BTG Plays 1929-2020 by Year
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John Loves Mary Preview Continued from Page 1
Inside this Issue Solid Gold Cadillac Auditions ...........2 2011/2012 Staff Positions .................2 CP 2011/2012 Season ......................3 WW II Popular Culture .....................4 CPers Carol Uptown .........................4 Vol. 6.5 January, 2011 Players Presents WWII Farce, John Loves Mary by Bob McLaughlin Community Players kicks off 2011 with the classic Hammerstein, comedy John Loves Mary, by Norman Krasna. Set at the directed by Joshua end of World War II, the play’s plot involves soldiers’ Logan, and featured homecoming and is fueled by mistaken identity and William Prince, good intentions gone wrong. As the curtain opens, Nina Foch, and Mary McKinley, a senator’s daughter, awaits the return Tom Ewell in the of John Lawrence, her fiancé, who has been fighting in cast. At the time Europe. John arrives, but with a secret: in order to help it was one of a out his buddy Fred Taylor, who was demobed and sent number of plays that home before he could cut through the red tape to marry dealt humorously his British girlfriend Lily Herbish, John has married Lily, or alarmingly with planning to bring her to the States and divorce her so the social anxieties she can wed Fred. (Got that?) But the best laid plans . connected with . Fred, it turns out, figuring he’d never see Lily again, the servicemen’s has married a hometown sweetheart who’s about to have homecoming: How much will the war have changed a baby. Can John put off his date with Mary at the altar these men? Will they be able to reintegrate into long enough to get divorced? Can John and Fred keep peacetime society? Will they chaotically upend Lily a secret from Mary and her parents? Can Lily find a traditional values? In 1949 John Loves Mary was made new beau? Not before John and Fred make a deal with into a film starring Ronald Reagan, Patricia Neal, and a loathed former officer and Senator McKinley starts Jack Carson. -
Bibliography Filmography
Blanche Sewell Lived: October 27, 1898 - February 2, 1949 Worked as: editor, film cutter Worked In: United States by Kristen Hatch Blanche Sewell entered the ranks of negative cutters shortly after graduating from Inglewood High School in 1918. She assisted cutter Viola Lawrence on Man, Woman, Marriage (1921) and became a cutter in her own right at MGM in the early 1920s. She remained an editor there until her death in 1949. See also: Hettie Grey Baker, Anne Bauchens, Margaret Booth, Winifred Dunn, Katherine Hilliker, Viola Lawrence, Jane Loring, Irene Morra, Rose Smith Bibliography The bibliography for this essay is included in the “Cutting Women: Margaret Booth and Hollywood’s Pioneering Female Film Editors” overview essay. Filmography A. Archival Filmography: Extant Film Titles: 1. Blanche Sewell as Editor After Midnight. Dir. Monta Bell, sc.: Lorna Moon, ed.: Blanche Sewell (Metro-Goldwyn-Mayer Corp. US 1927) cas.: Norma Shearer, Gwen Lee, si., b&w. Archive: Cinémathèque Française [FRC]. Man, Woman, and Sin. Dir. Monta Bell, sc.: Alice D. G. Miller, Monta Bell, ed.: Blanche Sewell (Metro-Goldwyn-Mayer Corp. US 1927) cas.: John Gilbert, Jeanne Eagels, Gladys Brockwell, si., b&w. Archive: George Eastman Museum [USR]. Tell It to the Marines. Dir.: George Hill, sc.: E. Richard Schayer, ed.: Blanche Sewell (Metro- Goldwyn-Mayer Corp. US 1927) cas.: Lon Chaney, William Haines, si, b&w, 35mm. Archive: George Eastman Museum [USR], UCLA Film and Television Archive [USL]. The Cossacks. Dir.: George Hill, adp.: Frances Marion, ed.: Blanche Sewell (Metro-Goldwyn- Mayer Corp. US 1928) cas.: John Gilbert, Renée Adorée, si, b&w. -
Loading up up Loading
U-HIGH Volume 76, Number 4 • University High School, 1362 East 59th Street, Chicago, Illinois 60637 • Tuesday , Dec . 12, 2000 Loading up to the max Li-Highers forego open periods as they fill schedules to free up senior year !JyNatalie Hoy ___________ _ Associate editor or years, open periods have represented a badge of honor for U -High. While other F schools plunk kids into faculty-supervised study halls, U-High has considered perio~ when students don't have classes and make their own de cisions about how to best use their time part of the educational program. And that's the irony of it. More and more U-Highers are using those open periods for more classes . At least for the three lower grade levels, open periods may represent an endangered species. The coming win ter break, in fact, for many U-Highers will repre sent their first "open" break since school began. A check of schedules indicates that 137 U-Highers out of 463 pack their schedules to course capacity. ''This is the story," said Principal Jack Knapp. ne ofmy "There are two threads ''o that I see at Lab. One is goals is to the A.P.-driven thread create a well which seeks the best pos rounded sible scores for students so they can get into the education for best colleges; I see a lot of students ... ,, this. The other thread uses more of the Dewey theory of learning and doing . These students seek a more hands-on experi mental experience. "These two threads seem to be frequently in competition for the school's soul, but it doesn't need to be this way. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
For Immediate Release for Immediate
FOR IMMEDIATE RELEASE FOR IMMEDIATE RELEASE Contact: Renée Littleton/Lauren McMillen [email protected], 202-600-4055 December 15, 2020 For additional information, visit: arenastage.org/2021winterclasses ARENA STAGE ANNOUNCES NEW VIRTUAL CLASSES FOR WINTER SEASON *** Arena’s virtual series expands with family creativity workshops, classes for theater lovers, masterclasses and Voices of Now Mead Ensemble *** (Washington, D.C.) Arena Stage at the Mead Center for American Theater announces its lineup of Winter classes featuring classes catered to families, theater lovers, students, adults and emerging theater artists. The Voices of Now Mead Ensemble for young artists will begin this winter, meeting virtually to contribute to a new original film. Just in time for the holidays, this robust line of programming has something for everyone and makes the perfect unique gift for the theater lover in your family. “We are finding that people of all ages are responding with joy and energy to our virtual classes. There are so many ways to be engaged in these programs — whether you are a theater lover or a theater practitioner, there is something for you,” shares Director of Community Engagement and Senior Artistic Advisor Anita Maynard-Losh. Arena is excited to debut two new categories of classes: Family Creativity Workshops and Classes for Theater Lovers. Family Creativity Workshops are designed to connect family members through the means of theatrical games, visual art and imagination. These classes are led by Arena’s Director of Education, Ashley Forman and friends. These exhilarating classes are the perfect opportunity for families to engage and explore creative expression and collaboration. -
Rouse Simmons" Shipwreck Other Names/Site Number N/A
NPS Form 10-900 i- OMB No. 10024-0018 (January 1992) | ^ZTr~~——-———__ / Wisconsin Word Processing Format (Approved 1/92) United States Department of Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900A). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name "Rouse Simmons" Shipwreck other names/site number N/A 2. Location Lake street & number 6 miles off Point Beach N/A not for publication city or town Lake Michigan X vicinity state Wisconsin code WI county Manitowoc code 071 zip code 54241 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property X meets _ does not meet the National Register criteria. -
GORE VIDAL the United States of Amnesia
Amnesia Productions Presents GORE VIDAL The United States of Amnesia Film info: http://www.tribecafilm.com/filmguide/513a8382c07f5d4713000294-gore-vidal-the-united-sta U.S., 2013 89 minutes / Color / HD World Premiere - 2013 Tribeca Film Festival, Spotlight Section Screening: Thursday 4/18/2013 8:30pm - 1st Screening, AMC Loews Village 7 - 3 Friday 4/19/2013 12:15pm – P&I Screening, Chelsea Clearview Cinemas 6 Saturday 4/20/2013 2:30pm - 2nd Screening, AMC Loews Village 7 - 3 Friday 4/26/2013 5:30pm - 3rd Screening, Chelsea Clearview Cinemas 4 Publicity Contact Sales Contact Matt Johnstone Publicity Preferred Content Matt Johnstone Kevin Iwashina 323 938-7880 c. office +1 323 7829193 [email protected] mobile +1 310 993 7465 [email protected] LOG LINE Anchored by intimate, one-on-one interviews with the man himself, GORE VIDAL: THE UNITED STATS OF AMNESIA is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time. SYNOPSIS No twentieth-century figure has had a more profound effect on the worlds of literature, film, politics, historical debate, and the culture wars than Gore Vidal. Anchored by intimate one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining portrait of the last lion of the age of American liberalism. -
Visit to a Small Planet and the ―Fish out of Water‖ Comedy
Audience Guide Written and compiled by Jack Marshall July 8–August 6, 2011 Theatre Two, Gunston Arts Center Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called ―the American Century.‖ The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Hal Pereira Film Sketches Collection
http://oac.cdlib.org/findaid/ark:/13030/c8zp46qh No online items Hal Pereira Film Sketches Errol Stevens, Clay Stalls William H. Hannon Library Loyola Marymount University One LMU Drive, MS 8200 Los Angeles, CA 90045-8200 Phone: (310) 338-5710 Fax: (310) 338-5895 Email: [email protected] URL: http://http://library.lmu.edu/collections/archivesandspecialcollections/ © 2012 Loyola Marymount University. All rights reserved. Hal Pereira Film Sketches 010 1 Hal Pereira Film Sketches Collection Collection Number: 010 William H. Hannon Library Loyola Marymount University Los Angeles, California Processed by: Errol Stevens, Clay Stalls Encoded by: Clay Stalls © 2012 Loyola Marymount University. All rights reserved. Descriptive Summary Title: Hal Pereira Film Sketches Collection Dates: 1952-1968 Collection number: 010 Creator: Hal Pereira Collection Size: 23 archival document boxes (9.6 linear feet) Repository: Loyola Marymount University. Library. Department of Archives and Special Collections. Los Angeles, California 90045-2659 Abstract: The Hal Pereira Film Sketches Collection consists chiefly of the film sketches that art director and designer Hal Periera created for Hollywood films in the 1950s and 1960s. Languages: Languages represented in the collection: English Access Collection is open to research under the terms of use of the Department of Archives and Special Collections, Loyola Marymount University. Publication Rights Materials in the Department of Archives and Special Collections may be subject to copyright. Unless explicitly stated otherwise, Loyola Marymount University does not claim ownership of the copyright of any materials in its collections. The user or publisher must secure permission to publish from the copyright owner. Loyola Marymount University does not assume any responsibility for infringement of copyright or of publication rights held by the original author or artists or his/her heirs, assigns, or executors. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
Long Term Care Options Pg. 12 & 13
Pg. 4 – The Gift n Pg. 7 – Long Term Care Options Pg. 12 & 13 – Game Pages n Pg. 21 – Social Security Q&A PAGE PAGE PAGE 08 14 23 NOVEMBER | DECEMBER 2019 n WHAT’S INSIDE THIS ISSUE 4 The Gift 8 Senior Perspectives Recipes 12 Game Page 20 Safety and Security by Anne Ellermets by Joe Stapel 9 Older Adults and Depression 14 For the Birds–A “Maze” ing 5 It’s Harvest Time by Christine Wistrom by Janet Hasselbring 21 Social Security Q&A by Michelle Jackson by Vonda VanTil 10 Your Earnings Record 16 Family Fun in Grand Rapids 6 Travel YOUR Way This Winter by Vonda VanTil 18 Have I Gotta Story to Tell You! 22 Letting Go... by Emily Armstrong 11 Ask The Provider– by Dave Kampfschulte by Rolina Vermeer 7 Long-Term Care Options Sleep Apnea 19 For Veterans Day 2019 23 The Christmas Tree Ship by Stephanie Hecksel, LMSW by Christopher Morgan, MD by Joel Dulyea by Jerry Mattson EDITOR & PUBLISHER WRITERS MEMBER OF Area Agency on Aging of Western Michigan Emily Armstrong Information & Assistance Gil Boersma Joel Dulyea (616) 456-5664 or (888) 456-5664 Anne Ellermets Michelle Fields [email protected] | (fax) (616) 456-5692 Staci Gerken website: www.aaawm.org Janet Hasselbring MEMBER OF Mission: Michelle Fields Stephanie Hecksel Area Agency on Aging of Western Michigan’s 231-733-3523 Kendrick Heinlein mission is to provide older persons and persons [email protected] Michelle Jackson with a disability an array of services designed [email protected] Dave Kampfchulte Jerry Mattson to promote independence and dignity in their Louise Matz homes and their communities.