build thriving and sustainable creative and digital clusters. Our strategy is a clear commitment to achieve this aim. It fits within the borough’s Strategic Plan, Future Lambeth, which draws on Lambeth’s strengths, potential and values to transform its goals into reality. -
Terrible Rage)
JCDE 2018; 6(1): 15–39 Dan Rebellato* Nation and Negation (Terrible Rage) https://doi.org/10.1515/jcde-2018-0009 Abstract: The aftermath of the Brexit referendum has revealed a deeply divided Britain, with anger on both sides and seemingly little desire to seek compromise or mutual understanding. Remainers denounce Leavers as ignorant bigots. Lea- vers denounce Remainers as metropolitan elitists. Theresa May went even further, characterizing supporters of open borders and free movement as ‘citizens of nowhere’ whose lack of attachment to nation suggests they simply don’t under- stand what citizenship means. Given the UK’s regional correlation between high levels of theatregoing and high support for Remain, this is a challenge for theatre- makers and scholars. One strong feature of contemporary British playwriting is a detachment from place; in numerous recent plays, place is estranged, unspeci- fied, annulled, orphaned, globalized, generalized, combined, relativized and scenographically anonymized. Does this represent an absence of nation? No, because this would be to accept the rigid oppositions of the Leave campaign between nations and open borders, between the local and the global. Instead, there is a restless deconstructive movement within the very identification of nation that moves to transcend it and this is captured and embodied in the heterotopic ambiguities of the spatially specific performance of the placeless play. Keywords: theatre, playwriting, dramaturgy, Brexit, European Union, space, place, nation, state, globalization, heterotopia, David Goodhart, Dani Rodrik, Jean-Luc Nancy, Jeremy Bentham, Michel Foucault, Joanne Tompkins Caryl Churchill can tell the future. Top Girls was a magnificent commentary on the 1980 s, written at the beginning, not the end, of the decade. -
On Bear Ridge
PRESS RELEASE – 18 July 2019 IMAGES CAN BE DOWNLOADED HERE National Theatre Wales: Twitter/ Facebook / Instagram / Website Royal Court Theatre: Twitter/ Facebook / Instagram / Website NATIONAL THEATRE WALES AND ROYAL COURT THEATRE ON BEAR RIDGE ● FIRST PUBLICITY IMAGES OF THE PLAY ON BEAR RIDGE RELEASED TODAY. AVAILABLE FOR DOWNLOAD HERE ● DIRECTED BY VICKY FEATHERSTONE AND ED THOMAS. THE CAST IS RAKIE AYOLA, JASON HUGHES, RHYS IFANS AND SION DANIEL YOUNG ● A SITE-SPECIFIC INSTALLATION AND VR EXPERIENCE WILL COMPLEMENT PERFORMANCES OF THE PLAY ● ON BEAR RIDGE RUNS AT THE SHERMAN THEATRE, CARDIFF FROM 2o SEPTEMBER – 5 OCTOBER 2019. FOLLOWED BY THE ROYAL COURT THEATRE, LONDON FROM 24 OCTOBER - 23 NOVEMBER 2019 The first images from National Theatre Wales and Royal Court Theatre’s production of On Bear Ridge have been released today. They are available to download here. National Theatre Wales and Royal Court Theatre have today also announced that a site- specific installation will be created in the upper Swansea Valley bringing to life the world of the new play. Audiences at the Sherman Theatre Cardiff and the Royal Court London will also be able to experience this through a VR film that will be available to watch at both theatres making the landscape of On Bear Ridge accessible in the centre of these busy cities. Written by Ed Thomas (Hinterland/Y Gwyll BBC/S4C/Netflix) On Bear Ridge is a semi- autobiographical story about the places we leave behind, the indelible marks they make on us, and the unreliable memories we hold onto. It will be co-directed by Royal Court Artistic Director Vicky Featherstone and Ed Thomas. -
07C Somerleyton Road
Stage C Report FUTURE BRIXTON: Somerleyton Road Project JUNE 2013 2 FUTURE BRIXTON: Somerleyton Road Project Stage C Report SOMERLEYTON ROAD // STAGE C REPORT © Pollard Thomas & Edwards Limited 3 contents Section 1 Introduction Section 2 Scheme Overview Section 3 Design Response Section 4 Structural Feasibility Report This report has been reviewed and approved for issue by the following members of the PTEa project team: Kaye Stout Pollard Thomas Edwards architects Tim Atwood Conisbee Consulting Engineers Phillip Murphy PRP SOMERLEYTON ROAD // STAGE C REPORT © Pollard Thomas & Edwards Limited 4 Executive Summary The Somerleyton Road project is a The report focuses on three design unique opportunity for the council options for the development of the site to work with communities living and and reflects the council’s position that working in Brixton to bring about positive whilst there are very clear and definite change to this exciting part of the aspirations for the site, there is also borough. flexibility in how those aspirations can be achieved. The ambitious plans include: bringing Ovalhouse and all their expertise in The council is looking for a development engagement and community participation partner who shares our passion and to Brixton, building new homes, a vision for Brixton and this report significant proportion of which will be represents the first step towards creating affordable to local people and providing something very different and very a mix of community and commercial exciting for the future of Brixton. spaces which will support local communities and potentially be managed by a community development trust. SOMERLEYTON ROAD // STAGE C REPORT © Pollard Thomas & Edwards Limited 5 Introduction section 1 SOMERLEYTON ROAD // STAGE C REPORT © Pollard Thomas & Edwards Limited 6 Introduction PURPOSE OF REPORT / POTENTIAL BASIS OF REPORT This report sets out three options for developing a FOR LEAD MEMBER TO INTRODUCE This report has been prepared by the PTEa team mixture of uses across the site. -
OUR LADIES of PERPETUAL SUCCOUR Dorfman Theatre Previews from 8 August, Press Night 10 August, Final Performance 1 October
24 May 2016 The National Theatre of Scotland and Live Theatre’s co-production OUR LADIES OF PERPETUAL SUCCOUR Dorfman Theatre Previews from 8 August, Press Night 10 August, final performance 1 October Our Ladies of Perpetual Succour, the critically-acclaimed stage adaptation of Alan Warner’s cult Scottish novel The Sopranos, by Lee Hall and directed by Vicky Featherstone receives its London premiere at the Dorfman Theatre on 8 August (press night 10 August). The production premiered at the Edinburgh Festival Fringe in August 2015, and enjoyed a successful sell-out run at the Traverse Theatre, earning critical and audience acclaim, and picking up four awards before embarking on a sell-out Scottish tour and run at Newcastle’s Live Theatre. The full cast includes Melissa Allan, Caroline Deyga, Karen Fishwick, Kirsty MacLaren, Frances Mayli McCann and Dawn Sievewright with musicians Amy Shackcloth, Laura Bangay, Becky Brass and Emily Linden. Music Arrangement and Supervision is by Martin Lowe, Design by Chloe Lamford, Lighting Design by Lizzie Powell and Choreography by Imogen Knight. Alan Warner’s novel and Lee Hall’s musical stage play tell the story of six girls on the cusp of change. Love, lust, pregnancy and death all spiral out of control in a single day. Funny, sad, rude and beautifully sung, Our Ladies.... is a tribute to being young, lost and out of control, featuring a soundtrack of classical music and 70s pop rock, with music by Handel, Bach and ELO including the songs Mr Blue Sky, Don’t Bring Me Down, Long Black Road and more. -
Love and Information
Thursday 29 April, 7.30pm Friday 30 April, 2pm & 7.30pm Saturday 1 May, 7.30pm Love and Information By Caryl Churchill Directed by Pooja Ghai Guildhall School of Music & Drama Founded in 1880 by the City of London Corporation Chairman of the Board of Governors Vivienne Littlechild Principal Lynne Williams Vice-Principal & Director of Drama Orla O’Loughlin Vice-Principal & Director of Production Arts Andy Lavender Please visit our website at gsmd.ac.uk Photographs of the final year acting company are by: Dave Buttle (Charlie Beck, Lily Hardy, Isla Lee, Noah Marullo, Umi Myers, Felix Newman, Jidé Okunola, Guildhall School is part of Culture Mile: Sonny Pilgrem, Alyth Ross, Dan Wolff), Robert Harper culturemile.london (Kitty Hawthorne), Harry Livingstone (Nia Towle), Wolf Marloh (Zachary Nachbar-Seckel), Clare Park (Grace Cooper Milton), Phil Sharp (Genevieve Lewis, Sam Thorpe-Spinks), Michael Shelford (Levi Brown, Guildhall School is provided by the City of London Sheyi Cole, Aoife Gaston, Brandon Grace, Conor McLeod, Corporation as part of its Hassan Najib, Millie Smith, Tara Tijani, Dolly Webb), contribution to the cultural life David Stone (Justice Ritchie), Faye Thomas of London and the nation (Caitlin Ffion Griffiths), YellowBelly (Hope Kenna) Love and Information By Caryl Churchill Pooja Ghai director Rosa Maggiora designer Diane Alison-Mitchell movement director Andy Taylor composer Sam Levy lighting designer Maisie Roberts sound designer Thursday 29, Friday 30 April and Saturday 1 May 2021 Live performances broadcast from Silk Street Theatre Recording of this performance by any means whatsoever is strictly prohibited. Please note this production contains strong language and adult themes.