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Ask the Judge Questions About Dressage with Amy Mcelroy
Ask the Judge Questions about Dressage With Amy McElroy Amy McElroy is a USEF R judge, qualified to officiate at any USEF recognized show at all national dressage levels. She rides, trains and teaches at Fairlane Farm in Aiken and judges about a dozen dressage shows and events each year. In her popular Ask the Judge column, she answers readers’ questions about dressage. Dear Amy, in recent years. They come in many styles, are comfortable, cool and lightweight. Some even come with “bling.” I am getting ready to start this year’s show season at the Fourth There are also a few other recent changes in the rules for proper Level. I just got a gorgeous top hat for Christmas. My trainer has attire. The rules state that in Fourth Level and below “A short riding always told me that when I can come down the centerline in the coat of conservative color . is mandatory.” Proper conservative canter, it would be time for me to wear my top hat. When my colors are: black, grey, navy or brown. A newer rule says that coats husband learned that I would be showing Fourth level, he surprised may have contrast coloring, and/or piping. For example a black coat me with this gift. with light pink collars would be acceptable, or a grey coat with black So, now that I am ready and I have the hat, I have heard that I can collars. A cutaway coat is also permitted – this is like a modified no longer wear it in Fourth level. -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
Hat Should I Wear for a Horse Show? While the Answer to This Question
hat should I wear for a horse show? While the answer to this question will W vary depending on whether you are riding in a local schooling show or competing in a rated show (e.g. the “A” rated Midstates Horse Shows in Mason City, or the “B” rated Valley Park in Des Moines), the following information should help you figure out what is appropriate. If you have any questions about whether something is appropriate, ask your trainer. This is always good advice. Helmet & Hair Whether you are jumping huge fences or just sitting on your horse waiting for your lesson to begin, accidents can happen to anyone, at any time. Thus, any time you are mounted you need to be wearing a helmet with the chin-strap fastened. Purchase an ASTM/SEI-approved helmet that hasn’t been involved in a fall. After a serious impact resulting in obvious helmet damage, discard the helmet and buy a new one. You May wish to replace it even if there is no external damage. The general rule is to replace a helmet every 5 years, whether or not it has been involved in a fall. When trying on helmets, wear your hair as you’ll wear it when riding, as this will affect the fit. Helmets should fit snugly and be worn over the top of your head, with the brim resting just above your eyebrows. Do not wear your helmet perched on top of your head, or tilted back. If your helmet wiggles when you shake your head, it is too large. -
Historic Costuming Presented by Jill Harrison
Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs. -
Miss Lisa Brown's Guide to Dressing for a Regency Ball – Gentlemen's
MMiissss LLiissaa BBrroowwnn’’ss GGuuiiddee ttoo DDrreessssiinngg ffoorr aa RReeggeennccyy BBaallll –– GGeennttlleemmeenn’’ss EEddiittiioonn (and remove string!) Shave Jane Austen & the Regency face every Wednesday and The term “Regency” refers to years between 1811 Sunday as per regulations. and 1820 when George III of the United Kingdom was deemed unfit to rule and his son, later George Other types of facial hair IV, was installed as his proxy with the title of were not popular and were “Prince Regent”. However, “Regency Era” is often not allowed in the military. applied to the years between 1795 and 1830. This No beards, mustaches, period is often called the “Extended Regency” goatees, soul patches or because the time shared the same distinctive culture, Van Dykes. fashion, architecture, politics and the continuing Napoleonic War. If you have short hair, brush it forward into a Caesar cut style The author most closely associated with the with no discernable part. If your Regency is Jane Austen (1775-1817). Her witty and hair is long, put it into a pony tail engaging novels are a window into the manners, at the neck with a bow. lifestyle and society of the English gentry. She is the ideal connexion to English Country Dancing as Curly hair for both men and each of her six books: Pride and Prejudice , Sense women was favored over straight and Sensibility , Emma , Persuasion , Mansfield Par k hair. Individual curls were made and Northanger Abbey, feature balls and dances. with pomade (hair gel) and curling papers. Hair If you are unable to assemble much of a Regency wardrobe, you can still look the part by growing your sideburns The Minimum and getting a Caesar cut If you wish to dress the part of a country gentleman hairstyle. -
Mvrc Members' Dress Standards
MVRC MEMBERS’ DRESS STANDARDS MEN - TRADITIONAL APPLIES TO ALL DAY MEETINGS EXCLUDING SUMMER MEETINGS Gentlemen (including children 13 & over) are required to wear a collar and tie, tailored trousers and either a suit coat, sports coat or blazer. NOT PERMITTED: Any variation of runner including boat shoes, joggers, sandals, thongs or any dilapidated footwear. Denim and denim-look clothing, jeans, jodhpurs, shorts, shirts without a collar, polo shirts, parkas, windbreakers, tracksuits, jackets including bomber jackets, duffle coats, untailored leather jackets, peaked caps, beanies, pullovers or cardigans without a jacket, sporting guernseys. WOMEN APPLIES TO ALL MEETINGS Ladies are expected to maintain a suitable standard of dress in keeping with the distinction of the Members’ Reserve. NOT PERMITTED: Any variation of runner including joggers, rubber thongs or any dilapidated footwear. Denim and denim look clothing, jeans, jodhpurs, polo shirts, parkas, windbreakers, tracksuits, jackets including bomber jackets, duffle coats, untailored leather jackets, peaked caps, beanies, sporting guernseys, any clothing revealing excessive bare midriff. CHILDREN UNDER 13 YEARS Children 13 years and under are expected to maintain a suitable standard of dress at all race meetings. Visit thevalley.com.au for more info. MVRC MEMBERS’ DRESS STANDARDS MEN - RELAXED APPLIES TO ALL NIGHT MEETINGS AND SUMMER DAY MEETINGS Gentlemen (including children 13 & over) are required to wear a collared shirt (polo shirts not permitted) with tailored trousers or chinos. No tie is required, and suit coat, sports coat or blazer is optional. Dress shoes or leather boat shoes must be worn. NOT PERMITTED: Any variation of runner including joggers, sandals, thongs or any dilapidated footwear. -
Spring 2014 Men's Collections
Spring 2014 Men’s Collections ©2013 Ralph Lauren Corporation For Spring 2014, Ralph Lauren Purple Label presents the ultimate assortment of navy formalwear, charcoal suits and luxe sportswear with styles ranging from nautical to bright to monochromatic safari. Inspired by the time-honored tradition of Savile Row haberdashery and updated with modern proportions and palettes, formalwear features shawl-collared tuxedos and dinner jackets in navy and white wool. Suiting ranges from meticulously crafted two- and three-piece silhouettes in elegant navy and cool greys with subtle glen plaids to seasonal khaki gabardines and silk linens. Double-breasted lapel vests are modernized as part of trim-fitting three-piece suits. Luxurious silk ties with Art Deco-inspired prints, bengal-striped dress shirts and lightweight linen trousers exude polished 1920s flair made new for today’s gentleman. Nautical themed sportswear is updated with a high-contrast palette of black and white. Double-breasted sweater blazers in the finest cashmere are worn with crisp white shorts and wide-legged sailor pants in lightweight cotton. Graphic Art Deco-inspired block prints adorn spread collar sport shirts, swim trunks and silk scarves. Chunky ribbed cardigans and a black cashmere fisherman’s sweater add texture and depth to layered looks. Outerwear highlights include a military jacket in nylon twill and a black fireman coat crafted from bonded leather. Paying homage to the ultimate African safari, a collection of lightweight linens and artfully crafted leather outerwear is rendered in a palette of tonal creams and khakis. Layered looks feature chunky shawl-collar and roll-neck sweaters along with rumpled linen sport shirts. -
STVM Student Dress Code Standards 2018-2019 Items Not Listed in Standards Are Not Permitted
STVM Student Dress Code Standards 2018-2019 Items not listed in standards are not permitted ITEM STYLE DESCRIPTION POLO SHIRT ● Short sleeved or long sleeved collared Polo shirts must be purchased through approved vendors on STVM STVM polo shirt website. PANTS/SLACKS ● Docker style pants No pants with prints or patterns of any kind or style. ● Only acceptable colors: Black, Gray, No additional patches, pockets, stitching, or zippers. Khaki, Brown, and Navy Must not be ripped, split, frayed, baggy or low-rise. Denim, jean style, or yoga pants of any type or color are not permissible. ● Full-length; straight, boot-leg or flare; Side stripes, patches, pants with drawstrings, elastic ankles, or no “skinny” cut, no form fitting alterations of any kind are not permissible. Must adhere to loose-fitting, business-attire standards for proper fit. No green, red, burgundy, pink, or orange pants. UNDER SHIRT ● Short or long sleeved t-shirts may be Short or long sleeved t-shirts must be a solid color and have no visible worn under the STVM school polo writing or design. Long sleeve undershirts may not be worn with short sleeve polo’s. All shirts worn must be tucked in. SWEATERS ● V-neck or cardigan Purchased through approved vendors on STVM website. ¼ ZIP ● Must be from STVM approved vendors Purchased through approved vendors on STVM website. on website SKIRTS ● Optional for women Permissible uniform skirts may be purchased through Tommy Hilfiger (link on STVM website). Skirts must be worn with tights or panty hose (black, white, grey, tan) No other skirts are permissible. -
Hunting Ettiquite
HUNTING ETIQUETTE I. PROPER ATTIRE A. Hound Exercising from July 6th until the last Saturday before Labor Day when the start of The Formal Cub Hunting begins in September. Just casual work clothes that are comfortable and tidy i.e. no tank tops or shorts, but sleeveless shirts and blue jeans are fine even headgear is casual like a cowboy hat or baseball hat- whatever one wears while working in his stable. B. Cubbing in September and October until opening meet, the first hunting day in November, hacking jackets and ties or turtlenecks with breeches and preferably brown boots (but not too mandatory if one has regular black boots – even with brown tops) or jodhpurs with high lace shoes or jodhpur boots. C. After opening meet: LADIES – Black or blue riding coats or black hunt coats with plain black buttons – four (4) in front, two (2) at waist line at back (don’t worry about cuff buttons), bowler hats are preferred proper attire, but Calientes will be tolerated. Breeches can be any color, but to be especially formal, you may wish to wear yellow. To be totally proper you should wear dummy (not sharp with rowels) spurs with straps that buckle in the middle of the front of your ankle joint and the spur up on the seam at the ankle joint (not at the heel of the boot) like those you would wear at your heel if wearing a jockey’s boot for racing. A white stock properly tied (so there is a criss- cross of the material over a square knot at your Adam’s apple at your throat with a safety pin fastening the criss-cross to the square knot in a vertical NOT HORIZONTAL. -
Dressage Attire & Equipment
Dressage Attire & Equipment updated 4/1/16 ACKNOWLEDGEMENTS The USEF Licensed Officials/Continuing Education Department would like to thank the following for their contributions to this booklet. United States Equestrian Federation, Inc. Dressage Committee Janine Malone – Dressage Technical Delegate, Editor Lisa Gorretta – Dressage Technical Delegate, Assistant Editor Jean Kraus – Dressage Technical Delegate, Assistant Editor Copyright © 2013 Do not reproduce without permission of: United States Equestrian Federation, Inc. 4047 Iron Works Parkway Lexington, KY 40511 www.usef.org 2 Dressage Equipment Booklet Updated 4/1/16 Introduction The purpose of this pamphlet is to assist USEF Dressage Technical Delegates, Dressage Judges and Stewards who officiate Dressage classes at any Federation licensed competition. Officials must be familiar with DR120 and DR121 in the current USEF Rule Book, plus the accompanying photos and drawings. Illustration through photos and drawings have been used to indicate what makes a particular piece of equipment or attire legal or illegal for use at Federation licensed competitions offering Dressage classes. In no way does this booklet supercede the most current USEF Rule Book. *Bits/equipment will be on the website as new items are reviewed plus some additional information on the rules. Updated 4/1/16 Dressage Equipment Booklet 3 Part One - Dress DR120 Dress 1. The dress code for all Dressage tests and classes through Fourth Level (see .5 below) is a short riding coat of conservative color, with tie, choker, stock tie or integrated stand-up collar, white or light-colored breeches or jodhpurs, boots or jodhpur boots, and protective headgear as defined in DR120.6 and in compliance with GR801. -
Incredible Fit & Fantastic Look
Incredible fit fantastic look & Appreciated worldwide, The Dehner Company, Inc. enjoys a long history of exceptional shoe and bootmaking that dates back to 1875, from a little town in Kansas. Their tireless effort has allowed the brand to create a global following—and every boot and shoe is still crafted by hand as was done over a century ago. USA. Dress Blucher Dress Fox Field Patrol Hunt Wellington 3 Buckle Polo - Field Argentine MEASURING INSTRUCTIONS Always measure over clothing to be worn in the footwear. All measurements are to be taken while seated, by someone else. Have your leg crossed over your other knee for circumference measurements 1 through 4. For measurements 5, 6 and 7 place feet flat on the floor. Calf circumference is measured around the largest part of the leg and around the top as illustrated, left. *For height on riding boots, take measure #7 on the inside of the leg and add 11⁄4" for wrinkling at ankles. Drop may vary depending on lining. On Patrol Boots add 3⁄4". Foot tracings are to be taken standing with equal weight on both feet. Draw foot outlines holding the pencil perpendicular to the floor. 1 2 3 4 5 6 7 Ball Waist Instep Heel Ankle Shoe Top Calf Boot Top Boot Height* Foot Size Right Height: Left Weight: 10 DEHNER BOOTS 1-800-989-1500 • Fax 978-952-6633 Order Information CALL: 1-800-989-1500 CUSTOM ORDERS ONLINE: DoverSaddlery.com We require full payment prior to processing custom orders. The customer accepts MAIL: 525 Great Road, Littleton, MA 01460 responsibility for the measurements. -
Rough Justice
ROBERT W WOODRUFF LIBRARY ROUG H JUSTICE R OUGH JUSTICE BY M. E. BRADDON Author of "LADY AUDLEY'S SECRET,' "LONDON PRIDE," ETC. ALL RIGHTS RESERVED LONDON SIMPKIN, MARSHALL, HAMILTON, KENT & CO. Ltd. Stationers' Hall Court 1899 CONTENTS CHARTER /. "HOW SHOULD I GREET THEE?'' ... i CHARTER IL A FELLOW-FEELING ...... 22 CHAPTER III. ALONE IN LONDON ...... 41 CONTENTS CHAPTER IV. PAGE SOME ONE WHO LOVED HIM . • 6i CHAPTER V. AT NUMBER THIRTEEN, DYNEVOR STREET . 86 CHAPTER VI. JOHN FAUNCE'S EXPERIENCES. NO. 29 . 103 CHAPTER VII. AT BOW STREET 138 CHARTER VIII. A DEATH-BLOW 156 CHARTER IX. MR, FAUNCE'S RECORD 172 CHARTER X. CHUMS 195 CHAPTER XL OTHER LIVES 209 vi CONTENTS CHAPTER XII. rAGE NINETEENTH-CENTURY CRUSADERS . 216. CHARTER XIII. MR. FAUNCE'S REPORT CONTINUED ... 233 CHARTER XIV. THE BOYHOOD OF OLIVER GRESWOLD ... 243 CHAPTER XV. MR. FAUNCE CONTINUES ..... 260 CHARTER XVI. WAITING ON FORTUNE ...... 279 CHARTER XVII. FOR THE HAPPINESS OF THE GREATEST NUMBER . 284 CHARTER XVIII. WHAT HE MEANT TO DO 302 CHARTER XIX. THE AMERICAN REMEMBERS . 317 CONTENTS CHARTER XX. r.4CE THE MAN BEHIND THE MASK .... 338 CHARTER XXI. A NEW DEVELOPMENT 352 CHAPTER XXII. THE ENEMY AND AVENGER -73 vui CHAPTER I. " HOW SHOULD I GREET THEE .? " " Is it really, really you ?" " Really, and very really. But what in the name of all that's wonderful can have brought my little Mary to South Africa ? " They had come suddenly face to face in one of the corridors of the Saxon; face to face amid all the hubbub and confusion of a great steamer homeward bound.