The Difference Between Hollywood and Bollywood Actors and Actresses
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Yash Chopra the Legend
YASH CHOPRA THE LEGEND Visionary. Director. Producer. Legendary Dream Merchant of Indian Cinema. And a trailblazer who paved the way for the Indian entertainment industry. 1932 - 2012 Genre defining director, star-maker and a studio mogul, Yash Chopra has been instrumental in shaping the symbolism of mainstream Hindi cinema across the globe. Popularly known as the ‘King of Romance’ for his string of hit romantic films spanning over a five-decade career, he redefined drama and romance onscreen. Born on 27 September 1932, Yash Chopra's journey began from the lush green fields of Punjab, which kept reappearing in his films in all their splendour. © Yash Raj Films Pvt. Ltd. 1 www.yashrajfilms.com Yash Chopra started out as an assistant to his brother, B. R. Chopra, and went on to direct 5 very successful films for his brother’s banner - B. R. Films, each of which proved to be a significant milestone in his development as a world class director of blockbusters. These were DHOOL KA PHOOL (1959), DHARMPUTRA (1961), WAQT (1965) - India’s first true multi-starrer generational family drama, ITTEFAQ (1969) & AADMI AUR INSAAN (1969). He has wielded the baton additionally for 4 films made by other film companies - JOSHILA (1973), DEEWAAR (1975), TRISHUL (1978) & PARAMPARA (1993). But his greatest repertoire of work were the 50 plus films made under the banner that he launched - the banner that stands for the best of Hindi cinema - YRF. Out of these films, he directed 13 himself and these films have defined much of the language of Hindi films as we know them today. -
Shah Rukh Khan from Wikipedia, the Free Encyclopedia "SRK" Redirects Here
Shah Rukh Khan From Wikipedia, the free encyclopedia "SRK" redirects here. For other uses, see SRK (disambiguation). Shah Rukh Khan Shah Rukh Khan in a white shirt is interacting with the media Khan at a media event for Kolkata Knight Riders in 2012 Born Shahrukh Khan 2 November 1965 (age 50)[1] New Delhi, India[2] Residence Mumbai, Maharashtra, India Occupation Actor, producer, television presenter Years active 1988present Religion Islam Spouse(s) Gauri Khan (m. 1991) Children 3 Signature ShahRukh Khan Sgnature transparent.png Shah Rukh Khan (born Shahrukh Khan, 2 November 1965), also known as SRK, is an I ndian film actor, producer and television personality. Referred to in the media as "Baadshah of Bollywood", "King of Bollywood" or "King Khan", he has appeared in more than 80 Bollywood films. Khan has been described by Steven Zeitchik of t he Los Angeles Times as "perhaps the world's biggest movie star".[3] Khan has a significant following in Asia and the Indian diaspora worldwide. He is one of th e richest actors in the world, with an estimated net worth of US$400600 million, and his work in Bollywood has earned him numerous accolades, including 14 Filmfa re Awards. Khan started his career with appearances in several television series in the lat e 1980s. He made his Bollywood debut in 1992 with Deewana. Early in his career, Khan was recognised for portraying villainous roles in the films Darr (1993), Ba azigar (1993) and Anjaam (1994). He then rose to prominence after starring in a series of romantic films, including Dilwale Dulhania Le Jayenge (1995), Dil To P agal Hai (1997), Kuch Kuch Hota Hai (1998) and Kabhi Khushi Kabhie Gham.. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
Eisenstein in It, Possess Cinematic Intelligence, but They Are What Might Be Euphemistical- To’S Museum of Mummies
www.thepeninsulaqatar.com CAMPUS | 6 FASHION | 9 ENTERTAINMENT | 12 Schwier donates Westwood hails Southern cinema books to DeBakey husband as best main source for High School designer Bollywood TUESDAY 8 MARCH 2016 Email: [email protected] thepeninsulaqatar @peninsulaqatar @peninsula_qatar Inside a fifth-floor lab at the Massachusetts Institute of Technology, a 76-year-old neuroscientist is helping to reinvent psychiatry by hotwiring the brains of mice. MEMORY CELLS MANIPULATION P | 4-5 TUESDAY 8 MARCH 2016 | 03 CAMPUS BFIS holds Variety Show colourful Variety Show was or- institution is not merely a school but ior classes exhibiting their talent and skills dresses of the little champs, the audi- ganised at Bright Future Inter- an ideal place for students’ grooming through a fascinating performance on ence couldn’t help appreciating them. Anational School (BFIS). Students and nurturing in true letter and spirit. “Frankenstein”. ‘Respecting women’ was BFIS is a home to more than 35 nation- exhibited their talents throught enter- After recitation and principal’s ad- the theme for the Urdu play. However, this alities. Representatives from different tainment programmes. dress, the festivities of the evening start- serious topic was staged with a dose of nationalities performed their dance The audience comprised of par- ed with a note of welcome to the audi- comedy. To present a tribute to the Moth- forms followed by a vibrant and pul- ents and students. Wajid Hassan Hash- ence delivered by the Head Girl. A troupe er Earth, a colourful thematic perform- sating exhibition of multi-lingual danc- mi, Deputy Head of Mission the Paki- of students from junior wing appeared ance by the senior students added more es including English, Arabic and Pun- stan embassy was the Chief Guest. -
Bollywood Star Kangana Ranaut Takes on the Media with Panache. P4-5
Community Community Toastmasters World District renowned DJ P7116-Qatar P16 and American emerges as the electronic music topmost district in the producer Marshmello world for the 2018-19 to perform at QNCC ranking. today. Thursday, July 25, 2019 Dhul-Qa’da 22, 1440 AH Doha today: 320 - 390 SStartar wwarsars COVER Bollywood star Kangana Ranaut takes STORY on the media with panache. P4-5 REVIEW SHOWBIZ Tarnished gold lurking Casting directors in the Hollywood hills. play big part today. Page 14 Page 15 2 GULF TIMES Thursday, July 25, 2019 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.29am Shorooq (sunrise) 4.58am Zuhr (noon) 11.42am Asr (afternoon) 3.08pm Maghreb (sunset) 6.25pm Isha (night) 7.55pm USEFUL NUMBERS Arsass Karaan opinion about life. understand their families but are given a DIRECTION: Gippy Grewal The elderly men believe spending time week to accomplish this. CAST: Gippy Grewal, Gurpreet with each other and communicating may Will Sehaj and Magic manage to fi nd Ghuggi, Meher Vij help bridge their gap. But each time the a common thread for the three diff ering SYNOPSIS: Ardass Karaan explores family plans to spend time with each generations to live together in harmony? the generation gap faced by families. other they end up arguing. How will they use Ardaas (prayer) to Emergency 999 Three elderly men live in Canada with One day, the elderly gentlemen come convey their message about life? Worldwide Emergency Number 112 their families and realise that each across Sehaj and Magic who are full Kahramaa – Electricity and Water 991 generation -
Jammu Tuesday April 24 2018
CyanMagentaYellowBlack K Price 2.00 Pages : 12 K M M Y Y C C JAMMU TUESDAY APRIL 24 2018 VOL. 33 | NO. 112 RNI No. 43798/87 REGD. NO. : JM/JK 118/15 /17 epaper.glimpsesoffuture.com Email: [email protected] WORLD NATIONAL SPORTS US hunts semi-nude Cong trying to run Gowtham knock gunman disarmed by country through sponsored was a life-time experience: 'hero' after 4 killed litigation: Prasad Samson Sushma Swaraj meets Xi ‘Ministerial reshuffle; Amit Shah to ahead of Wuhan summit meet JK BJP core group tomorrow’ Srinagar, Apr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eijing, Apr 23 (PTI) B5CD?6D85C5F5>6?B597>=9> !1C8=9B81BD9I1 1>D1 /5CD?@<5145BC?6D85 & #9>9CDBIK65F5BID89>77?5C 3EC549>B1@51>4=EB45B?6 D?<4!$)?F5B@8?>58?G5F &AE?D1 9CD5BC?6D85)%89>1B5 &1BDI9>5<89D?=?BB?GD? 6B?=D85 1==E1>4 G5<<D85B5C8E66<51>4?1D8 I51B?<4>?=1479B<9> 5B494>?D49FE<75D85175>41 #51>G89<5C?EB35CC194 HD5B>1<6619BC#9>9CD5B 71B4C2??CD9>7D8545F5<?@ 69>1<9J5D85>1=5C?6@1BDI -
Tabla 1:Festivales Y Premios Cinematográficos
Tabla 1:Festivales y premios American Choreography Arts and Entertainment Critics cinematográficos Awards, USA Awards, Chile http://www.imdb.com/Sections/ American Cinema Editors, USA Artur Brauner Award Awards/Events American Cinema Foundation, Ashland Independent Film USA Festival American Cinematheque Gala Asia-Pacific Film Festival 2300 Plan 9 Tribute Asian American Arts 30th Parallel Film Festival American Comedy Awards, Foundation 7 d'Or Night USA Asian American International American Film Institute, USA Film Festival - A – American Independent Film Asianet Film Awards Festival Aspen Filmfest A.K.A. Shriekfest American Indian Film Festival Aspen Shortsfest ABC Cinematography Award American Movie Awards Association for Library Service ACTRA Awards American Screenwriters to Children AFI Awards, USA Association, USA Athens Film Festival, Georgia, AFI Fest American Society of USA AGON International Meeting of Cinematographers, USA Athens International Film Archaeological Film Amiens International Film Festival ALMA Awards Festival Athens International Film and AMPIA Awards Amnesty International Film Video Festival, Ohio, USA ARIA Music Awards Festival Athens Panorama of European ARPA International Film Amsterdam Fantastic Film Cinema Festival Festival Atlanta Film Festival ASCAP Film and Television Amsterdam International Atlantic City Film Festival Music Awards Documentary Film Festival Atlantic Film Festival ASIFA/East Animation Festival Anchorage International Film Atv Awards, Spain ATAS Foundation College Festival Aubagne International -
Nowadays, the Meaning of Comedy Is Changed: Krushna Abhishek Krushna Abhishek Is Known for His Comic Roles in the films and TV
TM Volume 5 I Issue 08 I March 2020 I Film Review p27 John Abraham to produce well-known social entrepreneur Revathi Roy’s biopic p06 Social values and cinema p25 Nowadays, the meaning of Sanjay Dutt sets the bar high as the quintessential villain. Check the list! comedy is changed: p08 KRUSHNA ABHISHEK #BOLLYWOODTOWN CONTENTSCONTENTS ¡ Sanjay Dutt sets the bar high as the ¡ Karisma Kapoor along with ACE quintessential villain. Check the list! Business Awards to felicitate Achievers p08 p20 p34 Small Screen ¡ John Abraham to produce well-known social entrepreneur p30 Revathi Roy’s biopic Fashion & Lifestyle p06 ¡ "Now people are curious and they want to watch such films", Fatima Sana Shaikh spills beans on the shift in Bollywood p14 ¡ Social values and cinema p25 ¡ Himansh Kohli on break up with Neha Kakkar: She would cry on shows and people would blame me! p16 p10 Cover Story ¡ Film Review p27 From the publisher's desk Editor : Tarakant D. Dwivedi ‘Akela’ Editor-In-Chief : Yogesh Mishra Dear Readers, Sr. Columnist : Nabhkumar ‘Raju’ The month of February was an average month for many of the filmmakers. Spl. Correspondent : Dr. Amit Kr. Pandey (Delhi) Movies released in the month were- Shikara, Malang, Hacked, Love Aaj Kal, Graphic Designer : Punit Upadhyay Bhoot Part One: The Haunted Ship, Shubh Mangal Zyada Saavdhan, The Sr. Photographer : Raju Asrani Hundred Bucks, Thappad, Guns of Banaras, Doordarshan and O Pushpa I Hate Tears etc. COO : Pankaj Jain Hardly few of the movies did an average business on box office, rest of the Executive Advisor : Vivek Gautam movie could not do well on box office. -
Institutional Equities Event Update
Institutional Equities Film Exhibition Sector 2 May 2017 ‘Baahubali 2’ Augurs Well For FY18 Girish Pai ‘Baahubali 2’, which was released on 28 April 2017, has beaten all historical records in the Indian Head of Research film industry by clocking gross box office collection (GBOC, revenue prior to entertainment tax [email protected] being deducted) globally of Rs5.2bn over three days (Friday, Saturday and Sunday) based on media +91-22-3926 8017 reports. This includes domestic GBOC of ~Rs4bn and ~Rs1.2bn in overseas markets (of which 60% came from North America). This marks a tremendous start to FY18 for the two film exhibition players, PVR and Inox Leisure, which will benefit from the very high occupancy rate, higher ATP and also higher bargaining power vis-à-vis advertisers. Unlike FY17, which was impacted by insipid content (except for a late flourish from ‘Dangal’), we believe FY18 could be a great year with the start provided by ‘Baahubali 2’ and a slate of blockbusters that are likely to be released in the rest of FY18 (Exhibit 2 provides the slate of movies in FY18). We are positive on the film exhibition sector (see sector report Indian Film Exhibition Sector- Oligopolistic Business In Its Infancy; GST To Lift Margins And RoIC). We believe that: (1) Indian multiplex industry is an oligopoly (top four players control ~70% of screens) and will remain so as entry barriers are quite formidable and there are no substitutes. This industry structure will deliver steady revenue growth, and improve margins as well as RoIC over a long period of time. -
Important: 1. the List Mentioned Below Is Based on the Online Submission of the Application Form by the Applicant
DELHI PUBLIC SCHOOL - ROHINI LIST OF CANDIDATES [GENERAL CATEGORY] APPLIED FOR ADMISSION TO ENTRY LEVEL CLASS NURSERY (2019-2020) Important: 1. The list mentioned below is based on the online submission of the application form by the applicant. 2. The school reserves the right to cancel the application of any candidate at any stage due to wrong / incorrect information provided by the applicant. 3. In case of any discrepancy, kindly write to [email protected] by 12 noon, 23 January 2019 (Wednesday). SNO APPL NO NAME DOB AGE AS ON 31.03.19 GENDER FATHER'S NAME MOTHER'S NAME RESIDENTIAL ADDRESS 1 133 DARSHITA SAHU 23-09-2015 3 years, 6 month, 8 days Female RAJEEV SAHU SANJANA SAHU A-5/35 SECTOR-15 ROHINI DELHI 110089 A-23, Rajiv Nagar Phase2, Near Rohini sector 22, New Delhi 2 134 Reyansh Kaushik 13-03-2016 3 years, 0 month, 18 days Male Kamal Kaushik Megha Kaushik 110086 JASMEET SINGH FLAT NO. 61, POCKET - 23, UNITY APPARTMENT, SECTOR - 24, 3 135 HARJAS SINGH SAHNI 06-05-2015 3 years, 10 month, 25 days Male SAHNI DILRAJ KAUR ROHINI, DELHI - 110085 4 190003 ARSH GOEL 15-02-2016 3 years, 1 month, 16 days Male NITIN GOEL NANCY GOEL AB-38, MIANWALI NAGAR, PASCHIM VIHAR, DELHI-110087 DEEPTI 5 190005 LAKSHIV SAXENA 20-10-2015 3 years, 5 month, 11 days Male NIMISH SAXENA SRIVASTAVA B8/108 SECTOR-4 ROHINI 2ND FLOOR, HOUSE NO-63/64, POCKET-2, BLOCK-H, SECTOR- 6 190006 JIVANSSH SEAM 07-06-2015 3 years, 9 month, 24 days Male KARAN SEAM BHAWNA SEAM 16, ROHINI, DELHI-110085 7 190007 Avyan Hira 14-04-2015 3 years, 11 month, 17 days Male Punit Hira -
Westminsterresearch the Digital Turn in Indian Film Sound
WestminsterResearch http://www.westminster.ac.uk/westminsterresearch The Digital Turn in Indian Film Sound: Ontologies and Aesthetics Bhattacharya, I. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Mr Indranil Bhattacharya, 2019. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] THE DIGITAL TURN IN INDIAN FILM SOUND: ONTOLOGIES AND AESTHETICS Indranil Bhattacharya A thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy March 2019 ii Abstract My project maps film sound practices in India against the backdrop of the digital turn. It is a critical-historical account of the transitional era, roughly from 1998 to 2018, and examines practices and decisions taken ‘on the ground’ by film sound recordists, editors, designers and mixers. My work explores the histories and genealogies of the transition by analysing the individual, as well as collective, aesthetic concerns of film workers migrating from the celluloid to the digital age. My inquiry aimed to explore linkages between the digital turn and shifts in production practices, notably sound recording, sound design and sound mixing. The study probes the various ways in which these shifts shaped the aesthetics, styles, genre conventions, and norms of image-sound relationships in Indian cinema in comparison with similar practices from Euro-American film industries. -
Using Academy Awards to Predict Success of Bollywood Movies Using Machine Learning Algorithms
(IJACSA) International Journal of Advanced Computer Science and Applications, Vol. 10, No. 2, 2019 Using Academy Awards to Predict Success of Bollywood Movies using Machine Learning Algorithms 1 Salman Masih Imran Ihsan2 Department of Computer Science Department of Computer Science University of Sialkot Air University Sialkot, Pakistan Islamabad, Pakistan Abstract—Motion Picture Production has always been a risky way to predict movie success before its release or even before and pricey venture. Bollywood alone has released approximately its production starts? Jack Valente, President and CEO of 120 movies in 2017. It is disappointing that only 8% of the movies (MPAA)1 once said, “No one can tell you how a movie is have made to box office and the remaining 92% failed to return going to do in the marketplace. Not until the film open is the total cost of production. Studies have explored several darkened theater and sparks fly up between the screen and determinants that make a motion picture success at box office for audience”. This statement has just enlightened us about the Hollywood movies including academy awards. However, same complexity involved in predicting a success of a movie. Just to can’t be said for Bollywood movies as there is significantly less make it clear, success means a financial success at box office. research has been conducted to predict their success of a movie. Research also shows no evidence of using academy awards to In year 2014, success rate of the movies particularly in predict a Bollywood movie’s success. This paper investigates the Bollywood was quite disappointing ranging from 9-10% and possibility; does an academy award such as ZeeCine or IIFA, wasted around 23.50 Billion Indian Rupees according to previously won by the actor, playing an important role in movie, empirical data.