DOCSLIB.ORG

81 Annual Report 2019-2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
81 Annual Report 2019-2020 81 st ANNUAL REPORT 2019-2020 MEMBERS OF THE EXECUTIVE COMMITTEE OF IMPPA 2019 - 2020 PRIME CLASS 1. Shri T.P. Aggarwal : President, IMPPA 2. Shri Haresh Patel : Vice President, IMPPA 3. Shri Surendra Verma Alias Tinu Verma : Vice President, IMPPA 4. Shri Satish Shivappa Poojary : Hon. Treasurer, IMPPA 5. Shri Jai Prakash Shaw : Hon. Treasurer, FMC 6. Ms. Aarti Patel 7. Shri Abhay Kumar Sinha 8. Shri Atul P. Patel 9. Shri Pradeep Singh 10. Shri Nishant Ujjwal (Co-opted on 3-5-2020 under Article 28) ASSOCIATE CLASS - I 11. Shri Mehul Kumar : Sr. Vice President, IMPPA (resigned on 4-11-2019) 12. Shri Mahendra Dhariwal : Joint Secretary, IMPPA 13. Ms. Sushama Shiromanee : Hon. Gen. Secretary, FMC 14. Shri Rakesh Nath ‘Rikku’ 15. Shri Ashoke Pandit 16. Shri Darshan Bagga (Co-opted on 3-5-2020 under Article 28) T.V. PROGRAMME PRODUCERS 17. Shri Babu Bhai Thiba 18. Shri Manish Jain AUDITOR M/s S.G. Kabra & Co., Chartered Accountants HON. PRESIDENT’SPRESIDENT’S MESSAGE MESSAGE Dear Members, I am very pleased to inform all esteemed IMPPA members that with their co-operation and support my team of Office Bearers and Executive Committee members have been able to ensure that IMPPA besides Dear Members, being the largest and oldest association of film producers in India is amongst the most respected associa- tions whose members can rely onI amIMPPA very pleased whenever to inform they all esteemed are in anyIMPPA kind members of difficulty that with their or co-operationneed any andhelp support for my team of Office Bearers and Executive Committee members have been able to achieve remarkable solving any dispute besides promptresults and in all efficient areas in our tenureservice from in 2015-2018 terms andof todaygrant IMPPA of besidesMembership, being the largest registration and oldest of Titles and also for the 1st timeassociation provision of film of producersrelief to in allIndia needy is amongst members the most atrespected the time associations of severe whose financialmembers can rely on IMPPA whenever they are in any kind of difficulty or need any help for solving any dispute crisis due to Covid 19 virus. besides prompt and efficient service in terms of grant of Membership as also registration of Title. I am proud to say that during the period under review we have been able to achieve many things which I am proud to say that during theare pastdetailed year in the despite enclosed Annualthe massive Report but disruption some of which caused I would like by to Lockdown mention which dueinclude to a) Covid 19 virus, besides regular installationwork we of have software been for sending able messagesto do relatedlot of to Membershipwork for &the Title benefit to all members; of IMPPAb) updated IMPPA website for making forms & procedures available for members; c) started online payment & card members some of which I wouldswipe like machine to mention (credit & debit); which d) started include; new office (a) Duringof IMPPA in the Ahmadabad period for 2019-2020 providing services we to have granted 854 normal membershipmembers; and e) started 144 IMPPAlife membership Digital YouTube aschannel well for as members; registered f) started approx. luxurious 12360 Home Theatre;titles belonging to the members of IMPPA;g) accidental (b) insurance IMPPA policy Welfare for members; Trust h) insuranceis providing for office financial premises; i) implementedhelp to all Freemem Trade- for employment; j) filed cases against FWICE in Competition Commission of India, Bombay City Civil bers and has also provided emergencyCourt and relief Bombay up High to Court; Rs 9000/- k) appointed each Shri inAshok three Saraogi installments for providing freeto alllegal genuinely assistance; l) needy members during the Lockdownsettled and due passed to AwardsCovid in 19 many virus dispute from matters; the m) IMPPA the only associationWelfare whoTrust has inits 2addition self owned office premises in Mumbai i.e. in Bandra & Andheri. to which Rs 11 lakhs were donated to FWICE for providing relief to the members of their affiliates; (c) IMPPA has provided emergencyBesides medical the above aid I,directly am very proudin name to declare of that the the hospital financial positionto all membersof the association who is veryhave good after clearing all banks loans, Service Tax payments, starting of Home Theatre without any loan and we approached it in times of medicalhave emergency; made many Fixed (d) Deposit IMPPA for IMPPA has Welfarerenewed Trust the for whichAccidental I am very insurancegrateful to all mypolicy fellow which now covers each and everyOffice member Bearers ofand IMPPAExecutive Committeewho are membersall now as eligiblewell as all formembers making at large claimsbecause withoutin case their whole hearted support and co-operation the above would not have been possible. The future is really of accidents; (e) IMPPA has obtainedbright for favourablethe entertainment order industry from and I andthe my Bombay entire team High look forward Court to servingin the the matter interest of of our CBFC circular making separate censormembers certificatein future also. mandatory for Sub-titles in every language which order now has been nullified; (f) IMPPA has got the Maharashtra Government order banning persons above the age of 65 years from working(T.P. on Aggarwal) sets in the entertainment industry quashed & nullified by the Bom- President bay High Court providing relief to all Senior Citizens; (g) IMPPA has seriously taken up with FWICE the matter regarding their falsely claiming to have 5 lakh members & 32 affiliates whereas IMPPA has proved to them that they have less than 50,000 members & 20 affiliates and they have unilaterally created the new affiliates which are not acceptable to IMPPA and other producers association and FWICE has 1 been asked to disaffiliate these unauthorized affiliates; (h) IMPPA is the only association which has 2 self owned office premises in Mumbai i.e. in Bandra & Andheri; (i) IMPPA is the only association which has its own Home Theatre for screening films of its members at minimum rates. Besides the above I, am very proud to declare that the financial position of the association is very good and we are now planning to purchase new property which will result in regular income to enable us to give more benefits to our members. I am very grateful to all my fellow Office Bearers and Executive Commit- tee members as well as all members at large and staff because without their whole hearted support and co-operation the above would not have been possible. The future is really bright for the entertainment industry and I and my entire team look forward to serving the interest of our members in future also. (T.P. Aggarwal) Hon. President 1 Indian Motion Picture Producers’Association G-1 to G-7. Crescent Tower, Near Morya House, Opp. VIP Plaza,Off Link Road, Andheri (West), Mumbai – 400 053. EIGHTY FIRST ANNUAL REPORT FOR THE YEAR 2019-2020 Friends, Your Committee has pleasure in presenting this 81stAnnual Report of Indian Motion Picture Producers’ Association (IMPPA) along with the Audited Balance Sheet and Statement of Accounts for the year ended 31st March 2020. Subjects dealt with by the Committee being of varied and important nature, have been grouped under different heads. EIGHTIETH ANNUAL GENERAL MEETING The 80th Annual General Meeting of the Association was held on Saturday, the 28th September 2019 at 11:00 a.m. at Raheja Classique Club, Behind Infinity Mall, Link Road, Andheri (W), Mumbai – 400 053. The following members continue to be members of the Executive Committee for the year 2018-2021. PRIME MEMBERS 1. Shri T.P. Aggarwal 2. Miss Aarti Patel 3. Shri Jai Prakash Shaw 4. Shri Satish Shivappa Poojary 5. Shri Abhay Kumar Sinha 6. Shri Haresh G. Patel 7. Shri Atul P. Patel 8. Shri Pradeep Singh 9. Shri Surendra Verma alias TinuVerma 10. Miss J. Neelam (suspended from EC in 2nd EC meeting) 11. Shri Manoj Chaturvedi (suspended from EC in 2nd EC meeting) 12. Shri Raju Bhatt (suspended from EC in 2nd EC meeting) 13. Shri Anil Naryani (suspended from EC in 2nd EC meeting) 14. Miss Sapna Goyal (suspended from EC in 2nd EC meeting) 15. Shri Vijay Kumar Yadav (suspended from EC in 2nd EC meeting) ASSOCIATE CLASS-I MEMBERS 1. Shri Rakesh Nath ‘Rikku’ 2. Shri Mahendra Dhariwal 3. Miss Sushama Shiromanee 4. Shri Ashoke Pandit 5. Shri Mehul Kumar (resigned on 4-11-19) T. V. PROGRAMME PRODUCERS 1. Shri Babubhai Thiba 2. Shri Manish Jain 2 The Executive Committee in its meeting held on 28th September 2019, elected Shri T.P. Aggarwal - President, Shri Mehul Kumar - Sr. Vice President (resigned on 4-11-2019), Shri Haresh Patel - Vice President, Shri Surendra Verma alias Tinu Verma - Vice President, Shri Satish Shivappa Poojary - Hon. Treasurer, Ms. J. Neelam - Hon. Gen. Secretary (suspended from EC in 2nd EC meeting on 2-1-2020) & Shri Mahendra Dhariwal - Joint Secretary as Office Bearers for the year 2018-2021. The Executive Committee decided to Co-opt. Shri Nishant Ujjwal and Shri Darshan Bagga (Co-opted on 3rd May 2020 under Article 28). The Executive Committee in its 2nd EC meeting dt. 2-1-2020 by majority decided to suspend Mr. Manoj Chaturvedi, Mr. Raju Bhatt, Mr. Anil Naryani, Mr. Vijay Kumar Yadav, Ms. J. Neelam and Ms. Sapna Goyal from the Executive Committee on the basis of electoral fraud & cheating with IMPPA by submitting Censor Certificate of films for being eligible to contest in Prime category without having produced the said film for proof of production of which they were repeatedly asked to submit documents & evidence that they had indeed produced the film on the basis of which they were claiming to be eligible to stand in Prime category.
Load more

Recommended publications
  • My God, That's My Tune'
    The composer recently made it on the New York hit parade with a song titled In every city. In an interview R. D. Burman talks about his craft. Left: R. D. Burman with Latin American composer Jose Flores. Below: The 'Pantera' team, among others R.D. Burman (centre), Jose Flores and (far right) Pete Gavankar. HENEVER an Indian achieves a Wmilestone abroad, he instantly gets more recognition in his own coun- try. Perhaps it's the colonial hangover that still makes us believe that they are always right over there. In this case however, the distinction is not going to make any difference as the person gaining it is already a household name here. Rahul Dev Burman, who has given music for 225 Hindi films, has made it to the New York hit parade with a song titled In every city. He is all set to launch the album—'Pantera'—in India. Two people have been responsible for getting him there—his father Sachin Dev Burman who was the only member of the family willing to let him enter films, and Pete Gavankar, a friend of thirty years who goaded him into seek- ing new pastures and has financed the album. Intrigued, we decided to find out just how the international album had come about and while we were at it, also gauge just how much R.D. had already packed into his life of 45 years. It turned out to be much more than we had thought as we had to have several sittings before we were through. But R.D.
    [Show full text]
  • Concert Brochure
    Program Schedule (Saturday, 12/04/2010) 12: 00 PM Ticket Counter (Registration Booth) Opens 12: 00 - 4: 30 PM Singing Competition on RD Burman Songs(Adults/Kids) 5: 30 PM Welcome Speech by Vijaya Aasuri (Event’s MC) 5: 33 PM Prardhana Geetam (by Himaja Movva) 5: 35 PM Jyothi Prajwalana by Mr. and Mrs. Venkata Sudhakar Simhadri (Chief Guest) 5: 40 PM A Few Words by Srinivas Chimata (Event Organizer) 4: 42 PM Introductory Speech on RD Burman by Vijaya Aasuri 5: 45 PM First Song starts 7: 00 PM Sponsors’ Felicitation on the Stage 7: 45 PM Dinner Break (Food Vendor: Peacock Restaurant) 8: 15 PM Saxophone Performance by Ramesh Maraj (www.indisax.com) 8: 20 PM Second Part of the Concert starts 9: 30 PM Mementos (to Singers, Musicians, Volunteers & Singing Competition Winners) 9: 45 PM Vote of Thanks (by Vijaya Aasuri & Srinivas Chimata) Rahul Dev “RD” Burman was India’s most popular composer in the 1970’s, famous for his peppy tunes. He teamed up with singers Mohammed Md. Rafi, Asha Bhosle, Kishore Kumar, Lata Mangeshkar and others to churn up some of the biggest hits in the Bollywood music history. Born on June 27, 1939, Burman was the only child of the famous singer-music director, Sachin Dev Burman. He was born and brought up in Calcutta. Popularly known as Pancham (the nickname apparently given to him by the actor Ashok Kumar, when he found the child only singing pa...pa..pa from the “sargam”), RD Burman scored music for over 300 films. He was just nine years old, when he composed his first song, Aye meri topi palat ke aa, which his father later used in the film Funtoosh (1956).
    [Show full text]
  • Shankar Jaikishan – Emperors of Music by Ashwini Kumar Rath
    Shankar Jaikishan – Emperors of Music By Ashwini Kumar Rath Shankar Jaikishan music, synonym of Indian Film music, has far reaching impact in India and outside. The duo moulded music and musical mood of masses since 1949, and are still considered to be the best music composers from India. The duo also contributed outside movie industry with their much celebrated album Raga in Jazz Style, and background music for documentary Everest expedition among many others. If we look at the popular impact by any personalities in the field of music during the post-independence period in India, the obvious choice is Shankar Jaikishan. Shankar, the more versatile of the two, was a prolific musician with mastery over dozens of instruments, Indian classical music and dance forms. He was primarily responsible for building Shankar Jaikishan team with dedicated lyricists, music assistants, and jumbo-sized 60-pieces orchestra, and was the lead composer. On the other hand, Jaikishan was incredibly creative and legendary composer himself. He was genius of background music and romantic tunes though he too could compose songs in other genres. While Shankar's musical jhankar propels divine dwellers to zoom in unison with ecstasy, romantic effervescence of Jaikishan music brings divine feelings on to earth. During initial years, all decisions about musical engagements were made by Shankar; but both started taking up assignments separately in the late sixties. They had sharp contrasts in personalities and physical appearances. Shankar was gym-savvy, non- drinker, and was a strict disciplinarian. On the other hand, Jaikishan was party-man and was very social.
    [Show full text]
  • Download Download
    Kervan – International Journal of Afro-Asiatic Studies n. 21 (2017) Item Girls and Objects of Dreams: Why Indian Censors Agree to Bold Scenes in Bollywood Films Tatiana Szurlej The article presents the social background, which helped Bollywood film industry to develop the so-called “item numbers”, replace them by “dream sequences”, and come back to the “item number” formula again. The songs performed by the film vamp or the character, who takes no part in the story, the musical interludes, which replaced the first way to show on the screen all elements which are theoretically banned, and the guest appearances of film stars on the screen are a very clever ways to fight all the prohibitions imposed by Indian censors. Censors found that film censorship was necessary, because the film as a medium is much more popular than literature or theater, and therefore has an impact on all people. Indeed, the viewers perceive the screen story as the world around them, so it becomes easy for them to accept the screen reality and move it to everyday life. That’s why the movie, despite the fact that even the very process of its creation is much more conventional than, for example, the theater performance, seems to be much more “real” to the audience than any story shown on the stage. Therefore, despite the fact that one of the most dangerous elements on which Indian censorship seems to be extremely sensitive is eroticism, this is also the most desired part of cinema. Moreover, filmmakers, who are tightly constrained, need at the same time to provide pleasure to the audience to get the invested money back, so they invented various tricks by which they manage to bypass censorship.
    [Show full text]
  • Indebited to Dogs SHAHID KAPOOR's LIFE Maneka Sanjay Gandhi Incident Public in Case the Public Reacted Negatively to the Use of Dogs in Rockets
    SUNDAY, OCTOBER 13, 2013 (PAGE-4) BOLLYWOOD BUZZ NATURE 'I don't work to satisfy myself ' Indebited to dogs SHAHID KAPOOR'S LIFE Maneka Sanjay Gandhi incident public in case the public reacted negatively to the use of dogs in rockets. AT THE MOMENT IS ALL Look up at the stars. Will human Baars and Lisichka were not as lucky. beings ever reach any of the millions of Their rocket exploded 28 seconds after ABOUT LOVE AND WAR, worlds around us? Will the one foray to take off. the moon ever be duplicated? Will any THANKS TO PRABHU Belka and Strelka spent a day in human ever set foot on Mars? space aboard Sputnik 5 on 19 August If we do get to another planet, I hope DEVA WHO HAS TURNED 1960 before safely returning to Earth. those explorers will remember that they They were the first Earth-born creatures HIM INTO A ROMEO- owe it all to dogs. to go into orbit and return alive. The Russians were the first to attempt Strelka went on to have six puppies CUM-FIGHTER IN HIS to go into space. with a male dog named Pushok who was The first living being sent into orbit UPCOMING FILM R... also sent for many ground-based space was a dog, Laika — a sweet-tempered experiments, but never made it into stray with Siberian Husky blood in her, RAJKUMAR. space.[ One of the pups was named plucked off the streets of Moscow and Pushinka and was given to President put into the Sputnik rocket on 3rd SREYA BASU IN John Kennedy's daughter Caroline by the November 1957.
    [Show full text]
  • How Jadhav's Mother Foiled Pakistan's Crooked Designs
    The Times Of India - Kolkata, 2017-12-28 Cropped page Page: 7 CCI NG 3.7 Product: TOIKolkataBS PubDate: 28-12-2017 Zone: KolkataCity Edition: 2 Page: TOIKCP7 User: arpan.surchowdhury Time: 12-28-2017 01:46 Color: CMYK THE TIMES OF INDIA, KOLKATA * THURSDAY, DECEMBER 28, 2017 TIMES NATION 7 WAR OF WORDS HEATS UP WINTER SESSION Commanders’ tenure set How Jadhav’s mother foiled Govt distances itself from for extension TIMES NEWS NETWORK Pakistan’s crooked designs Hegde jibe, oppn furious AFP New Delhi: In a major policy India pressed that mother TOI TIMES NEWS NETWORK tion, in which the word “se- change, the Army headquar- Told Son Not To Avanti should also be allowed cular” was enshrined, in ters has reduced the residual access. New Delhi: The govern- public. service required for Lt-Gene- The Indian side fears that ment on Wednesday distan- Naresh Agarwal (SP), on rals to be promoted as chiefs of Parrot Script Pakistan could still leak doc- ced itself from Union skill his part, said any minister its six operational and one tra- tored versions of Jadhav’s development minister who denigrates the Constitu- ining commands from 24 From Captors conversation with the wo- Anant Kumar Hegde’s cont- tion, the “Ramayana and Gi- months to 18 months before men, but is relieved that Avan- roversial remarks that BJP ta of Parliament”, and its fo- superannuation. TIMES NEWS NETWORK ti’s fortitude interrupted the would soon change the Cons- under Babasaheb Ambedkar Officers say the new policy plan and would force Islama- titution while he mocked should be sacked forthwith.
    [Show full text]
  • 6Th Pune International Film Festival 2008
    6th Pune International Film Festival 2008 SR. NO. TITLE ORIGINAL TITLE RUNTIME YEAR DIRECTOR COUNTRY Opening Film 1 Teeth of Love Teeth of Love 114 2007 Zhuang Yuxin China Life Time Achivement Awardees Films 1 An Evening in Paris 168 1967 Shakti Samanta India 2 Professor 159 1962 Lekh Tandon India 3 Devi 93 1960 Satyajit Ray India World Competition 1 Aha 128 2007 Enamul Karim Nirjhar Bangladesh 2 Bliss 105 2007 Abdullah Oguz Turkey -Greece 3 Ghosts 108 2006 Nick Broomfield UK 4 International 105 2006 Sirri Sureyya Onder Turkey 5 Khuda ke liye 95 2007 Shoaib Mansur Pakistan 6 Ore kadal The Sea Within 123 2007 Shyamaprasad India 7 Paruthi Veeran 135 2006 Ameer Sultan India 8 Pleasant Moments 108 2006 Vera Chytilova Czech Republic 9 Seventh Heaven 100 2007 Saad Hendawy Egypt 10 Sleepwalking land 96 2007 Teresa prata Mozambique 11 Teeth of love 114 2007 Zhuang Yuxin China 12 Time without Time 89 2006 Mercedes Farriols spain 13 Tricks 95 2007 Andrez Jakimowski Poland 14 War Child 103 2006 Christian Wagner Germany 15 XXY 91 2007 Lucia Puenzo Argentina-Spain-France Marathi Competition 1 Aevdhe se Aabhaal 104 2006 Bipin Nadkarni India 2 Checkmate 130 2007 Sanjay Jadhav India 3 Kaalchakra 113 2007 Vishal Bhandari India 4 Kadachit 130 2007 Chandrakant Kulkarni India 5 Nirop 90 2007 Sachin Kundalkar India 6 Tingya 122 2007 Mahesh Hadawale India 7 Valu 120 2007 Umesh Kulkarni India Vasudev Balvant 8 134 2007 Gajendra Ahire India Phadke Student Competition - Animation 1 Jeff Simpson 2 Amchi Mumbai Tatva,Maac 3 Feedback Shilpa Alexander Naam Chhod
    [Show full text]
  • Contemporary Cinema & Indian Nationalism
    Contemporary Cinema & Indian Nationalism History 175C: Special Topics in Indian History UCLA: Spring 2018 Tuesdays & Thursdays 2-3:15 PM, in Public Affairs 1222 Vinay Lal Department of History, UCLA Office: Bunche Hall 5240 Office Hours: Tuesdays & Thursdays, 3:30-4:30 PM, and by appointment Tel: 310.825.8276; Department Office (Bunche 6265): 310.825.4601 email: [email protected] Instructor’s website: southasia.ucla.edu Instructor’s webpages on cinema: http://southasia.ucla.edu/culture/cinema/ Course website: https://moodle2.sscnet.ucla.edu/course/view/18S-HIST175C-1 YouTube page: youtube.com/user/dillichalo Blog: https://vinaylal.wordpress.com This upper-division lecture course, offered for the first time, takes up the twin stories of Indian cinema and nationalism in the colonial and postcolonial period, and suggests that the intersection of history and cinema might have some unusual insights to offer about the nature of nationalist narratives. In broader terms, this lecture course also furnishes an introduction to the culture and history of modern Hindi-language cinema, the study of modern Indian history, some of the broader theoretical literature on nationalism and patriotism, and the study of popular culture. The use of films and visual material in the study of history has become increasingly popular over the course of the last three decades; however, this course does not view cinema merely an as instrument for the study of Indian history. Popular cinema, this lecture presumes, is an intrinsically interesting subject of inquiry, even if Indian scholars have come to this realization long after the Indian public had already declared its unmitigated affection for the movies.
    [Show full text]
  • 1St Filmfare Awards 1953
    FILMFARE NOMINEES AND WINNER FILMFARE NOMINEES AND WINNER................................................................................ 1 1st Filmfare Awards 1953.......................................................................................................... 3 2nd Filmfare Awards 1954......................................................................................................... 3 3rd Filmfare Awards 1955 ......................................................................................................... 4 4th Filmfare Awards 1956.......................................................................................................... 5 5th Filmfare Awards 1957.......................................................................................................... 6 6th Filmfare Awards 1958.......................................................................................................... 7 7th Filmfare Awards 1959.......................................................................................................... 9 8th Filmfare Awards 1960........................................................................................................ 11 9th Filmfare Awards 1961........................................................................................................ 13 10th Filmfare Awards 1962...................................................................................................... 15 11st Filmfare Awards 1963.....................................................................................................
    [Show full text]
  • Govind Dalwadi
    Govind Dalwadi Mail: [email protected] Cell: 9594764801 Joined Film Industry As Apprentice In Film Editing With Late Shri Dharam Veer Who Edited MUGHAL E AZAM Who Was Editor For Shri Shakti Samanta. I Worked With Them As Helper For 2 Years Then They Gave Me Break As 2nd Assistant Editor. After Working For Few Years With Them I Got Chance As Chef Assistant Editor. Shri Shakti Samanta Was So Impressed With My Work That He Gave Me Break As Associate Editor In Kashmir Ki Kali. After Seeing My Work In Kashmir Ki Kali He Gave Me Chance As Independent Editor Under The Super Vision Of Shri Dharam Veer In AN EVENING IN PARIS. After Seeing My Hard Work In AN EVENING IN PARIS He Offered Me To Edit ARADHANA With The Concern Of Shri Dharam Veer. The Movie Was Super Hit And He Gave Me To Edit KATI PATANG, AMAR PREM. Doing That I Got Outside Assignments Also. So Far I Have Edited More Than 100 Full Length Flims. Few Of Them Are PYAR JHUKTA NAHIN, NAGINA, DULHE RAJA - AKHIYON SE GOLIMARE - DO JASOOS - GOPICHAND JASOOS - BIWI HOTO AISI - GADDAAR - GANWAAR - AULAD - AISA PYAR KAHAN ETC. I Have Worked With Directors Like Shri Shrikti Samanta, Shri Harmesh Malhotra, Shir K.C Bokadia, Shri Naresh Kumar, Shri Vijay Sadanah, Shir Vijay Reddy (South), Shir S.A Chandra Shekhar (South), Shri J.K Bihari. At Present I Am Directing 2 Movies 1 In Gujarati And Another In Hindi. My Gujarati Movie Will Go On Floor In Xmas And After Compliting This Movie I Will Start Shooting My Hindi Movie.
    [Show full text]
  • Childhood Obesity Predisposes to Diabetes the Music Was Composed Played Both As a by S.D
    SUNDAY, AUGUST 4, 2013 (PAGE-4) daily Excelsior MAGAZINE MOVIE REVIEW BEAUTY TIPS A saga of seduction and betrayal Hair Care in Monsoons Shahnaz Husain Trisha Gupta ing of desperation. Instead it reserves much a nice little cameo for Deepti Naval, anoth- During the hot and humid sea- of its screen-time for seemingly innocuous er that conjures up the horrors of the Delhi son, oil and sweat deposits make Ajay Bahl’s debut film is a treat. Bahl has spaces: the faded ennui of Delhi’s govern- streets — prefaced with a remark of devas- taken Mohan Sikka’s spare, salacious short ment quarters, their musty drawing rooms tating irony by a hijra: “Mard ko bhi dard hota the hair sticky, matted and rough. story from the 2009 anthology Delhi Noir and and leaky service lanes now filled with an hai”. There may even be bad odour filled out its silences just so, creating a film uncanny sense of foreboding. Even when The dialogue, in fact, is near-perfect. Sik- from the scalp. Shampoo the hair that somehow fulfills our expectations from we do enter classic noir terrain – Bahl shot ka’s original English lines acquire richness more frequently during the hot noir – shadowy urban spaces, a femme on location in the grimy, neon-lit, cheap in Ritesh Shah’s precise Delhi Hindi — and humid season, especially if fatale whose allure is tied to a deliberate air tourist hub of Paharganj – that dark, gaping the hair is oily. Use a mild herbal of mystery, a doomed male protagonist “Ghane hain.
    [Show full text]
  • Film Federation of India B/3, Everest, Tardeo, Mumbai – 400 034
    FILM FEDERATION OF INDIA B/3, EVEREST, TARDEO, MUMBAI – 400 034 (T) 022 – 2351 5531 (F) 022 – 2352 2062 LIST OF EXECUTIVE COMMITTEE MEMBERS FOR THE YEAR 2008-2009 SHRI JITENDRA JAIN (T) 0731 – 2431678 (Indore) PRESIDENT (F) 0731 – 2539804 FILM FEDERATION OF INDIA C/O. CENTRAL CIRCUIT CINE ASSOCIATION FILM BHAWAN, NEAR RANI SATI MANDIR, YESHWANT NIWAS ROAD, (M) 09826825722 INDORE – 452 003. SHRI L. SURESH (O) 044 – 4214 9043 VICE PRESIDENT (M) 094443 82699 FILM FEDERATION OF INDIA (F) 044 – 4214 9041 ANANDA PICTURES CIRCUIT RAHEJA COMPLEX, 4TH FLOOR 834, MOUNT ROAD, email:[email protected] CHENNAI – 600 002. SHRI RAVI KOTTARAKARA (T) 044 – 3250 6699 VICE PRESIDENT (M) 093845 66699 FILM FEDERATION OF INDIA (M) 099405 99448 NO.4/4 FIRST STREET, GILL NAGAR, CHOOLIAMEDU, email: [email protected] CHENNAI – 600 094. SHRI A R RAJU (O) 080 – 2226 5334 VICE PRESIDENT (O) 080 – 5124 2416 FILM FEDERATION OF INDIA (R) 080 – 2344 6171 AJANTA MOVIES (F) 080 – 4124 1123 C – 99, ANANDRAO EXTENSION, (M) 094482 26348 GANDHI NAGAR, BANGALORE – 560 009. SHRI C KALYAN (T) 040 – 2355 0772 VICE PRESIDENT FILM FEDERATION OF INDIA (M) 098663 00778 M/S. TEJA CINEMA PLOT NO.332, HOUSE NO.G –1, SOMANATH RESIDENCY, PHASE III, KAMALAPURI COLONY, HYDERABAD – 500 073. 1 DR SUNIL KUMAR (T/F) 033 – 2237 9077 VICE PRESIDENT 2236 2605 FILM FEDERATION OF INDIA (M) 098310 79825 158, LENIN SARANI, 2ND FLOOR, KOLKATA – 700 013. SHRI SANGRAM SHIRKE (T) 022 – 2655 7001 VICE PRESIDENT (F) 022 – 2642 2835 FILM FEDERATION OF INDIA (R) 022 – 2642 2835 SHIV SENA CHITRAPAT SAKHA (M) 98694 44919 G-9,NUTAN SAGAR PREMISES CO-OP HSG SOCIETY GURU NANAK ROAD, BANDRA (WEST), MUMNAI – 400 050.
    [Show full text]