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Photography at Moma Contributors
Photography at MoMA Contributors Quentin Bajac is The Joel and Anne Ehrenkranz The Museum of Modern Art draws upon the exceptional depth of its collection to Chief Curator of Photography at The Museum tell a new history of photography in the three-volume series Photography at MoMA. of Modern Art, New York. Since the invention of photography, legions of practitioners have mined its Georey Batchen is Professor of Art History, artistic and practical potential, paying particular attention to its novel depiction Classics, and Religious Studies at the Victoria of space and time, its utility as a tool for documentation and exploration, and its University of Wellington, New Zealand. distinctive take on modernism and modernity. This volume explores the ways in which this new medium—photography—and this new apparatus—the camera— Michel Frizot is a former professor at the École du Louvre, Paris, and editor of A New History evolved during its irst century, from the masterworks of William Henry Fox Talbot, of Photography (1998). one of photography’s inventors, to the portraits of Julia Margaret Cameron, Nadar, and Gertrude Käsebier; the motion studies of Eadweard Muybridge; Lucy Gallun is Assistant Curator in the Department surveys of landscape and architecture by American and European practitioners; of Photography at The Museum of Modern Art, the documentary images of Carleton Watkins, Eugène Atget, and Lewis Hine; New York. and the modernist works of Karl Blossfeldt, Edward Steichen, and Paul Strand. Sarah Hermanson Meister is Curator in the This volume provides a wide-ranging look at a medium so thoroughly and instantly Department of Photography at The Museum modern that it is represented in MoMA’s collection by works that predate any of Modern Art, New York. -
Get the Classic #1
# 01 THE SPRING 2019 CLASSICA free magazine about classic photography In this issue THE DENNIS HOPPER ARCHIVE ROBERT HERSHKOWITZ MARTIN BARNES THE ALEX NOVAK COLLECTION OF EARLY NEGATIVES FAIRS, AUCTIONS, EXHIBITIONS AND MORE 1 The photography department of the 5th ranked French auction house Millon, has been organizing exhibitions and auctions of collections, archives and estates, and specialized thematic sales for 25 years. The department’s specialty are the monographic auctions of great photographers of the 19th and 20th centuries. These auctions have resulted in record prices on the art market. Results from some of these auctions*: Succession Brassaï 2006 – 4,206,550 € Blanc & Demilly 2008 – 346,165 € Ilse Bing 2009 – 435,650 € Frédéric Barzilay 2014 – 57,250 € Edouard de Campigneulles 2016 – 334,580 € Les Frères Séeberger 2016 – 279,580 € Succession Galerie Gérard Lévy 2016 – 1,732,260 € Claude Raimond-Dityvon 2018 – 137,110 € To consign in one of our upcoming auctions please contact: Expert: Millon Head of Department: Christophe Goeury Natalia Raciborski +33 (0)6 16 02 64 91 +33 (0)7 88 09 91 86 [email protected] [email protected] MILLON, 19 rue de la Grange Batelière, 75009 Paris, France www.millon.com Bud Fraker, Audrey Hepburn for “Breakfast at Tiffany’s”, 1961. Vintage silver gelatin print. MILLON – SVV Agrément n°2002-379 *Results are indicated without the buyer’s premium 3 In this issue Distributors 04 IN BRIEF LOS ANGELES The Fahey/Klein Gallery 10 PREVIEW LONDON MAY 148 North La Brea between 1st Street The Special -
Download the Catalogue
ROUILLAC Commissaires-Priseurs Expert près la Cour d’Appel L'ÂGE D'OR DE LA PHOTOGRAPHIE Dans le cadre des promenades photographiques VENDÔME Grenier de l’Abbaye - 2, rue de l’Abbaye - 41100 VENDÔME au pied du clocher de l’abbatiale de la Trinité VENTE AUX ENCHÈRES PUBLIQUES Vendredi 22 Juin 2012 à 14 heures 30 Expert Yves DI MARIA Exposition privée à Paris Assisté par Agnès DI MARIA Expositions publiques à Vendôme d’une sélection de lots chez l’expert, 58, rue Vieille du Temple 75003 PARIS Jeudi 21 juin de 14h à 18h du 23 mai au 14 juin sur rendez-vous [email protected] et vendredi 22 juin de 9h à 12h Tél. +33 (0)6 73 39 03 44 www.photos-site.com www.gustavelegray.com Tél. +33 (0)2 54 80 24 24 Conseil des Ventes : agrément n° 2002-437 Suivez la vente et participez en direct Catalogue, photographies et résultats www.drouotlive.com www.rouillac.com T O U R S 22, bd Béranger ( 3 7 0 0 0 ) V E N D Ô M E Route de Blois ( 4 1 1 0 0 ) P A R I S 41, bd du Montparnasse ( 7 5 0 0 6 ) +33 (0)2 47 61 22 22 +33 (0)2 54 80 24 24 +33 (0)1 45 44 34 34 SVV n°2002-189 L'ÂGE D'OR DE LA PHOTOGRAPHIE 1850 - 1870 dans le cadre du festival " Promenades Photographiques " à Vendôme En juin 2011, la première vente aux enchères organisée en ouverture du festival des Promenades Photographiques de Vendôme, obtenait une audience internationale avec une collection d'épreuves de Gustave Le Gray. -
Etats Rapides
RECAP OP Description Repris Vendu 1 [DAGUERRÉOTYPE]. Femme au tambourin, sculpture dans un jardin. Années 1840. Dagu 1 400 2 [DAGUERRÉOTYPE]. Notre-Dame de Paris (vue inversée). Paris. Années 1840. Daguerr 8 500 3 [DAGUERRÉOTYPE]. Notre-Dame de Paris et ancienne passerelle de la Cité (vue inve 5 000 5 Charles MARVILLE [Charles François BOSSU dit] (1816-1879). Portail septentrional 700 6 Alphonse FORTIER (1825-1882). Abside de Notre-Dame , Le pavillon de l’horloge au 350 10 Hippolyte BAYARD [Attribué à] (1801-1887). Toits de Paris vers les moulins de Mo 5 000 11 Armand Hippolyte Louis FIZEAU (1819-1896). Vues des toits de Paris, prises depui 2 800 12 Alphonse FORTIER (1825-1882). Église Sainte-Geneviève , Église Saint-Étienne du 800 16 Gustave LE GRAY (1820-1884). L’obélisque place de la Concorde, vue vers les Tuil 1 200 20 Gustave LE GRAY (1820-1884). Saint-Germain-l’Auxerrois, portail. Paris. 1859. Ép 3 000 21 Gustave LE GRAY (1820-1884). Pavillon Richelieu , Pavillon Sully. Palais du Louv 4 000 22 Gustave LE GRAY (1820-1884). Carrousel du Louvre et palais des Tuileries. Paris. 1 000 25 Édouard-Denis BALDUS (1813-1889). Le Louvre, pavillon Richelieu. Paris. 1853. Ép 750 27 Louis Désiré BLANQUART-ÉVRARD (1802-1872). Abside de l’église de Notre-Dame , Ar 800 28 BAYARD & RENARD, COLLIN, MARVILLE, FORTIER. Pavillon de l’horloge au Louvre , Éc 750 29 Charles MARVILLE [Charles François BOSSU dit] (1813-1879) et Henri Le SECQ (1818 2 100 30 Louis Désiré BLANQUART-ÉVRARD (1802-1872) - Charles MARVILLE (1813-1879). Arc de 4 100 31 Louis Alphonse POITEVIN (1819-1882). -
COURBET and the MODERN LANDSCAPE This Page Intentionally Left Blank COURBET and the MODERN LANDSCAPE
COURBET AND THE MODERN LANDSCAPE This page intentionally left blank COURBET AND THE MODERN LANDSCAPE MARY MORTON L CHARLOTTE EYERMAN With an essay by DOMINIQUE DE FONT-REAULX THE J. PAUL GETTY MUSEUM l LOS ANGLES This publication is issued in conjunction with the exhibition Courbet and the Modern Landscape, held at PAGE vi: Gustave Courbet, Grotto ofSarrazine near the J. Paul Getty Museum, Los Angeles, from February 21 to May 14, 2006; at the Museum of Fine Arts, Nans-sous-Sainte-Anne, ca. 1864 (detail, pi. 20); Houston, from June 18 to September 10, 2006; and at The Walters Art Museum, Baltimore, from October 15, PAGE xii: Gustave Courbet, The Studio of the 2006, to January 7, 2007. Painter: A Real Allegory of Seven Years of My Artistic Life, 1855 (detail, fig. 2); PAGE 20: Gustave Courbet, Courbet and the Modern Landscape has been organized by the J. Paul Getty Museum, the Museum of Fine Stream in the Forest (Ruisseau dans la forêt), ça. 1862 Arts, Houston, and The Walters Art Museum. This exhibition is supported by an indemnity from the (detail, pi. 10); PAGE 38: Achille Quinet, Nature Federal Council on the Arts and the Humanities. Study, ca. 1870 (detail, fig. 30); PAGE 54: Gustave Courbet, Valley of the Loue, possibly near Mouthier- Haute-Pierre, late i86os (detail, pi. 5); PAGE 66: © 2006 J. Paul Getty Trust Gustave Courbet, Grotto of the Black Well (Puits Second printing 2007 Noir), 1865 (detail, pi. 15); PAGE 80: Gustave Courbet, La Roche Pourrie, 1864 (detail, pi. 19); Getty Publications PAGE 90: Gustave Courbet, Roe Deer in a Snowy 1200 Getty Center Drive, Suite 500 Landscape (Chevreuils dans un paysage de neige), Los Angeles, California 90049-1682 ca. -
Photographers of the World
Photographers of the World (Non-USA) Complied by T. K. Treadwell & William C. Darrah Updated by Wolfgang Sell, Curator OWHSRL ©National Stereoscopic Association 1994 Updated 11/28/2003 Name Location Comments 3-D Auto Viewer Unknown, Japan [Rec.] Pedestal type viewer, holds 20 2" x 4" stereo slides; can also be purchased with coin operation; uses 3-D Advance views. 3-D Box Unknown, [Rec.] Post-WWII (?) very cheap plastic card Germany transparency viewer; no moving parts; 5-scene cards featured scenics and some childrens' stories. 3B Unknown, France [7] Issued rare views, Parc de Versailles. Aagaard, Carl E. Köbenhavn, [9-0] Local scy., views common. A civil engineer; Denmark technical photog.; exhibitor Copenhagen, 05; 02-38 editor of Dansk Fotografisk Tidsskrift [Danish Photographic Periodical]; author of Dansk Fotografisk Forenings Historie [History of the Danish Photographic Society], 79-29. Aagaard, Julius Köbenhavn, [0-1] *Local scy.; views common. First press Denmark photog. in Denmark, 99. Also made SI formats. AB -- SEE Alexandre Bertrand (France) Abbott, Alfred A. Hobart, Tasm., [5-6] Views scarce [6]; in Tasmania 59-63, Melbourne Australia 63. Issued views of Melbourne street scenes and Tasmania landscapes. Brother of Charles Abbott. B. 38, D. 72. Abbott, Charles Hobart, [6-7] Brother of Alfred Abbott, friend of Charles Tasmania, Sharp and Moreton Allport. Also keen amateur keen Australia amateur stereo photog. Prob. working at same time as his brother but no confirmation on dates. B. 24, D. 88. Abbott, J.J. Kingston & "Artist and Photographer" on CDV; recorded by Ottawa, Ont., Darrah, no details given. Listed in Kingston 73-78 Canada and Ottawa 78-82. -
PDF Released for Review Purposes Only. Not for Publication Or Wide
Photography at MoMA Contributors Quentin Bajac is The Joel and Anne Ehrenkranz The Museum of Modern Art draws upon the exceptional depth of its collection to Chief Curator of Photography at The Museum tell a new history of photography in the three-volume series Photography at MoMA. of Modern Art, New York. Since the invention of photography, legions of practitioners have mined its Georey Batchen is Professor of Art History, artistic and practical potential, paying particular attention to its novel depiction Classics, and Religious Studies at the Victoria of space and time, its utility as a tool for documentation and exploration, and its University of Wellington, New Zealand. distinctive take on modernism and modernity. This volume explores the ways in which this new medium—photography—and this new apparatus—the camera— Michel Frizot is a former professor at the École du Louvre, Paris, and editor of A New History evolved during its irst century, from the masterworks of William Henry Fox Talbot, of Photography (1998). one of photography’s inventors, to the portraits of Julia Margaret Cameron, Nadar, and Gertrude Käsebier; the motion studies of Eadweard Muybridge; Lucy Gallun is Assistant Curator in the Department surveys of landscape and architecture by American and European practitioners; of Photography at The Museum of Modern Art, the documentary images of Carleton Watkins, Eugène Atget, and Lewis Hine; New York. and the modernist works of Karl Blossfeldt, Edward Steichen, and Paul Strand. Sarah Hermanson Meister is Curator in the This volume provides a wide-ranging look at a medium so thoroughly and instantly only. -
The Daguerreotype “Boulevard Du Temple” by L.J.M
Gabriele Chiesa e Paolo Gosio Daguerreotype hallmarks 1st Edition, rev. 11.07.2020 112 pp. B5, 176 x 250 mm GGKEY: X17XADY8W1L © 2020 by Gabriele Chiesa & Paolo Gosio. Some Rights Reserved. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. The hallmarks reproduced on the cover, as well as all the illustrations in this book, come from the Chiesa-Gosio collection. Layout, graphics and texts by Gabriele Chiesa. The provided illustrations are property of the authors except the hallmarks scans listed at pag. 108. The reproduction of the daguerreotype “Boulevard du Temple” by L.J.M. Daguerre https://it.wikipedia.org/wiki/File:Boulevard_du_Temple_by_Daguerre.jpg is a elettronically processed version of the file declared as public domain on Finished composing in Brescia, Italy, the April 6th, 2020. 200th anniversary of the birth of Gaspard-Félix Tournachon (Nadar). http://www.gri.it http://www.fotocollezione.it http://storiadellafotografia.blogspot.com Gabriele Chiesa e Paolo Gosio Daguerreotype hallmarks Daguerreotype hallmarks Acknowledgements We thank all the people who have contributed to the research for their precious collaboration: Bálint Flesch, Elvira Tonelli, Daniele Buraia, Luisa Bondoni and the whole team at the Museum of Photography in Brescia (Italy). A very special thanks go to my friend, the collector and historian of photo- graphy, Michael G. Jacob who kindly offered his help. He read and commented on my English in an attempt to render the translation more presentable. I apologize for the improprieties that still persist. A special thanks goes to the friends of “The Daguerreian Society” and other col- lectors or curators of various institutions who have reported new daguerreotype hallmarks, thus enabling to expand the identification table.