Ctba Newsletter 1011

Total Page:16

File Type:pdf, Size:1020Kb

Ctba Newsletter 1011 1 COPYRIGHT © CENTRAL TEXAS BLUEGRASS ASSOCIATION Central IBMA Member Vol. 32 No. 11 Texas Bluegrass Nov 1, 2010 Copyright © 2010 by Central Texas Bluegrass Association CTBA Celebrates the 10 Year Anniversary of “O’Brother” with Special Screening The Central Texas Bluegrass Association is pleased to host a screening of the award win- ning film, O’Brother, Where Art Thou? In cel- ebration of the film’s 10-year anniversary, this event will combine outstanding live bluegrass/ old time music featuring local all-star pickers with a screening of the film that inspired a re- vival of these genres. The film is rated PG-13. Order a drink or dinner or both and enjoy an afternoon of festive entertainment. (on South Lamar) Saturday, November 6, 2010 3:00 to 6:00pm Tickets are $15 and will be available at the door, or reserve online (www.drafthouse.com). Tickets are limited to the first 100 patrons and are on sale NOW! Don’t get caught sleeping with the toads.... Child Policy: Children 6 & up will be allowed only with a parent or guardian. No children un- der the age of 6 will be allowed. The Fiddler’s Green Music Shop has gener- ously donated an instrument to be raffled off the night of the event. Proceeds from the raffle will go to HAAM, the Health Alliance for Aus- tin Musicians. 2 COPYRIGHT © CENTRAL TEXAS BLUEGRASS ASSOCIATION The Listening Post The Listening Post is a forum established to monitor bluegrass musical recordings, live performances, or events in Texas. Our mailbox sometimes contains CDs for us to review. Here is where you will find reviews of the CD’s Central Texas Bluegrass Association receives as well as reviews of live performances or workshops. Paluxy River Bluegrass Festival - Glen Rose - 10/2/10 Della Mae - EP Each year the organizers at IBMA mix in new talent with the old guard. Two bands caught our atten- tion right away. One was Rocking Acoustic Circus from Oklahoma and the other was the five woman band of Della Mae. Now I need to tell you, these aren’t just a group of friends that met at school and decided to start a band. This is a group of young, but seasoned vet- erans. The band features the multiple contest win- ning fiddling of Kimber Who are those young guys playing music with Sammy Shelor? Oh, that’s Ludiker who dazzled the the Lonesome River Band playing at the Paluxy River Bluegrass Festival IBMA audiences. The in- that was held in Glen Rose September 30th - October 2nd. LRB just doesn’t credible flatpicking of seem the same without Ronnie Bow- Arvil Smith, the flaw- man, Don Rigsby, and Kenny Smith less banjo of Grace Van’t (all having great careers after LRB). I’m Hof, the hypnotic enthu- sure the audiences were pleased too. siasm of bassist Aman- I saw this version of LRB at IBMA and da Kawalski, and then even through a bad sound system there is the beauty, the they were amazing. Paluxy also had great voice and awesome the great sounds of Audie Blaylock songwriting of Jenni Lyn and Redline (pictured right). Bands Gardner. This band is from Texas performing were Digger turning heads alright but Davis, Bluefield, Salt Grass, Joe Bass not just with their youth- & Double Mountain, and Lonesome ful beauty. These girls can Prairie. Thanks to Ken Brown who flat knock your socks off took these great photos and a big with awesome picking. thank you to the City of Glen Rose! 3 COPYRIGHT © CENTRAL TEXAS BLUEGRASS ASSOCIATION CTBA President Jami Hampton Paints Bright Future Blind But Now I See Kent Gustafson provides a very well researched bi- ography of one of Blue- grass and Old Time mu- sic’s greatest guitar icons. The story of Doc Watson’s life is one of tragedy and success. Kent provides a vivid image of Doc’s early The last week in September, Jami Hampton called together members of Cen- childhood as the young tral Texas Bluegrass for the Annual Meeting. Was it just two years ago when man who quit the Raleigh CTBA was on the ropes, gasping for air, and considering shutting down? School for the Blind at a Maybe so. One thing for sure is that under Jami Hampton’s leadership and very early age and began with a re-energized Board, CTBA is once again thriving and doing good for down the path as a musi- the bluegrass community. The scholarships awarded this year were the larg- cian busking for attention est ever given out by CTBA. Then there is the support of Old Settlers Mu- and money. He even tells sic Fest, KOOP radio, HAAM, the International Bluegrass Music Museum, and the story of how Doc’s IBMA. Your member dollars are going a long way towards providing support brother killed the 16 year to these fine organizations as well as seeing to it that the future of bluegrass old cat (with Mother’s is going strong through CTBA’s support of the education of young people. permission) so they could Thank you for your support of CTBA and keep on picking! use the hide to make a banjo head. He relives Doc’s years with Merle AFTM’s Fall Festival & a FREE Bluegrass Fest in Dallas! and gravely describes the impact of Merle’s untime- How do you decide which event to go to when both are held on the same ly death. weekend? The Austin Friends of Traditional Music (AFTM) had an outstand- The book is an easy read ing lineup this year at Camp Ben, October 15 & 16. Everyone attending had and one that is hard to a great time. The music was fabulous and the jamming went on until the put down once you get “weeee hours of the morn”. past the first few chapters. At the same time was the fine FREE bluegrass festival inFarmers Branch, just I learned many things north of Dallas. Audiences were treated with Dan Tyminski, Rhonda Vin- about Doc and his wife cent, The Seldom Scene, J.D. Crowe, Jim Hurst, the Boxcars (Adam Steffy of over 60 years, Rosa Lee & Ron Stewart), The Traveling McCoury’s, the Claire Lynch Band and oth- Carlton. I highly recom- ers. The music was outstanding and the fireworks display was phenomenal mend that you pick this but that’s not why most folks go to festivals. They go for the jamming...which book up. It’s a good ‘un. was sparse. 4 COPYRIGHT © CENTRAL TEXAS BLUEGRASS ASSOCIATION Bluegrass/Old Time Jam Session New Heart of Texas Jam Session Location (located 20 miles west off of Interstate Hwy I-35 half way between Dallas and San Antonio) Sunday Nov 20, 2010 2:30 to 5:30 p.m. A Killeen Texas Historic Marker site An outdoor acoustic bluegrass jam session in the park next to the Blackburn Log Cabin next to the Killeen, Texas Community Center at 2201 E. Veterans Memorial Blvd, Killeen, Texas (corner of W. S. Young and Veterans Memorial Blvd) - across from McDonald’s Players bring chairs if you need them. Visitors bring lawn chairs Bring your guitar, fiddle, banjo, mandolin, other string instruments 2:30 to 3:00 p.m. - Children’s session 3:00 to 5:30 p.m. - Beginners/Intermediate session - Blue Grass for More information contact [email protected] or goto www.mecatx.ning.com - sheet music will be provided for beginners Every Sunday 3:00 p.m. CDT - Watch/participate in a beginners practice jam session on www.Ustream.tv channel - dfkott 5 COPYRIGHT © CENTRAL TEXAS BLUEGRASS ASSOCIATION From the Mailbox.... So, we ask people to tell us what they think and guess what? Some folks actually take us up on it. We always love to hear from you. It’s good to find out about new events, changing venues or locations, pick- ers that have passed on or those that need our prayers. Listen here though. If there is something on your mind, go ahead and get it out. I mean really! There’s no reason to keep this sort of thing bottled up! You’ve got to SHARE, people!!!! Some of this is too good not to share.... Another great newsletter, but...seriously y’all? I see that misspelled all the time but a newsletter, in Texas no less, should get it right. It was used twice in the (Oct 2010) edition, and twice misspelled. It’s basic contraction rules: ya’ll = ya will y’all = you all (and is NOT singular as a frequent junk mail states) - Sheryl Sultenfuss (Editor: Ya’ll pay close attention when y’all will). Best (IBMA) memory: Playing banjo along with Ian Perry and Mike Kropp of Banjo Newsletter and Austin’s own Dave Seeman. We were on the 9th floor of the hotel when the police came and said “no jamming here,” and they were serious! Who knew there really is such a thing as the Bluegrass Police! - Eddie Collins Hello, I’ll be staying near Bandera this winter and see that the Bandera Jam is on break for November and De- cember. Are there other jams happening close by? I play upright bass, banjo and sing. I like the traditional blue- grass tunes and some of the old classic country. My wife and I hope to meet some bluegrass people while we are in Texas. - Garry & Theresa Gerossie, Canterbury, NH (603) 783-0037 (Editor: Ya’ll make them welcome, won’t y’all?) A jam is starting on the 3rd Saturday of the month, starting November 20.
Recommended publications
  • Flatpicking Guitar Magazine Index of Reviews
    Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the
    [Show full text]
  • Bluegrass Outlet Banjo Tab List Sale
    ORDER FORM BANJO TAB LIST BLUEGRASS OUTLET Order Song Title Artist Notes Recorded Source Price Dixieland For Me Aaron McDaris 1st Break Larry Stephenson "Clinch Mountain Mystery" $2 I've Lived A Lot In My Time Aaron McDaris Break Larry Stephenson "Life Stories" $2 Looking For The Light Aaron McDaris Break Aaron McDaris "First Time Around" $2 My Home Is Across The Blueridge Mtns Aaron McDaris 1st Break Mashville Brigade $2 My Home Is Across The Blueridge Mtns Aaron McDaris 2nd Break Mashville Brigade $2 Over Yonder In The Graveyard Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 Over Yonder In The Graveyard Aaron McDaris 2nd Break Aaron McDaris "First Time Around" $2 Philadelphia Lawyer Aaron McDaris 1st Break Aaron McDaris "First Time Around" $2 When My Blue Moon Turns To Gold Again Aaron McDaris Intro & B/U 1st verse Aaron McDaris "First Time Around" $2 Leaving Adam Poindexter 1st Break James King Band "You Tube" $2 Chatanoga Dog Alan Munde Break C-tuning Jimmy Martin "I'd Like To Be 16 Again" $2 Old Timey Risin' Damp Alan O'Bryant Break Nashville Bluegrass Band "Idle Time" $4 Will You Be Leaving Alison Brown 1st Break Alison Kraus "I've Got That Old Feeling" $2 In The Gravel Yard Barry Abernathy Break Doyle Lawson & Quicksilver "Never Walk Away" $2 Cold On The Shoulder Bela Fleck Break Tony Rice "Cold On The Shoulder" $2 Pain In My Heart Bela Fleck 1st Break Live Show Rockygrass Colorado 2012 $2 Pain In My Heart Bela Fleck 2nd Break Live Show Rockygrass Colorado 2012 $2 The Likes Of Me Bela Fleck Break Tony Rice "Cold On
    [Show full text]
  • BLUEGRASS SIGNAL #246: Short Life of Trouble – Grayson & Whitter, Part 1 Broadcast Dates: Feb
    BLUEGRASS SIGNAL #246: Short Life Of Trouble – Grayson & Whitter, part 1 Broadcast dates: Feb. 14-19, 2020 GRAYSON & WHITTER: Train Forty Five/The Recordings of Grayson & Whitter (County/27) DOC WATSON AND CLARENCE ASHLEY: Old Ruben/Original Folkways Recordings (Smithsonian-Folkways/61) J.D. CROWE & THE KENTUCKY MOUNTAIN BOYS: Train 45/Bluegrass Holiday (Rebel/69) GRAYSON & WHITTER: The Nine Pound Hammer/Ommie Wise (Suncoast/28) MONROE BROTHERS: Nine Pound Hammer Is Too Heavy/Blue Moon Of Kentucky (Bear Family/36) VERN WILLIAMS BAND: Roll On Buddy/Traditional Bluegrass (Arhoolie/82) GRAYSON & WHITTER: Short Life Of Trouble/The Recordings of Grayson & Whitter (County/27) DAVE EVANS & THE RIVER BEND: Short Life Of Trouble/The Best Of the Vetco Years (Rebel/79) DUDLEY CONNELL & DON RIGSBY: Short Life Of Trouble/Meet Me By The Moonlight (Sugar Hill/00) GRAYSON & WHITTER: Little Maggie With a Dram Glass in Her Hand/Ommie Wise (Suncoast/28) RALPH STANLEY & THE CLINCH MOUNTAIN BOYS: Little Maggie/Live In Japan (Rebel/71) BARBARA DANE with TOM PALEY: Little Maggie/When I Was A Young Girl (Horizon/62) GRAYSON & WHITTER: A Dark Road Is A Hard Road To Travel/The Recordings of Grayson & Whitter (County/28) RALPH STANLEY: A Dark Road Is A Hard Road To Travel/Short Life Of Trouble - Songs Of Grayson and Whitter (Rebel/96) GRAYSON & WHITTER: Going Down the Lee Highway/The Recordings of Grayson & Whitter (County/28) LEE HIGHWAY: Lee Highway Blues/Bluegrass Music (self/07) <><><><><><><><><><> BLUEGRASS SIGNAL #247: Down In the Willow Garden – Grayson
    [Show full text]
  • Jack Pearson
    $6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301
    [Show full text]
  • 282 Newsletter
    NEWSLETTER #282 COUNTY SALES P.O. Box 191 November-December 2006 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 WELCOME TO OUR COMBINED CHRISTMAS CATALOG & NEWSLETTER #282 Once again this holiday season we are combining our last Newsletter of the year with our Christmas catalog of gift sugges- tions. There are many wonderful items in the realm of BOOKs, VIDEOS and BOXED SETS that will make wonderful gifts for family members & friends who love this music. Gift suggestions start on page 10—there are some Christmas CDs and many recent DVDs that are new to our catalog this year. JOSH GRAVES We are saddened to report the death of the great dobro player, Burkett Graves (also known as “Buck” ROU-0575 RHONDA VINCENT “Beautiful Graves and even more as “Uncle Josh”) who passed away Star—A Christmas Collection” This is the year’s on Sept. 30. Though he played for other groups like Wilma only new Bluegrass Christmas album that we are Lee & Stoney Cooper and Mac Wiseman, Graves was best aware of—but it’s a beauty that should please most known for his work with Lester Flatt & Earl Scruggs, add- Bluegrass fans and all ing his dobro to their already exceptional sound at the height Rhonda Vincent fans. of their popularity. The first to really make the dobro a solo Rhonda has picked out a instrument, Graves had a profound influence on Mike typical program of mostly standards (JINGLE Auldridge and Jerry Douglas and the legions of others who BELLS, AWAY IN A have since made the instrument a staple of many Bluegrass MANGER, LET IT bands everywhere.
    [Show full text]
  • 2019 Fall BMAM Newsletter
    INTERVIEW WITH DAVE KIPHUTH BMAM FUNDRAISING RAFFLE by Stan Keach Thanks to all those I first saw Dave per- folks who supported the forming at a Boston Bluegrass Music Associ- Bluegrass Union concert ation of Maine Fundrais- with Apple Country in ing Raffle throughout the the late 1970’s. Apple festival season. We had Country was a highly-re- lots of great response and spected, far-traveling, the raffle brought many bluegrass band based in people to the BMAM the New Haven area. booth to talk with us Besides Kiphuth on about bluegrass. banjo, the band origi- Big congratulations nally featured Phil Ro- to the winners: the Ibanez (Randy Hogg, New London, CT), senthal (until he joined the Martin Guitar Throw Blanket (Ken Gould), and the Pe- the Seldom Scene) on terson Strobe Tuner (Darlene Suther, Concord NH). mandolin; Mark Rickert Special thanks to Jerry Perron of The Music Center in (guitar); Gene LaBrie Dave Kiphuth, teacher of Dec. 7th Brunswick Maine, the Martin Guitar Company, and the Pe- (bass); and Bud Morris- and 8th Bluegrass Jamming Class terson Tuners for their generous donations to our fundraising roe (fiddle). raffle! When I saw Apple Country in the BBU concert, Rosen- Pictured above from L-R: BMAM Chairman Joe Kennedy, thal and others had left the band, and Dave was on guitar, TPB Emcee Mike Robinson, BMAM Secretary Nellie Ken- with Bruce Stockwell (banjo), Richie Brown (mandolin), nedy, BMAM Treasurer Bob Bergesch Morrisroe (fiddle) and bassist Margaret Gerteis, Richie’s wife. They were great! I remember Dave singing a couple OFFICAL NOTICE: of Flatt & Scruggs songs and I was impressed by the fact BMAM ANNUAL that he phrased a lot like Lester Flatt! MEETING Shortly after Apple Country disbanded, Liz and I AND ELECTIONS moved to New Haven and, for 11 months (i.e., until we moved to Maine), we played with fiddler Morrisroe and The BMAM Annual Meeting will be held on Wednesday, another New Haven bluegrass pioneer, banjoist Alan Lee, October 16, 2019 at 6:00 PM at Kennebec Valley Com- in a band, calling ourselves Mountain Laurel.
    [Show full text]
  • Keith Reed Faculty Recital.Pdf
    Born in California (Nov. 1964) and raised in Arizona, MIKE BUB began his musical journey as a banjo and guitar player. After college, Mike formed the Weary Hearts, with Ron Block (Alison Krauss), Eric Uglum and the late Butch Baldassari (Nashville Mandolin Ensemble). As that band began to fade, Mike turned his concentration from the banjo and guitar and took up the bass to work with The Del McCoury Band. With Del, Mike began a 13 year association with what was to become, and still is, the most awarded band in the history of the International Bluegrass Music Association. Racking up an unprecedented 9 Entertainer of the Year awards, 5 Bass Player of the Year awards as well as various Album, Instrumental and Song of the Year awards, including a Grammy award for the album “The Company We Keep”, which won for Best Bluegrass Album of 2005. A longtime resident of East Nashville, Mike can often be found playing the local clubs with his talented friends and neighbors. Born in Hazelville, WA, SHAD COBB began playing the fiddle at the age of thirteen, and his career started early with his family band that included his father and brothers. In '95, Shad moved to Nashville and began recording with some of Nashville’s top artists, including such acts as Bluegrass legends and Grand Ole Opry members the Osborne Brothers, vocalist Marty Rabon with his band Shenandoah, country music icons like Willie Nelson, singer-songwriters like Steve Earle, and old-time and bluegrass musician/comedian Mike Snyder. Shad’s intricate and soulful style of playing has been compiled over the years from many of his early influences.
    [Show full text]
  • The Seldom Scene Dream Scene Mp3, Flac, Wma
    The Seldom Scene Dream Scene mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Dream Scene Country: US Style: Bluegrass MP3 version RAR size: 1460 mb FLAC version RAR size: 1881 mb WMA version RAR size: 1528 mb Rating: 4.4 Votes: 405 Other Formats: AHX MP4 MP2 AAC DTS VOC MP1 Tracklist 1 Dry Run Creek 2:34 2 Going Up On The Mountain 3:17 3 Willie Roy 4:40 4 Tulsa Chili Bop 3:09 5 When I Get My Rewards 3:40 6 They're At Rest Together 2:59 7 The Boatman 3:33 8 Love Of The Mountains 2:46 9 The Little Sparrow (Fair And Tender Ladies) 5:21 10 The Shape I'm In 3:45 11 Blue Diamond 5:15 12 Bad Moon Rising 2:21 Companies, etc. Phonographic Copyright (p) – Sugar Hill Records, Inc. Copyright (c) – Sugar Hill Records, Inc. Pressed By – DADC – DIDX-067006 Credits Band [The Seldom Scene], Banjo, Vocals – Ben Eldridge Band [The Seldom Scene], Bass, Vocals – Ronnie Simpkins Band [The Seldom Scene], Dobro, Vocals – Fred Travers Band [The Seldom Scene], Guitar, Vocals – Dudley Connell Band [The Seldom Scene], Mandolin, Vocals – John Duffey Notes ℗ & © 1996 Manufactured in the USA. Barcode and Other Identifiers Barcode: 0 15891 38582 2 Mastering SID Code: IFPI L337 Mould SID Code: IFPI 5100 Matrix / Runout: IFPI L337 DIDX-067006 01 Related Music albums to Dream Scene by The Seldom Scene Various - Top Of The Hill Bluegrass (The Sugar Hill Collection) The Seldom Scene - Act Four The Bishop's Finger - Seldom Sober Various - Génération Scène Lully, Hugo Reyne, La Simphonie Du Marais - Isis Seldom Seen, Often Heard - Hat Down Low (Radio Edit) The Seldom Scene - Baptizing The Seldom Scene - Old Train Various - Rocky Grass (Live Bluegrass From Colorado) Scene Of The Crime - Prelude.
    [Show full text]
  • B Uegrass Canada I
    BUEGRASS CANADA I The official magazine of the Bluegrass Music Association of Canada www.bluegrasscanada.ca SELDOM SCENE 2012 1976 VOLUME 6 ISSUE 3 AUGUST 2012 WHAT"S INSIDE President Secretary Denis Chadbourn Leann Chadbourn Editor's Message-Pg 2 705-776-7754 705-776-7754 President's Message-Pg 3 Vice-president Treasurer Tips for Bands-Pg 4 Dave Porter Roland Aucoin The Western Perspective-Pg 6 905-635-1818 Feature Article-SELDOM SCENE-Pgs. 7-9 Q & A's With Steep Canyon Rangers-Pgs. 10-13 Maritime Notes Pg. 16 Providence Bay 2012 Pg-18 Directors at Large Advertising Rates Pg 19 Gord deVries Murray Hale 705-4 7 4-2217 Organizational Memberships -Pgs. 20 & 21 519-668-0418 Donald Tarte Tasha Heart-Social Media Just A Bluegrass Wife-Pgs. 23-26 877 -876-3369 Wilson Moore Congratulations to Spinney Brothers-Pg 26 Bill Blance Jerry Murphy, Region 1 SPECIAL NOTICE-Pg. 27 Representative 905-451-9077 Tim's CD Reviews-(Unavailable for this publication) Rick Ford- Region 4 Music Biz Article (Unavailable for this publication) Representative Advertising Pages-various pages Editor's Message - Any bands wishing to have this information included must provide itto me before September 15th, 2012. The Leann Chadbourn email address to send it to is at the bottom of this page We have some great articles in this issue with our trusty and on the Notice. writers, Gord DeVries, Denis Chadbourn, Diana van Holten, Wilson Moore & Darcy Whiteside. Since it's vacation time I Again, BMAC welcomes any interesting articles or infor­ took it seriously, and didn't get out reminders to everyone for mation relevant to Bluegrass and are hopeful to start receiv­ our deadline dates so we will be missing our Music Biz Arti­ ing articles from Coast to Coast.
    [Show full text]
  • Ctba Newsletter 1607
    Volume 38, No. 7 © Central Texas Bluegrass Association July 2016 Sunday, July 3: Band Scramble and Garage Sale at Threadgill’s s in previous years, our annual band scramble and musical garage sale will take place at A Threadgill’s North location (6416 North Lamar, Austin) from 2-6 PM on Sunday. We test the boundaries of musical chaos while you watch. Here’s the schedule: 2:00 - 4:30: Buy new/used music-related items (instruments, CDs, DVDs, strings, books, etc.). 3:00: Up to six new, on-the-spot bands are formed from bluegrass/old-time pickers with stage experi- ence who sign up ahead of time. 4:00 - 6:00 Bands perform their tunes. Last year we had a total of 51 pickers in seven dif- ferent bands and raised over $2400. The garage sale portion of the event will be where the buffet is usu- ally set up. We’ll have CDs, T-shirts, magazines, instructional materials, maybe even some instru- ments for sale, and if you want to renew your mem- bership or join the CTBA for the first time, there’ll be some board members at the tables to help you. Last year we had some late arrivals who wanted to sign up even after some of the bands had started practicing. This year, it will help if everyone who wants to scramble can sign up by 3 PM so Eddie can get the bands properly sorted out. Mikaela, Derek, and Logan Pausewang, this year’s CTBA Jim Wiederhold participates in last year’s scholarship winners, will perform a few tunes for us band scramble.
    [Show full text]
  • Newsletter #284 County Sales P.O
    NEWSLETTER #284 COUNTY SALES P.O. Box 191 March-April 2007 Floyd,VA 24091 www.countysales.com PHONE ORDERS: (540) 745-2001 FAX ORDERS: (540) 745-2008 FLATT & REB-1820 JOHN STARLING & CAROLINA SCRUGGS STAR “Slidin’ Home” One of the great singers of contemporary Bluegrass and acoustic music, John on NEW DVDS! Starling is back with a superb album that finds him in The big news this month is the release of two DVDs that a perfect setting for his soulful voice. Starling, a feature the legendary, long awaited Martha White Grand founding member of one of the all-time great acous- Ole Opry shows featuring Lester Flatt & Earl Scruggs, and tic bands, the Seldom Scene, was away from ac- originally filmed over 45 years ago. See our brief reviews tively performing for many years while he pursued of the first two volumes on page 2 (about 8 more volumes his career as a surgeon in the medical field. It’s great are projected). We will have these on sale this month for to have him back, especially in a band that is very just $ 18.00 each—they are GREAT. And to celebrate this reminiscent of the Seldom Scene—as well it should good news we are running a special sale on various Flatt & be, condsidering that two members—Mike Auldridge Scruggs CDs this month only (also on page 2). and Tom Gray—were also important & founding members of that group. Unlike the Scene, it’s a group NEW BEAR FAMILY BOXED SETS: without a banjo, but additional members Jimmy Gaudreau (mandolin) and Rickie Simpkins (fiddle) add We have just received our initial supply of two important beautifully to a tasteful and wonderfully musical treat- new Bear Family Boxed sets by BILL MONROE (My ment of some fine Last Days On Earth) and MAC WISEMAN (On Susan’s material.
    [Show full text]
  • GRASS CLIPPINGS Volume 18 Issue 2 June 2013/July 2013
    DESERT BLUEGRASS ASSOCIATION GRASS CLIPPINGS Volume 18 Issue 2 June 2013/July 2013 Editor’s Note: The following article is reprinted with permission from Desert Leaf Magazine (Vol. 27, No. 4, Apr. 2013, pp 41-43.). The article was written by Karen Smith, a local freelance writer. BLUEGRASS IN THE DESERT by Karen Smith When you think about Tucson, what’s the first thing that comes to mind? Believe it or not, for lots of people the answer is bluegrass music! Like our gorgeous sunsets and stately saguaros, bluegrass is a major part of the personality of southern Arizona. How bluegrass became so popular in Tucson is a mystery today. From the oldest bluegrass songs and melodies, we know that early English, Scottish and Irish settlers brought their instruments to America and played the tunes of their native countries. Banjos, fiddles and mandolins were part of their immigration journey. In some cases, washtubs and washboards, and even spoons became part of their sound. The term “bluegrass” specifically refers to the genre of music that evolved from this immigrant music and was championed in the 1940s by American musician Bill Monroe (1911-1996) and his band, Bill Monroe and the Blue Grass Boys, named for Monroe’s home state of Kentucky. In a bluegrass band, traditionally one or more instruments carry the melody, and then each of the instruments, individually, takes a turn playing the melody, with improvisations. These are called breakdowns, and the best of them feature musicians playing faster than water drops dancing on a hot griddle. The breakdown portions of bluegrass songs encourage musicians to develop speed and improvisational skills.
    [Show full text]