The Jackson 5 & Michael Jackson 1
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Billboard.Com “Finesse” Hits a New High After Cardi B Hopped on the Track’S Remix, Which Arrived on Jan
GRAMMYS 2018 ‘You don’t get to un-have this moment’ LORDE on a historic Grammys race, her album of the year nod and the #MeToo movement PLUS Rapsody’s underground takeover and critics’ predictions for the Big Four categories January 20, 2018 | billboard.com “Finesse” hits a new high after Cardi B hopped on the track’s remix, which arrived on Jan. 4. COURTESY OF ATLANTIC RECORDS ATLANTIC OF COURTESY Bruno Mars And Cardi B Title CERTIFICATION Artist osition 2 Weeks Ago Peak P ‘Finesse’ Last Week This Week PRODUCER (SONGWRITER) IMPRINT/PROMOTION LABEL Weeks On Chart #1 111 6 WK S Perfect 2 Ed Sheeran 120 Their Way Up W.HICKS,E.SHEERAN (E.C.SHEERAN) ATLANTIC sic, sales data as compiled by Nielsen Music and streaming activity data by online music sources tracked by Nielsen Music. tracked sic, activity data by online music sources sales data as compiled by Nielsen Music and streaming Havana 2 Camila Cabello Feat. Young Thug the first time. See Charts Legend on billboard.com/biz for complete rules and explanations. © 2018, Prometheus Global Media, LLC and Nielsen Music, Inc. Global Media, LLC All rights reserved. © 2018, Prometheus for complete rules and explanations. the first time. See Charts on billboard.com/biz Legend 3 2 2 222 FRANK DUKES (K.C.CABELLO,J.L.WILLIAMS,A.FEENY,B.T.HAZZARD,A.TAMPOSI, The Hot 100 B.LEE,A.WOTMAN,P.L.WILLIAMS,L.BELL,R.L.AYALA RODRIGUEZ,K.GUNESBERK) SYCO/EPIC DG AG SG Finesse Bruno Mars & Cardi B - 35 3 32 RUNO MARS AND CARDI B achieve the career-opening feat, SHAMPOO PRESS & CURL,STEREOTYPES (BRUNO MARS,P.M.LAWRENCE II, C.B.BROWN,J.E.FAUNTLEROY II,J.YIP,R.ROMULUS,J.REEVES,R.C.MCCULLOUGH II) ATLANTIC bring new jack swing and the second male; Lionel Richie back to the top 10 of the landed at least three from each of his 2 3 4 Rockstar 2 Post Malone Feat. -
Letter Reso 1..4
*LRB09613384KXB28107r* HR0544 LRB096 13384 KXB 28107 r 1 HOUSE RESOLUTION 2 WHEREAS, The members of the Illinois House of 3 Representatives and State Representative Monique D. Davis are 4 saddened to learn of the death of Michael Jackson, who passed 5 away on June 25, 2009; and 6 WHEREAS, Michael Joseph Jackson was born on August 29, 1958 7 in Gary, Indiana to Joseph and Katherine Jackson; at the age of 8 4, he began singing with his brothers, Marlon, Jermaine, 9 Jackie, and Tito, as the Jackson 5; and 10 WHEREAS, By 1968, the Jacksons had cut singles for a local 11 Indiana label called Steeltown; at an engagement that year at 12 Harlem's famed Apollo Theater, singer Gladys Knight and pianist 13 Billy Taylor saw their act and recommended them to Motown 14 founder Berry Gordy; and 15 WHEREAS, Motown moved the Jacksons to California, and in 16 August 1968 they gave a breakthrough performance at a Beverly 17 Hills club called The Daisy; their first album, "Diana Ross 18 Presents the Jackson 5," was released in December 1969, and it 19 yielded the No. 1 hit "I Want You Back," with 11-year-old 20 Michael on the lead vocals; "ABC," "I’ll Be There," and other 21 hits followed, and the group soon had their own television 22 series, a Saturday morning cartoon, and an array of licensed -2-HR0544LRB096 13384 KXB 28107 r 1 merchandise aimed at youngsters; and 2 WHEREAS, By 1972, Michael Jackson had his first solo album, 3 "Got to Be There," which included the title hit as well as 4 "Rockin' Robin"; his first solo No. -
Master's Thesis
I Know I Am Someone: Michael Jackson, Thriller, and American Identity by Sara Tenenbaum B.A. in American Studies, May 2006, Brandeis University A Thesis submitted to The Faculty of the Columbian College of Arts and Sciences of George Washington University in partial fulfillment of the degree requirements for the degree of Master of Arts May 15, 2011 Thesis Directed by James A. Miller Professor of English and American Studies © Copyright 2011 by Sara Tenenbaum All rights reserved ii Abstract of Thesis "I Know I Am Someone: Michael Jackson, Thriller, and American Identity" This thesis addresses the cultural phenomenon surrounding Michael Jackson's 1982 album Thriller and uses it as a lens through which to view and analyze the development of a distinct American, primarily youth, identity in 1983 and 1984. It is structured using a three-prong approach that first analyzes the sonic work of the music of Thriller, second explores the characteristics of Michaelmania and the youth identity being constructed within the Michael Jackson pop explosion, and third analyzes the backlash from both the white and African American communities against Jackson in that time to illuminate his subversion and danger to the status quo. I argue that Jackson's act of profound crossover during the Thriller era triggered within the American youth an equally profound act of identity formation that transcended racial stratification in America's past and created a foundational part of our contemporary identity that moves slightly beyond America's troubled racial history. Using both the voices of his fans and his critics to tease out the work his person and his music did in the early 1980's, I advocate we keep Jackson and his work foregrounded in our study of popular culture in the late 20th and early 21st centuries, as his pop explosion fundamentally and permanently effected how Americans understand ourselves and our relations with each other. -
Sarbanes-Oxley, Kermit the Frog, and Competition Regarding Audit Quality Matthew .J Barrett Notre Dame Law School, [email protected]
Notre Dame Law School NDLScholarship Journal Articles Publications 2008 Sarbanes-Oxley, Kermit the Frog, and Competition Regarding Audit Quality Matthew .J Barrett Notre Dame Law School, [email protected] Follow this and additional works at: https://scholarship.law.nd.edu/law_faculty_scholarship Part of the Business Organizations Law Commons Recommended Citation Matthew J. Barrett, Sarbanes-Oxley, Kermit the Frog, and Competition Regarding Audit Quality, 3 J. Bus. & Tech. L. 207 (2008). Available at: https://scholarship.law.nd.edu/law_faculty_scholarship/638 This Article is brought to you for free and open access by the Publications at NDLScholarship. It has been accepted for inclusion in Journal Articles by an authorized administrator of NDLScholarship. For more information, please contact [email protected]. Journal of Business & Technology Law Volume 3 | Issue 2 Article 2 1-1-2008 Sarbanes-Oxley, Kermit the Frog, and Competition Regarding Audit Quality Matthew .J Barrett Follow this and additional works at: http://digitalcommons.law.umaryland.edu/jbtl Part of the Accounting Law Commons, and the Corporation and Enterprise Law Commons Recommended Citation Matthew J. Barrett, Sarbanes-Oxley, Kermit the Frog, and Competition Regarding Audit Quality, 3 J. Bus. & Tech. L. 207 (2008) Available at: http://digitalcommons.law.umaryland.edu/jbtl/vol3/iss2/2 This Article is brought to you for free and open access by the Academic Journals at DigitalCommons@UM Carey Law. It has been accepted for inclusion in Journal of Business & Technology Law by an authorized administrator of DigitalCommons@UM Carey Law. For more information, please contact [email protected]. MATTHEW J. BARRETT* Sarbanes-Oxley, Kermit the Frog, and Competition Regarding Audit Quality It's not easy bein' green. -
Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Entertainment Industry, 1908-1980 Theme: Residential Properties Associated with the Entertainment Industry, 1908-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources October 2017 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 TABLE OF CONTENTS Preface 1 Contributors 1 Theme Introduction 1 Theme: Residential Properties Associated with the Entertainment Industry 3 Sub-theme: Residential Properties Associated with Significant Persons in the Entertainment Industry, 1908-1980 13 Sub-theme: Entertainment Industry Housing and Neighborhoods, 1908-1980 30 Selected Bibliography 52 SurveyLA Citywide Historic Context Statement Entertainment Industry/Residential Properties Associated with the Entertainment Industry, 1908-1980 PREFACE This theme is a component of SurveyLA’s citywide historic context statement and provides guidance to field surveyors in identifying and evaluating potential historic resources relating to residential properties associated with the entertainment industry. Refer to www.HistoricPlacesLA.org for information on designated resources associated with this context (or themes) as well as those identified through SurveyLA and other surveys. CONTRIBUTORS The Entertainment Industry context (and all related themes) was prepared by Christine Lazzaretto and Heather Goers, Historic Resources Group, with significant guidance and input from Christy -
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Case 1:03-cv-00844-SEB-MJD Document 227 Filed 11/10/05 Page 1 of 4 PageID #: <pageID> UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF INDIANA INDIANAPOLIS DIVISION ELVY WOODARD, WILLIAM ADAMS ) a/k/a GORDON KEITH, ALAN MICHAEL ) ROGERS and RIPPLES AND WAVES; ) ) Plaintiffs, ) ) v. ) ) MICHAEL JACKSON, TITO JACKSON, ) MARLON JACKSON, JACKIE ) JACKSON, JERMAINE JACKSON, ) CASE NO. 1:03-cv-0844-DFH JOSEPH JACKSON, THE JACKSON ) FIVE, UNIVERSAL MUSIC GROUP, a ) California corporation, as successor ) in interest to MOTOWN RECORD ) CORPORATION, a dissolved Michigan ) Corporation, and MOTOWN RECORD ) CORPORATION OF CALIFORNIA, INC., ) a dissolved California corporation, and ) DOES 1 THROUGH 100, inclusive, ) ) Defendants. ) JUDGMENT AWARDING ATTORNEY FEES The court having this day granted the attorney fee petitions filed by plaintiffs, it is hereby ORDERED, ADJUDGED, AND DECREED that plaintiffs’ attorney Norman Reed recover from defendants Tito Jackson, Marlon Jackson, Jermaine Jackson, and Jackie Jackson, jointly and severally, the sum of Three Thousand Five Hundred Thirty Dollars ($3,530.00), and that plaintiffs’ counsel Gerald Roberts recover from defendants Tito Jackson, Marlon Jackson, Jermaine Case 1:03-cv-00844-SEB-MJD Document 227 Filed 11/10/05 Page 2 of 4 PageID #: <pageID> Jackson, and Jackie Jackson, jointly and severally, the sum of Eleven Hundred Twenty Dollars ($1,120.00). Date: November 10, 2005 DAVID F. HAMILTON, JUDGE United States District Court Southern District of Indiana Laura Briggs,A. Briggs, Clerk Clerk United States District Court BY: ______________________________ By: Deputy Deputy Clerk Clerk, U.S. District Court -2- Case 1:03-cv-00844-SEB-MJD Document 227 Filed 11/10/05 Page 3 of 4 PageID #: <pageID> Copies to: Scott H. -
Partyman by Title
Partyman by Title #1 Crush (SCK) (Musical) Sound Of Music - Garbage - (Musical) Sound Of Music (SF) (I Called Her) Tennessee (PH) (Parody) Unknown (Doo Wop) - Tim Dugger - That Thing (UKN) 007 (Shanty Town) (MRE) Alan Jackson (Who Says) You - Can't Have It All (CB) Desmond Decker & The Aces - Blue Oyster Cult (Don't Fear) The - '03 Bonnie & Clyde (MM) Reaper (DK) Jay-Z & Beyonce - Bon Jovi (You Want To) Make A - '03 Bonnie And Clyde (THM) Memory (THM) Jay-Z Ft. Beyonce Knowles - Bryan Adams (Everything I Do) I - 1 2 3 (TZ) Do It For You (SCK) (Spanish) El Simbolo - Carpenters (They Long To Be) - 1 Thing (THM) Close To You (DK) Amerie - Celine Dion (If There Was) Any - Other Way (SCK) 1, 2 Step (SCK) Cher (This Is) A Song For The - Ciara & Missy Elliott - Lonely (THM) 1, 2, 3, 4 (I Love You) (CB) Clarence 'Frogman' Henry (I - Plain White T's - Don't Know Why) But I Do (MM) 1, 2, 3, 4, Sumpin' New (SF) Cutting Crew (I Just) Died In - Coolio - Your Arms (SCK) 1,000 Faces (CB) Dierks Bentley -I Hold On (Ask) - Randy Montana - Dolly Parton- Together You And I - (CB) 1+1 (CB) Elvis Presley (Now & Then) - Beyonce' - There's A Fool Such As I (SF) 10 Days Late (SCK) Elvis Presley (You're So Square) - Third Eye Blind - Baby I Don't Care (SCK) 100 Kilos De Barro (TZ) Gloriana (Kissed You) Good - (Spanish) Enrique Guzman - Night (PH) 100 Years (THM) Human League (Keep Feeling) - Five For Fighting - Fascination (SCK) 100% Pure Love (NT) Johnny Cash (Ghost) Riders In - The Sky (SCK) Crystal Waters - K.D. -
BRENDA LEE by Tamela Meredith Partridge “Herald & Review” Newspaper Decatur, IL
BRENDA LEE by Tamela Meredith Partridge “Herald & Review” newspaper Decatur, IL. © 2003 Country Music Hall Of Famer, Brenda Lee, will bring her vibrant vocals to Nashville North USA on Saturday, November 20 at 5 p.m. and again at 8:00 p.m. Tickets are $23.50 and avail- able through the Nashville North USA box office or by calling 287-2103. Country and pop star Brenda Lee has been rockin’ music fans around the world for over four decades with such chart- topping hits as,“Rockin’ Around The Christmas Tree,” “I’m Sorry,” “The Crying Game,” “Nobody Wins” and “Big Four Poster Bed.” “I loved every song I ever recorded,” Brenda Lee said during a recent phone interview. “If I had not, I could not have sung them.” The songstress was born Brenda Mae Tarpley, the second of four children to parents Ruben and Grayce, in a Atlanta, Georgia hospital charity ward. Destined to sing her way out of an impoverished childhood, the young vocalist was first introduced to the music business at age five when she won first place at a local talent show with a touching rendition of “Take Me Out To The Ballgame.” Her father, a carpenter and semi-professional baseball player, was killed in a construc- tion accident when Brenda was only eight years old. In order to support the family, her mother went to work in a cotton mill while Brenda began singing to supplement the family income. Launching her professional singing career at age eleven on entertainer Red Foley’s popular weekly television show, “Ozark Jubilee,” provided a recording contract and financial relief for the struggling family. -
Michael Jackson's Gesamtkunstwerk
Liminalities: A Journal of Performance Studies Vol. 11, No. 5 (November 2015) Michael Jackson’s Gesamtkunstwerk: Artistic Interrelation, Immersion, and Interactivity From the Studio to the Stadium Sylvia J. Martin Michael Jackson produced art in its most total sense. Throughout his forty-year career Jackson merged art forms, melded genres and styles, and promoted an ethos of unity in his work. Jackson’s mastery of combined song and dance is generally acknowledged as the hallmark of his performance. Scholars have not- ed Jackson’s place in the lengthy soul tradition of enmeshed movement and mu- sic (Mercer 39; Neal 2012) with musicologist Jacqueline Warwick describing Jackson as “embodied musicality” (Warwick 249). Jackson’s colleagues have also attested that even when off-stage and off-camera, singing and dancing were frequently inseparable for Jackson. James Ingram, co-songwriter of the Thriller album hit “PYT,” was astonished when he observed Jackson burst into dance moves while recording that song, since in Ingram’s studio experience singers typically conserve their breath for recording (Smiley). Similarly, Bruce Swedien, Jackson’s longtime studio recording engineer, told National Public Radio, “Re- cording [with Jackson] was never a static event. We used to record with the lights out in the studio, and I had him on my drum platform. Michael would dance on that as he did the vocals” (Swedien ix-x). Surveying his life-long body of work, Jackson’s creative capacities, in fact, encompassed acting, directing, producing, staging, and design as well as lyri- cism, music composition, dance, and choreography—and many of these across genres (Brackett 2012). -
Michael Jackson Betwixt and Between: the Construction of Identity in 'Leave Me Alone' (1989)
Contents Introduction 2 Chapter 1: Literature Review 4 1.1: Past Research: On Michael Jackson Studies 4 1.2: Disability Studies 4 1.2.1: The Static Freak/Plastic Freak 6 1.3: Defining the Liminal 7 1.4: Postmodern Theory: The Social Construction of Identity 8 Chapter 2: Methodology 10 Chapter 3: Analysis 12 3.1: Narrative Structure of ‘Leave Me Alone’ 12 3.2: Media Narratives in ‘Leave Me Alone’ 13 3.3: The Static Freak/Plastic Freak in ‘Leave Me Alone’ 15 3.4: Liminal Identity: Temporary Phase/Permanent Place 16 3.5: Postmodern Subjects: The Aesthetics of the Collage 17 3.6: Identity and Postmodernism: The Problem With Disability Studies 18 Chapter 4: Conclusion 20 Bibliography 22 Attachment 1: Images 24 Attachment 2: Shotlist ‘Leave Me Alone’ 27 1 Introduction ‘The bottom line is they don’t know and everyone is going to continue searching to find out whether I’m gay, straight, or whatever … And the longer it takes to discover this, the more famous I will be.’1 * * * ‘Michael’s space-age diet’, ‘Bubbles the chimp bares all about Michael’, ‘Michael proposes to Liz’, ‘Michael to marry Brooke’. These may look like part of the usual rumors about Jackson frequently appearing in the media, however, they are not. Instead, these headlines are the opening scene of the music video for Jackson’s song ‘Leave Me Alone’, released on January 2, 1989, and directed by Jim Blashfield. Jackson opens by singing the words: I don't care what you talkin' 'bout baby I don't care what you say Don't you come walkin' beggin' back mama I don't care anyway ‘Leave Me Alone’ is a response to the rumors that began to circulate in the media after the worldwide success of Jackson’s 1982 album Thriller. -
Michael Jackson Albums Free Mp3 Download
michael jackson albums free mp3 download What Kind Of Music Did Michael Jackson Sing? Michael Jackson's music spanned a number of genres, but the vast majority of his work is pop music, hence his title as the "King of Pop". Michael Jackson is the most successful entertainer of all time, and was a global figure in pop culture for 40 years. He began his career in 1964, forming a band with his brothers called The Jackson 5, and beginning his solo career in 1971. He is known for his distinct vocal style, complicated dance techniques and his pioneering use of music videos. Michael Jackson died in 2009 (of propofol intoxication) at the age of 50 in his Los Angeles mansion. His doctor had found him not breathing but with a pulse, and started CPR immediately. Paramedics were called, but Jackson was pronounced dead at the local hospital shortly after. Since then his doctor has been convicted of involuntary manslaughter and sentenced to four years in prison. The coroner ruled that the doctor had accidentally given Jackson an overdose of propofol and anti-anxiety pills. Genres of Michael Jackson's music - Pop. - Rhythm and Blues. In particular, one of Michael Jackson's most successful albums, "Thriller" explores numerous different genres. The album contains aggressive dance songs and rock tracks such as "Beat it". Another hit from the album "Billie Jean" has notable funk influences. In contrast the ballads on albums such as "Human Nature" were softer and more soulful. FREE Michael Jackson Thriller MP3 Album Download. If you do not have a Google Play account, you will need to create one which requires you to add a credit card or PayPal account. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO.