BY NEIL SIMON

22 NOV - 29 DEC 2019 WELCOME Neil Simon’s classic comedy started life in 1965 and ran until 1967, after 964 performances. The spin-off film starring Walter Matthau (the original Oscar Madison) and Jack Lemmon was a huge success followed by a long running television series from 1970-75 with Jack Klugman and Tony Randall. There have been many Broadway revivals, female casting of THE ODD COUPLE roles, and another television series as recently as 2015. So why revisit the play if the idea of two divorced individuals trying to live together and survive is so prominent in our popular culture? The answer is in the breathtaking craftsmanship Neil Simon applied to his plays. The well-rounded believable characters are trapped in situations which bring out the best and worst in humanity.

THE ODD COUPLE may have been written in the mid 1960’s but the essence of the relationship between two people poles apart is easily identifiable whether you live in New York or any other place in the world. We laugh at Neil Simon’s ability to make these eclectic characters relatable, but we also get a real sense of his love and affection for this odd couple - even with all their flaws! Enjoy this very special cast bringing to life a very special play. Mark Kilmurry Artistic Director

ACT ONE, TWO & THREE The action takes place in Oscar Madison’s apartment, Upper West Side, New York, 1965.

CAST CREATIVES

SPEED LAURENCE COY DIRECTOR MARK KILMURRY GWENDOLYN KATIE FITCHETT SET & COSTUME DESIGNER HUGH O’CONNOR ROY ROBERT JAGO LIGHTING DESIGNER CHRISTOPHER PAGE MURRAY JAMES LUGTON STAGE MANAGER DANIELLE IRONSIDE FELIX BRIAN MEEGAN COSTUME SUPERVISOR ALANA CANCERI VINNIE NICHOLAS PAPADEMETRIOU DIALECT COACH NICK CURNOW CECILY OLIVIA PIGEOT OSCAR STEVE RODGERS RUNNING TIME APPROX. 2HRS 10 MINS INC INTERVAL

Please update special thanks: Kimberley Morris (Costume Assistant), Tim Petrie and Maria Spataro

Mark Kilmurry would like to dedicate this production to the memory of Scott Allan.

Ensemble Theatre acknowledges the Cammeraigal people of the Eora nation as customary owners of the land on which we work and share our stories. We pay our respects to Elders past and present. Rehearsal Images Prudence Upton Rehearsal SYNOPSIS

Oscar likes cards. Sports. Eating leftovers. Felix likes clean air. Polished surfaces. Cooking. When recently divorced, slovenly Oscar invites getting-divorced, fastidious Felix to share his New York apartment, it could be a recipe for disaster! Can Felix endure late nights, TV dinners and dirty towels? Can Oscar handle drink coasters, clean ashtrays and London broil? And who threw the spaghetti at the wall? Alongside a colourful cast of poker game buddies and potential love interests living upstairs, comedy masters Brian Meegan and Steve Rodgers are the definitive odd couple in Neil Simon’s Tony Award winning classic. Two divorcees. One apartment. Zero in common. Will their friendship survive? Rehearsal Images Prudence Upton Rehearsal NEIL SIMON LAURENCE COY PLAYWRIGHT SPEED NEIL SIMON wrote more As an actor on stage, than 30 Broadway plays Laurence has worked and musicals including for all the BAREFOOT IN THE PARK, Companies, Bell THE ODD COUPLE (original Shakespeare, Darlinghurst and female versions), SWEET CHARITY, Co., Co., Perth, SUITE, PROMISES PROMISES, LAST OF THE Adelaide and Festivals, and many RED HOT LOVERS, THE SUNSHINE BOYS, THE commercial and independent producers. PRISONER OF SECOND AVENUE, CHAPTER Some of his favourite productions have been TWO, THEY’RE PLAYING OUR SONG, THE CRIPPLE OF INISHMAAN, THE NIGHT BRIGHTON BEACH MEMOIRS, BILOXI BLUES, ALIVE, SHINING CITY, , BROADWAY BOUND, LOST IN YONKERS, NORM AND AHMED, THE CHRISTIAN and RUMORS, along with such films as THE BROTHERS, OF MICE AND MEN, and ANGELS GOODBYE GIRL, MURDER BY DEATH, THE IN AMERICA. His feature film credits include OUT-OF-TOWNERS, and THE HEARTBREAK LADIES IN BLACK, SAN ANDREAS; THE KID. He won three Tony Awards, a Pulitzer Prize CHRONICLES OF NARNIA: THE VOYAGE OF for Drama, the Kennedy Center Honors, and THE DAWN TREADER; FOOL’S GOLD; and the Mark Twain Prize for American Comedy. DOING TIME FOR PATSY CLINE. Laurence is a graduate in Theatre Studies from UNSW; in MARK KILMURRY Acting from WAAPA; in Directing from NIDA; DIRECTOR and in Screenwriting from UTS. Mark is the Artistic KATIE FITCHETT Director of Ensemble GWENDOLYN Theatre. Recent directing credits include: THE LAST Katie graduated from WIFE, MURDER ON THE the Victoria College of WIRELESS, , THE NORMAN the Arts in 2003 and has CONQUESTS, SHIRLEY VALENTINE, TAKING since worked solidly in STEPS, NEVILLE’S ISLAND, TWO, ODD MAN theatre, television and OUT, RELATIVELY SPEAKING, BAREFOOT film. Theatre roles include ALL ABOUT MY IN THE PARK, BETRAYAL, GOOD PEOPLE, MOTHER (Melbourne Theatre Company), MY ZINC BED, EDUCATING RITA, ABSENT The B-Sharp production of MISS JULIE, FRIENDS, OTHER DESERT CITIES, THE A VIEW OF CONCRETE and ANTIGONE ANZAC PROJECT, RICHARD III, THE GLASS (Belvoir Street Theatre), HOLDING THE MENAGERIE, FRANKENSTEIN, MANAGING MAN (Griffin Theatre), FRANKENSTEIN, CARMEN, RED, THE SPEAR CARRIER and LITTLE NELL, A VIEW FROM THE BRIDGE, HAMLET. Mark is the recipient of two Norman CASANOVA and MURDER ON THE WIRELESS Kessell Memorial Awards for Outstanding (), and THE NETHER for Performance by an Actor for his roles in Catnip Productions at . HAMLET and JAPES. He was awarded the Katie’s television credits include the ABC 2006 Memorial Award for series CROWNIES, Channel Nine’s TRICKY Important Contribution to Theatre and the BUSINESS, SPIRITED, ROGUE NATION, ALL 2017 North Sydney Community Award. SAINTS and Darwin’s BRAVE NEW WORLD. Film credits include MARGARET in Geoff Bennett’s HATING ALISON ASHLEY, and Jonathan Teplitzky’s BURNING MAN. ROBERT JAGO Baa Theatre THURSDAY’S CHILD. TV includes: ROY DIARY OF AN UBER DRIVER (ABC), RAKE (ABC), DOCTOR DOCTOR (Nine Network), Robert is an actor and FIGHTING SEASON (Foxtel/Goalpost), MARY: director. He is currently the THE MAKING OF A PRINCESS (Network Ten/ Associate Director at The Fremantle), WONDERLAND (Network Ten/ Australian Theatre for Young Fremantle), CLEO – PAPER GIANTS (ABC), People. Rob graduated THE CUT (ABC), TOUGH NUTS (Foxtel), ALL from NIDA in 2003. As an actor his theatre SAINTS (Channel 7), HOME AND AWAY credits include TARTUFFE and MACBETH (Channel 7), WATER RATS (Channel 9); Film (Bell Shakespeare Company), CYRANO DE includes HACKSAW RIDGE, JOE CINQUE’S BERGERAC, MUCH ADO ABOUT NOTHING CONSOLATION and BMX BANDITS. (Sport for Jove Theatre Co.), ALIENATION (Perth Theatre Company), DEATH IN BOWENGABI BRIAN MEEGAN (Merrigong Theatre Co), HITLER’S DAUGHTER FELIX (Monkey Baa Theatre Co), His film credits include LITTLE MONSTERS, AUSTRALIA and Brian graduated from WOLVERINE. Television credits include LOVE WAAPA in 1984. Since CHILD, RESCUE SPECIAL OPS, CITY HOMICIDE, then, he has worked ALL SAINTS, SCORCHED and HOME AND extensively with AWAY. Directing credits include FIGHT WITH Ensemble including most recent works - THE ALL YOUR MIGHT THE ZOMBIES OF TONIGHT NORMAN CONQUESTS TRILOGY, TWO, written by Matthew Whittet and GIRLS LIKE A HISTORY OF FALLING THINGS, ABSENT THAT written by Evan Placey both for ATYP, FRIENDS, NEIGHBORHOOD WATCH and MACBETH for Sport for Jove and FRANKENSTEIN. Other theatre credits The Arts Unit. include COCK for Red Line Productions; A MIDSUMMER NIGHT’S DREAM and THE JAMES LUGTON GRASS WIDOW for The Hole in the Wall MURRAY Theatre Company; MUCH ADO ABOUT NOTHING for Shakespeare in the Park; and Theatre credits include: for HAMLET, HENRY IV, OTHELLO AND ANTHONY Ensemble DIPLOMACY; AND CLEOPATRA for Sydney Theatre for Sport for Jove THE Company. Brian also co-wrote his own show, HOLLOW CROWN and THE BOYS GOTTA BONK which toured major WARS OF THE ROSES, Australian cities. Selected television credits LOVE’S LABOUR’S LOST, THE IMPORTANCE include RAKE, UNDERBELLY “BADNESS”, OF BEING EARNEST, SHAKESPEAREALISM, SEA PATROL, WATER RATS, ALL SAINTS, EDWARD II, THE MERCHANT OF VENICE, THE STINGERS, BLUE HEELERS and BLUE WATER CRUCIBLE, ALL’S WELL THAT ENDS WELL, HIGH. Brian’s film appearances include MUCH ADO ABOUT NOTHING, CYRANO DE THE INVISIBLE MAN, BEING GAVIN and BERGERAC, HAMLET, THE TEMPEST, TWELFTH PRIME MOVER. NIGHT, THE TAMING OF THE SHREW (Sydney Theatre Award - Best Actor in an Independent Production 2012), MACBETH, THE LIBERTINE (Sydney Theatre Award - Best Independent Production 2011), AS YOU LIKE IT, ROMEO & JULIET and A MIDSUMMER NIGHT’S DREAM; for Bell Shakespeare JULIUS CAESAR, OTHELLO, RICHARD III; for Whitebox/Griffin Independent UNHOLY GHOSTS; for Version 1.0 the MAJOR MINOR PARTY; for Monkey NICHOLAS OLIVIA PIGEOT PAPADEMETRIOU CECILY VINNIE Olivia is an Ensemble A WAAPA graduate, he Studios (1991) and has worked extensively NIDA (1998) graduate. in film and television, but Theatre credits include: mostly in the theatre, in NEIGHBOURHOOD productions for all major Australian theatre WATCH, DEATH OF A SALESMAN, and companies including STC, MTC, STCSA, La MARKET FORCES (Ensemble), PORN CAKE Boite, Company, Black (Griffin Theatre), , LOVE Swan & Belvoir. International work includes FOR LOVE (STC), SUGARBOMB (Tamarama GREEK TRAGEDY (Directed by Mike Leigh, Rock Surfers), SEXUAL PERVERSITY IN Theatre Royal, London), SNAG (Gilded Balloon, CHICAGO (Theatre Jamb). On television she Edinburgh), ROW OF TENTS (St Marks Studio, has appeared in BITE CLUB, DEADLY WOMEN, NYC). includes national HOME AND AWAY, PAPER GIANTS: BIRTH OF tour of 12 ANGRY MEN, George in WHO’S CLEO, RESCUE: SPECIAL OPS, ALL SAINTS, AFRAID OF VIRGINIA WOOLF (GRK Theatre), STINGERS, THE SELLERS, FARSCAPE and Freud in FREUD’S LAST SESSION (Seymour COMEDY INC. In 2003 she was nominated Centre) and Mac Davies in THE CARETAKER for a Best Actress Award at both the Film (). This will be his 2nd Critics’ Circle Awards and the AFI Awards production at The Ensemble, having played the for her performance in the feature film A role of Gidger in THE VIOLET HOUR. In 2020, COLD SUMMER. Additional film credits: FREUD’S LAST SESSION will return to Glen NEKROMANCER, TOMORROW WHEN THE Street Theatre. WAR BEGAN, SOMERSAULT, STEALTH, THE BOOK OF REVELATION, EDDIE’S PLACE IN SPACE, THE THREE STOOGES and POWDERBURN. STEVE RODGERS HUGH O’CONNOR OSCAR SET & COSTUME DESIGNER Steve trained at Theatre Hugh O’Connor is Nepean at Western Sydney a production, set, costume University and has been and event designer. Hugh working as an actor for holds a Bachelor of thirty years. Theatre Design from NIDA where credits include EVERY BRILLIANT THING, he graduated in 2013. He was nominated for CLOUDSTREET, JASPER JONES (Belvoir) Best Set Design at the 2015 Sydney Theatre DANCE BETTER AT PARTIES, RIFLEMIND, Awards for his work on THE ALIENS for THREE SISTERS, (), Outhouse Theatre. Production credits in set/ DREAMS IN WHITE, 8GB OF HARDCORE costume design include: FOLK, THE NORMAN PORNOGRAPHY, DIVING FOR PEARLS (Griffin CONQUESTS, RELATIVELY SPEAKING, Theatre Company), THE BOYS NEXT DOOR, NEVILLE’S ISLAND for Ensemble Theatre; A STREETCAR NAMED DESIRE (Ensemble THE WIND IN THE WILLOWS and COSI for Theatre). Steve’s television credits include La Boite Theatre Company; THE WITCHES UPRIGHT and THE CODE. Feature film credits for Griffin Theatre Company and Malthouse include RELIC, GOLDSTONE, THE DAUGHTER, Theatre; ONCE, SILENT NIGHT, A LIFE IN THE THE MEN’S GROUP and the AACTA nominated THEATRE, GOODWORKS, RIDE and FOURPLAY, short film SNARE. Steve’s writing credits include DAYLIGHT SAVING for Darlinghurst Theatre the plays RAYS TEMPEST (Belvoir/MTC), Company; THE ALIENS, THE FLICK, 4 MINUTES SAVAGE RIVER (Griffin/MTC), FOOD (Belvoir/ 12 SECONDS for Outhouse Theatre; HIDDEN Force Majeure), JESUS WANTS ME FOR A SYDNEY: THE GLITTERING MILE for Vivid SUNBEAM (National Theatre of Parramatta/ Sydney; MY NAME IS ASHER LEV and THE MAN Belvoir) and KING OF PIGS for the Old Fitz. IN THE ATTIC for Moira Blumenthal Productions; THE FANTASTICKS for Hayes Theatre; THIS HOUSE IS MINE for Milk Crate Theatre Company; A DOLL’S HOUSE for Sport for Jove. CHRISTOPHER PAGE Bell Shakespeare, SAINT JOAN and HAMLET: LIGHTING DESIGNER PRINCE OF SKIDMARK for Sydney Theatre Company, SAMSON for Belvoir and THE Christopher is a creator SHOE-HORN SONATA for Riverside Theatre. of worlds and has Dani is also a Stage Management Mentor & crafted unique lighting Supervisor at NIDA and a Technical Stage environments for a Manager at City Recital Hall – Angel Place. diverse range of shows. For Ensemble Theatre Chris has lit SORTING CLAIRE MILLER OUT RACHEL, THE WIDOW UNPLUGGED, ASSISTANT STAGE BETRAYAL, A HISTORY OF FALLING MANAGER INTERN THINGS, THE GOOD DOCTOR, BLUE/ ORANGE and video design on e-baby. Other Claire is passionate about credits include: THE SOUND OF WAITING, A theatre and has loved LIFE IN THE THEATRE, THE MAN WITH FIVE exploring the technical CHILDREN, RIDE/FOURPLAY (Darlinghurst aspects of it over the past few years. Whilst living in the UK she worked Theatre); 4:12 (Outhouse Theatre); DEFYING GRAVITY, BLOOD BROTHERS, DO YOU as a Production Assistant for THE PIER-GLASS (Young Pleasance) and as a Stagehand for HEAR THE PEOPLE SING? ( Presents); BLACK JESUS, HIS MOTHER’S HAIRSPRAY (Bromsgrove School). Claire has VOICE, GREAT EXPECTATIONS (Bakehouse previously helped with set building with North Theatre); THE DARK ROOM, WINDMILL BABY, Shore Theatre Company for their productions AS YOU LIKE IT (Belvoir). Chris’ site specific of LEAP OF FAITH and AVENUE Q and was work includes: FOUR PERISCOPES, THIS IS A most recently a Stage Assistant for 3 WEEKS VOICE, ANCIENT LIVES (Powerhouse Museum), IN SPRING (Endymion Productions) at the WARATAH (Vivid); EL ANATSUI (Carriageworks); State Theatre. Claire has thoroughly enjoyed ACTION STATIONS (National Maritime working on THE ODD COUPLE; and is very Museum); BECALMED HEART, MET YOU IN A grateful to Ensemble Theatre for offering CITY THAT ISN’T ON A MAP (Underbelly Arts her this internship and the opportunities it Festival). This design is for Scott Allan. will provide to help further her career in the performing arts. DANI IRONSIDE STAGE MANAGER ALANA CANCERI COSTUME SUPERVISOR Dani is a graduate from Charles Sturt University, Alana is a Sydney based holding a Bachelor of costume supervisor who Arts in Design for Theatre trained at Ultimo TAFE where and Television. Dani’s she received Diplomas in Stage Management credits with Ensemble Costume for Performance, Theatre include: THE NORMAN CONQUESTS, Fashion Design & Technology and Printing & DIPLOMACY, TAKING STEPS, LIP SERVICE, Graphic Arts. She has worked for Ensemble WHO’S AFRAID OF VIRGINIA WOOLF?, ODD Theatre on many shows including THE LAST MAN OUT, e-baby, , MY WIFE, TAKING STEPS, NEVILLE’S ISLAND, THE ZINC BED, LADIES IN LAVENDER, ABSENT PLANT, THE RASPUTIN AFFAIR, TWO, e-baby, FRIENDS, OTHER DESERT CITIES, CRUISE THE BIG DRY, TRIBES, GOOD PEOPLE, JACK CONTROL, NEIGHBOURHOOD WATCH, OF HEARTS, BLOOD BANK, MY ZINC BED, SEMINAR, , , THE BOOK CLUB, MOTHERS AND SONS SKYLIGHT, GINGERBREAD LADY and and THE ANZAC PROJECT. Other credits WARNING: EXPLICIT MATERIAL. Other Stage include MACBETH, ROMEO & JULIET and THE Management credits Include THE MISER for MISANTHROPE (Bell Shakespeare), ASSASSINS and GYPSY (Hayes Theatre Co.), MURIEL’S Belvoir, Opera Australia, Darlinghurst Theatre, WEDDING THE MUSICAL 2017 & 2019 seasons Red Line and . Credits include A (STC/ Global Creatures), SYDNEY LUNAR VIEW FROM THE BRIDGE, MURDER ON THE FESTIVAL 2017 & 2018 (City of Sydney), LA FINTA WIRELESS, LUNA GALE, LIP SERVICE, A HISTORY GIAREDINIERA (The Sydney Conservatorium of OF FALLING THINGS, e-baby, GOOD PEOPLE, Music) DUBBOO and 30 YEARS OF SIXTY FIVE MOTHERS AND SONS, and DARK VOYAGER for THOUSAND (Bangarra Dance Co.). Ensemble, BLONDE POISON (Red Line & seasons), Grounded (QTC), NICK CURNOW DIANA (NIDA), DRY LAND, BENGAL TIGER AT DIALECT COACH THE BAGHDAD ZOO, and BELLEVILLE. In 2017 Nick holds an MFA he worked on PlayMakers Repertory Theatre’s (Voice) from NIDA (2018, SENSE & SENSIBILITY in North Carolina. Film/ 2007) and trained as an TV work includes OUTBACK, RIP TIDE, WILD actor at Theatre Nepean WOMAN, UNDERBELLY, SEA PATROL, and (2002). As a dialect THE SLAP. specialist he has worked with companies including Ensemble Theatre, Company B OUR SUPPORTERS Thank you for your generous support and ensuring our future is bright

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ENSEMBLE THEATRE TEAM

Artistic Director Mark Kilmurry Head Chef Nathan Jackson Chief Financial Officer David Balfour Wright J.P. Restaurant Manager Gloria Gonzales Executive Director Loretta Busby Front of House Manager James Birch Artistic Producer Claire Nesbitt-Hawes Front of House Supervisors Rosy Browell, Casting & Events Merran Regan Abby Gallaway, Emily Kimpton & Literary Manager Sarah Odillo Maher Hannah-Rae Meegan Accounts Gita Sugiyanto Production Manager Simon Greer ENSEMBLE LIMITED BOARD Deputy Production Manager Slade Blanch Chair Graham Bradley AM, Hamish Balnaves, Marketing Consultant Margo Weston John Bayley, Narelle Beattie, Mark Kilmurry, Marketing Manager Rachael McAllister Anne-Marie McGinty, James Sherrard Marketing Coordinator Joey Demczuk Marketing Content Coordinator Charlotte Burgess ENSEMBLE FOUNDATION BOARD Marketing Assistant Emma Garden Media Relations Susanne Briggs Chair Deborah Thomas, Diane Balnaves, Customer Relations & Sales Manager Graham Bradley AM, Joanne Cunningham, Mireille Vermulst Ross Gavin, Emma Hodgman, Ticketing Administrator Holly McNeilage Mark Kilmurry, Victoria Pollard, Box Office Team Gloria Gonzales, Anita Jerrentrup, Guy Reynolds AO, Margo Weston Bronte Kellam-Pearson, Kathryn Siely & Cheryl Ward

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(02) 8918 3400 ensemble.com.au The management reserves the right to make any alteration to cast which may be rendered necessary by illness or any other unavoidable cause. Patrons are reminded that out of 78 McDougall St, Kirribilli consideration for others, latecomers cannot be admitted until a suitable place in the performance.