Jesus Christ Superstar Little Theatre on the Square
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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Elevating Voices Across Stage and Screen
Elevating voices across stage and screen clients include beginners, aspiring singers Based in London, Fiona continued to coach and performing arts students as well as singers and, in 2010, started working for top-tier professionals. Passionate about Andrew Lloyd Webber and his production vocal health and technique, Fiona believes company, the Really Useful Group. She that anyone can sing and tailors each worked on her first major international lesson to the client’s needs. She works production in 2012, as the vocal coach on remotely via Skype and in person from her Lloyd Webber’s Jesus Christ Superstar, studio at the London Palladium. and has since worked on dozens of major shows across television, film and theatre Fiona grew up on a farm outside around the world. Edinburgh where she immersed herself in music from a young age, initially training Fiona is always at the leading edge of in dance. In 2006, she left Scotland to vocal education. She travels globally to FIONA study Music at the Paul McCartney conferences that are advancing the field Liverpool Institute for Performing Arts, of vocal science and is supported by MCDOUGAL where her vocal coach inspired her to a network of exceptional ENT doctors, study voice education alongside her speech and language therapists, and degree. When she graduated with a first physiotherapists. She is considered a Fiona has worked with some of the biggest class honours degree in 2010, she already valuable link between singers and industry names in the entertainment industry, from had three years of coaching experience. representatives and consults for record Glenn Close to Taylor Swift, Judi Dench to She was the lead singer in a pop duo labels, agents, managers, performing Jennifer Hudson – but her busy studio also called Untouched (along with songwriting arts colleges, choreographers, directors, embraces people who sing for pleasure partner David Wilson), which later signed songwriters, film studios, musicians and and want to improve their voice. -
Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar
Journal of Religion & Film Volume 3 Issue 2 October 1999 Article 2 October 1999 Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Mark Goodacre University of Birmingham, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Goodacre, Mark (1999) "Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar," Journal of Religion & Film: Vol. 3 : Iss. 2 , Article 2. Available at: https://digitalcommons.unomaha.edu/jrf/vol3/iss2/2 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Do You Think You're What They Say You Are? Reflections on Jesus Christ Superstar Abstract Jesus Christ Superstar (dir. Norman Jewison, 1973) is a hybrid which, though influenced yb Jesus films, also transcends them. Its rock opera format and its focus on Holy Week make it congenial to the adaptation of the Gospels and its characterization of a plausible, non-stereotypical Jesus capable of change sets it apart from the traditional films and aligns it with The Last Temptation of Christ and Jesus of Montreal. It uses its depiction of Jesus as a means not of reverence but of interrogation, asking him questions by placing him in a context full of overtones of the culture of the early 1970s, English-speaking West, attempting to understand him by converting him into a pop-idol, with adoring groupies among whom Jesus struggles, out of context, in an alien culture that ultimately crushes him, crucifies him and leaves him behind. -
The Sam Eskin Collection, 1939-1969, AFC 1999/004
The Sam Eskin Collection, 1939 – 1969 AFC 1999/004 Prepared by Sondra Smolek, Patricia K. Baughman, T. Chris Aplin, Judy Ng, and Mari Isaacs August 2004 Library of Congress American Folklife Center Washington, D. C. Table of Contents Collection Summary Collection Concordance by Format Administrative Information Provenance Processing History Location of Materials Access Restrictions Related Collections Preferred Citation The Collector Key Subjects Subjects Corporate Subjects Music Genres Media Formats Recording Locations Field Recording Performers Correspondents Collectors Scope and Content Note Collection Inventory and Description SERIES I: MANUSCRIPT MATERIAL SERIES II: SOUND RECORDINGS SERIES III: GRAPHIC IMAGES SERIES IV: ELECTRONIC MEDIA Appendices Appendix A: Complete listing of recording locations Appendix B: Complete listing of performers Appendix C: Concordance listing original field recordings, corresponding AFS reference copies, and identification numbers Appendix D: Complete listing of commercial recordings transferred to the Motion Picture, Broadcast, and Recorded Sound Division, Library of Congress 1 Collection Summary Call Number: AFC 1999/004 Creator: Eskin, Sam, 1898-1974 Title: The Sam Eskin Collection, 1938-1969 Contents: 469 containers; 56.5 linear feet; 16,568 items (15,795 manuscripts, 715 sound recordings, and 57 graphic materials) Repository: Archive of Folk Culture, American Folklife Center, Library of Congress, Washington, D.C. Summary: This collection consists of materials gathered and arranged by Sam Eskin, an ethnomusicologist who recorded and transcribed folk music he encountered on his travels across the United States and abroad. From 1938 to 1952, the majority of Eskin’s manuscripts and field recordings document his growing interest in the American folk music revival. From 1953 to 1969, the scope of his audio collection expands to include musical and cultural traditions from Latin America, the British Isles, the Middle East, the Caribbean, and East Asia. -
There's a New Game in Winnipeg and It's Ready for a Match Ethereal Fant
There’s A New Game in Winnipeg and It’s Ready for a Match Ethereal Fantazy Productions is thrilled to present the Western Canadian premiere of the British and original version of Chess, the Musical, as part of the 2015 Winnipeg Fringe Festival. Chess develops the ancient and distinguished game of chess into a metaphor for romantic rivalries and US-Soviet political tensions during the Cold War. The game is set when a love triangle grows between two world renowned chess grandmasters- the self-absorbed American, the passionate Russian- and Florence, the pawn between these, who manages one yet falls in love with other, tearing apart alliances and families. Based on the real life world chess championship entitled “Match of the Century”, Fischer vs. Korchnoi, Chess features an incredibly talented cast and a monumental rock score by Björn Ulvaeus and Benny Andersson (Mamma Mia), formerly part of ABBA, and lyrics by notorious Tim Rice (Aida, Evita, Jesus Christ Superstar) that has politicians, lovers and players making their moves to its pulse in this Winnipeg premiere that will take your from Italy to Thailand and will show you that there’s nothing black and white about this game except the game board. Chess, The Musical Fri July 17 5:30pm, Sun July 19 6pm,Mon July 20 9:30pm, Wed July 22 12pm, Fri July 24 3:30pm Sat July 25 5:15pm, Sun July 26 12pm Venue #1 John Hirsch Mainstage 174 Market Ave. Enter from back alley (John Hirsch Pl.) Tickets are $10 and are available in person at the MTC box office, by phone at 204-942-6537 and online at www.winnipegfringe.com The creative team is composed by first time Director Tiffany Prochera, Musical Director and Choreographer Rachel Cameron and features Stage Manager Mathias and production by Johanna Reinberg. -
Andrew Lloyd Webber's Musicals
MASARYK UNIVERSITY Faculty of Education Department of English Language and Literature ANDREW LLOYD WEBBER’S MUSICALS Diploma Thesis Brno 2009 Radka Adamová Supervisor: Mgr. Lucie Podroužková, PhD. 1 BIBLIOGRAPHICAL ENTRY Adamová, Radka. Andrew Lloyd Webber’s Musicals Brno: Masaryk University, Faculty of Education, Department of English Language and Literature, 2007. Diploma thesis supervisor Mgr. Lucie Podroužková, Ph. D. ANNOTATION This diploma thesis deals with British musical composer Andrew Lloyd Webber and his works. The first part of the thesis introduces Lloyd Webber’s biography, his close collaborators as well as his production company the Really Useful Group and description of all his works. The main part of the thesis is aimed at his musicals Joseph and the Amazing Technicolor Dreamcoat and Jesus Christ Superstar , rather their origin and development, the main plot and their main characters that have many things in common. Both these musicals are based on topics from the Bible. The thesis also deals with the librettos and their translation into Czech. ANOTACE Diplomová práce se zabývá britským hudebním skladatelem Andrew Lloyd Webberem a jeho díly. První část práce seznamuje s Lloyd Webberovým životopisem, jeho blízkými spolupracovníky, stejně jako s jeho produkční společností Really Useful Group a popisem všech jeho děl. Hlavní část práce je zaměřena na muzikály Josef a jeho úžasný pestrobarevný plášť a Jesus Christ Superstar , přesněji řečeno jejich vznik a vývoj, hlavní dějovou linii a jejich hlavní postavy, které mají mnoho společného. Oba tyto muzikály jsou založeny na příbězích z Bible. Práce se také zabýva librety obou muzikálů a jejich překladem do češtiny. 2 I declare that I have worked on this thesis on my own and used only the sources listed in the Bibliography. -
Plays and Musicals— 1984-1985 Season 10/24
DRURY LANE THEATRE—OAKBROOK TERRACE PERFORMANCE HISTORY —Plays and Musicals— 1984-1985 Season 10/24 - 1/13 Give My Regards to Broadway Musical 1/16 – 1/31 Phyllis Diller Concert 1/23 – 2/1 Tony Bennett Concert 1/30 - 3/17 Run For Your Wife Play (w/ Ken Berry) 3/20 – 3/24 1985-1986 Season 3/27 - 4/15 The Rooster and The Snow Angel 2 one-acts (w/ Shelley Winters) 4/17 - 5/20 A Little Family Business Play (w/ Cloris Leachman) 5/29 – 7/7 Bob Fosse’s “Dancin’” Musical 7/10 – 9/29 A Chorus Line Musical 10/9 – 12/28 How to Succeed… Musical (w/ Donald O’Connor) 12/31 – 2/23 The Best Little Whorehouse in Texas Musical 1986-1987 Season 2/26 – 4/6 Brighton Beach Memoirs Play 4/16 – 6/1 Noises Off Play (w/ Noel Harrison) 6/1 – 8/17 Joseph… Dreamcoat Musical 8/27 – 9/29 Bob Fosse’s “Dancin’” Musical 10/7 – 11/16 The Laugh’s on Me Play (w/ Mickey Rooney) 11/20 – 1/25 They’re Playing Our Song Musical 2/4 – 3/22 Chapter Two Play (w/ Gavin McLeod) 1987-1988 Season 4/1 – 7/5 42nd Street Musical 7/15 – 9/6 Anything Goes Musical 9/16 – 10/25 I’m Getting my Act Together Musical (w/ Audrey Landers) 11/4 – 1/3 No, No, Nanette Musical 1/20 – 3/13 Sophisticated Ladies Musical 1988-1989 Season 3/13 – 4/10 Everybody Loves Opal Play (w/ Martha Raye) 4/27 – 6/19 The Nerd Play (w/Richard Kline & Alfie Wise) 6/23 – 8/14 Black Patent Leather Shoes Musical 8/17 – 11/06 Gypsy Musical 11/16 – 1/15 Guys and Dolls Musical 1/25 – 4/9 Jesus Christ Superstar Musical TYA-Snow White 1989-1990 Season 4/19 – 7/2 The Music Man Musical (w/ Gary Sandy) 7/12 – 9/10 Mame Musical 9/20 -
WALSH DRUG CO. Commander Who Trades His Gasoline for Danny Kaye’S 3853 E
Friday, May 2, 1958 THE ARIZONA POST Page Seven Hollywood Report: iiiiiiiiiiiuiiiiiiiiii:iiiiiiiiiiiiiiiiiiiii:iii:iiiiiii!iiiiiiiiiiiiiiiiiiiiniiii 13-Meet Slate Sports Club lis Formed Bas Mitzvah Not Set For Center IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIU Jewish Producer Is The busiest and most ambi- Evelyn Weiss, daughter of tious swimming schedule ever For Adults att Center Mr. and Mrs. Herman Weiss Permitted On Location attempted by the Tucson Jew- was Bas Mitzvah April 25 Adult sports enthusiasts wiill get together to swap stories Cong. HOLLYWOOD—In “Bitter Victory,” a Colum- ish Center has been an- at Anshei Israel. and make plans for the new Center Athletic Club Evelyn is a seventh grade nounced by Keith Meenan, r Men’s bia picture in its entirety photographed on location Sunday, May 4 9:30 student at Mansfeld Junior aquatic director. on at a.m. ait the Center. in North Africa, the philosophy is advanced Ed athletic High and is an honor student that the The Center swim team will Jones, Center c director, says the purpose A reception was held April men who died destroy the Nazi system died fu- of the group is to enable th(le sports-minded male of the to compete in 13 meets this sum- 2G at Con. Anshei Israel. tilely. The yarn deals with the campaign against mer, beginning with the Na- family “to get away from it tional Jewish Board sports Marshall Rommel in such a peculiar way that the Welfare all’’ and talk over a meet which is conducted by hot breakfast once a month. enemy comes off much better than our war-time airmail of Major films Mil comparing results sports figures, Allies, the British. -
1986 August 02 -Play It Again
. , ' . t : t9:tJ\1~.:·. -. - --~ --~ .·.· •. .,: · .. ·.PtaJ~-·::it·:;:a;gain'.,, ·,Tittl? .• . ,,• . .;._,\ •• '··- ' •• ,- • • ,i ' by Mtir~~y Chandler· E . musical Chess is rapidly be- . oming a mega-hit on the London age· and it could be the greatest TEublicity boost for the game since Bobby Fischer. In addition to some out• standing music, with lyrics by Tim Rice {Jesus Christ Superstar, Evita) and Abba's Benny Andersson and Bjorn Ulvaeus, the audience is given an in• sider's glimpse of a world title contest, its colourful personalities and remarkable · incidents. One unenlightened critic com• plained that some happenings were too far-fetched, like the x-raying of the players' chairs for . hostile devices. Having been present during the Karpov• Korchnoi matches in Baguio 1978 and Merano 1981, I can assure him that, if . anything, the production down-played real life! · The plot of Chess is drawn from clearly · recognisable origins. Soviet grandmaster Anatoly Sergievsky (played. by Tommy Korberg) is challenging the temperamen• tal America . world champion Frederick "One night in Bangkok", a scene from Trumper (Murray Head) for his title in Chess. .Merano, Italy. After winning, Sergievsky gyrating stage and hi-tech screens flash• defects to the West, taking with him ing chess moves ..:_ I don't know. But Trumpet's. girlfriend-second · Florence· certainly he and his . specialist chess "Vassy ·(Elaine Page) - a Hungarian adviser, Bill Hartston, have produced a emigree with a grudge against the Soviet show which accurately portrays a world Union: .Outraged, the Soviet delegation even stranger than fiction. use arty dirty tricks available to get their · I'd love to donate free Chess tickets for new; robot-like challenger to win the this week's chess puzzle solution, but . -
Hooray for Hollywood the Sequel
Hooray for Hollywood! The Sequel Music & Color; The Glamour Years Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 HoorayMusic & Color; for The GlamourHollywood! Years Movie Makers Walt Disney (1901–1966) Alfred Hitchcock (1899–1980) Scott 1355 Legends of Hollywood series • Scott 3226 The creator of Mickey Mouse and a host of other magical The master of the suspense film genre — which he is said cartoon characters began his professional career as an virtually to have invented — Hitchcock’s thrillers usually animator in the early 1920s with a friend, Ub Iwerks, and involved an ordinary person getting swept up in threatening with the financial backing of Walt’s brother Roy. With the events beyond his or her control and understanding. His first help of Walt and Roy’s wives, Lily and Edna, they produced U.S. film, Rebecca (1940) for David Selznick, won that year’s three cartoons featuring a mouse (who was almost named Oscar for Best Picture. He was voted Greatest Director of all Mortimer) in 1928, but it wasn’t until Disney added Time by Entertainment Weekly, whose list of 100 Greatest synchronized music to Steamboat Willie that their fortune was Films included four of his, more than any other director: made. Numerous popular short animated features followed, Psycho (1960, #11), Vertigo (1958, #19), North by Northwest including Flowers and Trees (1932), the first color cartoon (1959, #44), and Notorious (1946, #66). -
Jesus Christ Superstar Is an We Are So Excited That You Have Joined Us Excellent Opening to This Exploration
PATIOBILL Directed by Deborah Zimmer + Produced by Brenda Townsend 116 S. Kalmia Street, Escondido www.patioplayhouse.com ph. 760-746-6669 ~ Welcome ~ It is my unmistakable honor as Artistic and all of North County for over 50 years, Manager to welcome you to the 52nd and we continue to grow each year. Our season of Patio Playhouse and Patio youth program has long provided a Plays in the Park. nurturing environment for kids and teens to explore the theater arts, free of This season we are bringing you shows charge. that explore family and finding where you belong. Jesus Christ Superstar is an We are so excited that you have joined us excellent opening to this exploration. The today and we entreat you to continue to last days of Jesus, told from the join us for the rest of the year. We follow perspective of Judas Iscariot, this Jesus Christ Superstar with Annie and In musical examines the relationships the Heights at Kit Carson Amphitheater. between Jesus and his disciples and If you wish to join the Patio Family and Mary Magdalene as they delve into become involved with Patio Playhouse, whether there was any other way the please speak to any of our ushers or visit story could end. How inevitable was our website at Judas’ betrayal and how does that affect www.patioplayhouse.com. Jesus’ relationships with Judas and Thank you so much for your patronage! everyone else? Matt FitzGerald Patio Playhouse has been providing Artistic Manager affordable theater and performance opportunities to the people of Escondido ~ Director’s Note ~ Thank you for attending this evening's drowned out! One of the songs that is not performance of Jesus Christ Superstar on my original album states exactly how I and sharing one of my most precious feel today: 'Could We Start Again theatrical dreams! I fell in love with this Please?' I point this out in the hope that rock musical in 1970, when I purchased when you leave the theater tonight, you the first released recording on vinyl LP. -
Context: Palm Springs Between the Wars (1919-1941)
48 Context: Palm Springs between the Wars (1919-1941) O’Donnell House, Ojo del Desierto, 447 W. Alejo Road, 1925. Listed in the National Register; HSPB- 19. Source: Steve Vaught, Paradise Leased. FINAL DRAFT – FOR CITY COUNCIL APPROVAL City of Palm Springs Citywide Historic Context Statement & Survey Findings HISTORIC RESOURCES GROUP 49 CONTEXT: PALM SPRINGS BETWEEN THE WARS (1919-1941) Overview This context explores the transformation of Palm Springs from a modest spa town into a luxury winter resort in the years between the First and Second World Wars. By 1918 Nellie Coffman and her sons, George Roberson and Earl Coffman, understood the town’s potential, not as a health spa for asthmatics and consumptives, but as an exclusive winter resort for the well-to-do, and set about transforming their sanatorium into the luxurious Desert Inn, one of the most renowned hostelries in the country. Their success inspired the development of two equally spectacular hotels in the 1920s and cemented the town’s growing reputation as one of the country’s premier luxury winter resorts. These were the Oasis Hotel (121 S. Palm Canyon Drive; HSPB-10), designed by Frank Lloyd Wright, Jr. (known as Lloyd Wright) and opened in 1925 by Pearl McCallum McManus;97 and the grand Hotel El Mirador (1150 N. Indian Canyon Drive), designed by Walker and Eisen in a sumptuous Spanish Colonial Revival style and opened in 1927.98 El Mirador Hotel, photographed c. 1933. Source: Security Pacific National Bank Collection, Los Angeles Public Library. 97 The Oasis Hotel opened on a provisional basis in 1924, but the official opening was in 1925.