DOCSLIB.ORG

Gebirge the Seven Deadly Sins

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gebirge the Seven Deadly Sins __BAmL..----_ BROOKLYN ACADEMY OF MUSIC PINA BAUSCH TANZTHEATER WUPPERTAL GEBIRGE THE SEVEN DEADLY SINS - E~~ =~-- . FE S T I V A L • 8 5 BRQOKLYNACADEMY OF MUSIC !!!!!!!!!!!!!! Harvey Lichtenstein, President and Chief ~ecutive Officer !!!!!!!!!!!!!!! Thursday~ October 17, 1985 at 8:00 pm Friday, October 18, 1985 at 8:00 pm Saturday, October 19, 1985 at 8:00 pm Sunday, October 20,.1985 at 2:00 pm Monday, October 21, 1985 at 8:00 pm ~esday, October 22, 1985 at 8:00 pm PINA BAUSCH TANZTHEATER WUPPERTAL THE SEVEN DEADLY SINS An evening of danc~by Pina Bausch Direction and choreography Pina Bausch Sets and costumes Rolf Borzik Assisted by Marion Cito, Hans Pop Technical Directors Dieter Simon, Robert Windecker Text by Bertolt Brecht Music by ·Kurt Weill Conducted by Michael TIlson Thomas Orchestraof·St. Luke's THE SEVEN DEADLY SINS bas been used by arrangement with European American Music Distributors Corporation, sole U.S. agent for B. Schott's Soebne, publisher and copyright owner, and The Kurt Weill Foundation for Music, Inc. KLEINE DREIGROSCHENMUSIK., HAPPY END, AUFSTEIG UNO FALL DER STADI' MAHAOONNY and DREIGROSCHENOPER lurYe been used by arrangement with European American Music Distributors Corporation, sole U.S. agent for Universal Edition, publisher and copyright owner, and The Kurt Weill Foundation for Music, Inc. N EXT WAVEFE S·T VA l. 1 9 8 5 ·The NEXT WAVE Production and Touring Fund is supponed by ·the National Endowment for the Arts. the National Endowment for the Humanities. the Rockefeller Foundation. the Ford Foundation. the Pew Memorial Trus~. Remy Manin Amerique. AT&T, the William and Flora Hewlett Founda­ tion.WilliWear Ltd .• Goethe House New York. the New York Council for the Humanities. the Educational Foundation of America. the Howard Gilman Foundation. the Best Prod~cts Foundation. Meet the Composer. Inc.. Abraham & Straus/Federated Depanment Stores Foundation. Inc.• the CIGNA Co~tion. Mary Boone Gallery. and the BAM NEXT WAVE Producers Council. Additional funds fOf the NEXT .W4VE FFSfIVAL ~re provided. by ¥New York State Cou.ncil onthe Arts. the Mary Flagler Cary Charitable Trust. Philip Morris"Incorporated. the New York Community 'rrust. Manufacturers Hanover, Lila Acheson Wallace. the National Institute for Music Theater, the William and Mary Greve Foundation. Inc;. the Samuel I. Newhouse Foundation. Schlumberger Foundation. Inc., the New York City Depanment ofCultural Affairs. and Cointreau America. Inc. WNYC-FM 94 is the official radio station of the NEXT WAVE.. The opening night of the NEXT W4VE FFSfIVAL has been sponsored by Remy Manin Amerique. The presentations ofthe Pina BauschTanztheater Wuppertal. the Reinhild Hoffmann Tanztheater Bremen, Mechthild Grossmann and Susa~ Li~ke have been made possible in part by a special grant from Goethe House New York,. Joseph V.. Melillo, Director Michael O'Rand, General Manager Julb:l Gillett,Director_ of Production OCTOBER 7, 1985 13 THE SEVEN DEADLY SINS The Cast Annal Ann HolirmlSilvia Kesselheim Annan Josephine Ann Endicott The Family Franz-Josef Bommer Arthur Friesen Zsolt KetSzery Siegfried Schmidt Arnaldo Alvarez, Jacob Andersen, Anne Marie Benati, Benedicte Billiet, Rolando Brenes·Calvo, Antonio) Carallo, Finola Cronin, Jean-Francois Duroure, Dominique Duszynski, Kyomi·lchida, Bernadette Iglich, Urs Kaufmann, , Ed Kortlandt, Beatrice Libonati, Melanie Karen Lien; Elena Majnoni, Anne Martin, Dolninique Mercy, Jan Minarik, Nazareth Panadero, Helena Pikon, Hans Pop, Arthur Rosenfeld, Monika Sagon, Jean-Laurent Sasportes, Mark· Sieczkarek, Francis Viet Intermission DON'T BE AFRAID A work with songs and 'music from Threepenny Opera, Kleine Dreigroschenmusik, Happy End, The Berlin Requiem, and The Rise and.Fall·ofthe City ofMahogonny with Mechthild Grossmann, Ann Holing, Silvia Kesselheim and Erich Leukert and Arnoldo Alvarez, Jacob Andersen, Anne Marie Benati, Benedicte Billiet, Rolando Brenes Calvo, Antonio Carallo, Finola/ Cronin, Jean-Francois Dutoure, Dominique Duszynski, Josephine Ann Endicott, Kyomi Ichida, Bernadette Iglich, Urs Kaufmann, Ed Kortlandt, Beatrice.Libonati, Melanie Karen Lien, Elena Majnoni, Anne Martin, Dominique Mercy, Jan Minarik, Nazareth Panadero, HelenaPikon, Arthur Rosenfeld, Monika Sagon, Jean-Laurent Sasportes, Mark ,Sieczkarek, Francis Viet BROOKLYN ACADEMY OF MUSIC !!!!!!!!!!!!!!! Harvey Lichtenstein, President and ChiefExecutive Officer !!!!!!!!!!!!!!! OpetaHouse Thesday, October 8, 1985 at 8:00 pm Wednesday, October 9, 1985 at 8:00 pm , Thursday, October 10, 1985 at 8:00 pm Friday, October II, 1985 at 8:00 pm PINA BAUSCH TANZTIlEATER WUPPERTAL AUF DEM GEBIRGE HAT MAN EIN GESCHREI GEHORT (00 the Mouotain A Cry Was Heard) . _ .. A piece by Pina Baui,s~h Direction and choreography Pina Bausch Sets Peter Pabst Costumes Marion Cito Dramaturgy Raimond Hoghe Assisted by Matthias Burkert, Hans Pop Technical Directors Dieter Simon, Robert Windecker The Cast Jacob Andersen, Anne Marie Benati, Benedicte Billiet, Rolando Brenes Calvo, Matthias Burkert, Antonio Carallo, Finola Cronin, Jean~FrancoisDuroure, Dominique Duszynski, Josephine Ann Endicott, Lutz Forster, Kyomi Ichida, Urs Kaufmann, Silvia Kesselheim, Ed Kortlandt, Beatrice Libonati, Melanie Karen Lien, Anne Martin, Dominique Mercy, Jan Minarik, Nazareth Panadero, Helena Pikon, Arthur Rosenfeld,.Jean-Laurent Sasportes, Mark Sieczkarek, Francis Viet . Music by Billie Holiday, Henry Purcel, Tommy Dorsey, Felix Mendelssoh~-_ Bartholdy, Heinrich Schutz, Errol Garner, Fred Astaire, Boris Vian, Gerry Mulligan, Johnny Hodges, Enrico Caruso, Lucienne Boyer, Insh pipe music, and others There will be one intermission NEXT WAVE FESTIVAL 1985 The NEXT WAVE Production and Touring Fund is supported by the National'Endowment for the Arts. the National Endowment for the Humanities. the Rockefeller Foundation. the Ford Foundation. the Pew Memorial Trust. Remy Martin Amerique. AT&T. the William and Flora Hewlett Founda­ tion. WilliWear Ltd .. Goethe House New York. the New York Council for the Humanities. the Educational Foundation of America. the Howard Gilman Foundation. ,the Best Products Foundation. Meet Jhe·Composer. Inc.• Abraham & Straus/Federated Department Stores Foundation. Inc.• the CIGNA Corporation. Mary Boone Gallery. and the BAM NEXT W4VE Producers Council. Additional funds for the NEXT W4VE FESTIVAL arc provided by the New York State Council on the Arts. the ~arY Flagler Cary Charitable Trust. Philip Morris Incorporated. the New York Community Trust. Manufacturers Hanover. Lila Acheson Wallace. the National Institute for Music Theater. the William and Mary Greve Foundation. Inc.• the Samuel I. Newhouse Foundation. Schlumberger Foundation. Inc.• the New York City Department ofCultural Affairs. and Cointreau America. Inc. WNYC-FM 94 is the official radio station of the NEXT WAVE. The opening night of the NEXT W4VE FESTIVAL has been sponsored by Remy Martin Amerique. The presentations ofthe Pina Bausch Tanztheater Wuppertal. the Reinhild Hoffmann Tanztheater Bremen. Mechthild Grossmann and Susanne Linke have been made possible in part by a special grant from Goethe House New York. Joseph V. Melillo, Director Michael O'Rand, General Manager Julia Gillett, Director ofProduction / 18 PINA BAUSCH was born in Solingen, Germany in 1940. At the age of fifteen she began her studies at the Folkwang School under the direction of Kurt 100ss. She finished her studies there in 1959, and received a special scholarship to come to the United States. In New York she was a special student at the luilliard School, and a member of the Dance Company of Paul Sansardo and Danya Feuer. She worked with the New American Ballet and the Metropolitan Opera Ballet. In 1962 she return­ ed to Germany as a soloist with the newly-formed Folkwang Ballet, where she began to choreograph in 1968 and in 1969 became director. In 1m she was invited to stage the bacchanal in a Wuppertal production of Wagner's Tannhdllser, and her innovative choreography won her the position of ballet director in Wuppertal in 1973. She has remained in Wuppertal since 1973. where she has created over 20 pieces. The Tanztheater Wuppertal has toured extensively internation­ ally, and made its United States debut in 1984 at the Olympic Arts Festival in Los Angeles and the Brooklyn Academy of Mu'sic. Photo by Ulli \\\oiss FOR PINA BAUSCH TANZTHEATER WlWPERfAL: Coaches: Jean Cebron, Hans Pop Pianist: Matthias Burkert Stage Manager: Peter Iiitke Set Coordinator: Hans Seeliger Lighting: Robert Windecker Properties: Martina Goy S'ound: Hans-Jiirgen Frunder Wardrobe Supervisor: Evelyn Sehonwald Wardrobe: Harald Boll, Siegfried Gonert, Rosemarie Hess Makeup: Frank Pohler, Anton Ptiear (The Seven Deadly Sins) Shop Supervisor: Leo Haase NEXT WAVE Festival Traffic Control: Bob Thlipan 23 William Steinberg, in the middle of a concert at Lincoln Center. As a result of that tri­ umph, he directed the Boston Symphony in J7 more concerts that season and was appointed its associate conductor. He remained with the Boston Symphony until 1974, concurrently holding the title of music director of the Buffalo Philharmonic from 1971 to 1979. For six seasons, from 1971 to 1977, he directed the nationally televised Young People's Concerts of the New York Philharmonic, displaying what his predeces­ sor, Leonard Bernstein has called "a blinding but lovable brilliance." He served as a prin­ cipal guest conductor of the Los Angeles Philharmonic from 1981 to 1985. MICHAEL TILSON THOMAS is a musi­ Now an exclusive CBS recording artist, cian born and trained in America
Load more

Recommended publications
  • 2010 ANNUAL REPORT Table of Contents
    AMERICANS FOR THE ARTS 2010 ANNUAL REPORT Table of Contents Letter from Expanding Our Notable Events Recognition 0 3 the President 09 Reach: Strategic 15 & Speakers 1 9 Partnerships – Board of Directors – The 23rd Annual – BCA Executive Board Nancy Hanks Lecture on Americans for Arts and Public Policy – Americans for the 0 4 the Arts Family Tree Professional Arts Staff 11 Development: – Arts Advocacy Day – Contributors Educating Our – Half-Century Summit: Making Our Case: Stakeholders 2010 Annual Convention – Top-Level Members 05 Arts Advocacy – Seminar for Leadership in the Arts Shining Our Light: Exploring Our Field: 1 3 Visibility – The National Arts Policy Expenditures Roundtable 2 7 0 7 Research – National Arts Awards Photo Captions – The BCA 10 2 8 – National Arts Marketing Project Conference – Annual Awards & Public Leadership in the Arts Awards From the President Making Our Case Exploring Our Field Expanding Our Reach Educating Our Stakeholders Shining Our Light Events & Speakers Recognition Expenditures 2 Letter from the President In 2010, the United States faced the of innovative thinking we know to I could not agree more. I know Phil be necessary if the arts are not only took pride in what Americans for long-term effects of the Great Recession to survive but to thrive in the years the Arts accomplished in 50 years to come. and I know that his would have been among the strongest voices against the backdrop of profound Americans for the Arts remains urging us to move forward boldly committed to taking this think- political shifts. ideas via our ARTSblog. It’s clear to advance the arts and in doing so ing and using it to lead the fi eld that we have come a long way to advance our country, one com- forward.
    [Show full text]
  • The History of Wake Forest University (1983–2005)
    The History of Wake Forest University (1983–2005) Volume 6 | The Hearn Years The History of Wake Forest University (1983–2005) Volume 6 | The Hearn Years Samuel Templeman Gladding wake forest university winston-salem, north carolina Publisher’s Cataloging-in-Publication data Names: Gladding, Samuel T., author. Title: History of Wake Forest University Volume 6 / Samuel Templeman Gladding. Description: First hardcover original edition. | Winston-Salem [North Carolina]: Library Partners Press, 2016. | Includes index. Identifiers: ISBN 978-1-61846-013-4. | LCCN 201591616. Subjects: LCSH: Wake Forest University–History–United States. | Hearn, Thomas K. | Wake Forest University–Presidents–Biography. | Education, Higher–North Carolina–Winston-Salem. |. Classification: LCCLD5721.W523. | First Edition Copyright © 2016 by Samuel Templeman Gladding Book jacket photography courtesy of Ken Bennett, Wake Forest University Photographer ISBN 978-1-61846-013-4 | LCCN 201591616 All rights reserved, including the right of reproduction, in whole or in part, in any form. Produced and Distributed By: Library Partners Press ZSR Library Wake Forest University 1834 Wake Forest Road Winston-Salem, North Carolina 27106 www.librarypartnerspress.org Manufactured in the United States of America To the thousands of Wake Foresters who, through being “constant and true” to the University’s motto, Pro Humanitate, have made the world better, To Claire, my wife, whose patience, support, kindness, humor, and goodwill encouraged me to persevere and bring this book into being, and To Tom Hearn, whose spirit and impact still lives at Wake Forest in ways that influence the University every day and whose invitation to me to come back to my alma mater positively changed the course of my life.
    [Show full text]
  • Wake Forest Magazine December 2001
    2000-2001 Honor Roll of Donors Wake For e st M A G A Z I N E Volume 49, Number 2 December 2001 Wake For e st M A G A Z I N E and Honor Roll of Donors Features 16 After Disaster by Cherin C. Poovey An American tragedy bonds the University community in patriotism, compassion, unity, and hope. 23 Religion of Peace? by Charles A. Kimball Understanding Islam means grasping its complexities, which are rooted in rancor. 28 Opportunity Knocks by Liz Switzer The Richter Scholarships open doors for five students to study abroad— and open their eyes as well. Page 16 Essay 34 Great Expectations Page 28 by Leah P. McCoy Reflective students in the Class of 2001 say Wake Forest met most of theirs. Departments Campus Chronicle 2 52 Honor Roll of Donors 14 Sports 37 Class Notes Page 34 Volume 49, Number 2 December 2001 2 Campus Chronicle New school ‘a natural partnership’ Engineering a President Thomas K. Hearn Dean, senior vice president for Jr. said the new school will aid health affairs of Wake Forest. r esource in the transformation of “Currently, all of the top NIH- Winston-Salem’s economy. funded institutions have an AKE FOREST and “The school will strengthen engineering school or biomed- WVirginia Tech (Virginia Wake Forest’s intellectual ical engineering department. Polytechnic Institute and resources, thereby strengthening This new school will address State University) have the capabilities of the Piedmont the goals of both institutions.” announced plans to establish Triad Research Park.” If the planning proceeds as a joint School of Biomedical “This is a natural partner- hoped, the universities will Engineering and Sciences.
    [Show full text]
  • Annual Report 1996
    • MM 1996 ANNUAL REPORT NATIONAL GALLERY OF ART 1996 Annual Report Copyright © 1997, Board of Trustees, Cover: Hans Hofmann, Autumn Gold (detail), 1957, Details illustrated at section openings: National Gallery of Art, Washington. Robert and Jane Meyerhoff Collection, 1996.81.4 p. 5: James Peale, Fruit Still Life with Chinese Export All rights reserved. Basket, 1824, oil on wood, Gift of Mr. and Mrs. Frontispiece: Jan van Huysum, Still Life with Flowers Thomas M. Evans, in Honor of the 50th Anniver- This publication was produced by the and Fruit (detail), c. 1715, Patrons' Permanent Fund sary of the National Gallery of Art, 1990.7.1 and Gift of Philip and Lizanne Cunningham, Editors Office, National Gallery of Art, p. 7: Odilon Redon, Large Vase with Flowers, 1996.80.1 c. 1912, oil on canvas, Gift (Partial and Promised) Editor-in-chief, Frances P. Smyth of John C. Whitehead, in Honor of the 50th Editor, Tarn Curry Bryfogle Photographic Credits: Anniversary of the National Gallery of Art, Editorial Assistant, Mariah Seagle Works of art in the National Gallery of Art's collec- 1990.64.1 tions have been photographed by the department Production Manager, Chris Vogel p. 9: William Michael Harnett, My Gems, 1888, oil of imaging and visual services. Other photographs on wood, Gift of the Avalon Foundation, 1957.5.1 are by: Anthony Grohowski (p. 32), James Locke Designed by Susan Lehmann, (pp. 31-33), Robert Shelley (pp.36, 38), and Rex p. 13: Georges Braque, Still Life: Le Jour, 1929, oil Washington, DC Stucky (p. 60), on canvas, Chester Dale Collection, 1963.10.91 p.
    [Show full text]
  • Obama National Arts Policy Committee
    OBAMA NATIONAL ARTS POLICY COMMITTEE A MESSAGE FROM GEORGE STEVENS, JR. AND MARGO LION Co-Chairs of the Obama Arts Policy Committee We want to urge all of our friends in the arts community to help us ensure that on November 4th Barack Obama is elected President of the United States. Barack Obama has demonstrated the creative imagination and the political acumen to bring forth the kind of change our country needs. We have watched him over the past year and a half show thoughtful judgment and inspire confidence in these especially difficult times. And we are certain his election will send a signal to people everywhere that America is moving forward in a way that respects the differences between us while honoring our shared hopes for the future. We were thrilled when Barack Obama asked us in May of 2007 to chair the Arts Policy Committee for his campaign. His decision to create such a committee was unique in this election cycle. The committee engaged artists, cultural leaders, art educators and arts advocates to explore and better understand the major issues confronting the arts in this country, and to advise Barack as he developed his policy positions. We are therefore pleased to be able to present the attached “Arts Policy Fact Sheet” which provides a summary of the actions needed in order to significantly advance the arts in America, and to ensure the arts and creative resources of this country play a role in addressing the many pressing problems and opportunities we face as a nation. We encourage you to circulate the Obama Arts Policy Fact Sheet to all of your colleagues and friends.
    [Show full text]